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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Worshipful Company of IronMongers"/1) | (@(roleclean,performerclean) "Worshipful Company of IronMongers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1947 results for: Keyword - Worshipful Company of Iron@Mongers
We found 1846 matches on Event Comments, 92 matches on Performance Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1001
12 January 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this is the first performance, but a performance of Part II on 18 Jan. 1676@7 and a reference to both parts in a letter dated 19 Jan. 1676@7 suggest that the premiere must have occurred early in January

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part I

1002
18 January 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no indication that this performance is the premiere, but see 12 Jan. 1676@7 and 19 Jan. 1676@7

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part Ii

1003
February 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the premiere is not known, but the fact that play was licensed for printing on 23 Feb. 1676@7 suggests a first performance about this time. The play was entered in the Term Catalogues, May 1677. Langbaine (English Dramatick Poets, p. 36) refers to this play as altered from Richard Brome's The Mad Couple

Performances

Mainpiece Title: The Debauchee; Or, The Credulous Cuckold

1004
02 February 1677 @ Middle Temple

Event Comment: An unnamed play was acted by the Duke's Company. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 177

Performances

1005
02 February 1677 @ Inner Temple

Event Comment: An unnamed play was acted by the King's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 114

Performances

1006
12 February 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. The play has a musical setting by Jeremiah Clarke. There is no certainty that this date represents the premiere, but a certain performance on 14 Feb. 1676@7 suggests that this performance on 12 Feb. 1676@7 is part of the initial run. Very probably the play was repeated on 13 Feb. 1676@7

Performances

Mainpiece Title: Antony And Cleopatra

1007
14 February 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The Diary of Robert Hooke: Grace and Tom at Play Antony and Cleopatra

Performances

Mainpiece Title: Antony And Cleopatra

1008
24 February 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

1009
March 1677 @ Drury Lane Theatre

Event Comment: The King's Company. There is no indication of the date of the first performance, but a licensing date of 6 April 1677 and the large number of minor actors in the cast suggest a Lenten performance. Preface to edition of 1677: I think (without Ostentation) never was House more throng'd;...The first, second, and other times it was Acted, I think lost me no Credit, but...Fortune...Jaded me, robbing me of the Honour of my Plays continuance for that time; by a Mischance which hapned to one, whose Part was too considerable to be quickly studied

Performances

Mainpiece Title: The Country Innocence; Or, The Chamber-maid Turn'd Quaker

1010
17 March 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The Rivall Queene. See also Nicoll, Restoration Drama, p. 346. That this is the premiere is indicated by a letter from the Marquis of Worcester to the Marchioness, 17 March 1676@7: Sir Charles Sedley's Cleopatra has been acted often, and to-day a new play of the death of Alexander, but I have not been to see either, living a mighty drudging life (HMC, 12th Report, Appendix, Beaufort MSS., IX, 66). Downes (Roscius Anglicanus, p. 11), has a cast which agrees (except for omissions) with that in the edition of 1677. Downes adds (p. 16): [Hart in] Alexander, towards the latter End of his Acting; if he Acted in any one of these but once in a Fortnight, the House was fill'd as at a New Play, especially Alexander, he Acting that with such Grandeur and Agreeable Majesty, That one of the Court was pleas'd to Honour him with this Commendation; That Hart might Teach any King on Earth how to Comport himself

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

1011
24 March 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no indication as to whether this is the premiere. The play was advertised in the London Gazette, 6-9 Aug. 1677

Performances

Mainpiece Title: The Rover; Or, The Banish't Cavaliers

1012
02 April 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. This play was not published. It might be John Fletcher's The Captain

Performances

Mainpiece Title: The Captain; Or, Town Miss

1013
05 May 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Scaramucha & Harlakyn. See also Nicoll, Restoration Drama, p. 346. There is no certainty that this performance is the premiere, but the entry of the play in the Term Catalogues for July 1677 makes probable a first performance in May 1677

Performances

Mainpiece Title: Scaramouch A Philosopher; Harlequin A School-boy, Bravo, Merchant And Magician

1014
June 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is considerable uncertainty as to the date of production of this play. Because it was licensed for printing on 2 Aug. 1677, it was probably first acted not later than July 1677. Because some of the names in the cast represent younger actors, it has been thought to be a Lenten production (see Gray, Lenten Casts, pp. 789-90). It seems, however, that the play, because of its reference to performances by the French comedians (the Epilogue refers to "de French Troop at toder end o'Town ") and the offering of Rare en Tout on29 May 1677, probably was acted in June 1677. The Prologue also refers to the comedy as The Women's Play," suggesting that it was produced for the actresses' annual benefit

Performances

Mainpiece Title: The French Conjuror

1015
June 1677 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first production is uncertain, but John Harold Wilson (Six Restoration Play-Dates, pp. 221-22) assigns it to mid-June primarily because of the Prologue intended to be spoken by Haines and the order, dated 18 June 1677, for the arrest of Haines for speaking an obscene Epilogue (error for Prologue?); in addition, the next play at Drury Lane, The Rival Kings, refers to Haines and "last time," establishing the sequence of performance of these two plays. For the arrest of Haines, see Nicoll, Restoration Drama, p. 328n. Wits Led by the Nose was licensed for printing on 16 Aug. 1677

Performances

Mainpiece Title: Wits Led By The Nose; Or, A Poet's Revenge

1016
June 1677 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first production is not known, but see the discussion of Wits Led by the Nose, mid-June 1677, for the relationship of the two plays. The Rival Kings was entered, and deleted, in the Stationers' Register, 26 July 1678; but because the play was entered in the Term Catalogues, November 1677, it seems likely that its premiere occurred in 1677

Performances

Mainpiece Title: The Rival Kings; Or, The Loves Of Oroondates And Statira

1017
08 June 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162. See also Nicoll, Restoration Drama, p. 349. It is likely that this comedy was played on each acting day from 31 May to 8 June 1677

Performances

Mainpiece Title: A Fond Husband

1018
28 July 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

1019
30 July 1677 @ Drury Lane Theatre

Event Comment: The King's Company suffered from internal disagreements during this portion of the summer. For details, see L. C. 5@142, p. 98, in Nicoll, Restoration Drama, p. 326, and Thaler, Shakspere to Sheridan, p. 291

Performances

1020
September 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known, and it may have been acted before this season; hence, it is entered also in the preliminary list in the season of 1676-77. As the play was licensed for printing on 4 Oct. 1677, September 1677 is probably the latest time at which it could have been produced. The play is an alteration of Thomas Middleton's No Wit, No Help, Like a Woman's. It has been attributed to both Mrs Aphra Behn and Thomas Betterton

Performances

Mainpiece Title: The Counterfeit Bridegroom; Or, The Defeated Widow

1021
September 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known. As the play was licensed for printing on 2 Nov. 1677, it may have had its First performance in October rather than September

Performances

Mainpiece Title: The Siege Of Babylon

1022
October 1677 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until February 1677@8, it was advertised in the London Gazette, 29 Oct.-1 Nov. 1677, and was probably acted in October 1677 or earlier. See also, in the introductory list of plays, Thomas Rymer's Edgar, which may have been acted in opposition to Ravenscroft's play

Performances

Mainpiece Title: King Edgar And Alfreda

1023
01 November 1677 @ Inner Temple

Event Comment: The King's Company apparently acted an unnamed play on this day. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 126

Performances

1024
01 November 1677 @ Middle Temple

Event Comment: The Duke's Company acted an unnamed play on this day. See A Calendar of Middle Temple Records, ed. Hopwood, p. 177. Although the payment is dated 13 Feb., it may be a delayed payment for a play on this date

Performances

1025
05 November 1677 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120: The King at ye Tempest. See also Nicoll, Restoration Drama, p. 349

Performances

Mainpiece Title: The Tempest