SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Shakespeare"/1) | (@(roleclean,performerclean) "William Shakespeare")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11030 matches on Author, 1691 matches on Performance Comments, 646 matches on Event Comments, 85 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: No Song No Supper

Cast
Role: William Actor: Sedgwick

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest Author(s): William Shakespeare

Afterpiece Title: Bon Ton

Song: Mainpiece: Vocal Parts-Dignum, Danby, Brown, Mrs Bland, Miss Menage, Master Heather, Miss Jackson; End II: Jerry Sneak in his Glory-Roberts; End IV: The Town Crier-Suett; End: As burns the charger (from Robin Hood)-Sedgwick; End I afterpiece: At the peaceful Midnight Hour (from The Castle of Andalusia)-Sedgwick

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Miss Wentworth

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: The Shipwreck

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: Of Age To morrow

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

Afterpiece Title: Hartford Bridge

Related Works
Related Work: Hartford Bridge; or, The Skirts of the Camp Author(s): William Pearce

Song: End II: A New Hunting Song- (never [previously] performed, composed by Davy); End III: Sally in our Alley-Incledon; End: The Red Cross Knight, as18000426; End I afterpiece: The Sailor's Journal-Incledon

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Quaker

Performance Comment: Steady-Bannister; Lubin-Incledon (1st appearance in that character); Easy-Thompson; Solomon-Quick; Floretta-Miss Williams (1st appearance in that character); Cicely-Mrs Davenett; Gillian-Mrs Mountain.
Cast
Role: Floretta Actor: Miss Williams

Entertainment: Duologue. End: Garrick's Ode on Shakespeare-Holman, Miss Brunton; Principal Vocal Parts-Incledon, Blanchard, Williamson, Cubitt, Gray, Miss Broadhurst, Miss Williams, Mrs Martyr

Performance Comment: End: Garrick's Ode on Shakespeare-Holman, Miss Brunton; Principal Vocal Parts-Incledon, Blanchard, Williamson, Cubitt, Gray, Miss Broadhurst, Miss Williams, Mrs Martyr.
Event Comment: Rich's Company. This performance is known by a playbill in the Folger Shakespeare Library: At the New Theatre, in Little Lincolns-Inn Fields, this present Wensday the 27th of October, will be presented, A Comedy call'd, The Committee, or The Faithful Irishman. No Persons to Stand on the Stage. Nor any Money to be after Return'd [sic] the Curtain is Drawn up. By his Majesties Servants. Vivat Rex. [The playbill is reproduced, opposite page 230, in William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954).

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wits Last Stake

Event Comment: This night Dr William Kenrick gave his first lecture in his series of The School of Shakespeare, at the Devil's Tavern, in Fleet Street. Topic, I Henry IV. This lecture and those of the two succeeding Wednesday evenings are reviewed in the Monthly Miscellany, Feb. 1774. Receipts: #190 1s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant
Related Work: Much Ado About Nothing Author(s): William Shakespeare
Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: The Jubilee

Performance Comment: Dramatic Entertainment in honor of Shakespeare in two parts- Dancing-; Dramatic Entertainment-[, introducing a pageant. [No cast listed in playbill but each of the subsequent thirty-three bills mentions "In Honour of Shakespeare."]

Performances

Mainpiece Title: The Married Beau Or The Curious Impertinent

Performance Comment: Edition of 1694. The Prologue-; see Epilogue; The Epilogue-Mr Dogget who Acts Thorneback. A copy of the 1694 quarto in the Folger Shakespeare Library has a manuscript cast which appears to be the original one; Loveley-Powell; Polidor-Betterton; Thorneback-Dogget; Sir John-Bowen; Mrs Loveley-Mrs Barry; Cecilia-Mrs Bowman; Camilla-Mrs Bracegirdle; Lionell-Mrs Verbruggen; Prologue-Mr Powell?.
Event Comment: Villiers Bathurst to Arthur Charlett, 28 Jan. 1699@1700: The Wits of all qualities have lately entertained themselves with a reviv 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26). The Wits of all qualities have lately entertained themselves with a revived humour of Sir John Falstaff in Henry the Fourth, which has drawn all the town, more than any new play that has bin produced of late; which shews that Shakespeare's wit will always last: and the criticks allow that Mr Betterton has hitt the humour of Falstaff better than any that have aimed at it before (G. Thorn-Drury, More Seventeenth Century Allusions to Shakespeare, [London, 1924], p. 48)

Performances

Performances

Mainpiece Title: The British Roratory Or Mrs Midnights New Carnival Concert

Performance Comment: As17540704 but (by Partacular Desire) The Owl by Shakespeare-.
Cast
Role: Shakespeare Actor: .

Dance: As17540718

Event Comment: Notice is hereby given, that the Annual Feast of the Shakespeare Society will be held on Wed. 2nd of March next, at the Shakespeare's Head Tavern in Covent Garden; and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscribed for Tickets for the last Feast, and who are to call for them at any time within thirty days from the date thereof. Such tickets as are not in that time called for will be delivered to the Stewards to be otherwise disposed of. The person's name to whom a Ticket is deliver'd will be endors'd thereon, and no other person can be admitted thereby. E. B. Secretary (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Sorcerer

Event Comment: Receipts: #50 2s. 6d. (Account Book). [The Public Advertiser contains the customary notice for the annual feast of the Shakespeare Society, to be at the Shakespeare's Head Tavern on 15 Feb. Signed E.B. Secretary.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Virgin Unmaskd

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: The Anniversary Meeting of the Shakespeare Society will be held this day, at the Shakespeare's Head Tavern in Covent Garden. Dinner to be on the table at three o'clock. E. B. Secretary

Performances

Mainpiece Title: Solomon

Event Comment: Charges #35. The Anniversary Meeting of the Shakespeare Society will be held this day at the Shakespeare's Head Tavern in Covent Garden. Dinner will be on the Table at three o'clock. E. B. Secretary

Performances

Mainpiece Title: Samson

Music: As17600222; a Solo on the Violin-Giardini

Performances

Mainpiece Title: Hamlet

Performance Comment: As17591127, but Ophelia-Miss Macklin; Ostric-Palmer; Prologue Upon Shakespeare and his Works-Garrick.
Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Upholsterer

Dance: II: The Cow Keepers, as17600313

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Siege of Quebec or Harlequin Engineer

Entertainment: M+Monologue. An Epilogue in Imitation of Shakespeare's Stage of Human Life=-Cresswickas17600508

Performance Comment: An Epilogue in Imitation of Shakespeare's Stage of Human Life=-Cresswickas17600508.

Dance: II: The Drunken Peasant-Miles; Clown-Bennet; IV: The Fingalian Dance, as17591102