SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Welch or Scotch country girl"/1) | (@(roleclean,performerclean) "Welch or Scotch country girl")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1466 matches on Performance Title, 668 matches on Performance Comments, 315 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Madcap

Performance Comment: As17750513, but Country Madcap-Mrs Mattocks.
Cast
Role: Country Madcap Actor: Mrs Mattocks.

Song: II: (By Desire) Kate of Aberdeen-DuBellamy

Dance: End: The Pilgrim, as17750503

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: The Country Mad-Cap

Performance Comment: Ballad-Mattocks; Cantileno-Reinhold; Zorababel-Quick; Bauble-Lee Lewes; Thomas-Young; Jenny-Mrs Poussin; Mrs Midnight-Mrs Pitt; Country Madcap-Mrs Mattocks.
Cast
Role: Country Madcap Actor: Mrs Mattocks.

Dance: End: The Humours of the New@Market Races, as17760503

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Country Wife

Performance Comment: Pinchwife-Lee; The Country Wife (1st time)-Mrs Wilson. see17761221 .

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: True-Blue

Afterpiece Title: The Country Mad-Cap

Performance Comment: Ballad-Mattocks; Cantileno (with imitations)-Reinhold; Zorobabel-Quick; Lord Bawble-Lee Lewes; Goodwill-Fearon; Thomas-Whitefield [Public Advertiser: Young]; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad@Cap-Mrs Mattocks.

Dance: As17761223

Event Comment: Benefit for Mr and Mrs Ward. The Country Mad-Cap [announced on playbill of 5 May] is obliged to be set aside on account of Mrs Pitt's indisposition. Tickets delivered for Alexander the Great, for Saturday, May 3, will be admitted. Public Advertiser, 22 Apr.: Tickets to be had of Mr and Mrs Ward at Stacy's, No. 76, the Corner of Long-acre, Drury-lane. Receipts: #197 18s. (82.10; tickets: 115.8) (charge: #66 1s.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Country Wife

Dance: End: All in the Downs, as17770425

Song: As17770505

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Mad-Cap

Performance Comment: Cantileno (with imitations)-Reinhold; Ballad-Mahon; Zorobabel-Quick; Lord Bawble-Robson; The Country Mad@Cap-Mrs Mattocks.

Dance: End II: The Arts and Sciences, as17780509; in which an Assault-Master Dagueville, Master Holland; with a Minuet-Master Dagueville, Miss Bullock; Prince of Wales's New Court Minuet-Master Holland, Miss Simonet

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Country Wife

Performance Comment: Pinchwife-Hull; Sparkish-Lee Lewes; Harcourt-Robson; Dorilant-Whitfield; Alithea-Miss Ambrose; The Country Wife-Mrs Wilson.
Cast
Role: The Country Wife Actor: Mrs Wilson.

Dance: End: The Dockyard, as17791204

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Country Mad-Cap

Performance Comment: Ballad-Mattocks; Cantileno (with Imitations')-Reinhold; Zorobabel-Quick; Thomas-Whitfield; Goodwill-Fearon; John-Thompson; Lord Bawble-Lee Lewes; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad-Cap-Mrs Mattocks .

Dance: End of Act II of mainpiece The Poney Races by Harris, Ratchford, Miss Matthews; End of mainpiece The Gala, as17820409

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Country Mad-cap

Performance Comment: Ballad-Mattocks; Cantileno (with imitations)-Reinhold; Thomas-Whitfield; Zorobabel-Quick; Goodwill-Fearon; John-Thompson; Lord Bauble-Lee Lewes; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad-cap-Mrs Mattocks .

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Country Wife

Performance Comment: Pinchwife-Wilson; Sparkish-Lee Lewes; Harcourt-Davies; Dorilant-Whitfield; Alithea-Mrs Whitfield; The Country Wife-Mrs Wilson .
Cast
Role: The Country Wife Actor: Mrs Wilson

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: The Country Mad-Cap

Performance Comment: Ballad-Mattocks; Cantileno (with Imitations)-Reinhold; Lord Bawble-Bonnor; Thomas-Whitfield; Goodall-Fearon; Zorobabel-Quick; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad-Cap-Mrs Mattocks .

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Country Wife

Performance Comment: Pinchwife-Hull; Sparkish-Palmer; Harcourt-Davies; Dorilant-Cubitt; Alithea-Mrs Bates; The Country Wife-Mrs Brown .
Cast
Role: The Country Wife Actor: Mrs Brown

Dance: End of Act I of mainpiece The Piping Pedlar, as17851112

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap; or, Miss Lucy in Town

Performance Comment: Zorobabel-Quick; Lord Bawble-Palmer; Signor Cantileno-Darley; Ballad-Brown; Thomas-Cubitt; Mrs Midnight-Mrs Pitt; Tawdry-Miss Stuart; The Country Madcap (with songs)-Mrs Martyr (1st appearance in that character) .

Dance: End of 2nd piece The Drunken Sailor Reclaim'd, as17860424

Song: End of Act II of 1st piece a new song, Toung Henry, by Mrs Martyr

Monologue: 1786 05 09 Before 1st piece a new Occasional Address spoken by Holman

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Country Wife

Performance Comment: Pinchwife-Hull; Sparkish-Brown; Harcourt-Davies; Dorilant-Cubitt; Alithea-Mrs Bates; The Country Wife-Mrs Brown.
Cast
Role: The Country Wife Actor: Mrs Brown.

Dance: End: Leap Year; or, A New Way of Wooing-Byrn, Mrs Davenett, Mrs Goodwin

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen and I to the Theatre, and there saw The Country Captain, a dull play

Performances

Mainpiece Title: The Country Captain

Event Comment: The King's Company. Richard Legh, writing to his wife, 3 Jan. 1667@7, reported to her concerning this play: which is so damn'd bawdy that the Ladyes flung their peares and fruites at the Actors (Lady Newton, The House of Lyme, p. 240). Pepys, Diary: Alone to the King's House, and there saw The Custome of the Country, the second time of its beind acted, wherein Knipp does the Widow well; but, of all the plays that ever I did see, the worst--having neither plot, language, nor anything in the earth that is acceptable; only Knipp sings a little song admirably. But fully the worst play that ever I saw or I believe shall see

Performances

Mainpiece Title: The Custom Of The Country

Event Comment: The King's Company. Pepys, Diary: I was got to go to the play with them [several of his friends]-the first I have seen since before the Dutch coming upon our coast, and so to the King's house, to see The Custome of the Country. The house mighty empty--more than ever I saw it--and an ill play

Performances

Mainpiece Title: The Custom Of The Country

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Country Captain, which is a very ordinary play. Methinks I had no pleasure therein at all

Performances

Mainpiece Title: The Country Captain

Event Comment: The King's Company. Pepys, Diary: I carried [Mercer and Mrs Gayet] to the King's house...and there saw The Country Captain, a very dull play, that did give us no content, and besides, little company there, which made it very unpleasing

Performances

Mainpiece Title: The Country Captain

Event Comment: The Duke's Company. Nell Gwyn attended this play. See VanLennep, Nell Gwyn's Playgoing, p. 407, where VanLennep speculates that it might have been John Crowne's The Country Wit, which is not otherwise known to be acted until 10 Jan. 1675@6. It should be noted that this performance falls on a Friday in Lent

Performances

Mainpiece Title: Ye Country Knight

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. There is no certainty that this is the premiere of this play; in fact, there is uncertainty concerning the first production, for Nell Gwyn saw a play on 19 March 1673@4, The Country Knight, about which nothing otherwise is known and which might be this play. Nevertheless, the fact that the play was not entered in the Term Catalogues until May 1676 makes it unlikely that the play was first acted two years before its publication, especially since it became a moderately popular play

Performances

Mainpiece Title: The Country Wit

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 9-12 May 1696, suggests that it was first acted not later than April 1696. It may, however, have been first performed sometime earlier, for two songs for it were set by Henry Purcell, who had died in November 1695. See Purcell's Works, Purcell Society, XXI (1917), vi-vii. A Comparison Between the Two Stages (1702), p. 18: Pausanias, or Lover of his Country, Damn'd, tho writ by a person of Quality, and protected by Southern. One song, My dearest, my fairest, is a dialogue between Mr Cooke and Mrs Hodgson

Performances

Mainpiece Title: Pausanius, The Betrayer Of His Country

Event Comment: Rich's Company. There is no certainly as to whether this performance is the premiere. Because the play was not published until 1715, the cast for the first performance is not known. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box att Country House 8s

Performances

Mainpiece Title: The Country House

Performances

Mainpiece Title: Fryar Bacon; Or, The Country Justice : With The Humours Of tolfree The Miller, And His Son ralph

Performance Comment: A playbill: At Parker's and Doggett's Booth near Hosier-Lane End, in Smithfield, during the Time of Bartholomew-Fair, will be presented a New Droll, called, Fryar Bacon; or, The Country Justice: With the Humours of Tolfree the Miller, and his Son Ralph, Acted by Mr Doggett. With Variety of Scenes, Machines, Songs and Dances. Vivat Rex. (See William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954), opposite page 237.) The London Spy, August 1699, describes a visit to Bartholomew Fair, including an account of Doggett's droll and another, Dwarf Comedy, Sir-nam'd a Droll' called The Devil of a Wife. In the Post Man, 15-17 Aug. 1699, is an advance notice of rope dancing and a booth run by Barnes and Appleby between the Crown Tavern and the Hospital Gate, next to Miller's Droll Booth.