SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Wright"/1) | (@(roleclean,performerclean) "William Wright")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10793 matches on Author, 2567 matches on Performance Comments, 545 matches on Event Comments, 254 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: A Dramatic Poem, Never Performed [written on the model of a Greek Tragedy by William Mason]. The Overture and all the Music entirely New Composed by Dr Arne. With New Scenery, Dresses, and Decorations (playbill). Altered by Colman to Mason's distress. (Biographia Dramatica). Books of the Chorus to be had at the Theatre. Rec'd from Bensley on account of Cash advanc'd last season #100 (Account Book). Receipts: #201 12s

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): William Mason

Afterpiece Title: The Mock Doctor

Dance: End: The Recruits, as17721117

Performances

Mainpiece Title: The Nabob

Performance Comment: As17730517, but Parts-Mrs Williams, Mrs _Gardner.
Cast
Role: Parts Actor: Mrs Williams, Mrs _Gardner.

Afterpiece Title: Cupid's Revenge

Dance: End: As17730602

Event Comment: Mrs Greville ill new piece deferr'd. A Christmas Tale after this night will be laid aside for sometime (playbill). Paid Chorus 4 nights (this incl.) #8 2s; Extra Guitars and Flutes 2 nights (this inc) #2.; Mr Wrighten on note #12 12s.; Mrs Weston's Debt & Costs to Rd Williams #4 17s. (Treasurer's Book). Receipts: #210 18s. (Treasurer's Book)

Performances

Afterpiece Title: Neck or Nothing

Performances

Mainpiece Title: The Bankrupt

Performance Comment: Parts-Foote, Kennedy Jun. (from Dublin, first time here), Fearon, Aickin, Davis, Jacobs, Bannister, Lloyd, Jones, Courtney, Everard, Johnson, Weston, Mrs Williams, Miss Ambrose, Miss Platt, Mrs Jewell; Prologue-Foote.

Afterpiece Title: The Mock Doctor

Dance: End: Giorgi's scholars

Performances

Mainpiece Title: The Nabob

Performance Comment: Parts-Foote, Weston, Wilson, first time (from Edinburgh), Kennedy, Follett, Griffith, Owenson, Fearon, Davis, Jacobs, Jones, Castle, Lloyd, Courtney, Mrs Williams, Miss Ambrose, Mrs Palmer, Mrs Gardner.

Afterpiece Title: The Padlock

Dance: As17740516

Performances

Mainpiece Title: The Maid Of Bath

Performance Comment: As17750612 but Parts-Williams, _Davis.
Cast
Role: Parts Actor: Williams, _Davis.

Afterpiece Title: The Waterman

Dance: The Haymakers-

Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Performances

Mainpiece Title: Didone

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Performances

Mainpiece Title: Douglas

Afterpiece Title: Prometheus

Performance Comment: As17760212, but Vocals-Mrs Williams, Mrs +Masters; Dance-Zuchelli, Sga Vidini.
Cast
Role: Vocals Actor: Mrs Williams, Mrs +Masters
Event Comment: Mainpiece [1st time, i.e. as an alteration of Richard Savage's play; T 5, by William Woodfall. Prologue by Richard Brinsley Sheridan. Epilogue by Richard Cumberland (see text)]: with New Scenes and Dresses. Public Advertiser, 13 Feb. 1777: Sir Thomas Overbury (the Publication of which was unavoidably postponed) will be ready this Morning, at Ten o'Clock (1s. 6d.). Receipts: #212 4s. 6d. (210.7.6; 1.17.0)

Performances

Mainpiece Title: Sir Thomas Overbury

Related Works
Related Work: Sir Thomas Overbury Author(s): William Woodfall

Afterpiece Title: High Life below Stairs

Dance: As17761015

Event Comment: Benefit for Miller, Shuter, Robson, Colley & Stephenson. Tickets delivered by Robinson, Brereton, William Ansell, Miller (constable), Smallwood and Halliburton will be taken this Night. Tickets delivered by Morris will likewise be received. Receipts: #210 18s. 6d. (32.8.0; 0.13.6; tickets: 177.17.0) (charge: none listed)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lyar

Dance: As17761123

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Related Works
Related Work: The Injured Lovers; or, The Ambitious Father Author(s): William Mountfort
Related Work: The Rival Father; or, The Death of Achilles Author(s): William Hatchett
Related Work: The Roman Father Author(s): William Whitehead
Related Work: The Choleric Fathers Author(s): William Shield
Related Work: Birth of Merlin; or, The Childe hath found his Father Author(s): William Rowley

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Afterpiece [1st time; F 2, by William Kenrick, based on The Country Lasses, by Charles Johnson. Not published; synopsis of plot in London Chronicle, 23 Dec. Prologue by the author (ibid)]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Spendthrift; or, A ChristmasGambol

Related Works
Related Work: The Spendthrift; or, The Christmas Gambol Author(s): William Kenrick
Event Comment: Mainpiece: With alterations by the author [William Mason]. The Overture and all the new Music composed by Giardini.[On playbill of 27 Feb.: With a New Scene painted by Richards.] Public Advertiser, 23 Feb. 1779: This Day at Noon is published Elfrida (price not listed). [Afterpiece: Prologue by the author (New Spouter's Companion, c. 1798, p. 59).

Performances

Mainpiece Title: Elfrida

Performance Comment: Athelwold-Lewis; Edgar-Aickin; Orgar-Clarke; Edwin-Hull; Ardulph-Whitfield; Albina-Mrs Mattocks; 2nd Speaking Virgin-Mrs Jackson; Elfrida-Mrs Hartley; Chorus of British Virgins-Miss Brown, Mrs Wrighten, Mrs Morton, Mrs Kennedy.
Related Works
Related Work: Elfrida Author(s): William Mason

Afterpiece Title: The Liverpool Prize

Event Comment: [Afterpiece in place of William And Nanny, announced on playbill of 22 Nov.] Receipts: #64 1s. 6d. (60.18.6; 3.3.0)

Performances

Mainpiece Title: The Wonder

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): William Reeve

Afterpiece Title: The Commissary

Dance: End: The Dockyard-Dagueville, Master Dagueville, Holland, Miss Valois

Performances

Mainpiece Title: A School For Ladies; Or, The Levee Of Lovers

Performance Comment: Principal Characters-Lendrick, Davis, Burton, Whitaker, Jackson, Parker, Moorland, Robertson, Parsley, Robins, Barrett, A Young Lady (1st appearance [unidentified]), Miss Costello, Miss Brangin, Miss Jackson, Miss Williams, A Young Lady (1st appearance [unidentified]), Mrs Baker; Occasional Prologue- [Burton (Public Advertiser, 14 Apr.)]; Epilogue-.

Afterpiece Title: No Wit Like A Woman's

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Afterpiece Title: Harlequin Free-Mason

Event Comment: Performed after the manner of an Oratorio. With the original Music [to William Macon's play] as composed by the late Dr Arne. To begin at 7:00. Boxes 7s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): William Mason

Music: End Part I: concerto on the hautboy-LeBrun; End Part II: concerto on the violin-Salomon (1st public performance in this Kingdom)

Entertainment: Monologue.End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Robinson Crusoe

Performance Comment: As17811002, but added: Williams .
Cast
Role: : Harlequin Actor: Wright

Dance: End of Act II of mainpiece a new Comic Dance, The Frenchman in the Dairy, by Zuchelli, Henry, Miss Armstrong, the Miss Stageldoirs

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): William Shakespeare
Related Work: Henry VIII Author(s): William ShakespeareSir William Davenant
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: Henry The Eighth Author(s): William Shakespeare
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): William Shakespeare
Related Work: 1 Henry IV Author(s): William Shakespeare
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): William Hawkins
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare
Related Work: The Misery of Civil War Author(s): William Shakespeare
Related Work: The Conspiracy Discover'd; or, French Policy Defeated Author(s): William Shakespeare
Related Work: 3 Henry IV Author(s): William Shakespeare
Event Comment: Mainpicce [1st time; burl 3, by Charles Dibdin]: Taken from [Amphitryon, by John] Dryden. [MS: Larpent 573; not published.] With new Scenery, Dresses, &c. The Music by several eminent Composers [Charles Dibdin, William Shield, &c.]. Books of the Songs to be had at the Theatre. Receipts: #153 15s. 6d. (151/8/0; 2/7/6)

Performances

Mainpiece Title: Jupiter And Alcmena

Afterpiece Title: The Norwood Gypsies

Event Comment: Afterpiece [1st time; mf 2, by Isaac Jackman; music by William Shield. Authors of Prologue and Epilogue unknown]. Account-Book, 1 Apr. 1782: Paid Jackman in full for the Divorce #50. Receipts: #207 3s. 6d. (186/9/0; 20/3/6; 0/11/0)

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Divorce

Performance Comment: Principal Characters by Palmer, Parsons, Suett, Phillimore, Griffiths, Helme, Moody; Mrs Wrighten, Mrs Hopkins, Miss Farren. [Cast from text (G. Kearsly, 1781): Sir Harry Trifle-Palmer; Qui Tarn-Parsons; Tom-Suett; Timothy-Phillimore; Sambo-Griffiths; Servant-Helme; Dennis Dogherty-Moody; Biddy-Mrs Wrighten; Mrs Annaseed-Mrs Hopkins; Lady Harriet Trifle-Miss Farren.] Prologue spoken by Palmer. Epilogue (taken from a celebrated passage in Thompson's Seasons [an abridgement of lines 1113-65 of Spring]) spoken by Miss Farren. [The Prologue was spoken, as here assigned, at all subsequent performances. The Epilogue was spoken, as here assigned, at the first 3 performances only (see17811115).] hathi. Prologue spoken by Palmer. Epilogue (taken from a celebrated passage in Thompson's Seasons [an abridgement of lines 1113-65 of Spring]) spoken by Miss Farren. [The Prologue was spoken, as here assigned, at all subsequent performances. The Epilogue was spoken, as here assigned, at the first 3 performances only (see17811115).] hathi.
Cast
Role: Biddy Actor: Mrs Wrighten
Related Works
Related Work: The Divorce Author(s): William Shield

Song: As17811022

Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

Performances

Mainpiece Title: The Fashionable Wife; Or, The Female Gallant

Performance Comment: Principal Characters by Barrett, Swords, Johnson, Jackson, Barnes, Lyon, Alfred, Morris; Miss Atkinson, Mrs Sauley, Miss Brice, Miss Churchill, Miss Williams. Cast not known. With a Prologue and Epilogue .

Afterpiece Title: The Lawyer Nonsuited

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

Event Comment: "Among other Obligations that the Town has to the new Open is that it has, for this year, delivered the Play-goer from his periodical Endurance of Rowe's Tamerlane" (Public Advertiser, 6 Nov.). The reference is to the long established custom of performing Tamerlane either on 4 Nov. (the date of William III's birth) or 5 Nov. (the date of his landing in England). In the play the virtuous Tamerlane was held to be the portrait of an upright monarch, and the vicious Bajazet [i.e. Louis xiv] as that monarch's enemy. At DL Tamerlane was acted on either or both of these nights uninterruptedly from 1716 to 1777; at LIF and CG, with the exception of five seasons, from 1721 to 1784. The Doors to be opened at 5:15. To begin at 6:15 [see 1 May 1783]. Receipts: #155 2s. 6d. (153/4/0; 1/18/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sons of Anacreon

Performance Comment: As17850819, but Suett in place of Edwin; Phillimore in place of Gaudry; added: Williams. hathi.

Afterpiece Title: Here and There and Every Where

Related Works
Related Work: Every Body Mistaken Author(s): William Taverner
Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: St

Related Works
Related Work: Love in a Wood; or, St. James's Park Author(s): William Wycherley
Related Work: An Adventure in St. James's Park Author(s): William Wycherley
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): William Shield
Related Work: The Union; or, St. Andrew's Day Author(s): William Reeve

Dance: End of mainpiece The Merry Sailors by Byrn, &c

Related Works
Related Work: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c Author(s): William Shield
Related Work: The Device; or, The Marriage-Office Author(s): William Bates