SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Patron

Performance Comment: Sir ThomasLofty-Foote; Sir Peter-Whitefield; Bever-Aickin; Younger-Fearon; Sir Roger Dowlas-Griffith; Rust-Weston; Dactyl-Lloyd; Puff-Wilson; Staytape-Jones; Robin-Jacobs; John-Everard; Juliet-Mrs Williams.
Cast
Role: Rust Actor: Weston

Afterpiece Title: Cross Purposes

Dance: The Merry Lasses-

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Dutchman

Performance Comment: Parts by Bannister, Brett, Wilson, Walters, Mrs Wilson, Mrs Love, Miss Weller. Dutchman-Bannister; Sir William-Brett; Thomas-Wilson; Claussen-Walters; Dutchman's Wife-Mrs Love; Miss Sophy-Mrs Weller; Lettice-Mrs Wilson; Dutchwoman-Mrs Weston.
Cast
Role: Dutchwoman Actor: Mrs Weston.

Dance: The Merry Lasses-

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: MacHeath-Bannister; Peachum-Aickin; Lockit-Wilson; Mat-Griffith; Filch-Weston; Lucy-Mrs Wilson; Mrs Peachum-Mrs Love; Mrs Slammekin-Mrs Gardner; Diana Trapes-Mrs Williams; Jenny-Miss Ambrose; Polly-Miss Weller; In Act III a Hornpipe; To conclude with a Dance-the Characters.
Cast
Role: Filch Actor: Weston

Afterpiece Title: The Waterman

Dance: A Tambourine Dance-

Entertainment: End: A Variety of Imitations-Hutton, Bannister

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Macheath-DuBellamy; Peachum-Follet; Lockit-Lewis; Mat-Chaplin; Filch-Jacobs; Lucy-Young Gentlewoman, first time on any stage; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Johnston; Polly-Mrs Weller; in Act III a Hornpipe-Everard; the Freemason's Prologue-brother L'Estrange.

Afterpiece Title: The Tobacconist

Performance Comment: Abel Drugger-Weston; Subtle-Griffith; Face-L'Estrange; Mammon-Lloyd; Headlong-Jacobs; Knowlife-Chaplin; Mrs Rantipole-Mrs Whitefield; Doll-Mrs Gardner; Between the Acts of the Farce a Mason's Song-. By Permission. By particular desire of the Antient and Hon. Society of Free and Accepted Masons.
Cast
Role: Abel Drugger Actor: Weston

Monologue: Interlude: Scene from The Register Office. Gulwell-Lloyd; Little Girl-Miss Frances; New Character-Mrs Gardner

Entertainment: Imitations Vocal and Rhetorical-Bannister

Event Comment: Theatre opens at 5 o'clock. Play to begin at 6 o'clock. Paid half year's River Water to Mids. Last #3 2s.; Tallow Chandler's bill #36 19s. 10d. (Treasurer's Book). Receipts: #263 6s

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Kind Henry-Aickin; Richard III-Smith; Richmond-Palmer; Buckingham-Jefferson; Tressel-Davies; Lord Stanley-Bransby; Norfolk-Hurst; Lord Mayor-Griffith; Catesby-Whitfield; Ratcliff-Wright; Lieutenant-Fawcett; Lady Anne-Mrs Greville; Queen-Mrs Hopkins; Duchess of York-Mrs Johnston; Prince Edward-Mas. Blanchard; Duke of York-Mas. Pulley.
Cast
Role: Lord Mayor Actor: Griffith

Afterpiece Title: The Theatrical Candidates

Cast
Role: Comedy Actor: Mrs Wrighten.

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick-Moody; Bates-Baddeley; Thomas-Weston; Whittle-Parsons; Kecksy-Dodd; Nephew-Davies; Widow Brady (with an Epilogue Song)-Mrs Greville.
Cast
Role: Thomas Actor: Weston

Dance: End I Farce: The Irish Fair-Blurton (first appearance on that stage), Mrs Sutton

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Smith; Old Knowell-Hurst; Wellbred-Jefferson; Cash-Whitfield; Master Stephen-Weston; Bobadill-King; Brainworm-Baddeley; Justice Clement-Parsons; Mathew-Burton; Cob-Moody; Young Knowell-Aickin; Downright-Bransby; Bridget-Mrs Davies; Tib-Mrs Bradshaw; Mrs Kitely-Mrs Greville.
Cast
Role: Master Stephen Actor: Weston

Afterpiece Title: The Theatrical Candidates

Cast
Role: Comedy Actor: Mrs Wrighten.

Afterpiece Title: The Padlock

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Duke Mercia-Weston; Marquis Almanzo-Wilson; Count Valentio-W. Kent; Alberto-Kent; Marchioness Merida-Mrs Gore; Amanthis-Miss Kent.
Cast
Role: Duke Mercia Actor: Weston

Afterpiece Title: The Oracle

Song: Between the parts: singing-two Young Ladies; The Midshipman-a Young Lady; Jack Rattling (in character)-a Young Lady

Entertainment: Monologues.An Address to the Ladies-Miss C?. Kent (a Child of 6 years of Age); Collins' Ode on the Passions, Garrick's Picture of a modern Fine Lady-Miss Kent; conclude: an Address of Thanks-Kent

Event Comment: Edition of 1660: A Tragy-Comedy. Relating to our latter Times. Beginning at the Death of King Charles the First. And ending with the happy Restaurant of King Charles the Second. Written by a Person of Quality. [This work was probably not acted. The British Museum copy (E 1038) has a MS date 8 Aug. 1660.

Performances

Mainpiece Title: Cromwells Conspiracy

Event Comment: A draft of a proposed order, i Hotson, Commonwealth and Restoration Stage, p. 201, specifies the companies acting at this time: Forasmuch as wee are advertis'd, that divers persons, and Companies have assembled, and doe dayly assemble themselves together at the Play-Houses called the red bull, in St. Johns Street, the cockpit in Drury Lane, and a certaine Play-House in Salisbury Court, and at other places within our Citty of London and County of Middlesex, without the least Colour of Authority, and doe there act, performe and shew in publique, Comedies, Tragedies, and other Entertainments of the Stage

Performances

Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The King's Company. Pepys, Diary: Thence to the King's play-house, and there saw Bartholomew Fayre, which do still please me; and is, as it is acted, the best comedy in the world, I believe. I chanced to sit by Tom Killigrew, who tells me that he is setting up a Nursery; that is, is going to build a house in Moorefields, wherein he will have common plays acted. But four operas it shall have in the year, to act six weeks at a time; where we shall have the best scenes and machines, the best musique, and every thing as magnificent as is in Christendome; and to that end hath sent for voices and painters and other persons from Italy

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The King's Company. Pepys, Diary: And wife and Deb. to the King's house, there to see The Wild-goose Chase, which I never saw, but have long longed to see it, being a famous play, but as it was yesterday I do find that where I expect most I find least satisfaction, for in this play I met with nothing extraordinary at all, but very dull inventions and designs. Knepp come and sat by us, and her talk pleased me a little, she telling me how Mis Davis is for certain going away from the Duke's house, the King being in love with her; and a house is taken for her, and furnishing; and she hath a ring given her already worth #600: that the King did send several times for Nelly, and she was with him, but what he did she knows not; this was a good while ago, and she says that the King first spoiled Mrs Weaver, which is very mean, methinks, in a prince, and I am sorry for it, and can hope for no good to the State from having a Prince so devoted to his pleasure. She told me also of a play shortly coming upon the stage, of Sir Charles Sidly's, which, she thinks, will be called The Wandering Ladys, a comedy that, she thinks, will be more pleasant; and also another play, called The Duke of Lerma; besides Catelin, which she thinks, for want of the clothes which the King promised them, will not be acted for a good while

Performances

Mainpiece Title: The Wild Goose Chace

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house to a play, and saw Sir Martin Marr-all, where the house is full; and though I have seen it, I think, ten times, yet the pleasure I have is yet as great as ever, and is undoubtedly the best comedy ever was wrote

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The King's Company. See 3 March 1668@9 for another play acted(on a Wednesday in Lent by the young players. Langbaine, (English Dramatick Poets, p. 208): Coxcomb, a Comedy, which was reviv'd at the Theatre-Royal, the Prologue being spoken by Jo. Haines. Pepys, Diary: To the King's playhouse, and there saw The Coxcomb, the first time acted, but an old play, and a silly one, being acted only by the young people

Performances

Mainpiece Title: The Coxcomb

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere, but the fact that the play was given again on 4 Dec. 1672 suggests that this was the first performance and that it was also acted on Tuesday 3 Dec. 1672. A song, How pleasant is mutual love, set by John Bannister for this play, is in Choice Songs and Ayres, First Book, 1673. See Cibber, Apology, ed. Lowe, I, 155, for Underhill's acting of Justice Clodpate. Downes (p. 33): This Play in general being Admirably Acted, produc'd great Profit to the Company. Note, Mrs Johnson in this Comedy, Dancing a Jigg so Charming well, Loves power in a little time after Coerc'd her to Dance more Charming, else where

Performances

Mainpiece Title: Epsom Wells

Event Comment: On this day Charles II died. Although the order to close the theatres was not issued until 20 Feb. 1684@5 (L. C. 5@145, p. 153), acting Probably ceased on Thursday 5 Feb. 1684@5. At this time John Crowne's Sir Courtly Nice was in rehearsal. John Dennis gives a dramatic account of the last day of rehearsing: The Play was now just ready to appear to the World; and as every one that had seen it rehears'd was highly pleas'd with it; every one who had heard of it was big with the Expectation of it; and Mr Crown was delighted with the flattering Hope of being made happy for the rest of his Life, by the Performance of the King's Promise; when, upon the very last Day of the Rehearsal, he met Cave Underhill coming from the Play-House as he himself was going towards it; Upon which the Poet reprimanding the Player for neglecting so considerable a Part as he had in the Comedy, and neglecting it on a Day of so much Consequence, as the very last Day of Rehearsal: Oh Lord, Sir, says Underhill, we are all undone. Wherefore, says Mr Crown, is the Play-House on Fire? The whole Nation, replys the Player, will quickly be so, for the King is dead. At the hearing which dismal Words, the Author was little better; for he who but the Moment before was ravish'd with the Thought of the Pleasure, which he was about to give to his King, and of the Favours which he was afterwards to receive from him, this Moment found, to his unspeakable Sorrow, that his Royal Patron was gone for ever, and with him all his Hopes. The King indeed reviv'd from his Apoplectick Fit, but three Days after dyed, and Mr Crown by his Death was replung'd in the deepest Melancholy (John Dennis, Original Letters, 1721, I, 53-54). [It is not clear whether the last sentence refers to the day on which Crowne had seen the King and had assurances from His Majesty, the King dying three days later, or whether there was a false rumor of the King's death on 3 Feb. 1684@5.

Performances

Event Comment: Gentleman's Journal, October 1692: We are promised a Comedy by Mr Shadwell in a short time, and two or three new Plays after that

Performances

Event Comment: The Gentleman's Journal, November 1693: Mr Durfey's Richmond Heiress has been Revis'd, and Acted several times, with Alterations and Amendments. We are to have this Winter a Play by him, call'd Don Quixote....We are impatiently expecting a Play by Mr Dryden; 'tis of the Nature of his Spanish Fryar. We are also to have a Tragedy by Mr Southern; a Comedy by Mr Crown; and the Tragedy of Pyrrhus, by Mr H. I need not say any thing of Mr Congreve's Double-Dealer (the only new Play since my last) after the Character which Mr Dryden has given of it

Performances

Event Comment: Rich's Company. Post Boy, No. 818, 4-6 July 1700: For the Benefit of Mrs Oldfield. This day at the Theatre Royal in Drury-Lane, will be presented, a Comedy call'd, The Pilgrim. Revis'd with Large Alterations, and a Secular Masque. With the Dialogue between the 2 mad Lovers. Being Acted this time at the desire of several Persons of Quality. And Entertainments of Singing and Dancing between the Acts and in particular, a new Entry Compos'd by the late Mr Eaglesfield, and perform'd by Mr Weaver, Mr Cottin, and Miss Campion. A Scotch Song with the Dancing of the Bonny Highlander; never done but once before on the English Stage

Performances

Mainpiece Title: The Pilgrim

Event Comment: Rich's Company. That this day was the premiere is implied by the Post Boy, 6-9 July 1700: This Day at the Theatre Royal in Drury-Lane, will be presented a New Comedy, never Acted before, called Courtship Alamode. Preface, Edition of 1700: This Play was so long expected e're it came into the World, that I'm oblig'd in Justice to my self, to excuse its appearance at at time when there were scarce Witnesses in Town of its Birth. It was enter'd in the other House [lif], where Mr Betterton did me all the Justice I cou'd indeed reasonably hope for. But that Example he gave, was not it seems to be follow'd by the whole Company, since 'tis known that Mr Bowman (I mention his Name to keep the reflection from other sharers) kept the first Character of my Play six weeks, and then cou'd hardly read six lines on't. How far that Way of management makes of late for the Interest and Honour of that House, is easie to be judg'd. Some who valu'd their reputations more, were indeed rarely or never absent. To these I gave my thanks; but finding that six or seven people cou'd not perform what was design'd for fifteen, I was oblig'd to remove it after so many sham Rehearsals, and in two days it got footing upon the other Stage [dl]. Where twas immediately cast to the best Advantage, and Plaid in less than twenty days. [In the Dedication Penkethman states that he saw the play into print after its being received well by the town.] A Comparison Between the Two Stages (1700), pp. 104-5: Ramble: Courtship Alamode, the Author, one Crawford, a Caledonian. Sullen: I remember it, and its Adventures; it was enter'd into the New-House, at the Recommendation of a certain Scotch Lord, and sojourning there six Months to no purpose, it travell'd afterwards to the Old-House, where it was with much ado Acted. Ramble: And Damn'd-there I was in with you

Performances

Mainpiece Title: Courtship A La Mode

Event Comment: At the particular Desire of several Persons of Quality. London Journal, 20 Oct.: The Beginning of November will be acted Sir Richard Steel's new Play, which has been some Time in Rehearsal;...it is thought by some excellent Judges to be the best Comedy that ever appear'd on the English Stage

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Afterpiece Title: The Escapes of Harlequin

Music: Between the Acts: Select Piece-

Event Comment: The New Comedy call'd, The Lottery, which was to have been Acted this Day, we are obliged to defer till the Tuesday following, the Scenes and other necessary Decorations being impossible to be got ready till that time

Performances

Mainpiece Title: The Orphan

Dance: SScaramouch-Sandham

Event Comment: London Daily Post and General Advertiser, 6 Oct.: The Young Company . . . defer playing 'till next Wednesday se'nnight, at which time they perform a Play, call'd The Two Gentlemen of Verona, written by the celebrated William Shakespear, it being the first Comedy ever he wrote, and which has not been acted these 73 Years

Performances

Mainpiece Title:

Event Comment: Mainpiece: Never Acted before. [By John Hewitt.] Preface to edition of 1737: This Comedy made it's Appearance under many Disadvantages:...It was read for the first Time to the Performers, Tuesday the 15th, and acted Monday the 21st. Mrs Giffard, who had been Ill the Whole Season, undertook the Character of Lady Betty Manly, but finding herself indisposed, returned the Part on Thursday Evening. It was then given to Mrs Hamilton, who on Saturday about one in the Afternoon declared she could not do it unless it was cut, which the Nature of that Part not admitting, there was a Necessity to ask the Favour of Miss Hughes to undertake it, who with a great deal of good Nature, studied and played it perfect, tho' at so short a Warning

Performances

Mainpiece Title: A Tutor For The Beaus Or Love In A Labyrinth

Afterpiece Title: Hymens Triumph