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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ye Prince "/1) | (@(roleclean,performerclean) "Ye Prince ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3011 results for: Keyword - Ye Prince
We found 1270 matches on Event Comments, 866 matches on Performance Comments, 606 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

1576
18 January 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The King and Miller of Mansfield

1577
04 April 1775 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Jubilee at Stratford upon avon

Dance: End I Afterpiece: The Vintage Festival, as17741007

1578
19 May 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Waterman

Entertainment: Monologue. End: Bucks have at ye All; or, The Picture of a Playhouse-Master Pulley

1579
25 September 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

1580
16 May 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymon

Afterpiece Title: Who's the Dupe

Dance: End I afterpiece: The Irish Fair, as17800930

Entertainment: Monologue. End: Bucks have at ye all; or, The Picture of a Playhouse-R. Palmer

1581
10 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

1582
14 June 1784 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Manager an Actor in Spite of Himself

Song: End of mainpiece a favourite song by Mrs Martyr. monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates

1583
31 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .
Cast
Role: Princess Elizabeth Actor: Miss Brooksbank

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

1584
23 February 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0 (selected From The Great And Favourite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv And At The pantheon [on 26 And 27 May 1784])

Afterpiece Title: Redemption 1

1585
07 March 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Redemption 0

Afterpiece Title: A New Symphony

1586
29 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: She Stoops To Conquer; Or, The Mistakes Of A Night

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

1587
06 March 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 [of Sacred Music From The Works Of handel, Chiefly Performed At westminster-abbey At The handel Commemoration, 26 May 1784]; Messiah

Afterpiece Title: The Coronation Anthem, God save the King

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violin-Mme Gautherot

1588
13 June 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay

Dance: End I: The Russian Minuet, as17890519

Song: V: song-Miss Barnes

Entertainment: Monologue. End: A Picture of a Play@house or Bucks have at ye all-Palmer

1589
03 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17900224

1590
11 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

1591
30 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants-Mrs Crouch, Chorus [Athalia]; How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); Let me wander, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); The Prince-Mrs Bland (Alexander's Feast); Deeper and-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).
Cast
Role: The Prince Actor: Mrs Bland

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Song: End II: Mad Bess-Mrs Crouch (Purcell)

1592
20 February 1793 @ King's Theatre

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Afterpiece Title: The Messiah 1

Afterpiece Title: The Messiah 2

Afterpiece Title: The Messiah 3

Song: End Part I: Captivity (supposed to be sung by the unfortunate Marie Antoinette, Queen of France, during her confinement in the Tower of the Temple; composed by Percy)-Master Welsh

Music: End Part II: concerto on the violin-Janiewicz

1593
19 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Messiah

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

1594
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Music: End of Part II concerto on the organ by J. Ashley

1595
09 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Music: End of Part II concerto on the violin by Giornovichi

1596
11 April 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred

Music: Principal Vocal Performers, Leader, Organ as17940307ART I. As17940326but added: He was eyes unto the blind; also O worse than death; Angels ever bright (THEODORA); omitted: Grateful hearts; For joys so vast; Happy they. PART II. As17940326but 6th violin concerto (composed by Giardini) by G. Ashley in place of Fourth Organ Concerto; added: Sweet Bird, accompanied on the violin by G. Ashley (L'ALLEGRO); also He rebuked the Red Sea (ISRAEL IN EGYPT); also In sweetest harmony; O fatal day (SAUL); omitted: He was eyes; He led them thro'; Ye sons of Israel; Weep, Israel, weep. PART III. As17940326but added to O liberty: accompanied on the violoncello by C. Ashley; to Let the bright: accompanied on the trumpet by Sarjant; also Sin not O King (SAUL); also So when the last (DRYDEN'S ODE); omitted: O beauteous Queen; The dead shall live

1597
23 May 1794 @ Covent Garden

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: LOVERS' QUARRELS

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: In Act I of 1st piece a Highland Reel by Byrn, Mlle St. Amand, Mme Rossi

Song: End of Act II of 2nd piece (for that night only) a Selection of the most Favorite Catches and Glees from Harrison and Knyvett's Vocal Concert. What shall he have that killed the Deer by Incledon, Townsend, Richardson, Linton and Chorus Q. S. Smith). Ye spotted snakes by Mrs Clendining, Mrs Mountain, Townsend, Linton, Incledon (Stevens). The New Mariners by Incledon, Townsend, Linton and Chorus (Calicott). Where the bee sucks by Mrs Clendining, Mrs Mountain, Townsend, Linton (harmonized by Jackson). Water parted from the Sea by Incledon (Dr Arne). In 3rd piece a Planxty, descriptive of Ireland, by Johnstone, in character

1598
20 March 1795 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Music: End Part II: 8th concerto of Corelli-

1599
27 March 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0of Sacred Music From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

1600
28 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Naval Volunteers; or, Britain's Bulwark

Afterpiece Title: Catharine and Petruchio

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon