SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Widow and Children of Christian Steffkins"/1) | (@(roleclean,performerclean) "Widow and Children of Christian Steffkins")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 860 matches on Performance Title, 629 matches on Performance Comments, 433 matches on Event Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Pope. At the particular Desire of his Excellency the Ambassador [see 7 May] from the Sublime Porte:. 3rd piece: At End of Act I of the DIVERTISEMENT. Written by Edward Jerningham, Esq., with Alterations and Additions, interspersed with Music, after the manner of Rousseau's PYGMALION. Morning Chronicle, 19 Apr.: Tickets to be had of Pope, Half-Moon-street, Piccadilly. Receipts: #231 17s. (138/14; 3/3; tickets: 90/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A DIVERTISEMENT

Afterpiece Title: MARGARET OF ANJOU

Performance Comment: Principal Characters by Pope, Miss Standen//Mrs Pope. [Cast from Genest, VII, 103: Robber-Pope; Child-Miss Standen//Margaret-Mrs Pope.] hathi. hathi.

Song: In Act V of 1st piece, as17931216; End of 1st piece Black-Eyed Susan by Incledon

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Performance Comment: Count Baldwin-Packer; Biron-Kemble; Carlos-Barrymore; Villeroy-Palmer; Sampson-Phillimore; Child-Master Chatterley; Bellford-R. Palmer; Pedro-Trueman; Gentlemen-Caulfield, Bland; Isabella-Mrs Siddons; Nurse-Mrs Booth.
Cast
Role: Gentlemen Actor: Caulfield, Bland

Afterpiece Title: No Song No Supper

Cast
Role: Dorothy Actor: Mrs Bland

Song: In III: an Epithalamium-; Vocal Parts-Mrs Bland, Master Welsh

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: The Prince of Dacia borne in a Triumphal Car drawn Actor: Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: she receives them with tenderness Actor: The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor or British Heroism

Afterpiece Title: Tom Thumb

Performance Comment: As17941010, but Huncamunca-Mrs Clendining; Doodle-_; Noodle-_. [Young Standen billed as: A child only six years old.]Young Standen billed as: A child only six years old.]

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

Event Comment: Benefit for Bernard. 3rd piece [1st time; MF 2, by John Bernard. Larpent MS 1084; not published]: To conclude with a View of the Town of Portsmouthv on a Rejoicing Night, embellished with Grand Illuminations. [This was included in all subsequent performances.] The Music by Attwood. Morning Chronicle, 27 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton-Garden. Receipts: #253 6s. 6d. (70.8.0; 12.4.6; tickets: 170.14.0)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Doctor Lasts Examination before the College of Physicians

Afterpiece Title: The Poor Sailor or Little Ben and Little Bob

Performance Comment: Lieut. Battledor (the Poor Sailor)-Incledon; Compass-Harley; Bumbo-Bernard; Freakish-Townsend; O'Daub-Rock; Lieutenant of a Press Gang-Williamson; Capt. Battledor-Munden; Little Bob-Master Standen a Child only six years old; Miss Ann Battledor-Mrs Davenport; Nancy-Miss Cornelys; Eliza alias Little Ben (for that night only)-Miss Poole.

Dance: In 3rd piece: Double Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: End I: Black Eyed Susan-Incledon

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Prize or 2

Song: In III: an Epithalamium-. Vocal Parts Miss Leak, Master Welsh

Event Comment: "Nothing reduces acting to so miserable a show of mechanism as the constant applause at particular speeches...Mrs Siddons labours under a disadvantage [in dl theatre]. that she is not everywhere heard. To be so she would strain her voice unnaturally. She does not choose to make the sacrifice, and preserves her excellence with the near, whatever she may lose to the remote" (Oracle, 27 Sept.). Receipts: #372 0s. 6d. (280.13.0; 89.18.6; 1.9.0)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Liar

Song: In III: Epithalamium. Vocal Parts-Miss Leak, Master Welsh

Event Comment: Afterpiece [1st time; CO 2, by Prince Hoare, based partly on Le Comte D'Albert et sa Suite, by Michael Jean Sedaine. Larpent MS 1153; not published; synopsis of plot in Monthly Visitor, Feb. 1797, p. 164]: The Musick partly new and partly selected [by Michael Kelly; overture by Stanislas Champein (BUC 567)]. Books of the Songs to be had in the Theatre. Receipts: #321 14s. (184.18.6; 134.14.6; 2.1.0)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: A Friend in Need

Performance Comment: Characters by Kelly, Bannister Jun., Suett, Dignum, Caulfield, Wathen, Sedgwick, Maddocks, Trueman, Master Welsh, Master Chatterley, Webb, Banks, Hollingsworth, Cooke, Evans, Mrs Crouch, Miss DeCamp, Mrs Bland. Cast from Songs T. Rickaby, 1797): Count Solano-Kelly; Jack Churly-Bannister Jun.; Pazzarello-Suett; Belmont-Dignum; Lieutenant-Caulfield; Morado-Wathen; Carlo-Sedgwick; Informers-Maddocks, Trueman; Children-Master Welsh, Master Chatterley; Gaoler-Webb; Bernardo-Banks; Neapolitan Sailor-Hollingsworth; Soldiers-Cooke, Evans, Welsh; Emilia-Mrs Crouch; Plautina-Miss DeCamp; Ellen-Mrs Bland.

Song: Afterpiece: Chorus-Welsh, Maddocks, Gregson, Wentworth, Atkins, Meyers, Annereau, Bardoleau, Walker, Willoughby, Ms Butler, Ms Roffey, Ms Granger, Ms Jackson, Ms Maddocks, Ms Menage, Ms Wentworth, Ms Benson

Event Comment: Afterpiece: 7th Time [i.e. in continuation of the reckoning for the previous season, and for 19 Oct.]. Receipts: #296 13s. (243.8.6; 51.8.0; 1.16.6)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Wandering Jew

Related Works
Related Work: The Wandering Jew; or, Love's Masquerade Author(s): Andrew Franklin

Song: In III: Epithalamium-; Vocal Parts-Mrs Bland, Miss Leak

Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Performances

Mainpiece Title: False Impressions

Related Works
Related Work: False Impressions Author(s): Richard Cumberland

Afterpiece Title: The Round Tower or The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and March- (Scipio); Tyrants would-Mme Mara; Tyrants ye in vain-Chorus (Athalia); He layeth the beams-Reinhold (Ezio); Grateful hearts-Miss Dufour (Nabal); Fall'n is the foe-Chorus (Judas Maccabaeus); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Bravura Agitata-Mme Mara; The Lord shall reign-Chorus; For the Horse of Pharaoh, And Miriam-Incledon; Sing ye to the Lord-Mme Mara; The Horse and his Rider-Chorus (Israel in Egypt); Mad Bess-Mme Mara (Purcell).
Cast
Role: Overture and March Actor:
Role: And Miriam Actor: Incledon
Role: The Horse and his Rider Actor: Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: Selected from The Messiah. Overture-; Comfort ye, Every Valley-Incledon; And the Glory-Chorus; How beautiful-Master Elliot; The trumpet shall sound-Reinhold; Rejoice greatly-Miss Poole; For unto us a Child is born-Chorus; I know that my Redeemer Liveth-Mme Mara; Hallelujah-Chorus.
Cast
Role: And the Glory Actor: Chorus

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

Performances

Mainpiece Title: The Tempest

Performance Comment: As17971223, but Ariel-Mrs Bland; Hyppolito-Mrs Powell; Dorinda (1st time)-Mrs Jordan; Alonzo-_; Antonio-_.
Cast
Role: Ariel Actor: Mrs Bland
Role: Ferdinand Actor: C. Kemble
Role: Miranda Actor: Mrs Crouch

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Mary Actor: Mrs Bland
Role: Miss Lucy Actor: Mrs Bland.

Afterpiece Title: The Eleventh of June or The Daggerwoods at Dunstable

Performance Comment: Characters-Bannister Jun., Wewitzer, Wathen, Master Chatterley, Master Walter, Master Tokely, Master Wells, Master Appleby, Mrs Sparks, Miss Tidswell, Miss Walcot, Miss Beton, Miss Chatterley, Miss Smalley. [Larpent MS lists the parts: Waiter, Passengers, Old Daggerwood, Trumpeter, Coachman, Sylvester Daggerwood, Children (specified in Monthly Mirror, June 1798, p. 368, as Master Apollo, Alexander, Alonzo, Miss Wilhelmina), Mrs Daggerwood, Mrs Dabwall.]Larpent MS lists the parts: Waiter, Passengers, Old Daggerwood, Trumpeter, Coachman, Sylvester Daggerwood, Children (specified in Monthly Mirror, June 1798, p. 368, as Master Apollo, Alexander, Alonzo, Miss Wilhelmina), Mrs Daggerwood, Mrs Dabwall.]

Afterpiece Title: Blue Beard

Cast
Role: Beda Actor: Mrs Bland

Song: 1st piece: Vocal Parts, as17980224, but Ms _Leak

Event Comment: Afterpiece [1st time; MD 2, by Andrew Franklin. Larpent MS 1224; not published; synopsis of plot in Universal Magazine, Oct. 1798, pp. 275-76]: The Overture and Musick composed by Florio. Books of the Songs to be had at the Theatre. Account-Book, 8 July 1799: Paid Florio for the Outlaws #20. Receipts: #258 5s. 6d. (163.10.0; 92.16.6; 1.19.0)

Performances

Mainpiece Title: Hamlet

Cast
Role: Horatio Actor: Holland

Afterpiece Title: The Outlaws

Performance Comment: Characters by C. Kemble, Holland, Biggs, Kelly, Sedgwick, Dignum, Caulfield, Trueman, Maddocks, Hollingsworth, Sparks, Master Chatrerley, Bannister Jun., Mrs Crouch, Miss DeCamp, Mrs Sparks, Miss Leak. Cast from European Magazine, Oct. 1798, p. 258 and Larpent MS: Duke-C. Kemble; Count-Holland; Don Alvarez-Biggs; Anastro-Kelly; Cavaldo-Sedgwick; Marco-Dignum; Francisco-Maddocks; Muleteers-Hollingsworth, Sparks; Child-Master Chatterley; Jasper-Bannister Jun.; Countess-Mrs Crouch; Martia-Miss DeCamp; Dorca-Mrs Sparks; Clara-Miss Leak; unassigned-Caulfield, Trueman.
Cast
Role: Count Actor: Holland
Related Works
Related Work: The Outlaws Author(s): Andrew Franklin

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: Blue Beard

Cast
Role: Beda Actor: Mrs Bland.

Song: In III: Epithalamium. Vocal Parts-Mrs Bland, Miss Leak

Performance Comment: Vocal Parts-Mrs Bland, Miss Leak.
Cast
Role: ocal Parts Actor: Mrs Bland, Miss Leak.

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture and March (Scipio)-; Come ever smiling liberty-Miss Capper (Judas Maccabaeus); Lord of eternity-Chorus; Behold the nations-Sale; O Baal-Chorus (Deborah); Mirth admit me-Bartleman; Haste thee nymph-Incledon, Chorus (L'Allegro); My faith and truth-Miss Poole, Master Elliot (Samson); Lord, remember David-Mme Mara (Sosarme); For unto us a child is born-Chorus (The Messiah).

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Fifth Concerto (Martini)-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Softly sweet-Master Elliot; accompanied on the violoncello-C. Ashley (Alexander's Feast); He was despised-Sga Galli, who is in her 77th year and in the greatest distress, and most humbly hopes for the protection of the Public on the occasion (The Messiah); Disdainful of danger-Incledon, Page, Bartleman (Judas Maccabaeus); Oft on a plat-Incledon; Let me wander-Mme Mara; Or let the merry bells-Chorus (L'Allegro).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; The prince unable-Miss Poole (Alexander's Feast); Return O God-Miss Waters; Justly these evils, Why does the God of Israel-Incledon (Samson); Dulce Domum-Mme Mara, Chorus (Reading); The soldier tired-Mme Mara (Arne's Artaxerxes); How willing-Bartleman (Samson); Hallelujah-Chorus (The Messiah).

Music: As17990215

Event Comment: Benefit for Sloper and Mrs Watts. 2nd piece: The Machinery of the Peacock by Sloper. 3rd piece: The following are a part of the Scenes: The Ancient Temple dedicated to Bel, the God of Fire, with the Flactaga, or sacred Fire burning; The Dargle, where the Irish Druids consulted their Oracle; A View near Wicklow; The Salmon Leap; Entrance of a Subterraneous Pass; Maon's Cavern; Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. The Overture and Music principally new, with a Selection of some novel Irish Airs, by Reeve. The Harp by Weippert. The machinery by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Receipts: #319 16s. 6d. (70.19.0; 8.13.0; tickets: 240.4.6)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: An Egeirophadron

Performance Comment: As17990513, but added: Young William was a sailor true composed and sung-Incledon; The Irish Haymaker-Johnstone; Sally in our Alley-_; A New Planxty-_.

Afterpiece Title: The Round Tower or The Chieftains of Ireland

Song: In: Together let us range-Incledon, Mrs Atkins

Event Comment: Afterpiece [1st time; M. ENT 2, by Andrew Franklin. Larpent MS 1268; not published]: With appropriate Scenery, Dresses, &c. The Music entirely new, with a Naval and Military Medley Overture, composed by Reeve. Books of the Songs to be had in the Theatre. [European Magazine, Oct. 1799, p. 255, states that this was founded on the expedition to Holland which embarked at Deal from 7th to 11th September 1799.] Receipts: #340 14s. 6d. (225.17.0; 114.13.2; 0.4.0)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Embarkation

Performance Comment: Characters by Holland, Dignum, Palmer, Sparks, Surmont, Wewitzer, Cory, Master Tokely, Trueman, Suett, Bannister Jun., Miss DeCamp, Mrs Bland. Cast from Monthly Visitor, Oct. 1799, p. 178: Capt. Beverly-Holland; Midshipman-Dignum; O'Splash-Palmer; Sawney-Sparks; Mushroom-Surmont; Hokensoken-Wewitzer; Dutchman-Cory; Child-Master Tokely; Soldier-Trueman; Ramrod-Suett; Juniper-Bannister Jun.; Eliza-Miss DeCamp; Mary-Mrs Bland.
Cast
Role: Beverly Actor: Holland
Role: Mary Actor: Mrs Bland.
Related Works
Related Work: The Embarkation Author(s): Andrew Franklin

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Apprentice

Song: In III: Epithalamium Vocal Parts-Mrs Bland, Miss Leak

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Cast
Role: Evandra Actor: Mrs Hester? Davenport.
Event Comment: The United Company. The date of the first performance is not precisely known, but the Gentleman's Journal, April 1693 (issued in May) states that it followed D'Urfey's comedy: And since that [The Richmond Heiress] another by Mr George Powell, call'd, a very good Wife, which hath already been acted five times (p. 130). It is likely that Powell's comedy first appeared late in April or very early in May. Dedication, Edition of 1693: The unexpected Success of this Play. A Comparison between the Two Stages (p. 16): Ramble: The next? Sullen: A very good Wife. Ramble: That's almost a Solaecism: whose is't? Sullen: Oh an excellent Author's! one George Powell's, the Player. Ramble. What was it's Fate? Sullen: Damn'd, damn'd, as it deserv'd

Performances

Mainpiece Title: A Very Good Wife

Performance Comment: Edition of 1693: Prologue [By Mr Congreve-Mr Hains; Epilogue-Mrs Knight; Courtwitt-Powell; Wellborn-Hodgson; Bonavent-Alexander [Verbruggen]; Squeezwit-Bowen; Venture-Bright; Hickman-Trafusis; Sneaksby-Hains; Aminadab-Cibber; Jeremy-Lee; Crack-Lawson; Annabella-Mrs Mountfort; Widow Lacy-Mrs Knight; Carroll-Mrs Lassels; Mrs Sneaksby-Mrs Lee.
Cast
Role: Bonavent Actor: Alexander
Role: Widow Lacy Actor: Mrs Knight
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 12-16 Dec. 1695, suggests that it was probably first acted not later than November 1695. The edition of 1696 mentions two songs and their performers: A lass there lives upon the green, the words by an unknown hand, set by Courteville, and sung by the Boy to Miss Cross; and Bright Cynthia's pow'r divinely great, words by Mr Cheek, set by Courtevill, sung by Leveridge. These two songs are also in Deliciae Musicae, The Fourth Book, 1696, as is a third, Celemene, pray tell me, set by Henry Purcell and sung by the Boy and Girl. The words were written by D'Urfey; and the Boy presumably was Bowen, and the Girl, Miss Cross. See Purcell's Works, Purcell Society, XXI (1917), v-vi. A Comparison Between the Two Stages (1702), p. 19: Sullen: Oronooko. Ramble: Oh! the Favourite of the Ladies. Sullen: It had indeed uncommon Success, and the Quality of both Sexes were very kind to the Play, and to the Poet: No doubt it has Merit, particularly the last Scene; but 'tis as certain, that the Comick Part is below that Author's usual Genius. Ramble: I have a particular regard for Mr Southern's Stile and agreeable Manner; there's a Spirit of Conversation in every thing he writes. Sullen: I think very few exceed him in the Dialogue; his Gallantry is natural, and after the real manner of the Town; his acquaintance with the best Company entered him into the secrets of their Intrigues, and no Man knew better the Way and Disposition of Mankind. But yet I must say, his Diction is commonly the best part of him, especially in Comedy; but in Tragedy he has once in this, and in one other, Drawn the Passions very well

Performances

Mainpiece Title: Oroonoko

Performance Comment: Edition of 1696: Prologue to Oroonoko [Sent by an Unknown Hand,-Mr Powell; Oroonoko-Verbruggen; Aboan-Powell; Lieutenant Governor-Williams; Blanford-Harland; Stanmore-Horden; Jack Stanmore-Mills; Captain Driver-Ben Johnson; Daniel-Mich. Lee; Hottman-Sympson; Imoinda-Mrs Rogers; Widow Lackit-Mrs Knight; Charlot Welldon-Mrs Verbruggen; Lucy Welldon-Mrs Lucas; Epilogue to Oroonoko [Written by Mr Congreve, edition of 1699]-Mrs Verbruggen.
Cast
Role: Sent by an Unknown Hand, Actor: Mr Powell
Role: Blanford Actor: Harland
Role: Widow Lackit Actor: Mrs Knight

Performances

Mainpiece Title: The World In The Moon

Performance Comment: Edition of 1697: Prologue-Girl; Frank Wildblood-Powel; Ned Stanmore-Mills; Palmerin Worthy-Williams; Sir Dottrel Fondlove-Johnson; Old Stanmore-Disney; Tom Dawkins-Pinkethman; Jacintha-Mrs Verbruggen; Widow Dawkins-Mrs Powel; Mrs Susan-Mrs Andrews; Prologue- Set to Musick by Mr Jeremy Clark. I:; Within this happy World above- set by Mr Jeremy Clark. II:; Joe Haynes meets 'em-; II: The Entertainment Composed by Mr Daniel Purcel Come all you Nymphs of Cynthia's Train-; II: A Dialogue In all our Cynthia's shining sphere-Mr Leveridge, Mrs Cross; III: The Musick set by Mr Daniel Purcel Look round and here behold-; A Dialogue Oh dear sweet sir you look so gay-Mrs Cross, Mrs Lucas; IV: A Song set by Mr Purcel Young Strephon met me t'other Day-Miss Anon; IV: The Ceremony of a Nuptial Entertainment perform'd. Bride-Mrs Cross; Bridegroom-Mr Leveridge; The Musick set by Mr D. Purcel, The Nymphs of the Plain-; V: Set by Mr D. Purcel, Come Strephon Phyllis come let's troth-; Epilogue-Miss Denny Chalk; Dress'd with a great Wig like a Beau. In The Single Songs in the New Opera call'd The World in the Moon (1697), in addition to some of the pieces listed above, are the following ones: A Song Sett by Mr Daniel Purcell: Then come kind Damon-Mrs Lindsey; A Song Sett by Mr J. Clark: Smile then with a beam divine-Mrs Cross; A Song Sett by Mr J. Clark: Divine Astrea hither flew to Cynthia's brighter Throne-; A Song Sett by Mr Daniel Purcell: Young Strephon hee has woo'd me long-; A New Song: Let those Youths who freedom prize-.
Cast
Role: Widow Dawkins Actor: Mrs Powel
Role: Mrs Susan Actor: Mrs Andrews
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the Songs were advertised in the Post Boy, 29-31 March 1698, and performance probably occurred in early March. One song, All things seem deaf to my complaints, set by John Eccles and sung by Mrs Bowman, was published in The A'lamode Musician, 1698. According to the Post Boy, 17-19 March 1697@8, another song, Fair Amoret is gone Astray, had its words written by Congreve, and, according to the Post Boy, 29-31 March 1698, the music set by John Eccles. A Comparison Between the Two Stages (1702), p. 20: Damn'd. Gildon, English Dramatick Poets, p. 173: I have little to say to this Play, for 'tis not fair to attack a Man that's down, tho' I do not think (considering what Plays have pleas'd) that this ought to have met with so severe a Fate

Performances

Mainpiece Title: The Pretenders Or The Town Unmaskd

Performance Comment: Edition of 1698: Lord Courtipell-Thurmond; Sir Wealthy Plainder-Underhill; Sir Bellamour Blunt-Kynaston; Vainthroat-Bowman; Breakage-Trefuse; Captain Bownceby-Bright; Nickycrack-Bowen; Prim-Baily; Widow Thoroshift-Mrs More; Minx-Mrs Peryng; Ophelia-Mrs Bowman; Sweetny-Mrs Lee; Nibs-Mrs Lawson; Doll-Mrs Willis; Prologue-Mrs Bowen coming upon the Stage in a great huff, follow'd by a Prompter, with a Paper in his hand, and a Boy with a Bottle and Glass; Epilogue-Mrs Moor.

Performances

Mainpiece Title: Vice Reclaimd Or The Passionate Mistress

Performance Comment: Edition of 1703 lists: Sir Feeble Goodwill-Johnson; Wilding-Wilks; Gainlove-Williams; Fondle-Bullock; Apish-Bickerstaff; Ralph-Norris; Widow Purelight-Mrs Kent; Lucia-Mrs Temple; Annabella-Mrs Rogers; Mrs Haughty-Mrs Knight; Malapert-Mrs Lucas; Betty-Mrs Cox; Mrs Rhenish-Mrs Powel; Prologue-Wilks; Epilogue-Norris.
Cast
Role: Widow Purelight Actor: Mrs Kent

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Beaufort-Bowman; Brace-Verbruggen; Lovis-Booth; Sir Frederick-Wilks; Dufoy-Bowen; Sir Nicholas-Norris; Wheadle-Keen; Palmer-Bullock; Widow-Mrs Oldfield.
Cast
Role: Widow Actor: Mrs Oldfield.