SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Welch or Scotch country girl"/1) | (@(roleclean,performerclean) "Welch or Scotch country girl")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1466 matches on Performance Title, 668 matches on Performance Comments, 315 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Powell: Jack of Newbury (music) rehearsed at 10; Welch Heiress read at 12. [With this entry Powell's notes come to an end.] Receipts: #413 10s. (353.0.6; 56.8.0; 4.1.6)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: Aesop

Performance Comment: Edition of 1697: Prologue-; Aesop-Cibber; Learchus-Dogget; Oronces-Harland; Euphronia-Mrs Temple; Doris-Mrs Verbruggen; Country Tradesmen-Pinkerman, Smeaton; Roger-Haynes; Quaint-Pinkerman; Fruitful-Smeton; Country Gentleman-Pinkerman; Hortentia-Mrs Kent; Aminta-Mrs Willis; Forge Will-Mrs Finch; Mrs Fruitful-Mrs Powell.

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Royal Chace; or, Merlin's Cave: With Jupiter and Europa

Performance Comment: Endymion (as Royal Chasseur)-Beard; Chasseurs-Vincent, Roberts; Nymphs of Chace-Miss Brunette, Miss Male; Diana (Royal Huntress)-Miss Hillyard; Merlin-Leveridge; Aerial Spirits: Cupid-Glover; Graces-Miss Norman, Miss Sandham, Mlle Delorme; Hour-Mrs Ogden; Zephyrs-Tench, Desse, Livier, Delagarde; Psyche-Miss Rogers; Rural Swain and Nymph-Lally, Mlle D'Hervigni; Jupiter (Harlequin)-Lun; Mercury-Stoppelaer; Pluto (Punch)-Delagarde; Neptune (Pantaloon)-Dupre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Desse; Apollo (Mezzetin)-Glover; Mars (Leander)-Tench; Europa-Miss Rogers; Doctor-Nivelon; Doctor's Wife-Mrs Stevens; Doctor's Servant-Lalauze; Country Lads-Dupre, Bencraft, Ferguson; Country Lasses-Mrs Kilby, Mrs Forrester, Miss Ambrose .

Entertainment: [Words by Phillips.] The Characters New Drest. With New Scenes, representing the exact Views of the Hermitage, and Merlin's Cave, as taken in the Royal Gardens of Richmond. Receipts: #185 4s. 6d

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Shipwreck'd: With the Loves of Paris and Oenone

Performance Comment: Paris-Kelly; Oenone-Mrs Chambers; Shepherds-Knellar, Nichols, Touchbury; Shepherdesses-Miss Jones, Miss Wilson, Miss Thornowets; Damon-Haughton; Swains-Le Sac, Topham, Vallois, Delagarde; Nymphs-Mrs Bullock, Mrs Woodward, Mrs Vallois, Miss Gerrard; Proteus-Touchbury; Tritons-Topham, Le Sac, Vallois, Delagarde; Harlequin-Lun Jr; Colombine-Mrs Dove; Country Lads-Norris, Topham, Delagarde; Country Lasses-Mrs Vallois, Miss Gerrard, Miss Hughes; Pantaloon-Dove; Clown-Penkethman .

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: The Burgomaster Trick'd

Performance Comment: Burgomaster-Livier; Boor Servant-Macklin; Scaramouch-Janno; Colombine-Miss Mann; Harlequin-Philips; Country Lads-Villeneuve, Dukes, Janno; Country Lasses-Mrs Pelling, Mrs Anderson, Miss Brett.

Dance: II: English Maggot-Villeneuve, Mrs Walter; II: Revellers-Essex, Mrs Walter

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Performance Comment: Endymion-Beard; Chasseurs-Salway, Roberts; Nymphs of Chace-Miss Brunette, Miss Rogers; Diana-Miss Hillyard; Merlin-Leveridge; Aerial Sprites: Cupid-Glover; Graces-Mrs Moreau, Miss Norman, Mlle Delorme; Hour-Mrs Ogden; Zephyrs-Tench, Desse, Davenport, Baudouin; Psyche-Mrs Laguerre; Harlequin-Lun; Pluto (Punch)-Baudouin; Neptune (Pantaloon)-DuPre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Davenport; Apollo (Mezzetin)-Glover; Mars (Leander)-Tench; Mercury-Laguerre; Country Lads-DuPre, Bencraft, Baudouin; Country Lasses-Miss Norman, Mrs LeBrun, Miss Dancey; Doctor-Nivelon; Doctor's Wife-Mrs Stevens; Doctor's Servant-Lalauze.

Performances

Mainpiece Title: Henry The Fourth, Part I

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Performance Comment: Pierrot-Lalauze; Endymion-Salway; Chasseurs-Vincent, Roberts; Nymphs of the Chace-Miss Brunette, Miss Rogers; Diana-Miss Hillyard; Merlin-Leveridge; Aerial Spirits: Cupid-Glover; Graces-Miss Moreau, Miss Norman, Mrs LeBrun; Hour-Miss Cantrell; Zephyrs-Tench, Desse, Richardson, Baudouin; Psyche-Mlle Roland; Jupiter-Lun; Pluto (Punch)-Baudouin; Neptune (Pantalon)-Dupre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Desse; Apollo (Mezzetin)-Glover; Mars (Leander)-Tench; Mercury-Laguerre; Country Lads-Dupre, Bencraft, Baudouin; Country Lasses-Miss Norman, Miss Dancey, Mrs LeBrun; Doctor-Nivelon; Doctor's Wife-Mrs Kilby.

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Royal Chace

Performance Comment: As17381028, but Pluto (Punch)-Villeneuve; Neptune (Pantaloon)-Dupre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Desse; Apollo (Mezzetin)-Glover; Mars (Leander)-Haughton; Country Lads-Dupre, Bencraft, Richardson; Country Lasses-Mrs Bullock, Miss Dancey, Mrs LeBrun.

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Orpheus and Eurydice

Performance Comment: Orpheus-Beard; Rhodope-Mrs Clive; Eurydice-Miss Young; Nymphs follower of Eurydice-1, Mlle Domitilla; 2, Mrs Fabres; 3, Mrs LaFont; 4, Mrs LeBrun; 5, Mrs Villeneuve; Pluto-Leveridge; Ascalax-Reinhold; Demons-Picq, Villeneuve, Delagarde; Harlequin-Woodward; Colombine-Mrs Kilby; Pantaloon-Rosco; Squire Gawkey-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Marten; Drudge-Hippisley; Woman dwarf-Young Ferg; Country Lads-Villeneuve, Delagarde, Dupre, Destrade; Country Lasses-Mrs Fabres, Mrs Villeneuve, Mrs LeBrun, Mrs LaFont; A Rural Swain, Nymph-Cooke, Mlle Bonneval; Villagers-Villeneuve, Delagarde, Dupre, Destrade, Mrs Fabres, Mrs Villeneuve, Mrs LeBrun, Mrs LaFont; Intermix'd with a new Pantomime in Grotesque Characters, call'd the Metamorphoses of Harlequin-.

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Orpheus and Eurydice

Performance Comment: Orpheus-Beard; Rhodope-Mrs Clive; Eurydice-Mrs Lampe; 1st Nymph, Follower of Eurydice-Sga Campioni; Pluto-Leveridge; Ascalax-Reinhold; Demons-Picq, Villeneuve, Delagarde; Harlequin-Woodward; Colombine-Mrs Kilby; Pantaloon-Rosco; Squire-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Marten; Drudge (servant to Pantaloon)-Hippisley; Woman Dwarf-a French Boy; Country Lads-Villeneuve, Delagarde, Dupre, Destrade; Country Lasses-Mrs Duval, Mrs Delagarde, Mrs LeBrun, Mrs Ozane; a Rural Swain, Nymph-Cooke, Sga Campioni.

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: Orpheus and Eurydice

Performance Comment: Orpheus-Beard; Rhodope-Mrs Lampe; Eurydice-A Young Gentlewoman who never appeared on any stage before; 1st Nymph, follower of Eurydice-Sga Campioni; Harlequin-Woodward; Colombine-Mrs Havard; Pantaloon-Arthur; Squire Gawky-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Marten; Drudge (servant to Pantaloon)-Hippisley; Woman Dwarf-a French Boy; Country Lads-Villeneuve, Destrade, Delagarde, Dupre; Country Lasses-Mrs Duval, Mrs Phillips, Mrs LeBrun; Mrs Gondau; Rural Swain-Cooke; Nymph-Sga Campioni.

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Rape of Proserpine

Performance Comment: As17451129, but 3rd Follower-Mrs Phillips; Country Lads-Villeneuve, Delagarde, Dupre, Destrade; Country Lasses-Miss Vandersluys, Mrs Delagarde, Mrs Phillips, Mrs Gondou; Rural Nymph-Signora Campioni; [rest of bill missing]. [rest of bill missing].

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17460425 but add Country Lads-Villeneuve, Delagarde, Dupre, Destrade; Country Lasses-Mrs Vaughan, Mrs Villeneuve, Mrs LeBrun, Mrs Gondou.

Dance: Cooke, Sga Campioni

Performances

Mainpiece Title: Othello

Afterpiece Title: Orpheus and Eurydice

Performance Comment: Orpheus-Beard; Rhodope-Mrs Lampe; Eurydice-Miss Younge; 1st Nymph (follower of Eurydice)-Sga Campioni; Harlequin-Woodward; Colombine-Mrs Havard; Pantaloon-Arthur; Gawky-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Marten; Drudge-Hippisley; Woman Dwarf-French Boy; Country lads-Villeneuve, Delagarde, Dupre, Destrade; Country lasses-Mrs Villeneuve, Mrs LeBrun, Mrs Gondou, Mrs LeFont.

Performances

Mainpiece Title: Julius Caesar; With The Death Of Brutus And Cassius

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17470309 but Country lads-_; Country lasses-_; Woman Dwarf-_.

Entertainment: Between Play and Afterpiece: An Alarm to Britons-the Spirit of King Henry V (After the manner of Shakespeare's Chorus) usher'd in with Trumpets, Kettle Drums and other Warlike Instruments

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Song: II: The Cantata of Cimon and Iphigenia-Beard

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Performance Comment: Parts by Vernon, Wrighten, Parsons, Bannister, Kear, Legg, Fawcett, Cubitt, etc., Mrs Wrighten, Mrs Scott, Mrs Davies, Miss Platt, Miss Robbins, Miss Hopkins, Miss Jarratt, etc., and a Young Lady. Farmer Furrow-Parsons; William-Vernon; Clod-Bannister; Dozey-Weston; Cryer-Wrighten; Dolly-Mrs Wrighten; Little Gipsy-Young Lady, first appearance on any stage (Miss Abrams); Country lads-Kear, Fawcett, Legg, Cubitt; Country lasses-Mrs Scott, Mrs Davies, Miss Platt, Miss Robins, Miss Jarratt (Genest, V, 480).

Performances

Mainpiece Title: Il Convito

Performance Comment: Principal Characters by Viganoni, Morigi, Bartolini (1st appearance in this country), Schinotti (1st appearance in this country); Sga Gherardi (1st appearance in this country), Sga Pollone, Sga Allegranti. [Cast from libretto (H. Reynell, 1782): I1 Cavalier del Lampo-Viganoni; Don Massimo-Morigi; I1 Conte Polidoro-Bartolini; Checco-Schinotti; Giacomina-Sga Gherardi; Lisctta-Sga Pollone; Alfonsina-Sga Allegranti.] hathi. hathi.

Dance: End of Act I a New Divertisement, composed by Simonet [for title, see17821105], by Slingsby, Zuchelli, Henry, Sga Sala, Mlle Theodore; End of Open Apelles and Campaspe by Lepicq, Simonet, Mlle Theodore, Mme Simonet

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Last's Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.

Performances

Mainpiece Title: Dr Last's Examination

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country. The Village Delight-Mrs Bannister, Mrs Forster; Hunting Song-Chapman; The Early Horn-Miss George; Noon. Skirts of a Wood. Prithee Susan-Meadows, Mrs Forster; dance, Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Afternoon. How merrily we live-Davies, Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Mrs Forster, Mrs Bannister; Night. A Country Church-yard. Sweet Echo-Mrs Bannister; dance, Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Poor Thomas Day-Edwin, Davies, Chapman; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards.

Entertainment: Imitations End 2nd piece: As17870807

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.
Cast
Role: Love of our Country Actor:
Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Event Comment: Rich's Company. Post Boy, No. 818, 4-6 July 1700: For the Benefit of Mrs Oldfield. This day at the Theatre Royal in Drury-Lane, will be presented, a Comedy call'd, The Pilgrim. Revis'd with Large Alterations, and a Secular Masque. With the Dialogue between the 2 mad Lovers. Being Acted this time at the desire of several Persons of Quality. And Entertainments of Singing and Dancing between the Acts and in particular, a new Entry Compos'd by the late Mr Eaglesfield, and perform'd by Mr Weaver, Mr Cottin, and Miss Campion. A Scotch Song with the Dancing of the Bonny Highlander; never done but once before on the English Stage

Performances

Mainpiece Title: The Pilgrim

Event Comment: Rich's Company. That this day was the premiere is implied by the Post Boy, 6-9 July 1700: This Day at the Theatre Royal in Drury-Lane, will be presented a New Comedy, never Acted before, called Courtship Alamode. Preface, Edition of 1700: This Play was so long expected e're it came into the World, that I'm oblig'd in Justice to my self, to excuse its appearance at at time when there were scarce Witnesses in Town of its Birth. It was enter'd in the other House [lif], where Mr Betterton did me all the Justice I cou'd indeed reasonably hope for. But that Example he gave, was not it seems to be follow'd by the whole Company, since 'tis known that Mr Bowman (I mention his Name to keep the reflection from other sharers) kept the first Character of my Play six weeks, and then cou'd hardly read six lines on't. How far that Way of management makes of late for the Interest and Honour of that House, is easie to be judg'd. Some who valu'd their reputations more, were indeed rarely or never absent. To these I gave my thanks; but finding that six or seven people cou'd not perform what was design'd for fifteen, I was oblig'd to remove it after so many sham Rehearsals, and in two days it got footing upon the other Stage [dl]. Where twas immediately cast to the best Advantage, and Plaid in less than twenty days. [In the Dedication Penkethman states that he saw the play into print after its being received well by the town.] A Comparison Between the Two Stages (1700), pp. 104-5: Ramble: Courtship Alamode, the Author, one Crawford, a Caledonian. Sullen: I remember it, and its Adventures; it was enter'd into the New-House, at the Recommendation of a certain Scotch Lord, and sojourning there six Months to no purpose, it travell'd afterwards to the Old-House, where it was with much ado Acted. Ramble: And Damn'd-there I was in with you

Performances

Mainpiece Title: Courtship A La Mode

Event Comment: Admission as 7 Nov. 1722. Daily Post, 11 Feb.: On Saturday Night last a Disturbance happen'd at the Opera House...occasion'd by a Difference that arose between a Scotch Nobleman and an English Baronet, who were going to decide the same with the Point of the Sword; but the General of the Forces, who was near at hand, being made acquainted with it, very reasonably interposed and put them both under an Arrest by his Majesty's Command

Performances

Mainpiece Title: Otho