SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS 10 Paid Mr Cape"/1) | (@(roleclean,performerclean) "Weston but changed Winston MS 10 Paid Mr Cape")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7801 matches on Event Comments, 2073 matches on Performance Comments, 626 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Eliza

Afterpiece Title: Lilliput

Music: II:By Particular Desire Concerto on the Harpsichord-Mr Arne Jun

Performances

Mainpiece Title: Alls Well That Ends Well

Performance Comment: As17630305 but Countess of Rousillon-Mrs Baker; 1st Lord-_; 2nd Lord-_; Interpreter-_.

Afterpiece Title: The Old Maid

Cast
Role: Cape Actor: Dunstall

Dance: LLa Petite Bergere-Miss Lalauze; a Hornpipe, 1st time-Miss Lalauze (Music by Dr Arne); A Ball Dance, call'd the Louvre, ending with a Minuet-a Young scholar of Mr Lalauze, Miss Lalauze. Being the last time of their appearing on the stage. These Dances By Particular Desire

Performances

Mainpiece Title: The Englishman Returnd From Paris

Performance Comment: Buck-Foote; Sir Chas M'Ruthen-Gibson; Crab-Lewis; Latitat-Weston; Lord John-Death; Tallyhoe-Jackson; Rackett-Murden; Servant-Somers; Lucinda-Miss Reed.
Cast
Role: Latitat Actor: Weston

Afterpiece Title: The Mayor of Garratt

Cast
Role: Jerry Sneak Actor: Weston

Dance: I: The Venetian Gardeners-Rogier, Miss Street; II: The Provincial Dance-Master Clayton, Miss Street (Apprentices to Mr Gerhardi)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17640310 but Squire Richard-Obrien, first time.

Afterpiece Title: The Musical Lady

Entertainment: II: King, as Mr Prattle, will (for this night only) open a Packet of News-King; End: King, by Desire" will repeat a Comic Paraphrase on the Seven Ages of Shakespear-King

Dance: III: A Hornpipe-Miss Baker; End Comic Paraphrase: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Vintner Tricked

Entertainment: IV: Tragical Imitations-Miss Rose (By Particular Desire); End of Play: Imitations of Mr and Mrs Cadwallader-Mas. Frank, Miss Rose; Between the Acts of the Farce: The Picture of a Playhouse; or, Bucks have at ye all-Death

Performances

Mainpiece Title: Samson

Music: First Violin-Mr Barthelemon; Concerto on Organ-Stanley; Solo on Violincello-Duport

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Organ Concerto-Stanley; Part II: Violin Concerto-Barthelemon; After the Second Song in Part III: a Concerto on the Hautboy-Mr ThomasVincent (who has not performed in Public for several years)

Event Comment: A new short Introductory Piece before a play [The Meeting of the Company]. This new Prelude call'd The Meeting of the Company or Bayes' Art of Acting by D. G. Esq--it is full of fine Satyr & an Excellent Lesson to all performers, it was receiv'd with very great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in the wording. The salaries this season were #94 7s. 8d. per day; #566 6s. per week. Kemble's note as to total receipts is short by 8 pence.] Prices: Box 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Unfavorable review of Meeting of the Company in The Westminster Magazine (Sept., p. 472). The actor Aickin referred to this season is J. Aickin. Francis Aickin left dl before the beginning of this season. He was dismissed by Garrick in May. See Booden, Private Correspondence of David Garrick, I, 651-55.] Paid Renters #8; Advanced Mr Watson (box office keeper) #10; Ditto to Mr Mortimer (box office keeper) #15 (Treasurer's Book). [The funds to the box office keepers was operating cash which was returned 29 May 1775. Payment to Renters was same for each acting night until the eighty-eighth night (9 Jan. 1775) when it dropped to #4 nightly, since half of the stock holders (the Old Renters) were paid up by that time. The remaining 100 nights of the season plus 11 Oratorio nights yielded #448 to the Renters. No further mention of this item of expense will be made this season.] Total to Renters #1,152. Receipts: #212 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Drummer

Performance Comment: Tinsel-Dodd; Sir George-J. Aickin; Vellum-Parsons; Fantom-Packer; Butler-Baddeley; Gardener-Weston; Coachman-Moody; Lady Trueman-Mrs Hopkins; Abingail-Miss Pope.
Cast
Role: Butler Actor: Baddeley
Role: Gardener Actor: Weston

Afterpiece Title: The Meeting of the Company

Performance Comment: Parts-King, Weston, Parsons, Aickin, Hurst, Bransby, Wright, Ackman, Miss Platt. Bayes-King; Weston-Weston; Parsons-Parsons; Patent-Aickin; Hurst=-Hurst; Prompter-Ackman; Phill-Wright; Miss Platt-Miss Platt (character assignments tentative based on Huntington Library MS).

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksey-Dodd; Sir Patrick-Moody; Bates-Baddeley; Newphew-Cautherly; Thomas-Weston; Widow (With an Epilogue Song)-Mrs Greville.
Cast
Role: Thomas Actor: Weston

Dance: I: The Irish Fair-Atkins, Mrs Sutton

Event Comment: This Comedy written by Mr Kelly was brought on the Stage by Capt. Addington as his own was well perform'd & receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #24 12s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3; Miss Brooker, 8 weeks not on list #8. (Treasurer's Book). [Mainpiece reviewed favorably by the Westminster Magazine: "He that cannot relish such a pleasing picture of Manners with such powerful Sentiments, so interesting a Fable, and so striking a Moral, must be a churl indeed."] Receipts: #244 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Performance Comment: Parts by: King, Reddish, Moody, Brereton, W. Palmer, Mas Cape, Mrs Hopkins, Miss Jarratt, Weston, Palmer, Baddeley, Griffith, Miss Younge, Mrs Greville, Mrs Millidge, and Mrs Abington. With Prologues and an Epilogue. Gen Savage-King; Belville-Reddish; Torrington-Weston; Connoly-Moody; Leeson-Palmer; Capt. Savage-Brereton; Spruce-Baddeley; Ghastly-W. Palmer; Servants (?)-Griffith, Mas. Cape; Mrs Bellville-Miss Younge; Miss Walsingham-Mrs Abington; Lady Rachel Mildew-Mrs Hopkins; Mrs Tempest-Mrs Greville; Miss Leeson-Miss Jarratt; Maid-Mrs Millidge; With Prologue-King; Epilogue-Mrs Abington (Edition of 1774).
Cast
Role: Torrington Actor: Weston
Role: Servants Actor: Griffith, Mas. Cape

Afterpiece Title: Polly Honeycomb

Event Comment: Mainpiece: Not played for 20 years. Afterpiece: By Desire. The Play very dull Little Applause (Hopkins Diary). Benefit for Reddish. Theatrical Review, 28 March: The plot of this piece is taken from a well known passage in history, which, however, is too barren of incidents for the support of a piece of 5 acts, on which account it is rather languid and tedious, notwithstanding the language in general is tolerable poetical. What could induce Mr Reddish to revive so dull a performance, after it had been neglected for 20 years, we cannot conceive, unless it was with a view of having an opportunity to rant a few speeches in favor of liberty; but (as the piece was miserably represented except in the characters of Timoleon and Eunesia) we think Mr Reddish extended his liberty a little too far with the public; for which neither his Occasional Prologue, the Solemn Sacrifice, nor the Epilogue spoken by Miss Younge, made sufficient atonement. Paid 4 days salary #333 19s.; Mrs Abington's Cloaths Acct #1; Mr S. French 6 days #1 10s. (Treasurer'sBook). Receipts: #205 16s.; Charges: #67 6s. 6d.; Profit to Reddish: #138 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timoleon Or Liberty Restored

Afterpiece Title: The Author

Performance Comment: Vamp-Weston, 1st time; Young Cape-J. Aickin; Arabella-Miss Ambrose; Cadwallader-King; Mrs Cadwallader-Mrs Abington; Governor Cape-Bransby; Sprightly-Packer; Poet-Waldron; Robert-Keen; Printer's Devil-J. Burton.
Cast
Role: Vamp Actor: Weston, 1st time
Role: Young Cape Actor: J. Aickin
Role: Governor Cape Actor: Bransby
Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Event Comment: This Play is alter'd by Capt. Thompson and a New Sea Character introduc'd which was well perform'd by Mr Weston. the Play Concludes very properly with a Representation of the Grand Naval Review the same as was introduc'd in Alfred--the whole was receiv'd with very great Applause (Hopkins Diary). Paid Housekeeper's Bill #3 10s. (Treasurer's Book). Mainpiece a Reviv'd Comedy, with Alterations and Additions, and a New Medley Overture of Favourite Sea Tunes (playbill). Receipts: #245 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker Or Humours Of The Navy

Performance Comment: Commodore Flip-Moody; Capt. Mizen-Dodd; Capt. Worthy-Jefferson; Sir Charles Peasant-Brereton; Rovewell-Diamond; Cribbage-Davies; Lt. Easy-Norris; a New Sea Character-Weston; Cockswain-Ackman; Purser Indent-Griffith; Sailors-Wright, W. Palmer, Fawcett, Kear, Jacobs, Master Cape; Hatchway (with song)-Bannister; Arabelia Zeal-Mrs Greville (The gentlewoman who performed the Irish Widow); Belinda-Miss Hopkins; Jiltup-Mrs Bradshaw; Jenny Private-Miss Platt; Bar@maid-Mrs Davies; Dorcas Zeal-Miss Pope; Concluding with Grand Naval Review-; in which is introduced a Dance of Sailors-Atkins, Mrs Sutton; the favourite song Rule Britannia-Vernon, others.

Afterpiece Title: The Lyar

Event Comment: Benefit for Miss Younge. Last time of performing till Easter. Mainpiece: Not acted these 5 years. [See 9 Nov. 1768.] Afterpiece: Never acted here (playbill). Part of pit laid into boxes. Ladies and Gentlemen requested to come early. Rec'd stopages #2 12s. 6d.; short charge for new farce on 8 March #10 10s.; Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr S. Barry on note #100; Mr Cook's 4 boys 4 nights (the 7th incl.) #6 Mr J. French on acct #10 10s. (Treasurer's Book). Receipts: #282 19s. 6d. Charges #64 17s. Profit to Miss Younge: #218 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Pantheonites

Performance Comment: Parts-Weston, Dodd, Parsons, Dimond, Bannister, Baddeley, Mas. Blanchard, Mrs Greville, Miss Platt, Mrs Hopkins; Dan Drugger-Weston; Farmer Tilwell-Bannister; Anna-Miss Platt (Genest, V, 408).

Dance: V: The Sailors Revels, as17730928

Event Comment: Receipts: #138 10s. 6d. Paid three days salary at #85 1s. 11d. per diem, #255 5s. 9d. [Paid the following items which occur regularly each Saturday pay day during the 37 weeks of the 1773-74 season: Lampmen #2 12s.; Billstickers #3 12s.; Handbills 8s.; Candlemen #3 18s.; Carpenter's Bills #8 14s. 6d.; Taylor's Bill #8 11s. 8d.; Mantua Maker's Bill #5 6s.; J. Stevens 18s; Mrs Abington's Cloaths #1; Mr Carver 11 days #11; Mr Royer 2 weeks #9; Mr J. French on act #8 8s.; Supernumeraries and Kettle Drummers #3 14s. (Treasurer's Book). N.B. This pay day was based on a three-day acting week. The average paid out for each of these items over the season, and the total for each computed on this average was as follows. [No further mention will be made of these items this season.] @ Average per week Total for season@Lampmen #3 2s. #113 14s.@Billstickers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenter's #5 10s. #203 10s.@Taylor's #10 2s. #373 14s.@Mantua Maker's #2 10s. #92 10s.@J. Stevens 18s. #33 6s.@Mrs Abington Cloaths #1 12s. 4d. #60@Carver at 1 per diem #189@Royer #4 10s. #166 10s.@Sups and Kettle Drum at #3 10s. per diem #661@Candlemen #7 14s. #277 4s.

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Pigmy Revels

Performance Comment: Harlequin-Rooker; Colombine-Mrs Sutton; Other characters-Messink, Grimaldi, Ackman, Keen, Wright, Burton, Kear, Waldron, W. Palmer, Wrighten, Jacobs, Griffiths, Jones, Master Cape, Lings, Watkins, Mrs Wrighten, Mrs Bradshaw, Miss Platt, Mrs Millidge, Miss Collet, Miss Lings, Mrs S. Smith; The Dances-Daigville, Atkins, Giorgi, Sga Vidini.
Event Comment: This Comis Opera is Written by the Revd Mr Bate. It is very Pleasant & the Music pretty. It is admirably Perform'd & was receiv'd with very great Applause (Hopkins Diary). The Music of the Afterpiece by Mr Carter. New Scenes, Dresses, Decoartions for afterpiece. Paid for Licences of Matilda & Rival Candidates #4 4s.; Mr Baddeley on note #10 10s.; Miss Berkley #2 2s. on note (Treasurer's Book). [A long rewiew of the plot of the afterpiece appeared in the Feb. Westminster Magazine, concluding: "In point of dialogue, poetry or music, it is inferior to few, if any, of the modern attempts of a similar kind; amongst which number, however, we desire to be understood not to include the ribald, unmeaning, sing-song compilations of the monotonous Mr Dibdin. The Fable, indeed, is too light and trival to endure the severity of a critical analysis; but it is at least sufficiently important to serve as a vehicle for the music; and the catastrophe has peculiar vivacity and theatrical spirit. Upon the whole the author has fully answered the end he proposed of introducing a deserving young composer whose name, it seems is Carter, to the public and who more than promises to be a composer of taste and genius. In this his first performance he both received and deserved the greatest encouragement and applause. Mr Weston spoke a humorous Epilogue accompanied by a large dog named Dragon, which had a very good effect, but as it was poor Dragon's first time of appearing on the stage, he, like all young performers of true feeling, seemed a good deal frightened...but having conquored his fears, and recovered himself a little, he performed his part very chastely and to the entire satisfaction of all present." Epilogue ends with a satirical remark upon Sg Rossignol, the "bird imitator" at Covent Garden. See 6 Jan. cg.] Receipts: #204 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Isabella

Performance Comment: As17741125, but Sampson-Wrighten; the Vocal Parts-Mrs _Scott from Epithalamium.

Afterpiece Title: The Rival Candidates

Performance Comment: Parts by Vernon, Dodd, Bannister, Weston, Parsons, Fawcett, Kear, Mrs Wrighten, Mrs Baddeley. Byron-Vernon; Sir Harry Muff-Dodd; Worry-Parsons; First Gardener-Bannister; Gardeners-Kear, Fawcett; Spy-Weston; Jenny-Mrs Wrighten; Narcissa-Mrs Baddeley (Edition of 1775).
Cast
Role: Spy Actor: Weston
Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS or The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No persons admitted behind the scenes, nor any money returned after the Curtain is drawn up. Places for the Boxes to be taken (only) of Mr Sarjant at the Stage-Door. The Doors to be opened at Half an Hour after Four. To begin exactly at Six o'clock. [Repeated for all bills during the season, but see change of hour for opening, 22 Sept., and 6 Oct. The source for receipts and financial matters is Covent Garden Account Book (BM Add MS. Egerton 2274).] Receipts: #209 9s. 6d

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Old Maid

Performance Comment: Clerimont-Perry; Capt. Cape-Dunstall; Harlow-Davis; Mrs Harlow-Mrs Bulkley; Miss Harlow-Mrs Barrington.
Cast
Role: Cape Actor: Dunstall

Dance: I: A Dance incident to the Opera-Fishar, Arnauld, Sga Manesiere, Miss Valois

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: N.B. Mr King Being indisposed, Mr Vernon has obligingly undertaken (at a short notice) to play his part in the Masque this evening. Paid Garter Supers, 10 nights #46 3s.; Paid Mr Weston's note to Glascot, paid to Greenwood #9 10s. (Treasurer's Book). Receipts: #132 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Institution of the Garter

Performance Comment: See17711028, but Sir Dingle-Vernon.
Event Comment: Benefit Shepard. Tickets of Hobson at the stage Door. Mr Shepard humbly hopes his friends will not be offended at the Alteration of the play, he being oblig'd to change it on account of the Indisposition of a Principal Performer. The Tickets deliver'd for Henry VIII will be taken this night (London Daily Post and General Advertiser). Shepard belonged for many years to the House. Fleetwood dismissed him. Let him have a benefit for the money accrued to him. Beard ill and did not act. (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Lockit Actor: Turbutt

Afterpiece Title: The Lying Valet

Song: End of Farce:By Particular Desire, Bumper Squire Jones-Beard

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Performance Comment: As17971226, but Monimia-Mrs Pope [i.e. formerly Mrs Spencer]; Ernesto-_.

Afterpiece Title: Harlequins Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Event Comment: Benefit for Widow Vincent. House charges #64 15s. 6d. [Deficit Mrs Vincent #20 3s. 6d.] Rec'd by draft on Mr Clutterbuck #200, and from Sinking Fund #287; Paid Blandford (tallow chandler) #27 18s. 11d.; and French on account #12 12s. (Treasurer's Book). Fifteen minutes past 5 went to the 2s. gallery...(Widow Vincent's voice pleases me much. Holland did Oakly,-he imitates Garrick, but is very inferior to him (Neville MS Diary). Receipts: #44 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: As17670212, but Oakly-Holland; In Act II Singing-Mrs Vincent.

Afterpiece Title: The Contrivances

Performance Comment: Rovewell-Dodd, 1st time; Robin-Moody; Arethusa-Mrs Vincent; Argus-Hartry; Boy-Master Cape; Betty-Mrs Smith; Hearty-Fox; Mob-Ackman, Marr, Strange, Watkins. [See17640427.]See17640427.]
Cast
Role: Boy Actor: Master Cape

Dance: End: Comic Dance, as17670430

Performances

Mainpiece Title: King Henry Iv Part Ii

Performance Comment: King-Powell; Prince of Wales-Aickin, 1st time; Prince John-J. Palmer; Moldy-Moody; Pistol-King; Gloster-J. Burton; Doll Tearsheet-Mrs Lee; Achbp York-Havard; Clarence-Mas. Cape; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Fawcett; Feeble-Weston; Justice Shallow-Yates; Justice Silence-Rooker; Poins-Packer; Page-Miss Rogers; Hostess-Mrs Bradshaw; Falstaff-Love [Public Advertiser assigns Pistol-$Baddeley.]
Cast
Role: Clarence Actor: Mas. Cape
Role: Feeble Actor: Weston

Afterpiece Title: The Capricious Lovers

Dance: End: A Minuet-Miss Giorgi, Miss Collett Scholars to Sg Giorgi; End I of the Farce: Hearts of Oak, as17670212, but-Grimaldi, Mrs King

Event Comment: TThe Provok'd Wife was in the Bills for this Night, but Mr Garrick finding himself ill in ye Morning Fresh bills for Ye Mercht were posted at one o'Clock-two or three hiss'd when the play began, but Mr Havard told 'em ye reason of the Change & all was over (Cross). Receipts: #185 15s. (Winston MS 8)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17581218, but Shylock-Yates (Hogan).

Afterpiece Title: Fortunatus

Song: IV: Miss Young

Dance: III: The German Hunters, as17580916

Event Comment: Receipts: #173 5s. [The Occasional Song is Larpent MS 164, a patriotic one on George II's victories: "Amherst by land Boscawen by sea" referring to victories at Cape Breton, Crown Point, Niagara, Guadeloupe, Senegal, and Quebec.

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17591003, but Patch-Mrs Pitt.

Afterpiece Title: The Fair

Performance Comment: As17591211, but Song in Character-_; changed to An Occasional Song-Beard; Dances-Mrs Granier.