SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Augustus Miles"/1) | (@(roleclean,performerclean) "William Augustus Miles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10844 matches on Author, 1788 matches on Performance Comments, 520 matches on Event Comments, 94 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Rec'd stopages #3 9s. 6d.; Paid salary list-#441 4s.; Chorus 1 night, #2 5s. 6d.; Paid Mrs Brown, not on list #1 12s. 6d.; Paid Mr Williams (violin) in Musical Lady 10s. 6d. (Treasurer's Book). Receipts: #221 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: Paid Mr Williams 2 nights in Musical Lady #1 1s. (Treasurer's Book). Receipts: #162 6s. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Daphne and Amintor

Dance: II: A New Pantomime Dance call'd The Millers and the Colliers-Grimaldi, Duquesney, Mons Rolle, Mrs King, Miss Tetley; End: The Lilliputian Camp, as17670227

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: [This evening] a cause came on to be tried in the Court of Common Pleas at Westminster, in which Mr William Bates, Music Master, was Plaintiff and Spranger Barry, Esq the celebrated tragedian, defendent, upon a demand made by the plaintiff for a large sum of money due to him from the Defendent, for the performance of Miss Slack, the Plaintiff's apprentice, at the Theatre in Cork...After a short hearing a verdict was given in favour of the Plaintiff (Lloyd's Evening Post, 25-28 Nov.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

Event Comment: Died at Bristol, William Powell aged 33. His share retained by Mrs Powell who later married Fishar (Winston MS 10)

Performances

Mainpiece Title: None

Event Comment: Paid Wm Gard for performing in the Lyon 12 Nights #1 10s. Paid Thomas Singleton for the same #1 10s.; Paid Henry Williams for performing the Bells 4 nights #1 10s. (Account Book). [Epilogue is Larpent MS 306.] Receipts: #194 2s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: [The usual payments to Williams, Gard, and Singleton for 4 nights' work. See 15 Feb.] Receipts: #157 11s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: Mainpiece: A tragedy [by John Hoole] never performed. Paid Williams for performing the Bells 3 nights #1 2s. 6d.; Paid Gard and Singleton each 7s. 6d. for performing 3 nights in the Lyon (Account Book). [Mainpiece reviewed in the Freeholder's Magazine, March.] Receipts: #227 6s. 6d

Performances

Mainpiece Title: Timanthes

Afterpiece Title: Damon and Phillida

Entertainment: II: Concert on Hautboy-Simpson

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 5 years. [See 7 May 1766.] Charges #74 4s. Balance to Woodward #82 7s. plus income from 190 Box tickets, #47 10s.; Paid Williams 3 nights performing the Bells, #1 2s. 6d., and Gard & Singleton 3 nights for perfoming in the Lyon 7s. 6d. each (Account Book). Receipts: #156 11s

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: Harlequin's Jubilee

Event Comment: Tickets deliver'd by Saunders will be taken. Half House charge, plus half extras and half value of tickets came to #63 9s. 6d. [This minus half the receipts left a deficit to Saunders of #37 11s. 9d., just covered by] income from tickets #53 17s. (Box 89; Pit 158; Gallery 79); William Gard and Singleton rec'd usual pay [see 15 Feb.] (Account Book). Receipts: #51 14s. Half value of tickets received from Ellis, Stephenson, Bushell and Francis

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Event Comment: Last time of performing this season. Williams for performing the Bells 7s. 6d.; Gard and Singleton 2s. 6d. each for performing in the lion. LeLewes and Quick paid up deficiencies for last season, and Ansell and Green theirs for the 26th inst. (Account Book). Receipts: #155 17s

Performances

Mainpiece Title: Timanthes

Afterpiece Title: Harlequin's Jubilee

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Miss Stede, Mrs Heard, Mrs Willems, Abbott and Furkins. Tickets deliver'd by Wilkinson, Wooley, Pilfold, T. Ansell, Mrs Hitchcock, Widow Trott, Sherrat, Bassin, Whatley, Doe and Mrs Paddick will be taken. Charges o. [House received in addition to the ready receipts half the value of each beneficiary's tickets.] @Tickets Box Pit Gallery Value Half Value@Miss Stede 28 57 61 #21 13s. #10 16s. 6d.@Mrs Heard 19 34 .. #9 17s. #4 18s. 6d.@Mrs Williams .. 24 21 #5 14s. #2 17s.@Mr Abbott 18 95 75 #26 5s. #13 2s. 6d.@Furkins 22 37 26 #13 13s. #6 16s. 6d.@Wilkinson 28 27 20 #13 1s. #6 10s. 6d.@Wooley 9 42 79 #16 9s. #8 4s. 6d.@Pilfold 37 227 74 50 14s. #25 7s.@T. Ansell 9 66 64 #18 11s. #9 5s. 6d.@Mrs Hitchcock 27 15 45 #13 10s. #6 15s.@Widow Trott 24 4 8 #7 8s. #3 14s.@Sharratt 1 12 19 #3 19s. #1 19s. 6d.@Bassan .. .. .. .. ..@Whatley 5 18 57 #9 13s. #4 16s. 6d.@Doe 2 22 44 #8 4s. #4 2s.@Mrs Paddick 1 14 14 #3 15s. #1 17s. 6d.@Total 230 694 607 #222 6s. #111 3s.@ Receipts: #19 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Related Works
Related Work: The Maid of the Mill; or, The Country Revels Author(s): William Rowley
Related Work: The Maid in the Mill Author(s): William Rowley

Afterpiece Title: The Intriguing Chambermaid

Dance: I: A Dance-incident to the piece; II: A Minuet-Dumay, Mrs Heard; End of Opera: Hornpipe-Miss Stede

Event Comment: [Letter in the paper from William Havard denying the report of his having #50 a year annually from the Fund, or that he ever intended it (Winston MS 10).

Performances

Mainpiece Title: None

Event Comment: Proprietor of Marlebone Gardens, Mr Arnold, summoned to Bow St. to pay penalty of #5 for causing Fireworks to be made contrary to the Act of 9th and 10th of William III. Opinion of the Bench he was not fineable (Public Advertiser). Letter to Garrick in consequence of his moving the Court of the King's Bench for leave to file an information against author of Love in the Suds &c. will shortly be publish'd by D. Kendk. Was publish'd 7 July Folio 2s. 6d. an quarto 1s. 6d. 2nd edn. (Winston MS 10, from Burney News Clippings.

Performances

Event Comment: Mainpiece: A Dramatic Poem, Never Performed [written on the model of a Greek Tragedy by William Mason]. The Overture and all the Music entirely New Composed by Dr Arne. With New Scenery, Dresses, and Decorations (playbill). Altered by Colman to Mason's distress. (Biographia Dramatica). Books of the Chorus to be had at the Theatre. Rec'd from Bensley on account of Cash advanc'd last season #100 (Account Book). Receipts: #201 12s

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): William Mason

Afterpiece Title: The Mock Doctor

Dance: End: The Recruits, as17721117

Performances

Mainpiece Title: The Nabob

Performance Comment: As17730517, but Parts-Mrs Williams, Mrs _Gardner.
Cast
Role: Parts Actor: Mrs Williams, Mrs _Gardner.

Afterpiece Title: Cupid's Revenge

Dance: End: As17730602

Event Comment: This night Dr William Kenrick gave his first lecture in his series of The School of Shakespeare, at the Devil's Tavern, in Fleet Street. Topic, I Henry IV. This lecture and those of the two succeeding Wednesday evenings are reviewed in the Monthly Miscellany, Feb. 1774. Receipts: #190 1s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

Event Comment: Mrs Greville ill new piece deferr'd. A Christmas Tale after this night will be laid aside for sometime (playbill). Paid Chorus 4 nights (this incl.) #8 2s; Extra Guitars and Flutes 2 nights (this inc) #2.; Mr Wrighten on note #12 12s.; Mrs Weston's Debt & Costs to Rd Williams #4 17s. (Treasurer's Book). Receipts: #210 18s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

Performances

Mainpiece Title: The Bankrupt

Performance Comment: Parts-Foote, Kennedy Jun. (from Dublin, first time here), Fearon, Aickin, Davis, Jacobs, Bannister, Lloyd, Jones, Courtney, Everard, Johnson, Weston, Mrs Williams, Miss Ambrose, Miss Platt, Mrs Jewell; Prologue-Foote.

Afterpiece Title: The Mock Doctor

Dance: End: Giorgi's scholars

Performances

Mainpiece Title: The Nabob

Performance Comment: Parts-Foote, Weston, Wilson, first time (from Edinburgh), Kennedy, Follett, Griffith, Owenson, Fearon, Davis, Jacobs, Jones, Castle, Lloyd, Courtney, Mrs Williams, Miss Ambrose, Mrs Palmer, Mrs Gardner.

Afterpiece Title: The Padlock

Dance: As17740516

Performances

Mainpiece Title: The Maid Of Bath

Performance Comment: As17750612 but Parts-Williams, _Davis.
Cast
Role: Parts Actor: Williams, _Davis.

Afterpiece Title: The Waterman

Dance: The Haymakers-

Event Comment: Opera, music by Sacchini &c. [not performed, according to Public Advertiser, 8 Nov., because of illness of two singers, one being Sga Sestini. A Letter by William Lee in The Public Advertiser (7 Nov.) notes that beginning in 1772 he had served refreshments in a room which served also as a passage to the boxes; alterations made to enclose the passage were made in 1773; Lee was charged #60 a year for the room (with the fire and light at his own expense). Then Elizabeth Smith, who had had charge of concessions died. In 1774 Lee was charged #160 plus #80 for coals and light. Hence Lee lost #130 and was saved only by a benefit by the graciousness of the Nobility and Gentry.

Performances

Mainpiece Title: Didone

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Performances

Mainpiece Title: Douglas

Afterpiece Title: Prometheus

Performance Comment: As17760212, but Vocals-Mrs Williams, Mrs +Masters; Dance-Zuchelli, Sga Vidini.
Cast
Role: Vocals Actor: Mrs Williams, Mrs +Masters