SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Cavendish Duke of Newcastle"/1) | (@(roleclean,performerclean) "William Cavendish Duke of Newcastle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11312 matches on Author, 2715 matches on Performance Comments, 1460 matches on Event Comments, 383 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is assumed from Downes' statement that the play was given on eight days and from known performances on 2 and 3 March 1674@5

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is assumed from Downes' statement that the play was given on eight days

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is assumed from Downes' statement that the play was given on eight days consecutively

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is assumed from Downes' statement that the play was acted eight days. If it was not given on Friday 5 March, it presumably was then given on 9 March

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this play. See VanLennep, Nell Gwyn's Playgoing, p. 407, where VanLennep speculates that it might have been John Crowne's The Country Wit, which is not otherwise known to be acted until 10 Jan. 1675@6. It should be noted that this performance falls on a Friday in Lent

Performances

Mainpiece Title: Ye Country Knight

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, 407. This day may well have been the premiere; the play was not licensed until 5 July 1675

Performances

Mainpiece Title: The Woman Turned Bully

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty as to whether this is the date of the first performance. Downes (Roscius Anglicanus, p. 35): Then the Conquest of China by the Tartars, by Mr Settle; in this Play Mr Jevon Acting a Chinese Prince and Commander in it, and being in the Battle, Vanquisht by the Tartars; he was by his Part to fall upon the point of his Sword and Kill himself, rather than be a Prisoner by the Tartars: Mr Jevon instead of falling on the point of his Sword, laid it in the Scabbard at length upon the Ground and fell upon't, saying, now I am Dead; which put the Author into such a Fret, it made him speak Treble instead of Double Jevons answer was; did not you bid me fall upon my Sword

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Event Comment: The Duke's Company. If the company acted daily at this time, probably The Libertine was repeated on this day

Performances

Mainpiece Title: The Libertine

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Libertine

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Herod And Mariamne

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. The Diary of Robert Hooke: Mr Hoskins and I at Shadwell. Atheistical wicked play 2 1!2 sh

Performances

Mainpiece Title: The Libertine

Event Comment: The Duke's Company. The date of the premiere is uncertain. This play is on the L. C. list, 5@142, p. 81: King and Queene at Alcibiades and a box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348. The item on the L. C. list is ambiguously dated; it follows an entry for 28 Sept. 1675 and bears only the figure "22." It is possible that the play was given on 22 Sept. 1675, but the order of the L. C. listing, the sequence of known performance on 24, 25, and 28 Sept., and the fact that most of the cast are principals in the company suggest a late September or early October production rather than an early September one

Performances

Mainpiece Title: Alcibiades

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Doctor Faustus

Related Works
Related Work: The Life and Death of Doctor Faustus Author(s): William Mountfort
Related Work: The Life and Death of Doctor Faustus, Made into a Farce Author(s): William Mountfort
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: Doctor Faustus

Related Works
Related Work: The Life and Death of Doctor Faustus Author(s): William Mountfort
Related Work: The Life and Death of Doctor Faustus, Made into a Farce Author(s): William Mountfort
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Mad Lover

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Wanton Wife

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. The day is not known, but the performance apparently occured in December 1675

Performances

Mainpiece Title: The Valiant Cid

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. The date of the performance is uncertain, but it appears to have been in Jan. 1675@6

Performances

Mainpiece Title: Psyche