SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Worshipful Company of IronMongers"/1) | (@(roleclean,performerclean) "Worshipful Company of IronMongers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1846 matches on Event Comments, 92 matches on Performance Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: GGeneral Advertiser, 28 Sept.: We hear that Mr Lacy, Master of his Majesty's company of Comedians at D.L. has applied for leave to raise 200 men in defence of his Majesty's person and government, in which the whole company of players are willing to engage. [See 7 Oct.] On Saturday Night the Audience at the Theatre Royal in Drury Lane were agreeably surpris'd by the Gentlemen belonging to that House performing the Anthem of God Save our Noble King. The Universal Applause it met with being encored with repeated Huzzas suffciently denoted in how just an abhorrence they hold the arbitrary schemes of our invidious enemies and detest the despotic attempts of Papal Power. [See also Daily Advertiser, 30 Sept. The newspapers at this time run a three phrase slogan in bold face type vertically in the margins: No Pretender. No Popery. No Slavery, accompanied by two more phrases staring boldly from the bottom margin: No Wooden Shoes! No Arbitrary Power!]

Performances

Mainpiece Title: The Alchemist

Song: I: Lowe; IV: Colin and Phebe-Lowe, Mrs Arne; God Save our Noble King by Arne-Mrs Cibber, Beard, Reinhold (Deutsch, Handel, p. 623)

Dance: II: Grand Serious Dance-; V: Grand Comic Dance, as17450926

Event Comment: WWalpole to Sir Horace Mann: We have operas but no company at them; the Prince and Lord Middlesex Impresarii. Plays only are in fashion; at one house the best company that perhaps ever were together, Quin, Garrick, Mrs Pritchard, Mrs Cibber: at the other Barry, a favorite young actor and the Violette, whose dancing our friends don't like: I scold them, but all the answer is "Lord! you are so English."-Horace Walpole's Correspondence with Sir Horace Mann, II, 42

Performances

Mainpiece Title: Othello

Dance: The German Camp, as17461204; The Vintage, as17461204

Performances

Mainpiece Title: The Orphan

Performance Comment: Monimia-Miss Cymber her second time on any stage; Castalio-(by desire) young Gentleman that played Hastings; parts-company that played Jane/Shore see17470324.

Afterpiece Title: Miss in Her Teens

Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Old Woman's Oratory; Or, Henley In Petticoats

Performance Comment: Concerto on the Cermona Staccato , vulgarly call'd the Salt-Box-Antonio Ambrosiano; a Great Creature on a very uncommon Instrument-; a solo on the Viol d'Amore-; Candles snuffed to soft Musick-Claudio Molipitano; Oration in Favour of Matrimony-; solo on Violincello-; Song- to tune of The Roast Beef of Old England to which all the good Company are desir'd to join in chorus.

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: The parts-a Company of Gentleman for their Diversion; With an Occasional Prologue-.

Afterpiece Title: Lethe

Event Comment: At the Desire of several Persons of Quality. By Authority....By Bayes's New-raised Company of Comedians....All other parts [of mainpiece] to be attempted by the new Company; Most of whom never appeared on any stage before. Particularly, the part of Miranda , by a Young Gentlewoman. Being positively her first Essay in a Theatrical Capacity. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6:30 P.m. [No concert formula.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Song: I: The Lover's Rapture-

Dance: II: A New Pierot's Dance-; IV: The Drunken Peasant-; End: A Country Dance-the Characters in the Comedy

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Cibber first appearance in that part; other parts-the new company; Miss Jenny-Young Gentlewoman.
Cast
Role: other parts Actor: the new company

Afterpiece Title: The Lying Valet

Dance: TThe Pierots-

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Address-Cibber; Rural Dance Blind Man's Buff-Master Settree, Miss Twist; Hooley and Fairley-Lauder; Two Comic Lectures-Cibber, Company; the Tailors-Mas. Settree, Miss Twist; Grand Concerto for French horns-; When all the Attic Fire was fledfrom Eliza-Miss Gaudry; Auction-Cibber; Italian air-Mimicotti, accompanied by Myn Heer Von@Poop Broomsticato; As17570728 New Cantata by Mr Shuman-Mr Sadler 1st appearance on any stage; Minuet-Mas. Settree, Miss Twist; Italian Peasants-Joly, Mlle Dulisse; Marine Boys Marching to Portsmouth-; Handel's Water Music-; with Preamble on Kettle Drums-Mother Midnight; Comic Epilogue-Miss Midnight (riding on an Ass).

Afterpiece Title: Harlequin's Frolic

Dance: End: As17570819

Event Comment: At the King's Opera House in The Haymarket. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin at 7 p.m. Vivant Rex et Regina. [Repeated in the bills.] By His Majesty's Company. [First production of an English stage play at this house since 18 Nov. 1710, though touring French or Italian companies had played French plays as late as the spring of 1727. The location verified by Isaac Reed, who attended the performance.

Performances

Mainpiece Title: Othello

Event Comment: NNeville MS Diary: At 6 went to Marybone Gardens, a place of the kind of Ranelagh-but not so elegant nor frequented by such good company--indeed much indifferent company resort to both. A transparent picture of a Patagonian man, woman and child was exhibited for the first time; went and returned on foot. Marybone fields are much pleasanter than the gardens. Got home about 11

Performances

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Performances

Mainpiece Title: George Barnwell; Or, The London Merchant

Afterpiece Title: The Mock Doctor; or, Dumb Lady Cured

Afterpiece Title: Linco's Travels

Performance Comment: Linco-Farrel; Clown-Clifford; Old Woman-Mrs Palmer; Shepherds and Shepherdesses-The rest of the Company.

Entertainment: Monologue.End: Comic Paraphrase on Shakespear's Seven Ages of Man-Farrel

Performances

Mainpiece Title: Douglas; Or, The Noble Peasant

Afterpiece Title: The Death and Revival of Harlequin

Performance Comment: Harlequin-Wright; Clown-Benson; Colombine-Mrs Wellman. The other Characters by the Rest of the Company .

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Kerridge; Sir Harry Sycamore-Waldron; Fairfield-Wright; Ralph-Banister; Mervin-Payne; Farmer Giles-Wellman; Fanny-Mrs Benson; Theodosia-Mrs Wellman; Lady Sycamore-Mrs Monk; Patty-Miss Cranford; Gypsies-The rest of the Company .

Afterpiece Title: Bon Ton; or, High Life above Stairs

Afterpiece Title: The Death and Revival of Harlequin

Dance: End of 1st piece, by Wright

Song: End of Act I of 2nd piece The Twaddle by Newbold

Monologue: 1785 07 06 After the Dancing an Address to the Audience by Miss Bird

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Waterman

Dance: End of mainpiece The Wapping Landlady; or Jack in Distress. Jack (with a Hornpipe)-Wright; Wapping Landlady-Mr Kerridge; Sailors and Ladies-The rest of the Company

Performance Comment: Jack (with a Hornpipe)-Wright; Wapping Landlady-Mr Kerridge; Sailors and Ladies-The rest of the Company .

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth -Yatesmore; Sir Harry Sycamore-Waldron; Fairfield-Smith; Ralph-Wright; Mervin-Hill; Giles-Price; Fanny-Mrs Waldron; Theodosia-Mrs Clarke; Lady Sycamore-Mrs Johnston; Patty-Miss Phillips (1 st appearance in that character); Gipsies-The rest of the Company .

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Padlock

Afterpiece Title: Harlequin's Gambols

Performance Comment: Harlequin-Wright; Columbine-Mrs Clarke. The other Characters by the Rest of the Company .

Song: End of 1st Monologue A Tax on Old Maids, as sung by Mrs Kennedy at Vauxhall, by Mrs Benson. monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Fool

Afterpiece Title: Hurly-Burly; or, Chiswick Fair

Performance Comment: Harlequin-Wright; Clown-Benson; Colombine-Mrs Clarke. The other Characters by the Rest of the Company .

Dance: In Act IV of 1st piece a Masquerade Scene, with a Grotesque Dance by the Characters; Between the Acts Hornpipe by Wright

Song: Between the Acts of mainpiece, by Price and Miss Phillips

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Picture of Paris

Performance Comment: As17901220, but Vocal Characters-Rock; St. Alban-_; Captain O'Leary-_; Patrick-_; Catherine-_; Louisa-_; Shoe@Black-_; Dancing Nymphs-Mrs _Lloyd[. The rest by the Chief Part of the principal Performers of the Company. +Prologue as17901220.. The rest by the Chief Part of the principal Performers of the Company. +Prologue as17901220.
Event Comment: By Command of Their Majesties. "The crowd and the tumult at the doors of the Theatre last Wednesday [raised the question] why the Box and Pit passages, which were the same last year, are now separated. The answer is because at the Opera, the Boxes and the Pit are for the same price and company; at the Playhouse they are different in both respects. Repeated notices were sent by Kemble both to those on foot and in carriages that the house was full; and the doors were actually closed before the house was really filled in the hope of dispersing the crowd--but they were a second time forced open" (Morning Chronicle, 7 Jan.). Receipts: #582 8s. 6d. (552.15.6; 26.14.0; 2.19.0, being the largest amount received at this theatre during its occupancy by the dl company)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Doctor and the Apothecary

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayor's Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.
Event Comment: Benefit for Mme Banti. A Grand Serious Opera (1st time in this Country [1st performed at Paris, 1779]); the Music by Gluck. Accompanied With Chorusses under the Direction of Kelly. With entirely new Scenes designed by Marinari, and executed under his direction, Dresses and Decorations. Tickets to be had of Mme Banti, No. 7, Hay Market. The Company are respectfully entreated not to come upon the Stage this Night, as the Iphigenia is accompanied with a degree of Spectacle on which the effect of the Performance chiefly depends; besides, the Machinery used in this Opera will make it dangerous for the Company to be upon the Stage during the time of the representation. "We never saw a House more splendid, more crowded, nor more gratified...In spite of the request not to crowd upon the stage, it was quite thronged; and it was impossible to move the complicated and superb scenery with effect. We lament that no means can be devised to save the stage from this perpetual intrusion" (Morning Chronicle, 8 Apr.). "Banti had a crowded house for her benefit, and is said to have netted 1500 guineas" (Monthly Magazine, May 1796 p. 321)

Performances

Mainpiece Title: Ifigenia In Tauride

Dance: As17960315

Performances

Mainpiece Title: London's Tryumph

Performance Comment: Celebrated the Nine and Twentieth day of October, in the Year 1659. In Honour of the much Honoured ThomasAllen, Lord Mayor of the said City. Presented and personated by an Europian, an Egyptian, and a Persian. And done at the Costs and Charges of the ever to be Honoured Company of Grocers.
Event Comment: According to Hotson, Commonwealth and Restoration Stage, p. 198, Rhodes had to pay a fine for every day his company acted at the cockpit to 28 July 1660

Performances