SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ye Prince "/1) | (@(roleclean,performerclean) "Ye Prince ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1270 matches on Event Comments, 866 matches on Performance Comments, 606 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of the Prince of Wales. In the afterpiece Being the Last time of Mr Maddox's performing

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Fair

Dance: Maranesi, Sga Bugiani

Event Comment: [Both pieces by command of the] Prince of Wales, &c. (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Genii

Event Comment: By Command of Prince of Wales

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Harlequin Sorcerer

Event Comment: [The Public Advertiser published a long New Historical Epilogue, intended by the Author as a proper sequel to the Tragedy of the Brothers. It speaks of the authentic history in the play, and of the effective moral lesson, closing: @As public woes a Prince's crimes pursue,@So public blessings are his Virtues' due.@Shout Britons, shout!--auspicious Fortune Bless!@And cry, Long live--OUR title to success!@ This was followed by a Letter from Mr Booth in the Shades to Dr Young, on his Tragedy call'd the Brothers (an elaborate puff). In it Booth forgives Young for withdrawing the play from rehearsal thirty years earlier, and thus precluding his playing the part of Demetrius: "And I the more readily pardon you, as you have not disgraced me by giving the part to any of my successors, till this Garrick appeared, whose reputation, I can assure you, is by no means confined to your world, and who, I am told, hath more than supply'd my place, hath rendered the loss even of Betterton himself very supportable." He then lets Young in on a secret that there will be a performance of his play in the shades by all the old actors as soon as Curll can steal a copy of it for them.] We are assured that on Thursday the 22nd instant will be publish'd a Comedy in 2 acts, call'd The Rehearsal; or, Bayes in Petticoats, witten by Mrs Clive, and to be performed that evening, after the Mourning Bride, for her Benefit at Drury Lane. Mr Yates's Benefit will be on Thursday the 5th of April, when the tragedy of the Gamester will be played, being the twelfth day. A new farce will be added to it, the preparing of which has oblig'd Yates to defer his Benefit till the above day. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Brothers

Event Comment: Benefit for Macklin. Afterpiece: A Comedy in 2 acts written by Foote, with Prologue and Epilogue by him. Miss Macklin did Calista and a part in the farce,-all went well (Cross). A Comedy in answer to the French Farce A Frenchman in London, with a Dialogue Prologue, spoken by Macklin & his wife. Epilogue spoken by Miss Macklin. All by Foote. Part of Pit laid into the boxes, with an amphitheatre on stage, all at 5s. Full Prices (Winston MS 8). The Englishman at Paris has been better recev'd that I expected. Garrick, &c., &c....say kinder things of it than modesty will permit me to repeat. Upon the whole it was damnably acted, Macklin miserably imperfect in the words and in the character (a stain to Comedy). You might have seen what I meant,--an English Buck, by the power of dulness instantaneously transformed into an Irish chairman. Miss Roach, accompany'd by some frippery French woman occupy'd, to the no small scandal of the whole house, the Prince's box, whilst the duchess of Bedford &c., &c. were oblig'd to take up with seats upon the stage. The piece will be printed the 25th instant, which I will enclose to you (Samuel Foote to Mr Delaval, MS in Folger Shakespeare Library, written either 24 March, or, perhaps more likely, 24 April, since Foote states later in the letter he is leaving for foreign parts the first of May)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Event Comment: By Command of the Prince of Wales

Performances

Mainpiece Title: Samson

Event Comment: For the Benefit and Increase of a Fund established for the support of Decayed Musicians, or their Families. Boxes and Pit put together at Half a Guinea. Gallery 5s. To begin at 6:30 p.m. Tickets delivered to Subscribers to this Charity will admit one Person to any part of the House. Subscribers tickets may be had of Richard Dawson, near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them and receive Subscriptions. Tickets for the Performance are delivered by Mr Rash at the Prince of Orange Coffee-House, in the Haymarket. The tickets delivered for the 17th will be taken. (General Advertiser, 28 April, advance notice)

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Event Comment: Benefit for Several, Crudge (Housekeeper), Barnard, Driscoll, Prince, Trott. Tickets deliver'd by Hickey, Ross, Browne, the Widow Banks and others will be taken

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Mock Doctor

Dance: DDrunken Peasant-Miles; with Clown-Bennet; Two Pierrots, as17530501

Event Comment: Both pieces by Command of the Prince of Wales. Afterpiece: With the Scene of the drawing at the Guildhallv

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Lottery

Dance: MMinuet-Cooke, Miss Hilliard, Grandchamps, Mlle Camargo

Event Comment: Benefit for a family in Distress (Cross). Tickets to be had at the Sword-Blade Coffee House, Birchin Lane, Lombard St.; Prince of Orange Coffee House in the Haymarket; Joe's Coffee House, Mitre Court, Fleet St.; Smyrna Coffee House, Pall Mall; the Swan Tavern, Grafton St.; Warwick-St. Coffee House near Golden Square; the Feather's Tavern, opposite St Clement's Church in the Strand; and of Mr Varney at the stage door. Receipts: #212 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: II: New Dutch Dance, as17531117; V: Gipsey Tambourine, as17531012

Event Comment: By Command of Prince of Wales (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Harlequin Skeleton

Dance: LLes Savoyards, as17531210; Les Taileurs, as17531210

Event Comment: Benefit for Driscol, Barnard, Prince, Ross, Trott (Lobby Door-keeper). Tickets deliver'd by Wilford, Browse and others will be admitted

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Double Disappointment

Dance: IItalian Peasants, as17531120

Event Comment: Both pieces by command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Double Disappointment

Event Comment: Benefit for Driscol, Wilford, Prince, and Trott (Lobby Doorkeeper). Tickets delivered out by Ross, Browse, Elliot, &c. will be taken

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Contrivances

Dance: IItalian Peasants, as17550414

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The What D'ye Call It

Dance: Guerin, Granier, Mlle Capdeville

Event Comment: PPrince of Wales, Edward, Augusta, and 2 more princes. Mr Garrick (By Command) did Osmyn (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: [But unspecified.

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: All For Love

Afterpiece Title: Orpheus and Eurydice

Dance: As17551114

Event Comment: By Command of his Royal Highness the Prince of Wales. Books of the Opera sold at theatre at 1s. Receipts: #100 (Cross)

Performances

Mainpiece Title: The Tempest Opera

Dance: As17560213

Event Comment: Play By Command of his Royal Highness the Prince of Wales. On Thursday, by Desire, Othello

Performances

Mainpiece Title: The Rival Queens

Dance: TheVillagers, as17560315 Les Statues Animees, as17560302

Event Comment: Both pieces By Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Frenchified Lady

Dance: FFingalian Dance, as17551126; The Villagers, as17560315

Event Comment: By Command of Prince of Wales. Tickets deliver'd out by Wood, which were to have been admitted this night, will be taken Saturday next, to the play of the Rehearsal. Receipts; #180 (Cross)

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Lethe

Dance: DDance of the Millers-

Event Comment: Benefit for Driscoll, Prince, Wilford, Ross and Trott (Lobby doorkeeper). Tickets deliver'd out by Elliot, Browse, &c. will be taken

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Lover His Own Rival

Dance: LLes Paisans Gallants, as17551203

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Harlequin Skeleton

Dance: As17561023

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: a new farce call'dLa new farce call'dLilliput

Event Comment: Benefit for the Widow Jona and her Five Children. Tickets to be had at Arthur's Chocolate House, St James's St.; Prince of Orange's Coffee House, Haymarket; Forrest's Coffee House, Charing Cross; the Rainbow Coffee House in Cornhill; and Places for Boxes to be taken of Mrs Jona in Little Warwick St., Charing Cross, and of Mr Crudge at the stage Door

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: A Duke and no Duke

Dance: As17561023