SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4446 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Mainpiece: author of Prologue unknown. Epilogue by Frederick Pilon (see 10 May 1781).] Receipts: #199 14s. 6d. (198/12/6; 1/2/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free Mason

Event Comment: Mainpiece: Not acted these 10 years [acted 15 May 1776]. Receipts: #123 1s. 6d. (90/1/0; 31/15/0; 1/5/6)

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Afterpiece Title: Luns Ghost

Dance: As17820112

Event Comment: Public Advertiser, 2 May: With Alterations (by the Author) in the 5th Act. Receipts: #121 8s. 6d. (116/4/6; 5/4/0)

Performances

Mainpiece Title: The Walloons

Afterpiece Title: Barnaby Brittle

Dance: As17811219

Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: Leroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

Event Comment: Retaliation [announced on playbill of 13 May] is obliged to be deferred on account of Quick's and Edwin's Illness. Receipts: #182 5s. 6d. (179/18/0; 2/7/6)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Touchstone

Event Comment: [Mainpiece in place of Macbeth, announced on playbill of 17 May.] Receipts: #141 7s. (136/5; 5/2)

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France

Afterpiece Title: A Fete

Afterpiece Title: The Choice of Harlequin

Event Comment: Afterpiece: To conclude as 23 May. Receipts: #75 4s. 6d. (53/1/0; 21/14/0; 0/9/6)

Performances

Mainpiece Title: The Fair American

Afterpiece Title: The Critic

Event Comment: play. Public Advertiser, 28 May: Several of the principal Performers being extremely ill, there was no Play Yesterday Evening, nor can there be any Performance this Night

Performances

Mainpiece Title:

Event Comment: play [see 27 May]

Performances

Mainpiece Title:

Event Comment: Benefit for Wood, Percey, Cameron & Morris. [Palmer's 1st appearance as Archer was at the HAY, 17 Aug. 1779. Afterpiece in place of The Alchymist, announced on playbill of 30 May.] Receipts: #254 17s. (36/2; 19/6; 0/0; tickets: 199/9) (charge: none listed)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Irish Widow

Event Comment: Performance to include: The much-admired Decorations of the Masquerade [see 2 May]

Performances

Mainpiece Title: Il Bacio

Dance: As17820605throughout

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Performance Comment: [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.] hathi.
Event Comment: "I have been for two days in town, and seen Mrs Siddons . . . She is a good figure, handsome enough, though neither nose nor chin according to the Greek standard, beyond which both advance a good deal. Her hair is either red, or she has no objection to its being thought so, and had used red powder. Her voice is clear and good; but I thought she did not vary its modulations enough, nor ever approach enough to the familiar--but this may come when more habituated to the awe of the audience of the capital. Her action is proper, but with little variety; when without motion, her arms are not genteel ... I treated my eyes, not only with Mrs Siddons but a harlequin farce. But there again my ancient prejudices operated: how unlike the pantomimes of Rich, which were full of wit, and coherent, and carried on a story! What I now saw was Robinson Crusoe: how Aristotle and Bossu, had they ever written on pantomimes, would swear! It was a heap of contradictions and violations of the costume. Friday is turned into Harlequin, and falls down at an old man's feet that I took for Pantaloon, but they told me it was Friday's father. I said, 'Then it must be Thursday'" (Walpole [3 Nov. 1782], XII, 356-57, 359). Receipts: #241 6s. (222/4/0; 18/15/6; 0/6/6)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Robinson Crusoe

Dance: As17820921

Event Comment: [For afterpiece see also 20 Sept.] The Doors to be opened at 5:15. To begin at 6:15 [see 3 May 1783]. Receipts: #246 8s. (213/19/0; 31/9/6; 0/19/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Robinson Crusoe or Harlequin Friday

Dance: As17820921

Event Comment: "Among other Obligations that the Town has to the new Open is that it has, for this year, delivered the Play-goer from his periodical Endurance of Rowe's Tamerlane" (Public Advertiser, 6 Nov.). The reference is to the long established custom of performing Tamerlane either on 4 Nov. (the date of William III's birth) or 5 Nov. (the date of his landing in England). In the play the virtuous Tamerlane was held to be the portrait of an upright monarch, and the vicious Bajazet [i.e. Louis xiv] as that monarch's enemy. At DL Tamerlane was acted on either or both of these nights uninterruptedly from 1716 to 1777; at LIF and CG, with the exception of five seasons, from 1721 to 1784. The Doors to be opened at 5:15. To begin at 6:15 [see 1 May 1783]. Receipts: #155 2s. 6d. (153/4/0; 1/18/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: All the Worlds a Stage

Event Comment: [In mainpiece the playbill assigns Antony to Phillimore. On the Kemble playbill his name is deleted, but no substitute is listed. For Waldron see 30 May 1783.] Receipts: #71 13s. (39/5/0; 32/0/6; 0/7/6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Too Civil by Half

Event Comment: [Me Rossi was from the Opera, Naples.] "Her very first step proclaimed her a perfect mistress in the art of pantomime. Her dress was a manteau a la reine, lately imported by our travelling milliners. The body, bones and trimming are puce, the sleeves and lower part of the garment a white gawze. Her partner, Lepicq, dressed in the same uniform, discovered such profusion of talents, if we may be allowed the expression, as 'beggar all praise'" (Public Advertiser, 3 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I Apelles and Campaspe, as17821102; End of Opera New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Pas de Deux by Lepicq and Mme Rossi (1st appearance in this country)

Event Comment: A Serious Opera in 3 acts, acted but once last Season [on 25 May 1782]; the music by Bertoni

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act II New Divertisement (performers not listed, but see17821130), in which a Pas de Deux by Simonet, &c.; End of Act III Les Epouses Persones, as17830215

Event Comment: Mainpiece: Not acted these 5 years [acted 14 May 1779]. Paid Barratt, Wax Chandler, on Acct. #100. Receipts: #126 15s. 6d. (126/6/0; 0/7/0; ticket not come in: 0/2/6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Triumph of Mirth

Dance: End of Act III of mainpiece, as17820917; End of Act IV, as17821005

Performances

Mainpiece Title: The Knight Of Malta Or The Humourous Dane

Performance Comment: Mirando-Lewis; Mountferrat-Whitfield; Valetta-Hull; Colonna-Davies; Rollo-Fearon; Godfreno-Wroughton; Astorious-Thompson; Sailor-Bates; Captain Norandine-Quick [European Magazine, May 1783, p. 386 adds: Surgeon-Webb; Castriot-Helme]; Turkish Captive-Miss Satchell; Oriana-Mrs Robinson .

Afterpiece Title: The Ghost or The Devil to do about Her

Dance: As17821231

Song: In the Ceremony, by Reinhold, Mrs Martyr, and others

Event Comment: Public Advertiser, 13 May: The Subscribers to the Operas are respectfully informed that the usual Number of Subscription Nights, viz. 50, exclusive of the Thursdays, were completed on Saturday the 3rd instant

Performances

Mainpiece Title: Creusa In Delfo

Dance: End of Act I Il Riposo del Campo, as17830424; End of Act II Le Tuteur Trompe, as17830426, but omitted: Slingsby

Event Comment: Benefit for Edwin. Public Advertiser, 2 May: Tickets to be had of Edwin, No. 2, Piazza., Covent Garden. Mainpiece: Not acted these 6 years. Miss Younge having refused performing the Part of Viola, Mrs Robinson has kindly undertaken that Character at a short Notice; and Mr Edwin humbly hopes she will be honoured by the Indulgence of the Public. Receipts: #304 0s. 6d. (211/3/6; tickets: 92/17/0) (charge: #105)

Performances

Mainpiece Title: Twelfth Night Or What You Will

Afterpiece Title: Tristram Shandy

Song: End of Act III of mainpiece The Pigeon by Mrs Kennedy; End of mainpiece Four and Twenty Fiddlers all on a Row by Edwin

Monologue: 1783 05 07 End of Act I of afterpiece A Description of the Tombs in Westminster-Abbey by Edwin

Event Comment: There will be no Play this Evening [The Grecian Daughter, also Belphegor had been announced on playbill of 16 May], on Account of the Indisposition of Mrs Siddons. The Money received for Tickets issued for this Night will be returned at Fosbrook's Office

Performances

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. [Mainpiece in place of Isabella, announced on playbill of 17 May.] Receipts: #292 (146/5/0; 10/12/6; 0/12/6; tickets: 134/10/0) (charge: free)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Hastings Actor: Smith

Afterpiece Title: Too Civil by Half

Event Comment: Benefit for Mrs Hunter. Tom Thumb [announced on playbill of 19 May] is unavoidably obliged to be changed, on account of Mrs Kennedy's Indisposition. Receipts: #170 17s. 6d. (77/15/6; tickets: 93/2/0) (charge: #105)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

Dance: As17830512