SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow of Thomas Williams"/1) | (@(roleclean,performerclean) "Widow of Thomas Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15371 matches on Author, 2488 matches on Performance Comments, 1051 matches on Event Comments, 539 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: HHamlet, Mr Garrick (Cross Diary). Wit's Last Stake by Thomas King, as it is performed at Drury Lane, published at 1s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Damon and Phillida

Event Comment: Afterpiece: A New Comic Opera. The Music by Hooke, [text attributed to Thomas Bridges. Prologue spoken in the character of Flora by Mrs Gardner. At the conclusion Dido hangs herself in her own garters. She is cut down and gives her hand to Iarbas.

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne

Afterpiece Title: Dido

Related Works
Related Work: Dido Author(s): Thomas Bridges

Dance: End: Double Hornpipe-Mas. and Miss West

Performances

Mainpiece Title: A Cure For Dotage

Performance Comment: Reinhold, Bannister, Miss Thomas, Mrs Thompson.

Entertainment: Singing-Miss Catley; Medley Cantata-Reinhold, By Particular Desire after the first part; Musical Imitations-Bannister; Song (By Desire) Water Parted from the Sea, after the manner of the original-Miss Catley; Concerto on Organ-Reinhold; Solo on Violin-Reeves

Event Comment: Mainpiece: By Particular Desire. Paid Mr Clutterbuck's Balance of Last year #147 4s. 4d.; Paid Mr Thomas French for painting (27 days) #10 6s.; Chorus 1 night (16th inst.) #2 6d. (Treasurer's Book). Receipts: #114 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Padlock

Dance: V: A Comic Dance, as17710921

Event Comment: Rec'd from Thomas and Arnold for use of the Organ this season #21, and for coals burnt at the Oratorios #2 2s. Rec'd #54 14s. 8d. in payment of deficiencies for last season's benefit performances from Dumay, Curtat, Merryfield and Wignell. Paid Garton (treasurer) 11 Oratorio nights for renters #110. Paid Phillips in full for his performance this season #21 (Account Book). Receipts: #117 5s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Mother Shipton

Related Works
Related Work: The Life of Mother Shipton Author(s): Thomas Thomson
Event Comment: Benefit for Thomas Linley Jun

Performances

Mainpiece Title: A Concert

Event Comment: Benefit for Mrs Bulkley. Mainpiece: A New Comedy [by a Lady] never perform'd in this Kingdom. As performed with Universal Applause at the Theatre Royal in Dublin. [The Edition of 1774 lists the Irish Actors. The characters are: Mowbray, Sir Thomas O'Shaughnesy; Admiral Swivel; Leslie; Egerton; Capt. Egerton; Issacher; Donald M'Pherson; Strap; Elfrida Audley; Henrietta Egerton; Mrs Ornel; Mrs Issacher; Jenny, a Mantua Maker, a Maid; French servants and porters. Genest suggests a casting for ten of the characters.] Charges: #66 6s. 6d. Profit to Mrs Bulkley #33 17s., plus #93 13s. from tickets Box 232; Pit 177; Gallery 91). Paid Mrs Carne half year' salary due Lady day last #15. Paid half year's water rent due Xmas last #4. Receipts: #100 3s. 6d. (Account Book)

Performances

Mainpiece Title: The South Briton

Afterpiece Title: The Apprentice

Dance: IV: A Double Hornpipe-Mas. Blurton, Miss Besford; End I Farce: A Minuet-Aldridge, Mrs Bulkley

Monologue: Interlude.End: True Blue. As 26 March

Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: St Patrick's Day; or, The Scheming Lieutenant

Dance: End: The Vintage Festival, as17741007

Event Comment: In Mr G. fine Scene with Thomas , Just as he was going to trust him with the Secret the House was very Silent and Mr G. very fine a fellow in the Gallery bawld out--Speak louder--It disconcerted Mr G. very much (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Mr Waller's Bill (hosier) #30 16s. 9d.; Mr Pryer [Turner] #3 2s.; Mr Bannizter [sic] for two songs #5 5s. Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Related Works
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne
Event Comment: Ode [1st time; composed by Thomas Linley Jun. (see 18 Mar. 1778), text by John Hoadly]

Performances

Mainpiece Title: L'allegro Il Penseroso; Judas Maccabaeus

Afterpiece Title: The Song of Moses; Judas Maccabaeus

Music: As17770214

Event Comment: Benefit for Thomas Ansell, Pilfold, Woolley, Symmonds Furkins & Roberts. Tickets delivered by Clarridge, Doe, Wells, Longley, Francis, Brandon, Walker, Varley will be taken this Night. Receipts: #278 11s. 6d. (21.8.6; 0.6.0; tickets: 256.17.0) (charge: none listed)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Dance: End: New Comic Dance, as17770425

Event Comment: Mainpiece: Not acted these 3 years [acted 6 May 1776]. With Accompaniments to the Airs composed by Thomas? Linley Sen?.. Public Advertiser, 10 Nov.: "Jenny Diver forgot her song...and continued inflexibly silent till a Wag behind the Scenes assumed her Voice, and sung the Song for her"; ibid, 15 Nov., identifies this wag as Bannister, who sang "in a feigned voice." [Webster was from the Crow Street Theatre, Dublin.] Receipts: #192 6s. 6d. (167.2.0; 24.16.0; 0.8.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: III: a Hornpipe-Blurton. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Mainpiece: Not acted these 2 years. With a Procession and Sacrificev. [These were included in both subsequent performances.] Afterpiece [1st time; F 2, by Thomas Sheridan. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 21 Dec.]: Taken from the comedy of that name by Sir John Vanburghi [sic]. Receipts: #151 2s. 6d. (115.4.0; 35.16.0; 0.2.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: AEsop

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Thomas Linley? Sen.. Receipts: #191 10s. (190.1; 1.9)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Wonders of Derbyshire

Dance: End II: Minuet de la Cour, as17780919; Allemande, as17780919; III: a Hornpipe-Blurton

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-Walker. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Benefit for Mrs Palmer (the Lady who perform'd Calista). [Mainpiece: Prologue by Thomas Baker.] No Person to be admitted without a ticket, which may be had of Mrs Palmer, No. 13 Pierpont-Row; at the King's Head Tavern in the upper-Street; and at the place of Performance. [The date of the performance of The Fair Penitent, of which play Calista is the heroine, has not as yet come to light.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Deuce is in Him

Event Comment: Places for the Boxes to be taken of Fosbrook at the Stage-door. No Money to be taken at the Stage-door, nor any Money returned after the Curtain is drawn up. The Doors will be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Monologue [1st time, probably by Thomas King. MS: Larpent 602; synopsis in London Magazine, Sept. 1782, 437]. Receipts: #200 4s. (170/14/0; 29/7/6; 0/2/6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Who's the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time; C 5 (?), author unknown. It was 1st advertised in Morning Chronicle, 15 Dec. 1783, for performance on 26 Jan. 1784, as "A new Comedy called The Artful Patriot; or, The Rage of the People." Prologue by Thomas Stewart (Morning Post, 23 Feb., which also gives names of T. Davis and Miss Hemet. Author of Epilogue unknown. MS not in Larpent; not published]. The Doors to be opened at 5:00. To begin at 6:30

Performances

Mainpiece Title: The Patriot

Afterpiece Title: The Reprisal; or, The Tars of Old England

Event Comment: Benefit for Miss Phillips. Gazetteer, 5 Apr.: Tickets to be had of Miss Phillips, at Swift's, bookseller, Charles-street, St. James's-square. Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #230 10s. (110/15/0; 30/11/6; 0/5/6; tickets: 88/18/0) (charge: #108 9s. 2d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Padlock

Dance: In Act III of mainpiece Hornpipe by Mills; End of mainpiece, as17840320athi

Event Comment: Mainpiece [1st time; C 5, author unknown; frequently attributed to Thomas Vaughan, but his authorship denied in a letter written by him to editor of the Oracle, 13 Feb. 1796. Author of Prologue unknown. Epilogue by Edward Topham (European Magazine, Nov. 1784, p. 393). MS: Larpent 670; not published; synopsis of plot in London Magazine, Nov. 1784, p. 389]. Receipts: #161 2s. 6d. (142/9/0; 18/0/6; 0/13/0)

Performances

Mainpiece Title: Deception

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Performances

Mainpiece Title: The Captives

Related Works
Related Work: The Fall of Phaeton: With Harlequin a Captive Author(s): Thomas Arne
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Thomas Arne

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Ryder; Sir ThomasTesty-Fearon; Dick-Brown; Old Hob-Booth; Friendly-Davies; Hob's Mother-Mrs Pitt; Betty-Miss Stuart; Flora-Mrs Martyr.
Cast
Role: Sir ThomasTesty Actor: Fearon
Related Works
Related Work: Hob; or, The Country Wake Author(s): Thomas Doggett

Performances

Mainpiece Title: The Catch Club [i

Performance Comment: . The Sons of Anacreon]. President-Palmer; Vocal Parts-Bannister, Bannister Jun., Davies, Moss, Mathews, Chapman, Master Braham, Edwin; In which The Anacreontic Song-Bannister; Old [recte Poor] Thomas Day-Edwin, Bannister, Davies; The Wolf-Bannister; Moderation and Alteration-Edwin; Bonny Christ Church Bells, Hark the Lark, [Sing] Old Rose and Burn the Bellows-.
Cast
Role: Thomas Day Actor: Edwin, Bannister, Davies

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

Event Comment: Benefit for King. 1st piece: Altered [by MacNamara Morgan] from The Winter's Tale. 2nd piece [1st time; C 3, by Thomas King. Not in Larpent MS; not published]: An Alteration, never yet performed, of Sir John Vanburgh's [sic] Mistake. Public Advertiser, 10 Feb.: Tickets to be had of King, at his house in Gerrard-street. Receipts: #321 2s. 6d. (249.14.0; 4.8:6; tickets: 67.0.0)

Performances

Mainpiece Title: The Sheep Shearing; Or, Florizel And Perdita

Related Works
Related Work: The Sheepshearing; or, Florizel and Perdita Author(s): Thomas Arne

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bon Ton

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Performance Comment: Principal Characters-Lee Lewes, Wewitzer, Fennell, Mrs Lee Lewes, Mrs Day, Mrs Everard, Miss Brown; Larpent MS lists the parts: Alderman Goslin, Young Goslin, Harry, Thomas, Peruque, Mrs O'Trigger-Mrs Lee Lewes (Oracle, 8 Mar.) Mrs Courtney, Kitty, Mrs Snip, Betty.

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes