SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Wood Jr"/1) | (@(roleclean,performerclean) "Wood Jr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 994 matches on Performance Comments, 715 matches on Performance Title, 217 matches on Event Comments, 7 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Lovers Of Their Country; Or, Themistocles And Aristides

Afterpiece Title: The Country Farmer Deceiv'd; or, Harlequin Statue

Dance: After the Play: Louvre, Minuet-Lalauze, Miss Lalauze

Entertainment: new Interlude:% The Old Women Weather Wise

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: High Life below Stairs

Dance: End: Daigville, Sga Vidini

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Upholsterer

Music: II: The Amusements of Strasburgh-Daigville, Sga Vidini, Daigvilles scholars, as17711118

Performances

Mainpiece Title: Concerto Spirituale

Performances

Mainpiece Title: A Concerto Spirituale

Performances

Mainpiece Title: A Concert

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: Cambro-Britons

Afterpiece Title: Blue Devils

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: On the assumption that the run began on 28 June and extended twelve days (as Downes states), it would continue through 11 July. On 3 July a group of players entitled the Red Bull Company began a series of performances at Oxford. The performances are known through the entries in Anthony Wood's journal. For a discussion of the problems as to what actors these were, see Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713", Review of English Studies, XIX (1943), 366. On this day the players acted Tu Quoque, in which, according to Richard Walden (Io Ruminans, 1662) Anne Gibbs acted Gertrude

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances

Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Event Comment: The King's Company. Evelyn, Diary: Whence to see the Duke of Buckingam's ridiculous farce & Rhapsody called the Recital, bouffoning all Plays yet prophane enough. In a collection of broadsides (Bodleian Wood 417) A Ballad (on Buckingham and his son) has some lines which apparently refer to a performance: @I confess the Dances were very well Writ, @And the Tune and the Time by Haynes as well Hit, @And Littlewood's Motion and Dress had much Wit: @But when his Poet John Bayes did appear, @'Tis known to more than half that were there, @The greatest part was his own Character.

Performances

Mainpiece Title: The Rehearsal

Event Comment: In 1686 at Oxford the Act was cancelled at a late moment, but the players performed nevertheless. In mid-July Anthony Leigh, acting in The Committee, added some lines to his role that created a commotion. See Sybil Rosenfeld, Some Notes on the Players in Oxford, p. 370; Memoirs of the Verney Family, ed. Margaret M. Verney (London, 1899), IV, 381; Anthony Clark, The Life and Times of Anthony Wood (Oxford, 1894), III, 192-93

Performances

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Performances

Event Comment: Benefit Wood. At the particular Desire of several Persons of Quality. Weekly Pocket, 14 May: There has been a great Disturbance at...Lincoln's-Inn-Fields this Week, by the Means of some Gentlemen, who were in the Interest of the other House, and made Use of Catcalls to interrupt and ridicule their Theatrical Entertainments; but the Disturbers of the Peace were soon silenc'd. Receipts: #125 16s. 6d

Performances

Mainpiece Title: Tamerlane

Song: Trumpet Song-the little boy; the Instrumental part-Mr Grenoust; Vocal Part-Mr Rawlins

Music: Violin solo-Matthew Dubourg

Dance: delaGarde, Bovil, Mrs Bullock; Harlequin and a Countryman-; Swedish Dal Karl and His Wife, as17150509

Event Comment: Benefit Moreau and Wood (Treasurer). At the particular Desire of several Ladies of Quality. Receipts: money #24 8s. and tickets #70 18s

Performances

Mainpiece Title: The Island Princess

Music: The Frost Music from King Arthur-; Concerto to be perform'd upon the Hautboy-Mr Kytch upon the Stage

Song: As17160206

Dance: A new Grand Dance by Moreau-; Entry-Kellum's Scholar, Miss Schoolding; The What D'Ye Call It-delaGarde, Mrs Bullock

Event Comment: Benefit Wood. Receipts: money #40 2s. 6d.; tickets #86 5s

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Jealous Doctor

Music: With a Lesson on the Harpsicord-an eminent Master

Song: As17170319

Dance: As17161121; A Dance-Moreau, Mrs Schoolding's Sister a Scholar to Moreau

Event Comment: Benefit Wood

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Amadis

Song: Since Times Are So Bad-Leveridge, Mrs Fitzgerald; Also by Babel's Scholar; accompanied on the Harpsichord-Babel; Also by Mrs Barbier

Event Comment: Benefit Wood, the Treasurer. Receipts: money #13 19s.; tickets #116 16s

Performances

Mainpiece Title: The Double Dealer

Cast
Role: Lady Touchwood Actor: Mrs Seymour

Music: And between the Acts will be perform'd a Solo on Violon, Bass Viol, Lesson on Harpsicord-a young Gentlewoman, it being the second Time of her appearing on the Stage

Event Comment: Benefit Wood, Treasurer. Receipts: money #14 10s.; tickets #126 17s

Performances

Mainpiece Title: The Soldier's Fortune

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: Lally, Lally's Brother, Pelling, Mrs Rogier, Mrs Bullock, Miss Hutton; Myrtillo-; Highland Dance-; Hornpipe-Jones

Event Comment: Benefit Wood, Treasurer. N.B. The Indisposition of Mr Lun prevents the Performance of Amadis. Rece3,5#18 16s. 6d.;

Performances

Mainpiece Title: Cartouche

Afterpiece Title: The Country House

Afterpiece Title: Hob

Event Comment: Benefit Wood, Treasurer. Receipts: money #26 16s.; ticekts #168 5s

Performances

Mainpiece Title: The Bath Unmask'd

Dance: End I: French Peasant-Nivelon, Mrs Legare; IV: Scotch Dance-Mrs Bullock; V: Myrtillo-

Song: II: The Play of Love-Leveridge; III: Mrs Chambers; In IV: Bath Teazers-Leveridge

Event Comment: Benefit Wood, Treasurer. Written by Mr Congreve. N.B. The Doors will not be open till Four o'Clock. Receipts: money #12 18s. 6d.; tickets #155 19s

Performances

Mainpiece Title: The Old Batchelor

Dance: TTwo Pierrots-Nivelon, Salle; French Peasant-Nivelon, Mrs Legare

Song: SSee From the Silent Groves by Dr Pepusch-Mrs Chambers; The Play of Love made and sung-Leveridge