SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Welch or Scotch country girl"/1) | (@(roleclean,performerclean) "Welch or Scotch country girl")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1466 matches on Performance Title, 668 matches on Performance Comments, 315 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Grand Composition Of Fun And Music

Performance Comment: But advertised (10 Feb.) as a Decision of the Match so long depending between Sir Alexander Drawcansir, Knt. and their Lownesses of Grub Street, on which large bets are depending. It is thought the Knowing Ones will be greatly taken in. A piece of Witchcraft from Macbeth-; A Town and a Country piece between a Blood and a Blockhead-; A curious examination before Mr Justice Bobadil-; A Phenomenon of High Humbug-; A Piece from the Brazen Head-; A solo on a very uncommon instrument imported from the Antipodes-Mynheer eht soumaf dna deifiton reddalb dna grirts saila Len Roop.; An Apparition of a Ghost-; A barbarous cruel bloody and inhuman committed by the Man Mountain in Rocky Termagant, in a new Taste. To conclude with a dying Fall and the Birth, Parentage and Education of Fun. (General Advertiser). A barbarous cruel bloody and inhuman committed by the Man Mountain in Rocky Termagant, in a new Taste. To conclude with a dying Fall and the Birth, Parentage and Education of Fun. (General Advertiser).

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Dyer; Strictland-Bridgwater; Frankly-Ryan; Bellamy-Ridout; Meggot-Cushing; Simon-Bransby; Tester-Collins; Buckle-Anderson; Lucetta-Miss Haughton; Mrs Strictland-Mrs Barrington; Jacyntha-Mrs Vincent; Clarinda-Mrs Bland from the Theatre in Dublin; New Country Dance-the characters of the play.

Afterpiece Title: The Contrivances

Event Comment: Mainpiece: By Particular Desire. [Cross suggests The Country Wife this night, but the Public Advertiser indicates The Miser. The Country Wife had been advertised on the advance notice.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Sorcerer

Dance: IIl Pastore, as17521219; Les Sabotiers Tyrolese, as17521028

Performances

Mainpiece Title: Alfred

Performance Comment: Solemn Dirge- in honour of the Heroes who dye in Service of their country.

Music: I: Concerto on the Violin, as17550314 II: An Organ Concerto by Arne, as17550314

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Garrick; second Constantia-Miss Haughton; Don Frederick-Palmer; Duke-Usher; Petruchio-Blakes; Antonio-Yates; first Constantia-Miss Macklin; Mother-Mrs Clive; Landlady-Mrs Macklin; Kinswoman-Mrs Hippisley; To conclude with a New Country Dance-the Characters of the Play.

Afterpiece Title: The Tragedy of Tragedies

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Rape of Proserpine

Performance Comment: See17591124, but Ceres-Mrs Lampe; Proserpine-Mrs Abegg; Jupiter-Lowe; Mercury-Baker; Followers of Ceres-Mlle Capdeville, Mrs Viviez, Mrs Jansolin, Mrs Dawson, Mrs Granier, Mrs Leppie, Mrs Terrier; Pluto-Legg; Daemons-Poitier Jr, Granier, Leppie, Rochford, Desse, Dumay, Terrier; Harlequin-Miles; Yeoman-Lalauze; Clodpole-Shuter; Old Woman-Mrs Pitt; Old Man-Costollo; Colombine-Mrs Dyer; Country Lads and Lasses-Dumay, Gosley, Terrier, Miss Helm, Miss Mullart, Mrs White; Gardners-Dumay, Gosley; The Elements : Earth-Desse, Mrs Jansolin; Air-Leppie, Mrs Granier; Fire-Granier, Miss Hilliard; Water-Poitier, Mlle Capdeville. With Scenes, Machines, and other Decorations.

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Rape of Proserpine, with the Birth and Adventures of Harlequin

Performance Comment: Ceres-Mrs Lampe; Proserpine-Mrs Abegg; Jupiter-Mattocks; Mecury-Baker; Followers of Ceres-Mlle Capdeville, Mrs Viviez, Mrs Jansolin, Mrs White, Mrs Granier, Mrs Leppie, Mrs Belfort; Pluto-Legg; Daemons-Poitier Jr, Granier, Leppie, Rochford, Desse, Dumay, Gosley; Harlequin-Miles; Yeoman-Lalauze; Clodpole-Shuter; Old Man-C. Smith; Old Woman-Mrs Pitt; Colombine-Mrs Dyer; Country Lads and Lasses-Dumay, Gosley, Rochford, Miss Helm, Miss Mullart, Mrs White; Gardeners-Dumay, Gosley; The Elements: Earth-Gosley, Mrs Jansolin; Air-Leppie, Mrs Granier; Fire-Granier, Mlle Capdeville; Water-Poitier, Sga Maranesi.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin Ranger

Performance Comment: As17601002, but The Others-Fox, _Atkins; Pantomime concludes with a +Country Dance-.
Cast
Role: Country Dance Actor: .

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performance Comment: Harry Hunter-Mattocks; Phebe-Mrs Vernon, both 1st time; Chaunter-Dunstall; Quorum-Marten; Tippet-Mrs Green; Grigg-Anderson; Cant-Bencraft; Gage-Holtom; Mump-Stoppelaer; Scrip-Weller; Swab-Bennet; Mopsey-Mrs Stephens; Strummer-Mrs Evans; Blouze-Miss Vallois; Drab-Mrs Ferguson; Manchet-Mrs Allen; Tib Tatter-Mrs White; Original Country Dance-; After which The Cries of London-Shuter.
Cast
Role: Original Country Dance Actor:

Dance: LLes Charboniers, as17601215

Event Comment: Farce in two acts never performed before. Full prices. [See advertisement to Reed's 1761 edition where he accuses Foote of taking the character of Mrs Cole in the Minor from Mrs Snarewell.] A new farce wrote by one Reed, a ropemaker, brought out by Mr Foote--went off tolerable--hissed a little at the end (Hopkins MS Notes). [See advertisement for the Universal Register Office General Advertiser 18 Oct. 1750: This Office being much approv'd and encouraged especially by Ladies and Gentlemen in the Country, we have daily enquiries by those who are just come to town, and many letters from those in the country to procure houses and lodgings, both furnished and unfurnished, for single Gentlemen, Ladies, and Families for the winter; and also boarding houses as well in French Families as in English Families." Announces its books open to any who wish to register there. The afterpiece met with trouble from the Licenser. Larpent MS 189 and 196, indicate the exceptionable passages to be those using profanity, and those of Mrs Snarewell's capable of double entendre, principally about the comfort she received from Mr Watchlight who was called twice out of bed to pray-"so ernest in his ejaculations, &c."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Register Office

Performance Comment: Actors only: Irishman-Moody; Frenchman-Blakes; Scotchman-Foote; Capt Le Brush-King; Gulwell-Packer; Harwood-Austin; Frankly-Baddeley; Williams-Ackman; Lord Brilliant-Castle; Trickit-Fox; Maria-Miss Reed; Prologue-. Lady Wrinkle and Mrs Snarewell-not permitted to be played ($Genest, IV, 612).
Cast
Role: Scotchman Actor: Foote

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Statue

Performance Comment: As17630427 but Statuary-Holtom; concluding Country Dance-_.

Music: II: Piece on the Harp-Parry

Dance: III: The Sicilian Peasants, as17621125

Song: IV: Singing-Polly Young

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Player-Anderson; Beggar-Bennet; Lucy-Mrs Baker; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Copin; Mrs Slammekin-Mrs Green; Polly-Mrs Pinto; Hornpipe-Miss Pitt; A Country Dance-the characters of the opera.

Afterpiece Title: The Englishman in Paris

Dance: II: The Village Romps, as17661008

Entertainment: OOccasional Prologue-Ross; The London Cries-Shuter

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Strictland-Love; Frankly-Palmer; Bellamy-Packer; Jack Meggot-Dodd; Tester-Weston; Mrs Strictland-Mrs Palmer; Lucetta-Mrs Love; Jacintha-Mrs Jeffries, 1st time; Clarinda-Miss Pope; Concluding with a new Country Dance-.

Afterpiece Title: Daphne and Amintor

Event Comment: Letter from Impartial to the editor of the Public Advertiser: The managers of the Opera most certainly think themselves peculiarly unfortunate in having incurred the disapprobation of your correspondent Timotheus....If...it has been found...that this Demi-critic has given his opinion to the public too precipitately, little regard will be paid to his animadversions, and the managers who, perhaps, will be found to have spared neither trouble or expense, will meet with the support they solicit....The splenetic gentleman, perhaps, resides chiefly in the country, and only came to town to see some Raree Shew, consequently he might never have heard of our justly celebrated Lovattini, Guadagni, Moriggi, and so forth, with whose performances we have been so highly entertained, to whom the Nightengale, as he is pleased to call Giaccomazzi, and Luciani, for the demi-characters in the Comic will make no inconsiderable additions; from hence I conclude, that our Opera entertainments this season will exceed any we have ever had in this country

Performances

Mainpiece Title: Gli Amanti Ridicoli

Event Comment: [The following day Garrick received a letter from L. A. Ein Schweitzer: "As you spare nothing in adding new characters etc. to the Masquerade...I hope you will introduce in it the dress as described hereunder, being the first, perhaps, that ever appeared in this country. It is that of a country maid of the Cantoon of Bern; and as the Allemande is really a Swiss Dance, nobody could with more propriety wear it than Sga Vidini who would greatly shine in it." The hairdo is described in detail--ringlets, with cap and small feather, and no powder. The jacket, skirt, and socks (red jacket with black trim, black skirt, red stockings) are described in detail. "N.B. The dress in my opinion would also do very well for a Colombine. The man's dress is not suitable to a dance." Folger Library Copy, Garrick Correspondence, Vol. IV, MS Letter 42.

Performances

Mainpiece Title: Douglas

Afterpiece Title: Fortunatus

Event Comment: Last time of performing the afterpiece before the Benefits. A duel with pistols between George? Garrick and Baddeley on account of G. Garrick remon[stratin]g with Baddeley on [receiving] his wife's salary. Baddeley fir'd then G. G. fir'd in the air, and a reconciliation took place (Winston MS 10, from Dr Burney's News Clippings). [See full and humorous acct Town and Country Magazine, March, pp. 157-58 with woodcut of duel.

Performances

Mainpiece Title: Othello

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17721211, but to conclude with a Country Dance-the characters.

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Druids

Performance Comment: See17750102 but Imitations of Birds(with his throat only)-Sig Rossignol , being his first appearance here; Country Fiddler-Sig Rossignol; Concerto on A Violin Without Strings-OrchestraWith the Last New Scene, Additional Performances. Characters of the Pantomime and Dances as usual.

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Druids

Performance Comment: As17750106, but Country Fiddler-_; Concerto on A Violin Without Strings-_.
Event Comment: Afterpiece: A New Musical Entertainment in 2 Acts [by Theodosius Forrest] never pebformed. With a New Overture by Dr Arnold. The Airs chiefly selected from the most eminent masters. [Larpent MS 392 confirms the character names and adds a Country Lad and a Country Lass. The Westminster Magazine for Oct. condemned the Weathercock: "To speak of this piece as a literary compostiion, it was throughout a dull, uninteresting narrative, told in duller numbers. Considered in a dramatic light, it was still less defensible....The overture by Dr Arnold was trite, except the last movement, which had great merit, and was universally admired....We expected in spite of the numerous Orders sent in by the Author and Managers, that it would have met with its deserved fate on the first representation, it was, however, somehow carried through that and a second night's hearing-on the third evening, however, it received a formal damnation."

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Weathercock

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Mattocks; Lockit-Dunstall; Peachum-Wilson, first time; Filch-Wewitzer; Mat@O@Mint-Baker; Lucy-Mrs Mattocks; Mrs Peachum-Mrs Pitt; Mrs Slammekin-Mrs Green; Diana Trapes-Mrs White; Polly-Miss Brown; in Act II a Hornpipe-Miss Mathews; to conclude with a Country Dance-the characters.

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: May Day

Performance Comment: As17751121, but Country lasses-Miss _Robins; Waldron, Carpenter. Waldron, Carpenter.

Dance: III: The Merry Peasants, as17751018

Event Comment: The father of the runaway siren of Covent Garden [Miss Brown; see 16 Dec. 1775] apprehended the little wanton truant at her aunt's in the city, forcing her into a coach, drove off with her into the country: however, she had not been carried above five miles before her cries raised the inhabitants of a village; whom she soon worked to her purpose by declaring that the man (her father) was carrying her away by force, in order to ship her for America....The peasants released her, when she run to town across the country, and has not been re-taken since by her father (Morning Post, 5 Jan.)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: Mirth and Jollity, as17760102

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete

Performance Comment: Scene I. A Country Church-yard by Moon-light. Lord Littleton's Elegy of My Lucy, alas! is no more by Dodd, Barrymore, Williames. Scene II. A Masquerade. An Italian song by Miss George; a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] . a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] .

Afterpiece Title: The Double Disguise

Song: Between the Acts of 1st piece A Soldier for me by Mrs Wrightcn

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .