SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Welch or Scotch country girl"/1) | (@(roleclean,performerclean) "Welch or Scotch country girl")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1466 matches on Performance Title, 668 matches on Performance Comments, 315 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Collins; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Player-Hull; Beggar-Bennet; Ben-Wignel; Dreary-C. Smith; Twitcher-Redman; Drawer-Perry; Lucy-Miss Poitier; Mrs Peachum-Mrs Stephens; Mrs Coaxer-Mrs Ferguson; Mrs Vixen-Mrs Evans; Jenny Diver-Mrs White; Suky-Miss Sledge; Molly Brazen-Miss Helm; Doxey-Miss Davis; Dolly-Miss Cokayne; Diana Trapes-Mrs Copin; Mrs Slammekin-Mrs Pitt; Polly-Miss Brent; Hornpipe-Miss Poitier; Country Dance-the Characters in the Opera.

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Ranger

Performance Comment: Harlequin-Rooker; Others-Blakes, Vaughan, Johnston, Ackman, Mrs Bennet, Mrs Bradshaw, Miss Baker, Settree, Lowe; To conclude with a Country Dance-.
Event Comment: The Characters New Dressed. Play never acted before. [See Three Original Letters to a Friend in the Country on the Cause and Manner of the late Riot at the Theatre Royal in Drury Lane. See also two letters in The Theatrical Review; or, Annals of the Drama, 1 March 1763. This number includes (pp. 117-25) a critique on the Discovery. Critic found it a piece of much merit particularly in the perusal," but on stage frequently tedious and heavy owing to a scarcity of incident and an uncommon lengthening of the acts."

Performances

Mainpiece Title: The Discovery

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Dogberry-Yates; Ursula-Mrs Hippisley; Beatrice-Mrs Palmer; Don Pedro-Packer; Leonato-Havard; Claudio-Palmer; Verges-Parsons; Balthasar (with song)-Vernon; Hero-Mrs Davies; Fryar-Burton; Don John-Bransby; Borachio-Blakes; Margaret-Mrs Bradshaw; In Act II, a Masquerade Dance-; proper to the play, in which will be introduc'd a Minuet-Noverre, Mrs Palmer; To conclude with a Country Dance-.

Afterpiece Title: The Beggar's Wedding

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Peachum-Yates; Lockit-Bransby; Filch-Parsons; Mat@o@Mint-Fox; Beggar-Burton; Player-Castle; Drawer-Master Burton; Lucy-Mrs Clive; Mrs Peachum-Mrs Love, first time; Polly-Mrs Vincent; Diana Trapes-Mrs Bradshaw; In Act III a Hornpipe-Miss Dawson; To conclude with a Country Dance-.

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Musical Lady

Performance Comment: Old Mask-Yates; Mask-King; Sophy-Miss Pope; Freeman-Packer; Lady Scrape-Mrs Bennet; Laundress-Mrs Bradshaw; To conclude with a Country Dance-.

Dance: I: The Irish Lilt, as17630922

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Player-Anderson; Beggar-Bennet; Lucy-Miss Davies, first time; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Copin; Mrs Slammekin-Mrs Green; Polly-Miss Brent; Hornpipe-Miss Daw; Country Dance-characters in the Opera.

Afterpiece Title: Miss in Her Teens

Dance: II: The Sicilian Peasants, as17631005

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Obrien, first time; Jack Meggot-Vernon; Clarinda-Miss Yates, first time; Jacintha-Miss Plym, first time; Strictland-Love; Mrs Strictland-Mrs Davies; Frankly-Palmer; Bellamy-Packer; Lucetta-Mrs Bennet; To conclude with a Country Dance-.

Afterpiece Title: Interlude Hymen

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Obrien, first time; Beatrice-Miss Pope; Don Pedro-Packer; Leonato-Havard; Claudio-Palmer; Dogberry-Yates; Friar-Burton; Don John-Bransby; Verges-Philips; Borachio-Parsons; Clerk-Baddeley; Sexton-Clough; Margaret-Mrs Bradshaw; Ursula-Miss Hippisley; Balthazar (with a song)-Vernon; Hero-Mrs Davies; In II, a Masquerade Dance-proper to the play; To conclude with a Country Dance-.

Afterpiece Title: Interlude Hymen, End Act III

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Peachum-Yates; Lockit-Bransby; Filch-Parsons; Mat@o@Mint-Fox; Beggar-Castle; Lucy-Mrs Clive; Diana Trapes-Mrs Bradshaw; Polly-Mrs Vincent; Player-Burton; Mrs Peachum-Mrs Love; in Act III, a Hornpipe-Miss Baker; To conclude with a Country Dance-.

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Musical Lady

Performance Comment: Old Mask-Yates; Mask-King; Freeman-Packer; Lady Scrape-Mrs Bennet; Laundress-Mrs Bradshaw; Sophy-Miss Pope; To conclude with a Country Dance-.

Dance: IV: The Provencalle-Miss Rogers

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Shuter; Lockit-Anderson; Filch-Holtom; Mat@o@Mint-Baker; Player-White; Beggar-Bennet; Diana Trapes-Mrs Copin; Mrs Slammekin-Mrs Green; Mrs Peachum-Mrs Stephens; Lucy-Miss Miller; Polly-Miss Brent; Hornpipe-Miss Pitt, Miss Daw, Miss Twist; To conclude with a Country Dance-the characters.

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

Dance: II: A Tambourine, as17641015

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-King, 1st time; Strictland-Love; Frankly-Palmer; Jacintha-Miss Plym; Jack Meggot-Vernon; Landlady-Mrs Bradshaw; Milliner-Mrs Hippisley; Bellamy-Packer; Tester-Vaughan; Lucetta-Mrs Bennet; Mrs Strictland-Mrs Hopkins; Clarinda-Miss Pope; To Conclude with a Country Dance-.

Afterpiece Title: Fortunatus

Dance: I: New Tambourine, as17640929

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Peachum-Yates; Lockit-Bransby; Filch-Parsons; Mat@o'th@Mint-Kear; Beggar-Burton; Player-Strange; Lucy-Mrs Clive; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Vincent; In Act III, a Hornpipe-Miss Baker; To Conclude with a Country Dance-; New Occasional Prologue-King.

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Musical Lady

Performance Comment: Mask-King; Old Mask-Yates; Freeman-Packer; Lady Scrape-Mrs Bennet; Laundress-Mrs Bradshaw; Musical Lady-Miss Pope; To Conclude with a Country Dance-.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Player-Anderson; Beggar-Bennet; Mat@o@Mint-Baker; Lucy-Mrs Baker; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Copen; Mrs Slammekin-Mrs Green; Polly-Miss Brent; Hornpipe-Miss Pitt; Country Dance-characters in the opera.

Afterpiece Title: The Apprentice

Performance Comment: Apprentice-Woodward; Wingate-Dunstall; Gargle-Anderson; Scotchman-Bennet; Irishman-Barrington; Catchpole-Buck; Simon-Cushing; Watchman-Weller; Porter-Gardner; President-Perry; Three members-Holtom, Murden, Mas. Morgan; Charlotte-Mrs Evans.
Cast
Role: Scotchman Actor: Bennet

Dance: II: The Venetian Gardeners, as17650925

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-King; Jack Meggot-Dodd; Bellamy-Packer; Strictland-Love; Frankly-Palmer; Tester-Vaughan; Lucetta-Mrs Bennet; Mrs Strictland-Mrs Hopkins; Jacintha-Miss Plym; Clarinda-Miss Pope; To Conclude with a Country Dance-.

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Don Pedro-Packer; Leonato-Havard; Claudio-Palmer; Dogberry-Yates; Balthazar (with song)-Vernon; Hero-Miss Plym; Beatrice-Miss Pope; In Act II a Masquerade proper to the play-; to conclude with a Country Dance-.

Afterpiece Title: Daphne and Amintor

Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Performances

Mainpiece Title: Irish Hospitality; Or, Virtue Rewarded

Performance Comment: The Principal Characters-King, Palmer, Love, Packer, Lee, Bransby, Hurst, Aickin, Ackman, Moody, Mrs Palmer, Miss Pope, Miss Plym, Mrs Bradshaw, Mrs Hippisley, Mrs Pritchard; To Conclude with A Country Dance-.

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Peachum-Yates; Lockit-Bransby; Filch-Parsons; Mat@o@Mint-Kear; Beggar-Burton; Player-Strange; Lucy-Mrs Abington; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Miss Wright; In Act III, Hornpipe-Mrs King; To conclude with a Country Dance-.

Afterpiece Title: Polly Honeycombe

Event Comment: VViscomica to the Printer of the Public Advertiser: As burlettas have been laid aside some years, and they are a species of entertainment I am particularly fond of, as there is vivacity in the music, and great humour and satire in the performance, I was much pleased with the thoughts of being as well entertained as I had heretofore been; and more so when I found I could gain admittance to so good a place for hearing, for the trifling sum of three shillings; a place in which I never dared to shew my face before, not being on a footing with the riotous company that used to be admitted there, to attend their several masters' call; a nuisance, from which I rejoice the managers have at length, after so many hints and solcitations, found out a method to deliver their audience. I remember to have seen a darkish way down a flight of steps to a dismal winding staircase, which I was told led to the footman's gallery, and, supposing that the road I was to take on this occasion, was very agreeably undeceived by being shewn up about halfway to the five shilling gallery, and by a turn through an arch introduced to a new and convenient staircase leading to this region of the gods, where I was surprised to find myself arrived before I thought I was half-way up. The managers have indeed made this place very neat and commodious, by rendering the descent much less steep, lowering and matting the benches, painting and lighting the whole place; so that I found myself as much at my ease there, as in any other part of the house, and much better situated than I had expected; likewise, by their following Mr Garrick's example, in removing the pendant lustres, and lighting after the foreign manner, you have a full view of the whole stage; by which the magnificance appears greatly increased. The performance was beyond my expectations, as I think the performers excel any in their way which have appeared in this country; but I need not expatiates upon a subject the town in general have been, or I dare say will be, as good judges of as yours, &c

Performances

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Strictland-Love; Frankly-Palmer; Bellamy-Packer; Jack Meggot-Dodd; Tester-Weston; Mrs Strictland-Mrs Palmer; Jacintha-Miss Plym; Lucetta-Mrs Bennet; Clarinda-Miss Pope; To conclude with a Country Dance-.

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Musical Lady

Performance Comment: Mask-Dodd, 1st time; Old Mask-Yates; Freeman-Packer; Lady Scrape-Mrs Bennet; Laundress-Mrs Bradshaw; Sophy-Miss Pope; To Conclude with a Country Dance-.

Dance: End: The Vintage, as17661011

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Dyer; Strickland-Ross; Frankly-Mattocks; Bellamy-Clarke; Jack Meggot-Lewes; Tester-Morgan; Mrs Strictland-Mrs Mattocks; Lucetta-Mrs Pitt; Jacintha-Miss Macklin; Clarinda-Miss Wilford; To conclude with a Country Dance-the characters in the play.

Afterpiece Title: Thomasand Sally

Dance: I: The Sicilian Peasants-Sga Manesiere, Miss Wilford [see17641001]; To conclude with the Original Dance[, in the characters of an Old Man and Old Woman-Arnauld, Miss Poitier; III: A Minuet-Fishar, Miss Wilford