SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Wm Augustus Miles"/1) | (@(roleclean,performerclean) "Wm Augustus Miles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 247 matches on Performance Comments, 161 matches on Author, 147 matches on Event Comments, 43 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Devil to Pay

Dance: TThe Flight-Essex, Miss Robinson; Scots Dance-Haughton, Mrs Walter; Les Bergeries-Essex, Haughton, Miss Robinson

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Mock Countess

Dance: II: Dutchwoman-Miss Robinson; III: French Gardener and His Mistress-Haughton, Mrs Walter; IV: Saraband, Minuet-Lally Jr, Miss Mears; V: English Maggot-Haughton, Mrs Walter

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Dance: Essex, Miss Robinson

Performances

Mainpiece Title: Jane Shore; With The Comical And Diverting Humours Of Sir Anthony Noodle And His Man Weazle

Afterpiece Title: The Gardens of Venus; or, The Truimphs of Love

Dance: I: La Brone and La Blonde-Vallois and Mlle Vallois; II: Hornpipe-Jones Sr, Jones Jr

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Comical Humours of Sir John Falstaff, Justice Shallow, Ancient Pistol, and Others

Afterpiece Title: The Ridotto Al' Fresco

Dance: End I Second Piece: Black Joke-Smith, Miss Brett; II: Comic Dance-Mrs Booth

Performances

Mainpiece Title: L'homme A Bonne Fortune

Afterpiece Title: La Chercheuse D'esprit

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: II: The Colliers, as17601024

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequin Ranger

Dance: TThe Bavarian Shoemakers, as17621009; The Italian Robbers, as17621009

Song: II, III: Norris

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: Love In A Village

Dance: II: La Femme Maitresse, as17641004

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Queen Mab

Dance: III: The Medley, as17641120

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Choice

Dance: I: The Medley, as17641120; End: The Irish Lilt, as17641011

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Witches; or, Harlequin Cherokee

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Hermit

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Statesman Foil'd

Dance: As17680530

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: As17671204, but Harlequin-Miles; Others-Morgan, _Weller, _Miles.
Cast
Role: Harlequin Actor: Miles
Role: Others Actor: Morgan, _Weller, _Miles.
Event Comment: Benefit for Miles. Charges #65 14s. Balance to Miles #4 4s. plus #112 5s. from tickets (Box 206; Pit 323; Gallery 123). Receipts: #69 19s. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Cast
Role: Harlequin Actor: Miles

Dance: III: The Wapping Landlady, Double Hornpipe, as17690408

Event Comment: The Duke's Company. The date of the first performance is not certain, but it was probably this day. A letter dated 26 Jan. 1681@2 speaks of the preceding day's performance as the "poet's day," presumably the third day; it is likely, therefore, that the premiere fell on Monday, 23 Jan. 1681@2. The Prologue and Epilogue, were printed separately in 1682 and reprinted in Wiley, Rare Prologues and Epilogues, pp. 50-51. Luttrell's copy (Huntington Library) bears his acquisition date of 14 Feb. 1681@2. A note on the Library of Congress copy indicated that Smith spoke the Prologue. A song, Great Augustus like the glorious sun, with music by John Blow, is in A New Collection of Poems and Songs, 1683. Another, Now the Tones all must droop, sung by Bowman, is in the same collection, but without indication of the composer, and a third, Twa bonny lads were Sawney and Jockey, without singer or composer, is in the same collection

Performances

Mainpiece Title: The Royalist

Event Comment: Benefit Woodward. Mainpiece: An Historical Play, never acted there before [see 20 March 1738]. At the Particular Desire of several Persons of Quality. As written by Shakespear. Containing the wars of Cymbeline with the Romansr, in the reign of Augustus Caesar; the various distresses and Adventures of Imogen the King's Daughter; the noble repulse the Romans met with, on their invading Britain; their defeat, and many other historical passages. Ladies are desired to send their servants early to prevent mistakes. To be Lett, and enter'd upon on Monday next, the 7th instant Commodious Places in the Front and Upper Boxes...for the excellent reviv'd play of Shakespear... For further Particulars enquire of Mr Woodward, at his house near the theatre [in advance bills]

Performances

Mainpiece Title: Cymbeline, King Of Britain

Afterpiece Title: The Royal Chace

Dance: BBird Catchers-Cooke, Sga Campioni

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Event Comment: Cancelled. On account of death of Edward Augustus, Duke of York, next Brother to His Majesty. [Theatre closed to 5 Oct.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Cast
Role: Harlequin Actor: Miles