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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Wm Augustus Miles"/1) | (@(roleclean,performerclean) "Wm Augustus Miles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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568 results for: Keyword - Wm Augustus Miles
We found 247 matches on Performance Comments, 161 matches on Author, 147 matches on Event Comments, 43 matches on Performance Title, and 0 matches on Roles/Actors.

501
10 June 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Alive and Merry

502
03 March 1797 @ Covent Garden

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

503
10 June 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro

504
08 September 1696 @ no theater listed

Event Comment: Protestant Mercury, 7-9 Sept. 1696: Last night dyed Mr Noaks, the famous Comedian, some miles out of Town, and 'tis said, has left a considerable Estate, tho' he has not frequented the Play-house constantly for some years

Performances

505
02 February 1698 @ Inner Temple

Event Comment: Betterton's Company. The fee of #20 was paid to John Miles, an officer of Betterton's Company. See Calendar of the Inner Temple Records, III, 342

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

506
13 June 1724 @ Drury Lane Theatre

Event Comment: Weekly Journal or Saturday's Post, 13 June: His Majesty's Comedians have Orders not to depart above a certain Number of Miles from London his Season, in order, as tis said, to be at hand to entertain his Prussian Majesty, who is expected here in a Month's Time

Performances

507
28 September 1733 @ Mile End Green

Performances

Mainpiece Title: The Harlot's Progress

Entertainment: Yeates Junior's Inimitable Dexterity of Hand

508
04 October 1742 @ Upper Moorfields

Performances

Mainpiece Title: The Rival Lovers; Or, An Old Man Taught Wisdom

Afterpiece Title: Harlequin Happy at Last

509
18 September 1744 @ Mile End Green

Performances

510
18 April 1748 @ Haymarket Theatre

Performances

Mainpiece Title: Collection Auction Of Pictures

511
18 February 1749 @ Drury Lane Theatre

Event Comment: Afterpiece: By Desire. [A full column, front-page letter to the Author of the General Advertiser from one purporting to live many miles from London, but whose curiosity about the New Tragedy Irene brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing Irene as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of Great Britain for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 (Cross); #101 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Lying Valet

Dance: SScotch Dance, as17490118

512
09 November 1752 @ Covent Garden

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Fair

Performance Comment: As17521102, but Principal characters-Miles, _Lunn.
Cast
Role: Principal characters Actor: Miles, _Lunn.

513
19 January 1760 @ Covent Garden

Performances

Mainpiece Title: Comus

Performance Comment: As17600118, but Lycidas (Shepherd)-Lowe; The Dances-Miles.
Cast
Role: The Dances Actor: Miles.

514
27 April 1762 @ Covent Garden

Event Comment: Benefit for Mrs Green, Miles, and Sga Maranesi. Tickets deliver'd for The Pilgrim, as also those by Miss Sledge, will be taken. Mainpiece for last time this season

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Virgin Unmask'd

Dance: I: The Cossacks-Sg and Sga Maranesi, as17601014; II: The Taylors, as17620107; End Opera: A Minuet-Sg and Sga Maranesi

515
15 October 1763 @ Covent Garden

Event Comment: To the Printer of the Public Advertiser, Mr Woodfall: Why don't you constantly, every day, print a list of the Mistakes which the guessing Messieurs Ledger and Gazatteer make in their account of the playbills? Woodward, says the Gazetteer, is to play Harlequin, and Miles the Clown this evening [Friday 14 Oct.] in Harlequin Sorcerer; Tenducci and Brent the Shepherd and Shepherdess. The Ledger informs me that Woodward will play Lissardo in the Wonder, when you say Dyer; and that Mrs Younger is to play Inis, when you advertise Mrs Green will play that character. I dare say, Mr Garrick very shortly will make his appearance in the Gazetteer or Ledger. Your Humble Servant, &c. [Garrick was in France at this time.

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: Thomasand Sally

Dance: TThe Knife Grinders (perform'd but once), as17631012

516
01 November 1765 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Performance Comment: . As17651019, but Servants at the Statute-Miles.
Cast
Role: Servants at the Statute Actor: Miles.

Afterpiece Title: The Intriguing Chambermaid

Dance: II: The Garland?-as17651003

517
04 December 1767 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: As17671012, but Others-Miles, _Weller.
Cast
Role: Others Actor: Miles, _Weller.

518
08 January 1771 @ Covent Garden

Event Comment: Benefit for Miles. [The Gazetteer lists Baker for Reinhold.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Mother Shipton

519
11 April 1771 @ Covent Garden

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Mother Shipton

Performance Comment: As17710221, but add Miles.

520
12 April 1771 @ Covent Garden

Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The previous day's bill made special announcement of the variety of Dancing to be offered. N.B. A previous Academy of Dancing 23 April 1762. Miles listed for the part of Landlady by Public Advertiser.

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Catharine and Petruchio

Dance: By Desire The Tartars, as17701003; End of Farce: A New Dance, The Corsican Sailor's Punch House-Fishar, Miss Twist, Hussey, Blurton, Miss Besford

Monologue: I: A Dancing Academy. The Minuet-Fishar, Sga Manesiere; The Allemande (first time)-Mas. Blurton, Miss Besford (both apprentices of Fishar); the Hornpipe-Mas. Blurton; to conclude with a New Cotillion-

Ballet: End Opera: First time this season, The Wapping Landlady. Jack-Fishar; Landlady-Mrs White; Orange Woman-Sga Manesiere; with a Double Hornpipe-Fishar, Sga Manesiere

521
26 April 1771 @ Covent Garden

Event Comment: Benefit for Widow of the late Miles. Tickets deliver'd for King Lear will be taken

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Mother Shipton

Dance: III: The Corsican Sailor's Punch House, as17710412 IV: A Minuet-King, a Young Lady, his scholar

522
02 May 1771 @ Covent Garden

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Mother Shipton

Performance Comment: As17710411 but Miles_.

523
18 November 1773 @ Covent Garden

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

524
24 February 1775 @ Covent Garden

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

525
03 January 1776 @ Covent Garden

Event Comment: The father of the runaway siren of Covent Garden [Miss Brown; see 16 Dec. 1775] apprehended the little wanton truant at her aunt's in the city, forcing her into a coach, drove off with her into the country: however, she had not been carried above five miles before her cries raised the inhabitants of a village; whom she soon worked to her purpose by declaring that the man (her father) was carrying her away by force, in order to ship her for America....The peasants released her, when she run to town across the country, and has not been re-taken since by her father (Morning Post, 5 Jan.)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: Mirth and Jollity, as17760102

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