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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Collins"/1) | (@(roleclean,performerclean) "Widow Collins")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1784 results for: Keyword - Widow Collins
We found 1175 matches on Performance Comments, 432 matches on Performance Title, 338 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1526
18 September 1771 @ Haymarket Theatre

Performances

Mainpiece Title: Madrigal And Truletta

Performance Comment: Parts-Davis, Dancer, Knowles, Vandermere, Griffiths, Farrell, Groves, Vowell, Mas. Sewett (with songs), Miss Smith, first time on any stage, Mrs Granger, Mrs Collins; Prologue-; Epilogue-.

Afterpiece Title: The Busy Body

1527
18 May 1779 @ Drury Lane Theatre

Event Comment: Benefit for Chaplin, Griffiths, Holcroft & Miss Field. Tickets delivered by Stevens, Collins and the Miss Stageldoirs will be taken. Receipts: #253 8s. (30.5; 13.7; 2.22.12; tickets: 207.4) (charge: #105)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Mayor of Garratt

Dance: In: Master Morey, 3 Miss Stageldoirs

1528
10 May 1780 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Bradshaw, Mrs Love, Mrs Booth & Miss Field. Mainpiece: With the Grand Triumphal Entryv. Afterpiece: View of the Grand Campv as 6 Nov. 1779. Tickets delivered by Collins will be taken. Public Advertiser, 4 May: Tickets to be had of Mrs Bradshaw at Nichole's, baker, Bridges Street; of Mrs Love at Mrs Baker's, Gerrard-street; of Mrs Booth and Miss Field, No. 10, corner of Martlet Court, Bow-street, Covent Garden. Receipts: #201 6s. (41.13.0; 15.8.6; 3.0.6; tickets: 141.4.0) (charge: #93 7s. 10d.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Camp

1529
05 May 1781 @ Drury Lane Theatre

Event Comment: Tickets delivered by Duprez, Pemberton, Barrett, J. Shade, Collins, Newton will be taken. Receipts: #148 12s. (28.9.0; 21.7.6; 0.16.6; tickets: 97.19.0)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Apprentice

Dance: End III: The Minuet de la Cour-Duprez, Miss Armstrong

1530
27 April 1782 @ Drury Lane Theatre

Event Comment: Tickets delivered by Duprez, Pemberton, Collins, Newton, Lyon, J. Shade, Gardner, Devoto will be taken. [Miss Blower is identified by MS annotation on Kemble playbill.] Receipts: #225 (48/17; 17/4; 0/5; tickets: 158/14)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Quaker

Dance: End of Act I of mainpiece Hornpipe, as17820314End of Act III The Devonshire Minuet, as17810915, but added: Duprez

Song: In Act v of mainpiece song, as17820411

1531
19 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Hurly-Burly

Performance Comment: As17860102, but Miss Collins in place of Mrs Wrighten. [The playbill lists the actors' names only; i.e. the parts are not assigned.] hathi.

1532
20 April 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Mordecai's Beard

Performance Comment: Mordecai (with a song in character, written by Collins, Author of The Brush)-Baddeley; O'Strap-Moody; Justice-Packer; Mittimus-Maddocks.

Afterpiece Title: The Romp

Dance: End I: As17900323

Song: End II: a new Masonic Song-Dignum

Entertainment: Monologue. End: The Picture of a Play@House; or, Bucks have at ye all-Bannister Jun

1533
26 May 1794 @ Covent Garden

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

1534
19 June 1795 @ White-Lion Inn, Wych Street (the former south continuation of Drury Lane)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Oracle

Song: Between the parts: singing-two Young Ladies; The Midshipman-a Young Lady; Jack Rattling (in character)-a Young Lady

Entertainment: Monologues.An Address to the Ladies-Miss C?. Kent (a Child of 6 years of Age); Collins' Ode on the Passions, Garrick's Picture of a modern Fine Lady-Miss Kent; conclude: an Address of Thanks-Kent

Performance Comment: An Address to the Ladies-Miss C?. Kent (a Child of 6 years of Age); Collins' Ode on the Passions, Garrick's Picture of a modern Fine Lady-Miss Kent; conclude: an Address of Thanks-Kent.

1535
18 April 1798 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Rival Soldiers

Afterpiece Title: The Honest Thieves

Song: In I 1st piece: the original Duet-Mr and Mrs Pope

Entertainment: Monologue. End 2nd piece: [Collins' Ode on the Passions-Mrs Pope (1st and only Time [see17980515])

Performance Comment: End 2nd piece: [Collins' Ode on the Passions-Mrs Pope (1st and only Time [see17980515]).see17980515]).

1536
14 August 1660 @ The Red Bull Theatre

Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

1537
02 January 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Richard Legh, writing to his wife, 3 Jan. 1667@7, reported to her concerning this play: which is so damn'd bawdy that the Ladyes flung their peares and fruites at the Actors (Lady Newton, The House of Lyme, p. 240). Pepys, Diary: Alone to the King's House, and there saw The Custome of the Country, the second time of its beind acted, wherein Knipp does the Widow well; but, of all the plays that ever I did see, the worst--having neither plot, language, nor anything in the earth that is acceptable; only Knipp sings a little song admirably. But fully the worst play that ever I saw or I believe shall see

Performances

Mainpiece Title: The Custom Of The Country

1538
09 November 1671 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

1539
03 March 1701 @ York Buildings

Event Comment: Benefit for Widow of the late Mr William Hall, who formerly had the Consort of Musick at his House in Norfolk-street. At 8 p.m

Performances

Mainpiece Title: Concert

Music: New Vocal and Instrumental Music-

1540
10 March 1701 @ York Buildings

Event Comment: Benefit the Widow of Thomas Williams, who perform'd in the Theatre Royal. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, particularly that celebrated Song, set by the late Mr Henry Purcell (for the Yorkshire Feast)-the best Masters of each Profession in England performing their Parts

1541
18 June 1701 @ York Buildings

Event Comment: Benefit Widow and 7 Children of Mr Charles Powel, late Servant to his Majesty and his late Highness the Duke of Gloucester. At the desire of several Persons of Quality. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, Composed by the late Famous Mr Henry Purcell for the York-shire Feast-

1542
27 August 1705 @ Bartholomew Fair

Event Comment: At Widow Barnes'/Booth, over against the Cross Daggers in Smithfield

Performances

Mainpiece Title: Rope Dancing

Entertainment: By the most Famous Rope Dancers of Europe; who perform such strange and surprising Things on the Dancing Rope, as are incredible to relate; with great Variety of Encomparable fine Tumbling, Walking on the Slack Rope, Vaulting-; far surpassing all that has ever yet been seen. Together with the diverting Entertainments of your Old Friend Pickle Herring-, the chief of all his imitating Brethren

1543
01 May 1706 @ May Fair

Event Comment: At the Widow Barnes-Evans-Finley Booth. Be pleas'd to take notice, that there is no Rope-Dancing at Mr Penkethman's Booth

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/Dancers of Europe, who perform such strange and surprizing things as were never before seen, and which are almost incredible to relate

1544
25 May 1708 @ Drury Lane Theatre

Event Comment: For the Benefit of the Author'd Widow and Children

Performances

Mainpiece Title: The Constant Couple

1545
04 June 1711 @ Drury Lane Theatre

Event Comment: Benefit the Widow of the late famous Tragedian Mr Betterton. At the particular Desire of several Ladies of Quality. Written by Sir George Etheridge

Performances

Mainpiece Title: The Man Of Mode

1546
17 March 1712 @ Drury Lane Theatre

Event Comment: [By Ambrose Phillips.] At the Desire of several Ladies of Quality. William Egerton: And in the Spring came on Mr Phillips's Tragedy, The Distrest Mother. Mrs Rogers, an Actress, who in her Turn, had made a considerable Figure on the Stage, was designed the Part of (Andromache, Hector's Widow, &. i.e.) the Distrest Mother. But the Author, as well as his Friends, were soon convinced that Mrs Oldfield was infinitely the more accomplished Person for so Capital a Part. Upon its being given to Her, Mrs Rogers raised a Posse of Profligates, fond of Tumult and Riot, who made such a Commotion in the House, that the Court hearing of it send four of the Royal Messengers, and a strong Guard, to suppress all Disorders. This being effected, the Play was brought upon the Stage and crowned with deserved Success (Egerton, pp. 31-32)

Performances

Mainpiece Title: The Distrest Mother

1547
05 May 1715 @ Stationer's Hall

Event Comment: Benefit the Widow and Children of Christian Steffkins. At 6 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-New Italian Lady

1548
03 June 1715 @ Lincoln's Inn Fields

Event Comment: Benefit Rawlins and Cook. Tickets for The Amorous Widow taken this Day. Receipts: #66 6s

Performances

Mainpiece Title: The Squire Of Alsatia

Song: Dialogue between a Drunken Smith and his Wife-Cook, Newberry; Trumpet Song-Rawlins never perform'd on that Stage before; Two/Part Song-The Two Boys never perform'd but once before

Dance: As17150512; Also Dutch Skipper-delaGarde, Mrs Bullock

1549
27 March 1717 @ Stationer's Hall

Event Comment: Benefit the Widow Armstrong. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the very best Masters; The Vocal Parts-Hughs, Weely, Gates, Turner, Mrs Fitzgerald, Mrs Boman; With an Entertainment on the Harpsicord-Babel intirely new; A Solo on the Flute-Paisible; Solo on the Hautboy-Kitch

1550
03 May 1718 @ Drury Lane Theatre

Event Comment: Benefit the Widow and Family of the late Mr Bowen

Performances

Mainpiece Title: The Old Batchelor

Song:

Dance: