SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Rivers"/1) | (@(roleclean,performerclean) "Widow Rivers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 456 matches on Performance Comments, 431 matches on Performance Title, 326 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Miss Harper was taken ill; The Irish Widow was thereupon substituted and begun, but the audience was clamorous, and insisted on The Son-in-Law. A long delay ensued until the proper acters had been brought back to the theatre and until they were dressed. Mrs Jewell read Miss Harper's part. While trying to find out what the audience wanted, Bannister retorted sharply from the stage to one of the noisiest of the objectors. This action caused several letters to be written to various newspapers debating the right of a "servant of the public" to reprimand a member of the audience even when that member might be in the wrong (Morning Chronicle, 16 Sept., et seq.).] The last Night of the Season

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Son-in-Law

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Widow Of Delphi, announced on playbill of 12 Feb.] Receipts: #262 3s. 6d. (260.7.0; 1.16.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Deaf Lover

Dance: As17791022

Event Comment: Tickets delivered by Dagueville, Simpkinson, the widow of the late Jones, and the Performers in the Orchestra will be admitted. Receipts: #182 15s. (34.15; 1.3; tickets: 146.17)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deaf Lover

Dance: End II: The Embarkment for Cythera- (see17791022); with a new Minuet-Master and Miss Dagueville, Master Holland, Miss Armstrong; End IV: Cupid Recruiting- (see17800417); in which The Prince of Wales's New Minuet (composed by Dagueville)-Master Dagueville, Miss Simonet (of the Opera-House);

Ballet: End: The Humours of New-Market. As17800508, but Jockies-Master Holland, _Holloway, _Holland

Event Comment: [As 2nd piece Public Advertiser for this day and the playbill of 29 July announce Othello, but "Mrs Crawford not being well enough to act the part of Desdemona...The Suicide...will be performed this Evening." 3rd piece in place of The Irish Widow, announced on playbill of 29 July.

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: The Son-in-law

Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Event Comment: Duplicity [announced on playbill of 25 Oct.] is again obliged to be postponed on account of Henderson's Illness. [Afterpiece in place of Comus, announced on playbill of 25 Oct. In mainpicce the playbill retains Mrs Mattocks as Mrs Racket and Miss Younge as Letitia, but "Miss Younge having yesterday lost a near Relation could not play her part in the Belle's Stratagem, in consequence of which an apology was made for her Absence ... To remedy the inconvenience Mrs Mattocks last night played the character of Miss Hardy, and Mrs Whitfield that of Widow Racket" (Morning Chronicle, 27 Oct.).] Receipts: #100 6s. (97/1/6; 3/4/6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Golden Pippin

Dance: As17811024

Event Comment: Tickets delivered for a Comedy, by Messink, Jones, Ledger, Newton, Painter, Darley, Lloyd, Mrs Davenett, Mrs Sharpe and the Widow of the late Dr Arne will be admitted this Evening. Receipts: #281 1s. (91/16; 5/1; tickets: 184/4)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Retaliation

Event Comment: Benefit for Mrs Bach (Widow of the late [J. C] Bach). Tickets, half a guinea each, to be had of Mrs Bach, at Zoffany's, Albemarle-street, near Piccadilly

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Le Triompbe de l'Amour Conjugal, as17820312End of Act II Rinaldo and Armida, as17820223

Event Comment: Benefit for Booth, Egan, Stevens & the widow of the late Mr Branson. Receipts: #204 2s. (none listed; tickets: 204/2) (charge: #105)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Ghost

Dance: As17820927

Song: End of Act II of mainpiece The Huntsman's sweet Hollo!, as17830516; End of Dance ThomasDay. Goody Cramp-Bannister; Goody Rheum-Brett; Goody Twitch-Edwin

Event Comment: Tickets delivered by Darley, Jones, Painter, Besford, Mrs Davenett, Mrs Sharpe, the Widow of the late Dr Arne, and Mrs Dalrymple will be admitted. Tickets delivered for The Maid of the Mill will be taken. [Afterpiece in place of THE Devil upon Two Sticks, announced on playbill of 27 May.] Receipts: #286 14s. 6d.(93/6/6; 3/1/0; tickets: 190/7/0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Lord Mayor's Day

Dance: End of mainpiece The Fingalian; or, The Female Frolic by Miss Besford and others

Event Comment: Benefit for Portal, Shade, Enoe & the Widow of the late Carleton Sen. Receipts: #264 (39/10/0; 17/2/6; 0/7/6; tickets: 207/0/0) (charge: #107 12s. 2d)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deserter

Dance: As17821214

Event Comment: Tickets delivered by Jones, Painter, Bates, Goodwin, Atkins, Mrs Davenett, Miss Francis, Mrs Branson, Mrs Sharpe, and the Widow of the late Dr Arne will be admitted this Evening. Receipts: #229 3s. 6d. (46/11/6; 2/7/0; tickets: 180/5/0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece The Rival Nympbs, as17840318athi

Song: End of mainpiece Let not Age by a Young Lady (1st appearance on any stage [unidentified])

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .
Event Comment: Benefit for the Widow and Children of the unfortunate Mr Linton, late of this Theatre. [Linton, a musician belonging to the CG band, had been attacked and killed by footpads on 8 July.] "The band were all dressed in mourning, suited to the occasion, and are entitled to their share of applause" (Public Advertiser, 30 Sept.). Afterpiece: Not acted these 4 years

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

Event Comment: The Irish Widow [announced on playbill of 19 May] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #154 7s. 6d. (134/16/0; 16/11/0; 3/0/6)

Performances

Mainpiece Title: Percy

Afterpiece Title: Who's the Dupe

Event Comment: Benefit for Fawcett and the Widow Butler. Morning Chronicle, 17 May: Tickets to be had of Fawcett, Craven Buildings; of Mrs Butler, next door to the theatre. Receipts: #235 1s. (21/17/0; 16/16/6; 0/6/6; tickets: 196/1/0) (charge: #108 18s. 4d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Humourist

Dance: As17860522

Event Comment: [Mainpiece in place of Two to One; afterpiece of The Widow's Vow, both announced on playbill of 14 July.]

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: A Mogul Tale

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Larpent MS 779; not published; synopsis of plot in Universal Magazine, Aug. 1787, p. 100. Prologue by the author; Epilogue by George Colman elder (European Magazine, July 1787, pp. 63-64). In 1789 altered as The School for Widows]

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: Harvest Home

Event Comment: [Mainpiece in place of Summer Amusement; afterpiece of The Widow's Vow, both announced on playbill of 1 Aug.

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: The Female Adventure; Or, Stop Her Who Can

Afterpiece Title: Cymon

Dance: Following Imitations at end: As17891021; In afterpiece: Dances, as17900409

Entertainment: End II: Tragic Imitations [of Mrs Siddons in Belvidera's 1st scene in Venice Preserved, I.i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells

Performance Comment: i., and of Mrs Crawford in Lady Randolph's 1st speech in Douglas]-Mrs Wells; End III: Comic and Vocal Imitations [of Mrs Abington as Widow Belmour in The Way to Keep Him, and of Mrs Martyr, Mrs Jordan, Sga Storace, Sga Sestini]-Mrs Wells; End: A Scene from Isabella [The "ring speech" in II.ii] (Above identified in World, 29 Apr.)-Mrs Wells.
Event Comment: [Extra night] Benefit for the Widow Fearon, and her Eight Orphan Children. Tickets to be had of Mrs Fearon, No. 6, Spur-street, Leicester-Fields; and of Brandon, at the Theatre, where Places for the Boxes may be taken. [Fearon had died 30 Sept. 1789.] Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Quaker

Event Comment: Account-Book: Tickets delivered by Shuter, Simmons, Strahan, Luxmore, Walker, Saby, Atkins, Young, Curteen, Hall [box-keeper], Hill, Combs, Heathcot, Widow Ansell, Keys, Berecloth, Egan will be admitted. Receipts: #376 12s. 6d. (29.17.6; 2.12.0; tickets: 344.3.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Robin Hood

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Benefit for the Widows and Orphans of the Gallant Men who fell in the late Engagement [on 1 June, 1794 ] under Earl Howe. [3rd piece in place of RULE BRITANNIA !, advertised on playbill of 9 Sept.]

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: THE MOUNTAINEERS

Afterpiece Title: THE PURSE