SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "William Thomas Fitzgerald"/1) | (@(roleclean,performerclean) "William Thomas Fitzgerald")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 15882 matches on Author, 2198 matches on Performance Comments, 779 matches on Event Comments, 153 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): William Reeve

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Performances

Mainpiece Title: The Merchant Of Venice

Related Works
Related Work: The Merchant of Venice Author(s): William Shakespeare

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Deserter

Related Works
Related Work: The Deserter Author(s): William Reeve

Ballet: End: The Scotch Ghost. As17991202, but Saundy-_; Donald-_

Entertainment: In which a Trial of Skill, in the exercise of the Austrian and Highland Broadsword-Nine of the First Swordsmen in this Kingdom

Performances

Mainpiece Title: Ramah Droog

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): William Reeve

Afterpiece Title: The Ghost

Cast
Role: William Actor: Emery
Related Works
Related Work: The Devil of a Wife; or, A Comical Transformation Author(s): Thomas Jevon

Afterpiece Title: The Poor Soldier

Related Works
Related Work: The Poor Soldier Author(s): William Shield
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): William Shield

Song: In course of Evening: Love thou maddening Power-Mrs Trevor; Old Towler-Incledon

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Love in a Camp or Patrick in Prussia

Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): William Shield

Song: End I: The Sailor's Journal-Incledon; In course Evening: Young William was a seaman true-Incledon; All get drunk together-Townsend; United Englishmen-Munden; The Anchor Smiths-Townsend

Event Comment: Account-Book: Tickets delivered by John Brandon, Dick, Denman, Hall (carpenter), Hay, Williamson will be admitted. [Miss Lascelles is identified in Morning Post, 4 June.] Receipts: #409 16s. (39.2.6; 6.9.0; tickets: 364.4.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

Related Works
Related Work: The Farmer Author(s): William Shield

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): William Reeve

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Poor Soldier

Related Works
Related Work: The Poor Soldier Author(s): William Shield
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): William Shield

Song: In course evening: Sweet Echo-Mrs Mountain; accompanied on the Hautboy-Forster=; The Soldier Tir'd-Mrs Mountain

Performances

Mainpiece Title: The Review

Performance Comment: See18000901, but Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Aylmer, Thomas, Willoughby, Dibble .

Afterpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): William Shield
Related Work: The Device; or, The Deaf Doctor Author(s): William Shield

Afterpiece Title: Obi

Event Comment: Benefit for Mrs Fitzgerald. Paid 2 extra hautboys in Rehearsal 31 March, 10s.; 8 extra trumpets in The Garter 4th March, #3. Receipts: #66 19s. 6d. Charges: #70 8s. 6d. Deficit to Mrs Fitzgerald: #3 9s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Cast
Role: Sylvia Actor: Mrs Fitzgerald

Afterpiece Title: The Padlock

Performance Comment: As17720508, but Leonora-Mrs Fitzgerald for the first time this season.
Event Comment: Benefit for Sparks. Miss Radley became Mrs Fitzgerald (Winston MS 10). Ld. Townly, Mr Sparks Jun: first Appearance (Cross Diary). Mr Sparks Junr Son of Mr Isaac Sparks made his first Appearance on any Stage in Ld. Townly a fine figure and met with Applause (Hopkins Diary)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17701102; Lord Townly-Young Gentleman, first appearance on any stage [Sparks Jun]; John Moody-I. Sparks; Lady Townly-Mrs Abington; Jenny-Mrs Fitzgerald (late Miss Radley).
Cast
Role: Jenny Actor: Mrs Fitzgerald

Afterpiece Title: A Peep behind the Curtain

Dance: End: Comic Dance, as17710416

Event Comment: Benefit for Hartry and Davies. [Playbill mistakenly continued this night to list Mrs Fitzgerald as Miss Radley.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Vernon; Woodcock-Hartry; Young Meadows-Davies, first time; Sir Wm. Meadows-Parsons; Eustace-Fawcett; Hodge-King; Margery-Miss Pope; Deborah-Mrs Love; Lucinda-Mrs Fitzgerald; Rosetta-Mrs Baddeley; In Act I: a Dance- incidental to the Opera.
Cast
Role: Lucinda Actor: Mrs Fitzgerald

Afterpiece Title: The Mayor of Garratt

Dance: II: Comic Dance, as17710416

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Mans Bewitchd Or The Devil To Do About Her

Performance Comment: Faithful-Giffard; Captain Constant-W. Williams; Lovely-Huddy; Manage-W. Giffard; Trusty-Bardin; Sir David Watchum-Penkethman; Clinch-Collet; Roger-R. Williams; Slouch-Pearce; Old Constant-Mynns; Squire Num-W. Bullock; Belinda-Mrs Haughton; Laura-Mrs Seal; Maria-Mrs Mountfort; Dorothy-Mrs Palmer; Lucy-Mrs Thomas.
Cast
Role: Captain Constant Actor: W. Williams
Role: Roger Actor: R. Williams
Role: Lucy Actor: Mrs Thomas.
Related Works
Related Work: The Devil of a Wife; or, A Comical Transformation Author(s): Thomas Jevon

Afterpiece Title: Harlequin Turnd Dancing Master

Dance: TThe White Joke (new)-Eaton

Event Comment: Mainpiece: A new Comedy [by Francis Gentleman, first perform'd at Chester, 1760 (Biographia Dramatica)]. By Permission. Benefit for Mrs Williams. Note: For performances at dl and cg 18 and 20 September, see Season of 1773-1774, p. 1745

Performances

Mainpiece Title: The Modish Wife Or Love In A Puzzle

Performance Comment: Parts-Cresswick (from York), Follett, Davies, Fearon, Lloyd, Burton, Williams, Mrs Greville (from Theatre Royal in Richmond), a Young Lady, first time; Mrs Roche, Miss Atkins, Mrs Williams; With a Prologue-.
Related Works
Related Work: Tom Essence; or, The Modish Wife Author(s): Thomas Rawlins

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick-Creswick; Old Whittle-Follett; Nephew-Farren; Old Kecksy-Courtney; Bates-Lloyd; Thomas-Williams; Irish Widow (with Epilogue song in character)-Mrs Greville (from Richmond).
Cast
Role: Thomas Actor: Williams

Entertainment: End of Play: A Comic Medley-Cresswick; and a Variety of Imitations-Hutton

Event Comment: The Duke's Company. As the play was not printed until 1689, the date of composition is uncertain. In Act I, however, a reference to the death of the Earl of Rochester (26 July 1680) suggests that the play probably followed that even rather closely. On the other hand, the latest likely date for the first production seems set at late 1682 by the fact that Thomas Farmer's music for the play in BM Add. Mss. 19183-19185 is dated December 1682. The play has been placed in September 1680 as the earliest likely date (the presence of an experienced cast makes somewhat unlikely a production in mid-summer 1680). A song, All other blessings are but toys, with music by Thomas Farmer, is in Choice Ayres and Songs, The Fourth Book, 1683. A song, Lovely Selina, innocent and free, with music by John Blow, is in the same collection; and another, Weep all ye nymphs, with music by John Blow, is in The Theater of Music, The First Book, 1685

Performances

Mainpiece Title: The Princess Of Cleve

Performance Comment: Edition of 1689: The Prologue-; Prince of Cleve-Williams; Duke Nemours-Betterton; St. Andre-Lee; Vidam of Chartres-Gillo; Poltrot-Nokes; Princess of Cleve-Mrs Barry; Tournon-Mrs Lee [Elinor Leigh]; Marguerite-Lady Slingsby; Elianor-Mrs Betterton; The Epilogue-.
Cast
Role: Prince of Cleve Actor: Williams
Event Comment: Benefit W. Williams. At the particular Desire of several Gentlemen and Ladies. Afterpiece: Never perform'd before [but see 26 April 1728]

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Colonel Fainwell Actor: Williams
Role: Sackbut Actor: R. Williams
Role: Mrs Prim Actor: Mrs Thomas

Afterpiece Title: The Coblers Opera or The Humours of Billingsgate

Performance Comment: Melton-Stoppelaer; Pyfleet-Rosco; Harry Pyfleet-Bardin; Lieutenant-R. Williams; Cobler-Morgan; Player-Havard; Peggy Welfleet-Mrs Palmer; Jenny Pyfleet-Mrs Thomas; Apleek-Pearce.
Cast
Role: Lieutenant Actor: R. Williams
Role: Jenny Pyfleet Actor: Mrs Thomas
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Williams. Mainpiece: Not acted these 5 years. Tickets delivered for the 17th of December will be admitted. Tickets and places to be had of Williams at Mr Spoke's, Tottenham Court; Mr White, Auctioneer, Queen street, Westminster; Messrs Ellis and Scott, Old Bond-street; Mr Hewitt, New Bond-street; Mr Cowcieroy, Great Russell-street, Bloomsbury; and at the Excise Office Coffee-House, Old Bond-street

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Barrett; Sir Patrick O'Neale-Lloyd; Bates-Booth; Kecksey-Pressley; Nephew-Forrest; Thomas-Swords; Widow Brady (with the Epilogue Song)-Mrs Greville .
Cast
Role: Thomas Actor: Swords

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, Prince William, the Lady Augusta and Princess Elizabeth

Performances

Mainpiece Title: Cato

Afterpiece Title: Flora

Performance Comment: Friendly-Lowe; Hob-Dunstall; Sir Thomas-Arthur; Dick-Anderson; Flora-Miss Young; Betty-Mrs Hale.
Cast
Role: Sir Thomas Actor: Arthur
Event Comment: Benefit for Mrs Wells. [Miss Davies is identified in European Magazine, July 1786, p. 122. Address by William Upton (.Morning Chronicle, 29 July).]

Performances

Mainpiece Title: The English Merchant

Cast
Role: Sir William Douglas Actor: Bensley
Related Works
Related Work: Edgar; or, The English Merchant Author(s): Thomas Rymer

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksey-Barrett; Bates-Usher; Nephew-R. Palmer; Thomas-Burton; Sir Patrick O'Neal-Booth; Widow Brady (with the Epilogue Song)-Mrs Wells .
Cast
Role: Thomas Actor: Burton

Dance: End of Act I of afterpiece, as17860706

Monologue: 1786 07 28 Before mainpiece an Introductory Address, on the 1st appearance of the Young Lady, spoken by Bannister Jun

Event Comment: The Duke's Company. The date of the first production is uncertain. The fact that the Epilogue suggests that it followed Settle's The Female Prelate is not a factor in the dating, as the Newdigate newsletters--see Wilson, Theatre Notes from the Newdigate Newsletters, p. 80--show that Settle's play was first acted on 31 May 1680, whereas Caesar Borgia was entered in the Term Catalogues, November 1679. Although the reference in the Epilogue to burning the Pope's Effigies" has been argued as referring to the Pope-burning procession of 17 Nov. 1679, the references in the Epilogue to Father Lewis, who was tried and convicted at York, 28 March 1679, suggest that it was written before his execution, 27 Aug. 1679. Hence the play may have been acted first some time in the late spring or the summer. A song, Blush not redder than the Morning, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Caesar Borgia Son Of Pope Alexander The Sixth

Performance Comment: Edition of 1680: Prologue by Mr Dryden-; Caesar Borgia-Betterton; Palante-Williams; Machiavel-Smith; Paul Orsino-Gillow; Ascanio Sforza-Lee; Vitellozzo-Peircifull; Bellamira-Mrs Lee; Adorna-Mrs Price; Epilogue-.
Cast
Role: Palante Actor: Williams
Event Comment: The Duke's Company. The date of the first performance is not known. An entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists a performance for 4 April, once thought to be 4 April 1680; but as this date falls on Sunday, it more likely represents a revival on 4 April 1681. As the Epilogue appears to appeal to Parliament (which existed from 15 Oct. 1680 to 18 Jan. 1680@1) to vote funds for King Charles, "Our King of Poets," it seems likely that the play was first performed before the close of Parliament. The play was not entered in the Term Catalogues until June 1681. A song, Phyllis whose heart was unconfined, set by Thomas? Farmer; and another, A pox upon this cursed life, set by Captain Pack, are in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Second Part Of The Rover

Performance Comment: Edition of 1681: Prologue-Mr Smith; Willmore-Smith; Beaumond-Williams; Ned Blunt-Underhil; NicholasFetherfool-Nokes; Shift-Wiltsher; Hunt-Richards; Don Carlo-Norice; Ariadne-Mrs Corror [Currer]; Lucia-Mrs Norice; La Noche-Mrs Barry; Petronella Elenora-Mrs Norice; Aurelia-Mrs Crofts; Old Jew-Freeman; Epilogue-Mrs Barry.
Cast
Role: Beaumond Actor: Williams
Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betrayd Or Anna Bullen

Performance Comment: Edition of 1682: Prologue- Spoken to Anna Bullen by a Person of Quality; King Harry-Smith; Cardinal-Gillow; Northumberland-Wiltshire; Piercy-Betterton; Rochford-Jos. Williams; Anna Bullen-Mrs Barry; Lady Diana Talbot-Mrs Petty; Epilogue-.
Cast
Role: Rochford Actor: Jos. Williams
Event Comment: Afterpiece: Not acted these 13 years [acted 5 May 1770]. With Alterations and 3 entire new Scenes [by Richard Brinsley Sheridan; and new music by Thomas Linley Sen.]. To conclude with a Representation of the Storming of Fort Omoa in the Bay of Hondurasv [when it was captured by the British from the Spaniards on 26 Oct. 1779. This scene was included in all subsequent performances]. The View and Machinery designed by DeLoutherbourg and executed under his direction. With New Dresses and Decorations. "The scenemen blundered egregiously all through the entertainment. During the siege of the fort so much gunpowder was fired off that the stage was so filled with smoke that the officers, men, were scarcely discernible from the boxes" (London Chronicle, 4 Jan.). Receipts: #203 2s. 6d. (154.7.0;47.17.0; 0.18.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Fortunatus

Performance Comment: Principal Characters-Wright, Grimaldi, Delpini, Burton, Wrighten, Philimore, Williams, Norris, Miss Kirby, Miss Collett; [Partial cast from playbill of 9 May: Harlequin-Wright; Clown-Grimaldi; Colombine-Miss Collett.] Principal Sailors [in Storming scene]-Vernon, Bannister.
Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. Receipts: #77 1s. (53.18; 22.11; 0.12)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Dodd; Wilding-Farren; Beaufort-Philimore; Sir Jasper-Wright; Dapper-Holcroft; Quildrive-Williams; Old Philpot-Baddeley; Corinna-Miss Kirby; Maria-Miss Farren.
Cast
Role: Quildrive Actor: Williams

Dance: End II: The Butterfly-the Miss Stageldoirs; III: a Hornpipe-Walker; End: Country Dance-the Characters

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #147 13s. 6d. (107/15/0; 39/18/6; 0/0/0)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Captain Macheath-Mrs Cargill; Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Williams; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Hopkins; Jenny Diver-Miss Collett; Diana Trapes-Mrs Love; Polly-Miss Wheeler (from the Theatre Royal, Bath; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.
Cast
Role: Mat o' th' Mint Actor: Williams

Afterpiece Title: Robinson Crusoe

Related Works
Related Work: Robinson Crusoe; or, Harlequin Friday Author(s): Thomas Linley Sr.

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe by Walker