Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Wm Parke"/1) | (@(roleclean,performerclean) "Wm Parke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
305 results for: Keyword - Wm. Parke
We found 207 matches on Performance Comments, 67 matches on Event Comments, 30 matches on Author, 14 matches on Performance Title, and 0 matches on Roles/Actors.

51
12 June 1787 @ Covent Garden

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Bonds without Judgement

Song: As17870515

52
15 June 1787 @ Covent Garden

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Love a-la-Mode

53
28 November 1793 @ Covent Garden

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: NINA

Related Works
Related Work: Nina Author(s): William Thomas Parke

54
05 December 1793 @ Covent Garden

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: THE SIEGE OF BERWICK

Afterpiece Title: THE MISER

55
27 April 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

56
02 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970221

57
06 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

58
11 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous (1st time; composed by Gallet)-Mme Hilligsberg [will perform in Man's Cloaths]

Ballet: End Opera: Sapho et Phaon. As17970406

59
13 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous, as17970511, but Mme _Hilligsberg

Ballet: End Opera: Sapho et Phaon. As17970406

60
16 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Ballet: Sapho et Phaon. As17970513

61
20 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970513

Ballet: Sapho et Phaon. As17970513

62
04 July 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Acis et Galatie, as17970615 End Opera: Pizarre, as17970211

63
08 July 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970620

64
22 July 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Les Delassements Militaires-, as17970124; End Opera: Acis et Galatie, as17970617

65
09 December 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

66
26 December 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End Opera: Le Triomphe de Themis- [see17971220]

67
16 January 1798 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: La Chasse d'Amour, as17980102; End Opera: Le Triomphe de Themis, as17971226

68
31 January 1798 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971230

69
24 April 1800 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000322

70
29 April 1800 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Mariage Mexicain, as18000225; Pas de Quatre of Panurge-; End Opera: Hyppomene et Atalante, as18000322

71
03 May 1800 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000429

72
09 May 1794 @ Covent Garden

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

73
27 February 1795 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Angels ever bright-Miss Parke (Theodora); He measureth, He Layeth the beams-Bartleman (Redemption); Total eclipse-Kelly; O first created beam-Chorus (Samson); O had I Jubal's lyre-Miss Poole (Joshua); Every day will I give thanks-Nield (Chandos? Anthems); The Lord shall reign-Chorus; Sing ye to the Lord-Miss Parke; The horse and his rider-Double Chorus (Israel in Egypt).
Cast
Role: Angels ever bright Actor: Miss Parke
Role: Sing ye to the Lord Actor: Miss Parke

74
13 March 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Occasional Overture-; Shall I in Mamre's-Bartleman; For all these mercies-Chorus (Joshua); Ye men of Gaza-Mrs Hindmarsh; Why does the God of Israel sleep?-Kelly (Samson); When his loud voice-Chorus (Jephtha); Lord remember David-Nield (Redemption); Let the bright Seraphim-Miss Parke; Let their celestial Concerts-Chorus (Samson).
Cast
Role: Let the bright Seraphim Actor: Miss Parke

Afterpiece Title: Grand Selection 2

Performance Comment: The flocks shall leave the mountains-Miss Parke, Nield, Bartleman; Wretched Lovers-Chorus (Acis and Galatea); O Liberty-Kelly accompanied on the violoncello-C. Ashley (Judas Maccabaeus); May no rash Intruder-Chorus (Solomon); Wave from wave-Wonder (Israel in Egypt); Ye sacred Priests, Farewell ye limpid springs-Miss Parke (Jephtha); O God who in thy heavenly hand-Chorus (Joseph).
Cast
Role: The flocks shall leave the mountains Actor: Miss Parke, Nield, Bartleman
Role: Farewell ye limpid springs Actor: Miss Parke

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); Pleasure my former ways-Nield (Time and Truth); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Where is this stupendous stranger?-Mrs Hindmarsh (Redemption); Deeper and deeper, Waft her angels-Kelly (Jephtha); Ths Soldier tir'd-Miss Parke (Dr Arne); Gird on thy sword-Chorus (Saul).
Cast
Role: Ths Soldier tir'd Actor: Miss Parke

Music: 6th concerto of Giordani on the violin-C. Ashley

75
25 March 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Samson); Ye men of Gaza-Mrs Hindmarsh; Awake the trumpets-Chorus (Samson); Tears such as tender fathers shed-Bartleman (Deborah); Thy right hand O Lord-Chorus (Israel in Egypt); In sweetest harmony-Miss Parke; O fatal day-Chorus (Saul); Lord remember David-Nield [Redemption]; He gave them hailstones-Chorus [Israel in Egypt].Israel in Egypt].
Cast
Role: In sweetest harmony Actor: Miss Parke

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March- (Saul); Happy Iphis-Master Elliot (Jephtha); The Mighty Power-Chorus (Athalia); O Liberty-Kelly; accompanied on the violoncello-C. Ashley [Judas Maccabaeus]; Tyrants would-Miss Parke; Why should Salem-Chorus (Athalia); Honour and Arms-Bartleman; Then round about-Chorus (Samson); Sweet Bird-Miss Parke, [accompanied on the violoncello by] G. Ashley [L'Allegro]; He rebuked the Red Sea-Chorus (Israel in Egypt).
Cast
Role: Tyrants would Actor: Miss Parke
Role: Sweet Bird Actor: Miss Parke,

Afterpiece Title: Grand Selection 3

Performance Comment: O worse than death, Angels ever bright-Miss Parke (Theodora); When his loud voice-Chorus (Jephtha); Total eclipse-Kelly; O first created beam-Chorus (Samson); Lord to thee-Mrs Hindmarsh (Theodora); The Lord shall reign-Chorus; Sing ye to the Lord-Miss Parke; The horse and his rider-Double Chorus (Israel in Egypt).
Cast
Role: Angels ever bright Actor: Miss Parke
Role: Sing ye to the Lord Actor: Miss Parke

Music: End Part II: violin concerto by Giardini-G. Ashley