SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Bellamy. Mainpiece: Never Acted There. [Thomas Southerne's play adapted by Garrick. See bill 4 May.] Afterpiece: With New Introduction and Conclusion [see Harlequin Statue or the Jealous Farmer Outwitted, 20 May 1765] but with Music, Scenes and Decorations adapted to the whole. Charges #65 6s. Balance to Mrs Bellamy #53 6s. plus #113 4s. from tickets (Box 316; Pit 228) (Account Book). Receipts: #118 12s

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Farmer Outwitted

Dance: II: The Reel, as17700329

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Sylphs

Performance Comment: As17740126, but Other characters-_Cushing, Davis. [The substitution may be a misprint since $Davis is listed twice.]The substitution may be a misprint since $Davis is listed twice.]

Performances

Mainpiece Title: The Funeral Or Grief A la mode

Performance Comment: Campley-Lewis, first time; Lord Hardy-Wroughton; Lord Brumpton-Gardner; Trusty-Hull; Puzzle-Dunstall; Tom-Hamilton; Sable-Quick; Trim (with Cries of London)-Shuter; Lady Harriet-Mrs Bulkley; Lady Charlotte-Miss Sherman; Tattleaid-Mrs Pitt; Fardingale-Mrs Green; Lady Brumpton-Miss Barsanti, first time.

Afterpiece Title: The Citizen

Performance Comment: As17740406 but Young Philpot-Lewes; Maria-Miss Barsanti, first time; Sir J. Wilding-_.
Cast
Role: Maria Actor: Miss Barsanti, first time

Dance: End: The Highland Reel, as17731112

Monologue: Before: By Particular Desire, the Occasional Prelude. Manager-Wroughton; Author-Kniveton; Carpenter-Davies; Young Actress-Miss Barsanti. [See 10 May 1773.

Performance Comment: Manager-Wroughton; Author-Kniveton; Carpenter-Davies; Young Actress-Miss Barsanti. [See 10 May 1773.]See 10 May 1773.]
Event Comment: Benefit for Younger, lately burnt out by the Fire in King Street, Covent Garden. Doors open at half past 5. To begin at exactly half past 6. [Miss Catley returned for this benefit. Description of the Fire in Gentlemen's Magazine, 1774, p. 234.] Charges #67 10s. Profit to Younger, #105 19s.. plus #67 12s. from tickets (Box 216; Pit 76; Gallery 22) (Account Book). [See dl 6 May where Garrick gave Younger & Kennedy #21 as a present to help them. See also dl 25 May.] Receipts: #173 9s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Polly Actor: Miss Brown, first time

Afterpiece Title: Comus

Song: End I: The Soldier Tir'd of War's Alarms-Miss Catley

Ballet: End: The Wapping Landlady. As17740415 but Orange Woman-Miss Stede[; with Sixfold Hornpipe as17740415

Event Comment: After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book).*c1775 10 27 dl After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Cast
Role: Comedy Actor: Mrs Wrighten.
Role: Lady Minikin Actor: Mrs King, first time

Afterpiece Title: Bon Ton

Cast
Role: Comedy Actor: Mrs Wrighten.
Role: Lady Minikin Actor: Mrs King, first time

Dance: End: The Merry Peasants, as17751018

Event Comment: Benefit for Mr and Mrs Ward. The Country Mad-Cap [announced on playbill of 5 May] is obliged to be set aside on account of Mrs Pitt's indisposition. Tickets delivered for Alexander the Great, for Saturday, May 3, will be admitted. Public Advertiser, 22 Apr.: Tickets to be had of Mr and Mrs Ward at Stacy's, No. 76, the Corner of Long-acre, Drury-lane. Receipts: #197 18s. (82.10; tickets: 115.8) (charge: #66 1s.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Country Wife

Dance: End: All in the Downs, as17770425

Song: As17770505

Event Comment: "A Gentleman who is as mad as myself about the School remark'd that the Characters upon the Stage at the falling of the Screen stand too long before they speak-I thought so too the first Night-he said it was the same on the 2d & was remark'd by others-tho they should be astonish'd & a little petrify'd, yet it may be carry'd to too great a length" (David Garrick to R. B. Sheridan, 12 May 1777, in The Letters of David Garrick, ed. D. M. Little and G. M. Kahrl, 1963, III, 1163). Receipts: #195 13s. (184.7; 10.19; 0.7)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Deserter

Event Comment: Not performed [see 20 May]. Public Advertiser, 14 May: "The Managers of the Opera [are] extremely concerned for the Disappointment of last Night.

Performances

Mainpiece Title: I Capricci Del Sesso

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper-Palmer; Major Belford-DuBellamy; Prattle-Parsons; Bell-Mrs Hitchcock; Florival-Mrs Davies; Emily-The Gentlewoman who performed Amelia [on 15 May: Mrs Armstead].on 15 May: Mrs Armstead].
Event Comment: Benefit for Whitfield and Mrs Pitt. [2nd piece in place of The Ephesian Matron, announced on playbill of 12 May.] Public Advertiser, 2 May: Tickets to be had of Whitfield, No. 14, Crown-court, Bow-street, Covent Garden. Receipts: #144 15s. [51.14; tickets: 93.1) [charge: #74 7s.)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Related Works
Related Work: The Amazon Queen; or, The Amours of Thalestris to Alexander the Great Author(s): John Weston

Afterpiece Title: True Blue

Afterpiece Title: The Commissary

Dance: End 2nd piece: The Poney Races, as17780421

Song: As17780511

Event Comment: Benefit for Grimaldi, ballet-master, and Lamash. The Rivals [announced on playbill of 4 May] is obliged to be deferred on account of Dodd's sudden Illness. Tickets delivered by Kenny, and [for] The Rivals will be taken. Paid Printer [of playbills, weekly throughout season] #9. Public Advertiser, 4 May: Tickets to be had of Grimaldi at his house, No. 125, Holbourn; of Lamash, No. 3, Air-street, Piccadilly. Receipts: #175 5s. 6d. (43.10.0; 17.17.6; 0.14.0; tickets: 113.4.0) (charge: #69 19s.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Comus

Dance: In: Grand Dance, as17781102, but _Henry, Grimaldi, Master +Mills, Miss +Grimaldi

Song: As17790413

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Event Comment: Benefit for Dumay, Harris & Holloway. [For Wright see 13 May. Mrs Sutton was from dl.] Public Advertiser, 7 May: Tickets to be had of Dumay, Sand-hill, behind the Foundling Hospital; of Harris, No. 42, Wells-street, Cavendish-square; of Holloway, Newington Butts

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Liverpool Prize

Dance: End II: Minuet-Dumay, Miss Dagueville; and the Minuet de la Cour-Holloway, Miss Besford; End I afterpiece: New Dance-Harris, Mrs Sutton (1st appearance on that stage); with a New Allemande-

Ballet: End: The Humours of Newmarket. As17790503, but Jockeys-Holloway; Ladies-Miss +Besford

Performance Comment: As17790503, but Jockeys-Holloway; Ladies-Miss +Besford.
Cast
Role: Jockeys Actor: Holloway
Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

Event Comment: Benefit for Dickinson, pit office-keeper, and Carleton Jun., box lobby door-keeper. [Afterpiece in place of The Irish Widow, announced on playbill of 25 May.] Morning Chronicle, 18 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, Lincoln's-Inn-Fields [Carleton not listed]. Receipts: #280 3s. 6d. (26.1.0; 6.9.0; 0.18.6; tickets: 246.5.0) (charge: #105)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End: Hornpipe, as17790521

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane (1st time)-Henderson; Moneses-Wroughton; Axalla-Whitfield; Bajazet (1st time)-Aickin; Selima-Mrs Jackson; Arpasia-Miss Younge.

Afterpiece Title: A Fete

Performance Comment: As17800410, but in Scene III Venus-Mrs Morton; added are: Scenes V, VI, VII. The May-Day Garland; or, Harlequin's Trip to Lisson-Green. Harlequin (with the jump through the tub)-W. Bates; Scene VIII originally Scene VI; Scene IX originally Scene VII. Scene VIII originally Scene VI; Scene IX originally Scene VII.

Afterpiece Title: The Elders

Song: In: To thee O gentle sleep-Leoni

Event Comment: Benefit for Farren. [Afterpiece in place of The Devil to Pay, announced on playbill of 10 May.] Tickets deliver'd by Daglish, Mrs Pulley and Miss Armstrong will be taken. Public Advertiser, 9 May: Tickets to be had of Farren, No. 60, Theobald's Road. Receipts: #225 18s. (37.3; 11.7; 0.4; tickets: 177.4) (charge: none listed)

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Serjeant Flower Actor: Wrighten

Afterpiece Title: All the Worlds a Stage

Dance: End III: Minuet and Allemande-Master Daigville, Miss Armstrong; After the singing: The Force of Love, as17801018

Song: As17810504

Performances

Mainpiece Title: No Performance

Performance Comment: Morning Herald, 29 May: The Influenza spares neither native [see DL, 27 and 28 May] nor foreigners; the opera heros and heroines are all laidup, and the King's Theatre was obliged to be shut up yesterday evening .
Event Comment: "Mrs Siddons, in most of the Parts she plays, is the best Actress we ever saw. Miss Kemble, in all the Parts she plays, is the very worst Actress we ever saw" {Public Advertiser, 5 May). [Afterpiece in place of The Adventures of a Night, announced on playbill of 2 May.] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #263 5s. 6d. (253/11/0; 8/9/6; 1/5/0)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Hastings Actor: Smith

Afterpiece Title: Too Civil by Half

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: A Medley

Performance Comment: Scene I. A Chamber. As Scene III, 7 May. Scene II. As Scene III, 26 Apr. Scene III. A Garden. As Scene IV, 3 May. Scene IV. Inside of a Playhouse. Bucks have at ye all by Ward. To conclude with The Jovial Sailors, as17840320athi .

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

Event Comment: Benefit for Mme Theodore. Tickets made out and delivered for the 1st of April will be admitted, and may be had of Mme Theodore, No. 5, Great Pultney-street, Golden-square. Public Advertiser, 15 May: The Ballet was founded on the French piece of Le Deserteur, of which there was retained a good deal of the

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

Event Comment: The Subscription being now at an end for the present season, those of the Subscribers who may wish to retain their Boxes on any particular night are respectfully intreated to signify their intentions in the morning, by sending their commands to No. 3, Market-lane, Pall-mall, that such boxes may not be disposed of to others

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17840522 throughout

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Herald, 1 May: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "In the apparent assumption of madness [and] the express'd weakness and melancholy of the character Kemble is not equalled by any of his predecessors . . . Till [Mrs Siddons] there never was, in sensible discrimination, as there ought to be, the real madness of Ophelia from the feigned distraction of Hamlet. Till then the dignity, the love, even the pathos of the part [were] but poorly, if at all administered" (Public Advertiser, 17 May). Receipts: #326 14s. 6d. (137/3/0; 7/3/6; 0/4/0; tickets: 182/4/0)(charge: #109 16s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Event Comment: Benefit for Nix, Mrs Hedges & Miss Barnes. [As mainpiece the playbill announces The School for Scandal, but "Smith having an inflammation in his eyes, and Aickin being suddenly laid up with the gout, the play was obliged to be changed [to] The Beggar's Opera" (Morning Herald, 25 May).] Morning Chronicle, 22 May: Tickets to be had of Nix, No. 21, Crown-court, Little Russel-street, Covent Garden; of Mrs Hedges, No. 168, opposite New Bondstreet, Piccadilly; of Miss Barnes, at Cateman's, No. 52, Drury Lane. Receipts: #300 0s. 6d. (60/10/0; 19/13/6; 2/0/0; tickets: 217/17/0) (charge: #108 8s. 1d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Romp

Dance: End of Act III of mainpiece, as17860502

Song: End of Act I of mainpiece Sweet, O sweet!; End of Act II Niddity Nod; End of Act IV a favourite Hunting Song, all three by Miss Barnes [the 3rd song omitted?, i.e. mainpiece has only 3 acts]

Performance Comment: ; End of Act II Niddity Nod; End of Act IV a favourite Hunting Song, all three by Miss Barnes [the 3rd song omitted?, i.e. mainpiece has only 3 acts] .
Event Comment: This [main] Piece, written by Dr Brown, is peculiarly happy in evincing to the world "That Virtue still shall conquer tho' in ruin." Mr Sterne presents his respectful Compliments to the Ladies and Gentlemen of Newington and its Vicinity, and now begs leave to inform them that he has been at a considerable Expence in procuring several Performers, in order that every Performance may give Satisfaction to those Ladies and Gentlemen who have so generously exerted their Interest for him and his Company; and as their Stay will be but very short, he hopes that his Care by obtaining so many fresh Members may meet with the Encouragement of a candid Public. N. B. Any Lady or Gentleman who will honor the Company by bespeaking a Play, their Commands will be thankfully received and attended to by applying to Mr Sterne

Performances

Mainpiece Title: Barbarossa Or The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot