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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Young Cross"/1) | (@(roleclean,performerclean) "Young Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8109 results for: Keyword - Young Cross
We found 4163 matches on Performance Comments, 3182 matches on Event Comments, 920 matches on Performance Title, 858 matches on Author, and 1 matches on Roles/Actors.

7276
04 January 1754 @ Drury Lane Theatre

Event Comment: Receipts: #140 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Fortunatus

7277
05 January 1754 @ Drury Lane Theatre

Event Comment: MMacklin has built two magnificent Rooms, ground floor [one] for Coffee, the other a [meeting] Room (Winston MS 8). [The Tuner pub. at 1s. by Dr Hiffernan. Fifty-three pages touching on theatre in general but particularly on Boadicia. There is no plot in the play...Boadicia is a monster well deserving what she suffers; therefore is neither an object of Terror or Compassion: but of Detestation. Sh deserts us in the third act...Tender-hearted Venusia is introduc'd to be whined to death...There is scarce any sentiment throughout; no moral to be deduced...the Diction...favors more of the level, languid, and underepic, than of the vigorous marrowy, tragic style...Never was Author more oblig'd to Performers, they acted to the full amount of his meaning; the Matter often fail'd Mr Garrick's continued and vigorous exertion."] Receipts: #180 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

7278
09 January 1754 @ Drury Lane Theatre

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Fortunatus

7279
12 January 1754 @ Drury Lane Theatre

Event Comment: Receipts: #190 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Fortunatus

7280
14 January 1754 @ Drury Lane Theatre

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Fortunatus

7281
15 January 1754 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Receipts. #180 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lying Valet

7282
17 January 1754 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Receipts: #200 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Anatomist

7283
18 January 1754 @ Drury Lane Theatre

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman in Paris

Dance: III: Hornpipe, as17540116

7284
21 January 1754 @ Drury Lane Theatre

Event Comment: Receipts: #150 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman in Paris

Dance: III: As17540116

7285
22 January 1754 @ Drury Lane Theatre

Event Comment: Receipts: #170 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Fortunatus

7286
25 January 1754 @ Drury Lane Theatre

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman in Paris

7287
25 January 1754 @ Covent Garden

Event Comment: This play was greatly applauded & now begins to be despis'd (Cross)

Performances

Mainpiece Title: Philoclea

7288
26 January 1754 @ Drury Lane Theatre

Event Comment: MMr Garrick better in his health (Cross). [Gray's Inn Journal contained this day two full pages of satiric comment upon pantomimes inprogress at both houses, nothing Blakes' entrance in Fortunatus with a hare and a brace of partriges, and Cook's use of a hare and a gun at Covent Garden, as encouragements to poaching and in violation of the game laws.

Performances

Mainpiece Title: King John

Music: As17540123

Dance: Devisse, Mlle Auguste

7289
26 January 1754 @ Covent Garden

Event Comment: By Command of the King (Cross). This day a new tragedy, entitiled Constantine the Great was read here to the actors for the first time. This piece is written by the reverend Mr Francis, from whose valuable translation of Horace it may be inferred that he is such a judge of all the graces of Language and every beautiful turn in writing, that it is not to be doubted but he will give the public a production abounding in elegancies. [See 23 Feb.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

7290
28 January 1754 @ Drury Lane Theatre

Event Comment: Receipts: #200 (Cross)

Performances

Mainpiece Title: King John

Music: As17540123

Dance: Mlle Auretti, Dennison, Mlle Lussant

7291
28 January 1754 @ Covent Garden

Event Comment: Benefit for Signora Nicolina Giordani [By Command of] the Duke and Princess Amelia (Cross). The Manager of Covent Garden being under a necessity of interrupting the run of the new Tragedy of Philoclea by a Command, and a Benefit for Sga Nicolina Giordini (which was settled before the coming out of that play) has been so obliging as to give the Author the choice of a day for his second benefit; and many of his friends having taken places for Tuesday, as that would have been his sixth night in course, the Author, lest they should be disappointed, has chosen Tuesday for his second benefit

Performances

Mainpiece Title: Gli Amanti Gelosi

Dance: As17531217

7292
29 January 1754 @ Drury Lane Theatre

Event Comment: Mainpiece: By Desire. Receipts: #60 (Cross)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Englishman in Paris

7293
29 January 1754 @ Covent Garden

Event Comment: For the the Author Tho' but the 5th Night, Mr Rich's Indulgence (Cross). Philoclea published at 1s. 6d. Tickets to be had at Dodsley's, Tulley's Head in Pall Mall; the Bedford Coffee House, Covent Garden; the Grecian Coffee House, in Devereaux Court; and at Baker's Coffee House in Change Alley

Performances

Mainpiece Title: Philoclea

7294
02 February 1754 @ Drury Lane Theatre

Event Comment: Receipts:180 (Cross)

Performances

Mainpiece Title: King John

Afterpiece Title: The Anatomist

7295
04 February 1754 @ Drury Lane Theatre

Event Comment: Receipts: #130 [Cross)

Performances

Mainpiece Title: The Inconstant

Cast
Role: Young Mirabel Actor: Palmer

Afterpiece Title: Fortunatus

Dance: HHornpipe, as17540201

7296
06 February 1754 @ Drury Lane Theatre

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: King John

Afterpiece Title: The Chaplet

7297
08 February 1754 @ Drury Lane Theatre

Event Comment: Receipts: #150 (Cross)

Performances

Mainpiece Title: King John

Afterpiece Title: The Lying Valet

7298
11 February 1754 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Receipts: #170 [Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Devil to Pay

7299
14 February 1754 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Receipts: #180 (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Lethe

7300
16 February 1754 @ Drury Lane Theatre

Event Comment: Receipts: #130 (Cross)

Performances

Mainpiece Title: The Inconstant

Cast
Role: Young Mirabel Actor: Palmer

Afterpiece Title: Fortunatus

Dance: IV: Comic Dance-Morris, Mrs Preston