Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Young Cross"/1) | (@(roleclean,performerclean) "Young Cross")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
8109 results for: Keyword - Young Cross
We found 4163 matches on Performance Comments, 3182 matches on Event Comments, 920 matches on Performance Title, 858 matches on Author, and 1 matches on Roles/Actors.

7026
30 April 1751 @ Drury Lane Theatre

Event Comment: Benefit for Pritchard (Treasurer). Tickets and places to be had of Pritchard, at his house next the chapel in Great Queen St., Lincoln's Inn Fields, and of Hobson at the stage door. Mainpiece: By Particular Desire. The Triumphal Entry of the King will be as usual. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Chaplet

Dance: Devisse, Mad Auretti

7027
04 May 1751 @ Drury Lane Theatre

Event Comment: Benefit for Ackman, Paddick, Roger and Mrs Toogood. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Chaplet

Dance: I: Comic Dance, as17501231; IV: La Minuet a Quatre-Roger, G. Yates, Mrs Toogood, Miss Shawford; V: Hornpipe-the Little Swiss

Music: II: a Scotch and Welch Air on the Harp-Mrs Gwinn

Song: III: Song (words by Dr Boyce)-Mattocks

7028
07 May 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: By particular desire. Being the last time of its being performed this season. Receipts: #220 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Lethe

7029
08 May 1751 @ Drury Lane Theatre

Event Comment: Benefit for Shawford, Gray, Dunbarr and Burke. N.B. Tickets sold by the Orange Women will not be admitted. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Virgin Unmask'd

Song: I: Master Mattocks

Dance: II: Hornpipe-Master Shawford; III: A Comic Dance-Master and Miss Shawford; V: Louvre, Minuet-Shawford, Mrs Shawford

7030
11 May 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: By desire. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Queen Mab

7031
15 May 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: By Desire. Being the last time of performing it this season. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Queen Mab

7032
17 May 1751 @ Drury Lane Theatre

Event Comment: Receipts: #200 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Chaplet

Dance: Devisse, Mad Auretti

7033
07 September 1751 @ Drury Lane Theatre

Event Comment: Box 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre. No persons to be admitted behind the Scenes, nor any money to be returned after the curtain is drawn up [Customary notice on subsequent bills, which will not be repeated here.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

7034
10 September 1751 @ Drury Lane Theatre

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Anatomist; or, The Sham Doctor

Dance: Mathews

7035
17 September 1751 @ Drury Lane Theatre

Event Comment: Places for boxes to be had of Mr Thurston at the stage door. No persons admitted behind the Scenes, nor any money returned after the Curtain is drawn up. Play to begin at 6 o'clock. [This admonition about not appearing behind the scenes occurs frequently on bills this season and will not be noted further.] Receipts: #80 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The King and Miller of Mansfield

Song: Mattocks

7036
18 September 1751 @ Drury Lane Theatre

Event Comment: Receipts: #210 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

7037
19 September 1751 @ Drury Lane Theatre

Event Comment: By Desire. Receipts: #70 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Song: Mattocks

7038
20 September 1751 @ Drury Lane Theatre

Event Comment: Receipts: #190 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

7039
24 September 1751 @ Drury Lane Theatre

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Lethe

7040
28 September 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Receipts: #180 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

7041
05 October 1751 @ Drury Lane Theatre

Event Comment: Receipts. #100 (Cross). General Advertiser: The tragedy of the Revenge is reviving at Drury Lane, and will be played there sometime next week, in which Mossop will play the part of Zanga. A Poem To Mr Ross, on his first appearance in the Character of Bevil : @Who can resist to pour the raptur'd praise@When such deserts as thine attention raise...@Bevil whose words still fire the Noble mind@Shines with new lustre to thy Merits joined...

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Intriguing Chambermaid

7042
08 October 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: Acted but once these 2 years. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: A Duke and no Duke

7043
09 October 1751 @ Drury Lane Theatre

Event Comment: By Desire. Receipts: #110 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Chaplet

7044
11 October 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Afterpiece: Not acted these two years. [See 30 Nov. 1749. Inspector No 191 analyzes and discusses The Orphan (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lottery

7045
14 October 1751 @ Drury Lane Theatre

Event Comment: Receipts: #130 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Duke and no Duke

7046
19 October 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lottery

Dance: I: A Masquerade Dance-Matthews, Mad Janeton Auretti; End: L'Entree de Flore-Mad Auretti; Peasant Dance-Matthews, Mad Janeton Auretti

7047
21 October 1751 @ Drury Lane Theatre

Event Comment: Receipts: #130 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Devil to Pay

7048
23 October 1751 @ Drury Lane Theatre

Event Comment: Mainpiece: Acted but once these five years. Mr Dexter has given us in the character of Oroonoko the greatest first essay that perhaps any stage has produced. He has great feeling, and equal expression; a fine figure, a vast deal of grace in his deportment and uncommon tenderness in his manner, and a voice formed by nature for expressing it (Inspector No 201, in Daily Advertiser and Literary Gazette). Receipts: #140 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Intriguing Chambermaid

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017

7049
24 October 1751 @ Drury Lane Theatre

Event Comment: Receipts: #120 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Lottery

Dance: LL'Entree de Flore, as17511017; Peasant Dance, as17511017

7050
25 October 1751 @ Drury Lane Theatre

Event Comment: Never were the theatres more in Estimation than at present, nor was there ever a time at which so much pains appear to have been taken, in order to continue them upon a good footing. We owe our thanks to Mr Garrick for engaging in the expence of such a number of additional performers, but we owe him also our applause for the success with which they have played (Inspector No 203, in Daily Advertiser and London Gazette). Receipts: #110 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Devil to Pay

Song: IV: Mattocks