SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Gardiner"/1) | (@(roleclean,performerclean) "Widow Gardiner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 526 matches on Performance Comments, 460 matches on Performance Title, 324 matches on Event Comments, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Lawrence, Powell, and Gardiner [Door-Keepers]. [Profits to the beneficiaries unspecified.] Charges #70

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Phebe

Performances

Mainpiece Title: The Miser

Afterpiece Title: Perseus and Andromeda

Performance Comment: As17501029, but Infernals-Gardiner, +Christian, _Delagarde, _Dupre.
Cast
Role: Infernals Actor:
Event Comment: Benefit for ye Wid. Mills & Mr Matthews (Cross). Tickets and places to be had of Mathews in Fountain Court, Aldermanbury; of Mrs Mills, at Mr Gardiner's a Printer in Little Russel St., Covent Garden and at the Stage Door. Tickets deliver'd for the Way of the World, and for the 18th will be taken, and those for the Fair Penitent the 25th. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Lethe

Dance: I: Hornpipe-the Little Swiss; II: The Savoyard-Mathews, Mad Camargo; III: Running Footman's Dance, as17501020; IV: A Harlequin Dance-the Little Swiss; V: The Scotch Dance-Mathews, Mad Auretti

Event Comment: Benefit for Grandchamps, Stoppelaer, Madam Camargo. Tickets deliver'd out by Paddick, Holtom, Gardiner, and Miss Morrison will be taken

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Lover His Own Rival

Dance: I: (By Desire) Two Pierrots-Settree, Gardner; II: A Peasant-Gardner; III: A New Dance-Mad Camargo; V: Minuet, Louvre-Grandchamps, Mad Camargo

Event Comment: Benefit for Settree, Rawlings, Gardiner, Mrs Griffith

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Devil to Pay

Dance: III: New Dance-Gardner, Mme Camargo; V: Louvre and Minuet-Settree, Mme Huette

Event Comment: Tomorrow a Comedy (not acted these 02 years) call'd The Gamester with Dancing by Mr Gardiner, being his first time of appearing on that stage, Mrs Vernon, &c. Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Alzuma

Performance Comment: Smith, Bensley, Hull, Gardiner, Perry, Miss Pearce, Mrs Willems, Miss Miller, Mrs Hartley Alzuma-Smith; Don Carlos-Bensley; Pizarro-Hull; Gonzalez-Gardner; Ozmar-Perry; Orazia-Miss Miller; Orellana-Mrs Hartley; Virgins of the Sun-Miss Pearce, Mrs Willems; In Act II, a Procession of the Virgins of the Sun-; principal vocal parts-Miss Wewitzer, Miss Brown (Edition of 1773, which also lists Ezmont-$Thompson, whose name does not appear on the bills).

Afterpiece Title: The Commissary

Event Comment: Paid Gardiner (shoemaker) #18 18s. 6d. Receipts: #181 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Bon Ton

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Event Comment: Account-Book: Tickets delivered by Bayne, Gilles, Standen, Gardiner, Purser, Sherratt, Thompson, Mrs Scott, Pilsbury, Henderson, Gillett, Kirk, Master Gregson will be admitted. Receipts: #48 4s. (28.17.0; 17.12.6; 1.14.6; tickets: none listed)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Humourist

Dance: As17891121

Event Comment: Account-Book: Tickets delivered by Appleby, Calkin, Daglish, Gillis, Gardiner, Gregson, Henderson, Pilsbury, Purser, Standen, Sherratt, Thompson (of box-office), Mrs Scott, Mrs Smith will be admitted. Receipts: #38 1s. 6d. (21.19.0; 13.13.0; 2.9.6; tickets: none listed)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Liar

Event Comment: Tickets delivered for this Evening [Account-Book: by Andrews, Calkin, Chatterley, Dangerfield, Edwards, Gardiner, Gilles, Henderson, Humphreys, Irish, Long, Massingham, Panchaud, Scott, Sherratt, Smith, Stevens, Thompson] will be admitted. Receipts: #57 15s. 6d. (36.14.6; 17.14.0; 3.7.0; tickets: none listed)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Englishman in Paris

Dance: As17920613

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

Event Comment: The King's Company. Richard Legh, writing to his wife, 3 Jan. 1667@7, reported to her concerning this play: which is so damn'd bawdy that the Ladyes flung their peares and fruites at the Actors (Lady Newton, The House of Lyme, p. 240). Pepys, Diary: Alone to the King's House, and there saw The Custome of the Country, the second time of its beind acted, wherein Knipp does the Widow well; but, of all the plays that ever I did see, the worst--having neither plot, language, nor anything in the earth that is acceptable; only Knipp sings a little song admirably. But fully the worst play that ever I saw or I believe shall see

Performances

Mainpiece Title: The Custom Of The Country

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: Benefit for Widow of the late Mr William Hall, who formerly had the Consort of Musick at his House in Norfolk-street. At 8 p.m

Performances

Mainpiece Title: Concert

Music: New Vocal and Instrumental Music-

Event Comment: Benefit the Widow of Thomas Williams, who perform'd in the Theatre Royal. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, particularly that celebrated Song, set by the late Mr Henry Purcell (for the Yorkshire Feast)-the best Masters of each Profession in England performing their Parts

Event Comment: Benefit Widow and 7 Children of Mr Charles Powel, late Servant to his Majesty and his late Highness the Duke of Gloucester. At the desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, Composed by the late Famous Mr Henry Purcell for the York-shire Feast-

Event Comment: At Widow Barnes'/Booth, over against the Cross Daggers in Smithfield

Performances

Mainpiece Title: Rope Dancing

Entertainment: By the most Famous Rope Dancers of Europe; who perform such strange and surprising Things on the Dancing Rope, as are incredible to relate; with great Variety of Encomparable fine Tumbling, Walking on the Slack Rope, Vaulting-; far surpassing all that has ever yet been seen. Together with the diverting Entertainments of your Old Friend Pickle Herring-, the chief of all his imitating Brethren

Event Comment: At the Widow Barnes-Evans-Finley Booth. Be pleas'd to take notice, that there is no Rope-Dancing at Mr Penkethman's Booth

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/Dancers of Europe, who perform such strange and surprizing things as were never before seen, and which are almost incredible to relate

Event Comment: For the Benefit of the Author'd Widow and Children

Performances

Mainpiece Title: The Constant Couple

Event Comment: Benefit the Widow of the late famous Tragedian Mr Betterton. At the particular Desire of several Ladies of Quality. Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

Event Comment: [By Ambrose Phillips.] At the Desire of several Ladies of Quality. William Egerton: And in the Spring came on Mr Phillips's Tragedy, The Distrest Mother. Mrs Rogers, an Actress, who in her Turn, had made a considerable Figure on the Stage, was designed the Part of (Andromache, Hector's Widow, &. i.e.) the Distrest Mother. But the Author, as well as his Friends, were soon convinced that Mrs Oldfield was infinitely the more accomplished Person for so Capital a Part. Upon its being given to Her, Mrs Rogers raised a Posse of Profligates, fond of Tumult and Riot, who made such a Commotion in the House, that the Court hearing of it send four of the Royal Messengers, and a strong Guard, to suppress all Disorders. This being effected, the Play was brought upon the Stage and crowned with deserved Success (Egerton, pp. 31-32)

Performances

Mainpiece Title: The Distrest Mother

Event Comment: Benefit the Widow and Children of Christian Steffkins. At 6 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-New Italian Lady

Event Comment: Benefit Rawlins and Cook. Tickets for The Amorous Widow taken this Day. Receipts: #66 6s

Performances

Mainpiece Title: The Squire Of Alsatia

Song: Dialogue between a Drunken Smith and his Wife-Cook, Newberry; Trumpet Song-Rawlins never perform'd on that Stage before; Two/Part Song-The Two Boys never perform'd but once before

Dance: As17150512; Also Dutch Skipper-delaGarde, Mrs Bullock