SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4446 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Dignum and Mrs Powell. [Afterpiece in place of The Devil to Pay, advertised on playbill of 23 May.] Morning Herald, 23 May: Tickets to be had of Dignum, No. 25, New North-street; of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #510 1s. (54.13.6; 26.7.6; 3.17.0; tickets: 425.3.0) (charge: #160 5s. 10d.)

Performances

Mainpiece Title: At Kings Twelfth Night

Afterpiece Title: The Mariners

Song: End II: The Lucky Escape-Dignum; End IV: Primroses deck the banks (composed by Linley? Sen.)-Master Welsh; End: Fair Rosale-Master Welsh

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Event Comment: Benefit for Miss Chapman. [In 1st piece the Young Lady is identified in Morning Herald, 20 May, only as "Niece to the late Alexander Fordyce, Esq., and a pupil of the veteran Macklin."] Morning Herald, 10 May: Tickets to be had of Miss Chapman, No. 33, Norfolk-street, Strand. Receipts: #199 8s. 6d. (62/4/0; 10/12/6; tickets: 126/12/0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: THE SAILORS FESTIVAL

Afterpiece Title: MODERN ANTIQUES

Song: End of Act IV of 1st piece Mad Bess, as17940425; In the course of the Evening Black-Eyed Susan, as17940502

Event Comment: Benefit for the Widow of the Late Mr Farren [who had died on 9 May]. Morning Herald, 11 May: Tickets to be had of Mrs Farren, No. 85, Gower-street, Bedford-square. Receipts: #391 6s. (104.8; 8.3; tickets: 278.15)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Sailors Festival or All Alive at Portsmouth

Afterpiece Title: Netley Abbey

Event Comment: Benefit for Mrs Mountain. 2nd piece: Engagement and Funeral Processionv as 6 May. Morning Herald, 18 May: Tickets to be had of Mrs Mountain, No. 6, York-street, Covent Garden, Receipts: #245 18s. 6d. (89.18.0; 6.15.0; tickets: 149.5.6)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor

Afterpiece Title: Sprigs of Laurel

Song: In course of 2nd piece: As17950506; Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course of entertainments: Black Eyed Susan-Incledon; Old Towler-Incledon

Music: 3rd piece: With the favorite Overture by Shield for Arrived at Portsmouth-; with a violin and oboe obligato-Mountain, W. Parke

Event Comment: Benefit for Sedgwick [whose 1st appearance as Comus was at dl, 20 May 1790]. Morning Chronicle, 18 May: Tickets to be had of Sedgwick, No. 27, Maiden-lane, Covent-garden. Receipts: #456 17s. (129.14.6; 82.10.6; 7.13.0; tickets: 236.19.0) (charge: #219 4s. 8d.)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Festival of Anacreon i

Afterpiece Title: The Spoild Child

Afterpiece Title: Comus

Event Comment: Benefit for Mrs Powell. "If we make allowances for embarrassment and imperfect study, the performance of Mrs Powell was by no means indifferent" (Monthly Mirror, May 1796, p. 50). Afterpiece: Not acted these 4 years. Morning Herald, 2 May: Tickets to be had of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #466 11s. 6d. (189.3.6; 53.1.6; 4.14.6; tickets: 216.15.0) (charge: #212)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Follies of a Day

Event Comment: Notice on playbill of 13 May: Mrs Siddons having consented, at the desire of many Ladies and Gentlemen who were disappointed of Places for the New Tragedy, to delay her departure from Town [see 2 May] His Majesties' Company will perform Almeyda on Monday next. Being positively the Last Night of Mrs Siddons's Appearance this Season. Receipts: #448 16s. 6d. (377.14.0; 68.19.0; 2.0.6; ticket not come in: 0.3.0)

Performances

Mainpiece Title: Almeyda

Afterpiece Title: The Wedding Day

Event Comment: Benefit for Pope. 1st piece: Not acted these 10 years. [3rd piece in place of The Irish Mimick, advertised on playbill of 3 May.] True Briton, 2 May: Tickets to be had of Pope at his house, No. 5, Moon-street, Piccadilly. Receipts: #398 12s. 6d. (237.14.6; 10.15.6; tickets: 150.2.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Ghost

Afterpiece Title: Hartford Bridge

Event Comment: Benefit for Mr and Mrs Knight. 3rd piece: Illumination, &c. as 18 May. Books of the Songs to be had at the Theatre. True Briton, 1 May: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone Place. Receipts: #221 9s. 6d. (93.0.6; 17.8.6; tickets: 111.0.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Village Fete

Song: End: Wigs-, including His own Wig, Doctor's Wig, Coachman's Wig; The Storm-Incledon; In 3rd piece: Chorusses, As17970518

Event Comment: Benefit for Wild, prompter. 1st piece: Illumination, &c. as 18 May. 3rd piece: A short Description of the Scenery, &c. The Hall of Fingal--the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina. The Mountain of Ben Lomond. The Military Procession of Carrol to the Hall of Fingal. A View of the Sea and Rock from which Oscar escapes, by leaping from a precipice 20 Feet high, into the arms of his Soldiers. A View of the Bridge with the Camp of Carrol. The Death of Carrol by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The Music, &c. as 8 Apr. Morning Herald, 18 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #326 0s. 6d. (164.17.6; 11.2.6; tickets: 150.0.6)

Performances

Mainpiece Title: The Village Fete

Afterpiece Title: The School for Wives

Afterpiece Title: Oscar and Malvina

Song: In: Chorusses, as17970518; End II 2nd piece: The Sea Storm by G. A. Stevens (Cease rude Boreas blust'ring railer)-; End IV: Black Ey'd Susan-Incledon; In 3rd piece: Come every jovial Fellow-Gray, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Entertainment: End 2nd piece: a variety of Imitations-Rees (1st appearance this season [i.e. as imitator])

Event Comment: Benefit for Mrs Powell. Lodoiska [advertised on playbill of 24 May] is obliged to be deferred on account of the Indisposition of Suett. True Briton, 16 May: Tickets to be had of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #287 2s. 6d. (91.14.6; 49.7.6; 2.3.6; tickets: 143.17.0) (charge: #220 0s. 8d.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Richard Coeur de Lion

Event Comment: Account-Book: Tickets delivered by Farley, Cresswell, Jackson, Street will be admitted. Afterpiece: A short Description of the Scenery, as 22 May. The Music, &c. as 8 Apr. [Mainpiece in place of A Cure for the Heart Ache, advertised on playbill of 27 May.] Receipts: #247 16s. (105.10.6; 7.5.6; tickets: 135.0.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Oscar and Malvina

Performances

Mainpiece Title: The Castle spectre

Performance Comment: As17971214, but Prologue-_; Epilogue-_ [and thereafter, except for Epilogue again on 21 May 1798].and thereafter, except for Epilogue again on 21 May 1798].
Cast
Role: Hassan Actor: Dowton

Afterpiece Title: The Deserter

Event Comment: Benefit for the Four Youngest Orphans of the late Mr Palmer [see dl, 18 June]. As it is presumed that the well-known liberality of the Publick will be strongly excited on the present occasion, the Proprietor of the [Haymarket] Theatre has requested the use of the Opera-House for this Evening, that the largest number of persons who wish to patronize the undertaking may be accomodated with places. The Proprietor of the Opera-House has, with the utmost readiness, granted the request. Tickets to be had of the Miss Palmers, at Dixon's, Upholsterer, the corner of Bedford-Court, Bedford-Street, Covent-Garden; of Messrs Ransom, Morland and Co., Bankers, Pall-Mall; of Jewell, No. 26, Suffolk-Street, Charing-Cross, of whom, and of Rice, at the Box-Office, Places for the Boxes may be taken. Boxes 5s. Pit 3s. Gallery 2s. "[His brother] R. Palmer attempted to deliver an address at the end of the play, but he was so much overpowered that he...left the address unrecited, and [his] part in the farce was given up to another performer" (Monthly Mirror, Aug. 1798, p. 117, which also records that the receipts were approximately #700)

Performances

Mainpiece Title: At Kings The Heir At Law

Afterpiece Title: The Children in the Wood

Event Comment: Benefit for Sedgwick. Afterpiece: Not acted these 10 years [acted 19 May 1791]; Compressed in Two Acts. Morning Chronicle, 9 May: Tickets to be had of Sedgwick, No. 18, Clement's Inn. Receipts: #336 16s. 6d. (55.5.6; 52.17.6; 2.17.0; tickets: 225.16.6) (charge: #234 8s. 1d.)

Performances

Mainpiece Title: The Egyptian Festival

Cast
Role: Ali Hassan Actor: Holland

Afterpiece Title: The Strangers at Home

Dance: In: a favorite Pas Seul-Sga Bossi DelCaro

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Lord Latimer Actor: Cartwright

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: She Woud And She Woud Not

Performance Comment: As17580112, but Don Philip-Adcock, second time; Octavio-Read, second time; Hypolita-Miss Willis, second time; Flora-Mrs Harvey, second time; Soto-Cotshal.

Afterpiece Title: Numpss Courtship or Love Makes the Painter

Dance: As17580112

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry Wildair-O'Brien, first time; Standard-Holland, first time; Smuggler-Blakes; Lady Lurewell-Mrs Yates, first time; Angelica-Miss Bride, first time; Vizard-Packer; Beau Clincher-Yates; Clincher Jun-King; Dicky-Vaughan; Tom-Clough; Lady Darling-Mrs Cross.

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Performance Comment: Modely-Dyer; Heartwell-Ross, first time; Lurcher-White; Vulture-Cushing; Double Jugg-Dunstall; Constable-Redman; Sir John English-Shuter, first time; Freehold-Gibson; Carbuncle-Buck; Sneak-Holtom; Tim Shaklefigure-Costollo; Longbottom-Perry; Aura-Miss Macklin, first time; Flora-Miss Elliot, first time; Country Dance-incident to the play; and the Original Sheep@Sheering Ballad-Mr Baker.

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Antony-Smith, first time; Brutus-Bensley, first time; Cassius-Hull, first time; Julius Caesar-Clarke; Caska-Gardner; Octavius-Wroughton; Trebonius-Perry; Decius Brutus-Davis; Publius-Wignell; Metellus-Cushing; Plebians-Dunstall, Quick, Saunders, Hamilton; Calphurnia-Mrs Vincent; Portia-Mrs Hartley, first time.
Cast
Role: Antony Actor: Smith, first time
Role: Brutus Actor: Bensley, first time
Role: Cassius Actor: Hull, first time
Role: Portia Actor: Mrs Hartley, first time.

Afterpiece Title: The Upholsterer

Dance: End: The Irish Lilt, as17721028

Event Comment: Mrs Abington continuing ill, The Maid of the Oaks oblig'd to be deferr'd. Soon after the Farce began off off--no, more, no more, was the General Cry with much hissing--Mr King went on Two or three times to know their pleasure but they would not hear him. They Call'd for Mr Garrick he attended--but they would not hear him for a long time tho' Attempted Several times to speak--at last Somebody said hear him! hear him!--Mr G. told them that he would wait their [sic] all Night with pleasUre if they requir'd it--hear him! again was bellow'd out--he told them he waited to know their pleasure--whether they would have the Blackamoor go on or if they would have any other Farce then a great Noise ensued; as soon as they were quiet Mr G. told them that his Theatrical Life would be very Short and he should be glad to end it in peace--A man in the Pit said if you have a mind to die in Peace don't let this Farce be play'd again Mr Garrick was on and off the Stage several times nothing would content them--at Length Mr King told them that the Author had taken the Copy from the Prompter and was gone away with it.--Soon after this they withdrew So ended this troublesome Affair (Hopkins Diary). [MacMillan's note from Kemble is considerably lengthened.] Paid Mr Rowland's bill for dinners #8 9s. 3d. Receipts: #284 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Blackamoor

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17751110, but Horatio-Aickin, first time; Lothario-Webster, first time, and his last time of performing this season; Lucilla-Miss Dayes.

Afterpiece Title: The Syrens

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle (with new songs by Dr Arnold)-Kelly; Sir Christopher Curry (1st time)-Aickin; Medium-Baddeley; Campley (1st time)-Dignum; Mate-Sedgwick; Sailors-Alfred, Cox; Planters-Burton, Phillimore, Benson; Trudge (1st time)-Bannister Jun.; Narcissa-Miss Hagley (pupil of Linley? Sen; 1st appearance on any stage [i.e. in a speaking part]); Wouskey (1st time)-Miss Romanzini; Patty-Mrs Edwards; Yarico (1st time)-Mrs Crouch.

Afterpiece Title: The Divorce

Song: End: Poor Jack!; or, the Sweet Little Cherub (written and composed by Dibdin)-Dignum; After: Glee on the Happy Recovery of His Majesty (the words by Col. Arabin)-Dignum, Sedgwick, Mrs Edwards, Miss Romanzini