SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Phillips"/1) | (@(roleclean,performerclean) "William Phillips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10853 matches on Author, 1991 matches on Performance Comments, 549 matches on Event Comments, 171 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for the Unhappy Sufferers by the late Dreadful Fire in King's Stredt, Covent Garden (playbill). We gave our Night's pay for ye Sufferers by the fire in King's Street Covent Garden Sun: ye 23d. of Dec. (Cross). Sisters diner at Mrs B's. I slept [slipt?] in after the play at Drury Lane & see them in the Gallery, where I had a few words with Mr Williams (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Wonder

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): William Reeve

Afterpiece Title: The Mock Doctor

Event Comment: Both pieces By Command of his Majesty. The Comedy Love for Love design'd to be perform'd this day, is deferr'd till further notice. Present His Majesty and Princess of Wales, Lady Augusta, Princess Louisa, Prince William and Prince Frederick. Boxes #94 7s. 6d. [about 384 persons, nearly the capacity of the Boxes, which was about 560]. Paid Macklin one fifth part of #179 being the surplus after #63 allow'd for the charge as per agreement...#35 16s. Gave the Yeomen of the King and Princess's Guard #2 2s., and the King's Footmen and Chairmen #1 1s. (Account Book). Receipts: #242 (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Related Works
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: The Siege of Rhodes, Part I Author(s): Sir William Davenant
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): William Shakespeare
Related Work: The Misery of Civil War Author(s): William Shakespeare

Afterpiece Title: Love a-la-Mode

Dance: [Unspecified]

Event Comment: Both pieces By Command. Ladies and Gentlemen who have taken places are desired to send their servants before 3 o'clock. No persons can possibly be admitted behind the scenes or into the Orchestra. Present their Majesties the Duke of York, Prince William Henry, Prince Henry Frederick, and Lady Augusta. [The Winston Theatrical Record lists the customary night's expenses as follows]: @Renters #12 1s.@Barber 5s. 4d.@Music #4 19s. 5d.@Tallow Candles #2 10s.@Wax Candles #1 6s.@Coals 10s.@Lamps #1 12s. 3d.@1 days Billstickers 11s. 6d.@1 days Bills #1 7s.@1 days Advertising 5s.@Wardrobe Bill (a day) #1 7s.@Property Bill (a day) #1 6d.@Extras (for Opera and Rape) #1 6s. 6d.@J. Rich #5 5s.@C. Rich #1@Guards (18) and a Serjeant #1@#36 6s. 5d.@ Extras that night: @Yeomen of His Majesties' guard #1 1s.@Yeomen of Her Majesties' guard #1 1s.@His Majesties' Footmen #1 1s.@Her Majesties' Footmen #1 1s.@Princess of Wales' Attendant #1 1s.@Their Majesties' Coachman 6s.@Total #5 11s.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Rape of Proserpine

Dance: As17610907

Event Comment: By Command of their Majesties. Income from Boxes #83 10s. Present Their Majesties, Lady Augusta; Prince William Henry, Prince Henry Frederick, Paid Vincent in full for 10 Lac'd Coats...8 Trumpet Banners and 2 Kettle drum banners #73 10s. Receipts: #232 11s. (Winston Theatrical Record)

Performances

Mainpiece Title: Comus

Event Comment: TThe Beggar's Opera, was advertis'd for this Night, but Miss Williams being Hoarse it was oblig'd to be deferr'd (Hopkins). Receipts: #170 14s. 6d. (MacMillan)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fortunatus

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Event Comment: Theatres closed for death of Prince William. Died Sunday 29 Dec

Performances

Mainpiece Title: None

Event Comment: [The title alone had a certain startling appeal. The General Advertiser reminded its readers twenty years before (11 Nov. 1748) "Clandestine marriages are illegal and punishable by the Statute of the 7th and 8th of King William, Chap. 35 under which Law the Parson shall forfeit One Hundred Pounds; and every man married without Banns or Licence shall forfeit ten Pounds, to be recovered with costs, by any Person that shall inform."

Performances

Mainpiece Title: The Clandestine Marriage

Event Comment: Rec'd stopages #5 12s.; Paid salary list #440 9s.; Williams one night, Musical Lady, 10s. 6d.; Chorus singers 2 nights #4 11s. (Treasurer's Book). Receipts: #180 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Rec'd stopages #3 9s. 6d.; Paid salary list-#441 4s.; Chorus 1 night, #2 5s. 6d.; Paid Mrs Brown, not on list #1 12s. 6d.; Paid Mr Williams (violin) in Musical Lady 10s. 6d. (Treasurer's Book). Receipts: #221 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Paid Mr Williams 2 nights in Musical Lady #1 1s. (Treasurer's Book). Receipts: #162 6s. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Daphne and Amintor

Dance: II: A New Pantomime Dance call'd The Millers and the Colliers-Grimaldi, Duquesney, Mons Rolle, Mrs King, Miss Tetley; End: The Lilliputian Camp, as17670227

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: [This evening] a cause came on to be tried in the Court of Common Pleas at Westminster, in which Mr William Bates, Music Master, was Plaintiff and Spranger Barry, Esq the celebrated tragedian, defendent, upon a demand made by the plaintiff for a large sum of money due to him from the Defendent, for the performance of Miss Slack, the Plaintiff's apprentice, at the Theatre in Cork...After a short hearing a verdict was given in favour of the Plaintiff (Lloyd's Evening Post, 25-28 Nov.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

Event Comment: Died at Bristol, William Powell aged 33. His share retained by Mrs Powell who later married Fishar (Winston MS 10)

Performances

Mainpiece Title: None

Event Comment: Paid Wm Gard for performing in the Lyon 12 Nights #1 10s. Paid Thomas Singleton for the same #1 10s.; Paid Henry Williams for performing the Bells 4 nights #1 10s. (Account Book). [Epilogue is Larpent MS 306.] Receipts: #194 2s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: [The usual payments to Williams, Gard, and Singleton for 4 nights' work. See 15 Feb.] Receipts: #157 11s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: Mainpiece: A tragedy [by John Hoole] never performed. Paid Williams for performing the Bells 3 nights #1 2s. 6d.; Paid Gard and Singleton each 7s. 6d. for performing 3 nights in the Lyon (Account Book). [Mainpiece reviewed in the Freeholder's Magazine, March.] Receipts: #227 6s. 6d

Performances

Mainpiece Title: Timanthes

Afterpiece Title: Damon and Phillida

Entertainment: II: Concert on Hautboy-Simpson

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 5 years. [See 7 May 1766.] Charges #74 4s. Balance to Woodward #82 7s. plus income from 190 Box tickets, #47 10s.; Paid Williams 3 nights performing the Bells, #1 2s. 6d., and Gard & Singleton 3 nights for perfoming in the Lyon 7s. 6d. each (Account Book). Receipts: #156 11s

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: Harlequin's Jubilee

Event Comment: Benefit for Miles. Charges #73 16s. Balance to Miles #47 14s. plus #119 7s. from tickets (Box 226; Pit 331; Gallery 132). Williams, Gard & Singleton rec'd customary Pay for performing the Bell and the lion in the Pantomime [see 15 Feb.] (Account Book). Receipts: #121 10s

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Harlequin's Jubilee

Dance: III: A Minuet-King, Miss Twist; IV: The Tartars, as17691207

Event Comment: Tickets deliver'd by Saunders will be taken. Half House charge, plus half extras and half value of tickets came to #63 9s. 6d. [This minus half the receipts left a deficit to Saunders of #37 11s. 9d., just covered by] income from tickets #53 17s. (Box 89; Pit 158; Gallery 79); William Gard and Singleton rec'd usual pay [see 15 Feb.] (Account Book). Receipts: #51 14s. Half value of tickets received from Ellis, Stephenson, Bushell and Francis

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: Last time of performing this season. Williams for performing the Bells 7s. 6d.; Gard and Singleton 2s. 6d. each for performing in the lion. LeLewes and Quick paid up deficiencies for last season, and Ansell and Green theirs for the 26th inst. (Account Book). Receipts: #155 17s

Performances

Mainpiece Title: Timanthes

Afterpiece Title: Harlequin's Jubilee

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Miss Stede, Mrs Heard, Mrs Willems, Abbott and Furkins. Tickets deliver'd by Wilkinson, Wooley, Pilfold, T. Ansell, Mrs Hitchcock, Widow Trott, Sherrat, Bassin, Whatley, Doe and Mrs Paddick will be taken. Charges o. [House received in addition to the ready receipts half the value of each beneficiary's tickets.] @Tickets Box Pit Gallery Value Half Value@Miss Stede 28 57 61 #21 13s. #10 16s. 6d.@Mrs Heard 19 34 .. #9 17s. #4 18s. 6d.@Mrs Williams .. 24 21 #5 14s. #2 17s.@Mr Abbott 18 95 75 #26 5s. #13 2s. 6d.@Furkins 22 37 26 #13 13s. #6 16s. 6d.@Wilkinson 28 27 20 #13 1s. #6 10s. 6d.@Wooley 9 42 79 #16 9s. #8 4s. 6d.@Pilfold 37 227 74 50 14s. #25 7s.@T. Ansell 9 66 64 #18 11s. #9 5s. 6d.@Mrs Hitchcock 27 15 45 #13 10s. #6 15s.@Widow Trott 24 4 8 #7 8s. #3 14s.@Sharratt 1 12 19 #3 19s. #1 19s. 6d.@Bassan .. .. .. .. ..@Whatley 5 18 57 #9 13s. #4 16s. 6d.@Doe 2 22 44 #8 4s. #4 2s.@Mrs Paddick 1 14 14 #3 15s. #1 17s. 6d.@Total 230 694 607 #222 6s. #111 3s.@ Receipts: #19 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Related Works
Related Work: The Maid of the Mill; or, The Country Revels Author(s): William Rowley
Related Work: The Maid in the Mill Author(s): William Rowley

Afterpiece Title: The Intriguing Chambermaid

Dance: I: A Dance-incident to the piece; II: A Minuet-Dumay, Mrs Heard; End of Opera: Hornpipe-Miss Stede

Event Comment: [Letter in the paper from William Havard denying the report of his having #50 a year annually from the Fund, or that he ever intended it (Winston MS 10).

Performances

Mainpiece Title: None