SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4446 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Post Boy, 14-16 May 1700: Great Preparations have been making, for some Months past, for a New Opera to be acted next Term at the Theatre Royal, which, for Grandeur, Decorations, Movements of Scenes &c. will be infinitely superior to Dioclesian, which hitherto has been the greatest that the English Stage has produced, that probably 'twill equal the greatest Performance of the Kind, in any of the foreign Theatres. The Musick is compso'd by the Ingenious Mr Finger, and the Paintings made by Mr Robinson

Performances

Event Comment: Flying Post, 18-21 May 1700: The Grand Jury of London, made a presentation last Sessions against frequenting the Play-houses, as a publick Nuisance and a dangerous and growing Evil, corrupting the Morals and Principles of the Youth, and desir'd that Play-house Bills might not be henceforth Posted up in the City. [See also Luttrell, A Brief Relation, IV, 647.

Performances

Event Comment: Rich's Company. Post Boy, 28-30 May 1700: This Day at the King's Play-house, will be Acted the Tempest, or the Enchanted Island, with some Additional Entertainments, at the Request of several Seafaring Men

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Event Comment: Rich's Company. Post Boy, 30 May-1 June 1700: The Opera of the Prophetess, being this day Commanded to be Acted, for the Entertainment of the two Alcaids, the Envoys from the Emperor of Morocco. [When this play was revived at lif on 3 Dec. 1715, but Rich's Company, the bill was headed: Not Acted these Sixteen Years.

Performances

Mainpiece Title: The Prophetess

Event Comment: Rich's Company. This play was apparently never published, and the performance is known only by an advance announcement: Post Boy, 30 May-1 June 1700: The History of Hengist, the Saxon King of Kent, which before was designed to be Acted this day [1 June 1700], for the benefit of Mr Johnson, is therefore deferr'd till Monday. London Post, 7-10 June 1700: This Week the Morocco Ambassador diverted himself thrice at the Play-house

Performances

Mainpiece Title: The History Of Hengist The Saxon King Of Kent

Event Comment: Betterton's Company. London Post, 28 June-1 July 1700: Yesterday the Play called the Tempest was acted at the Old Play-house; and that called Love for Love at the new, both for the benefit of the poor English Slaves, &c. and I am told, that the sum arising thereby, amounted to about 250 #. It being put on the Playhouse Bills on Friday last, That each Company were to Act that day, and the whole Profits to go to'ards the Redemption of the English now in Slavery at Machanisso in Barbary, we are credibly informed, That, pursuant thereunto, the Treasurers of the Theatre Royal in Drury Lane, did on Saturday last pay into the hands of the Churchwardens of St.@Martin's the sum of 20 #. out of the Receipts of the Play acted by that Company, towards the Relief of those our Natives from Slavery, which good example 'tis hoped, may move others to be speedy and generous in their Charity for the same purpose. What the other Company gave I do not yet hear

Performances

Mainpiece Title: Love For Love

Event Comment: The Performance of the Musick Prize, Compos'd by Mr Finger;...beginning at 5 of the Clock, places may be had in both the first and second Galleries; the profit arising from thence being for the Performers

Performances

Mainpiece Title: The Judgment Of Paris

Event Comment: [By Charles Gildon. Date of premiere unknown. Published 20 May.

Performances

Mainpiece Title: Loves Victim Or The Queen Of Wales

Event Comment: [By George Farquhar. Date of premiere unknown. Published 13 May

Performances

Mainpiece Title: Sir Harry Wildair

Event Comment: [By Thomas D'Urfey. Premiere.] Preface: The stopping of it from Acting by Superiour command, doing me no manner of Injury, (tho it might the Play-house) but only for two or three days disappointing my friends; the Cause is so trivial...for taking the Poetical Licence of making Mad man in my Scene Satyrically drink a Health, altering it into a modest phrase, (tho somewhat too familiar)

Performances

Mainpiece Title: The Bath Or The Western Lass

Performance Comment: Edition of 1701 lists: Lord Lovechace-Griffin; Sir Oliver Oldgame-Norris; Sir Carolus Codshead-Johnson; Collonel Philip-Mills; Charles-Pinkiman; Harry-Bullock; Crab-Cibber; Lydia-Mrs Knight; Sophronia-Mrs Rogers; Delia-Mrs Kent; Gillian-Mrs Verbruggen; Combrush-Mrs Moor; Dearnwell-Mrs Stephens; Sisse-Mrs Baker; Prologue-Cibber; Epilogue, being a Satyr upon May-Fair,-Pinkeman.
Event Comment: [By Colley Cibber. Premiere.] And it is humbly desir'd, that no Gentleman may Interrupt the Action by standing on the Stage the First day. Preface to Ximena (1719): The Kind Imposter did not pay the Charges on the Sixth Day

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Event Comment: Benefit Edward Keene. Tickets (5s.) may be had at Keene's house in Arundel Street in the Strand. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-all the same Masters [who perform'd at his [Edward Keene's] last Meeting

Event Comment: Benefit Gasperini. [It is uncertain on which date this performance occurred. It is advertised in Daily Courant, 13 May, for the 15th; but a playbill with essentially the same offerings for the eighteenth is reproduced in Thaler, facing p. 262.

Performances

Mainpiece Title: The Relapse

Music: Gasperini, Paisible

Dance: DuRuel

Song: Mrs Campion

Event Comment: Benefit Johnson. At the Desire of several Persons of Quality. Written by the Famous Ben. Johnson. [First announced for 19 May-see a playbill in the British Museum (Press Mark 11795 g 19)--it was deferred by the "extream hot Weather."

Performances

Mainpiece Title: Volpone

Event Comment: At the Desire of some Persons of Quality who are going out of Town. [Volpone, intended for this day, is deferred to 25 May.

Performances

Mainpiece Title: Timon Of Athens Or The Man hater

Music: A Mask set to Musick by the late Mr Henry Purcell-; Italian Sonatas-Gasperini

Event Comment: Genest, II, 309, lists Don John; or, The Libertine Destroy'd, probably as a mistake for 1 May

Performances

Event Comment: Benefit Betterton. [Genest, II, 309, lists this for 16 May.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Music: Vocal and Instrumental Music , to be expressed in the large Bills-

Event Comment: [Mrs Mosse may well have been the dancer advertised in 1703-4 as the Devonshire Girl.

Performances

Mainpiece Title: The Taming Of The Shrew Or Sawny The Scot

Dance: Country Farmer's Daughter, Highland Lilt-Mrs Mosse; Whip of Dunboyn, an Irish Humour-Claxton, her Master

Event Comment: Not Acted these Five Years [but see 28 May]. Written by Mr Otway

Performances

Mainpiece Title: The Soldiers Fortune

Song:

Dance:

Event Comment: Benefit Mrs Moore. [This performance may have been deferred; see 6 and 17 March.

Performances

Mainpiece Title: The Recruiting Officer

Song: Leveridge, others

Music: Instrumental Music-the best Masters

Dance: duRuel, Cherrier, Miss Santlow, others

Event Comment: [in Daily Courant, 7 May, Thomyris had been advertised by subscription for Saturday 10 and Thursday 15 at two guineas for three tickets on each day, the number not to exceed 420 in the front boxes, side boxes, and pit, all to be laid together.

Performances

Mainpiece Title: Thomyris Queen Of Scythia

Event Comment: At the Desire of several Persons of Quality. All Sung after the Italian manner. [in Post Boy, 13-15 Nov., a notice states: "Whereas the Names of Mrs Margarita del'Epine and Mrs Tofts, are mention'd in the Bills for the Opera of Camilla, as if they were to perform the parts of Prenesto and Camilla...That the Publick may not be impos'd upon, This is to give Notice, that the same is done without their Consent; and that they do not intend to perform; there being no Articles of Agreement between them and the Managers...who have of late declin'd coming to any with them."

Performances

Mainpiece Title: Camilla

Dance: Between the Acts:

Event Comment: Afterpiece [by Richard Estcourt]: Mr Bayes's Practice of an Interlude, call'd, Prunella, done from the Italian. Benefit Estcourt. And at the Request of many of the Nobility (who have taken Tickets) 2 Benches of the Pit will be Rail'd in, for more Conveniency. And to prevent any Disappointment, by coming late, 'tis desire'd that their Servants may be sent by 2 a Clock with the Tickets to keep Places

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Prunella

Event Comment: At the Desire of several Ladies of Quality. Benefit Wilks. [According to Baggs, Wilks cleared #90 14s. 9d. at his benefit, and the receipts may have been #176 2s. 1 1!2d.

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: Benefit Thurmond. At the Desire of several Persons of Quality. [See also Tatler, 3 May.

Performances

Mainpiece Title: All For Love Or The World Well Lost