SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Welch or Scotch country girl"/1) | (@(roleclean,performerclean) "Welch or Scotch country girl")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1466 matches on Performance Title, 668 matches on Performance Comments, 315 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Johnstone. Afterpiece [1st time; MF 2. Larpent MS 980; not published]: By a Gentleman of the Bar [Horatio Edgar Robson]. The Story partly founded on the celebrated old Scotch Ballad of the Heir of Lynne. The Irish, Scotch, Italian and French Airs selected, and the new Music and Medley Overture composed by Reeve. Books of the Songs to be had at the Theatre. Morning Herald, 24 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #488 9s. 6d

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Money at a Pinch; or, The Irishman's Frolicks

Dance: End: The Merry Sailors-

Song: In afterpiece: the following songs (incidental to the Piece) The Row, The Land of Potatoes, My sweetest Honoria (to a favorite air of Carolan's)-Johnstone

Performances

Mainpiece Title: Gretna Green

Performance Comment: Rorey-Suett; Captain Gorget-Bannister; Crack-Abbot; Landlord-Ledger; Anvil-Waldron Jun.; Sexton-Burton; Tipperary-R. Palmer; Signora Figurante-Mrs Bland; Lady Pedigree-Mrs Hopkins; Scotch Woman-Miss Tidswell; Miss Plumb-Mrs Gibbs.
Cast
Role: Scotch Woman Actor: Miss Tidswell

Afterpiece Title: The Liar

Afterpiece Title: Bannian Day

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Oscar and Malvina

Performance Comment: As17980327but Malvina-Mlle St.Amand; Scotch Lassie-Mrs Iliff [who also took Mrs Mountain's part in the songs].who also took Mrs Mountain's part in the songs].
Cast
Role: Scotch Lassie Actor: Mrs Iliff
Role: Scotch Lad Actor: Mrs Martyr
Role: Scotch Pedlar Actor: Simmons
Event Comment: [Following the 2nd piece the playbill lists The Scotch Ghost, but "The Public is most respectfully informed that in consequence of the very sudden and violent indisposition of Signora Bossi DelCaro it is not in her power to have the honour of appearing before them this Evening, and there being no other person who can supply her place, The Scotch Ghost...is unavoidably obliged to be omitted" (printed slip attached to Kemble playbill).] Receipts: #188 7s. (127.14; 59.18; 0.15)

Performances

Mainpiece Title: Blue-beard

Afterpiece Title: The Lying Valet

Afterpiece Title: Of Age To-morrow

Event Comment: Not acted in 5 years. [See 4 Feb. 1758.] The Drummer was revived at this period at both theatres...to take advantage of the reigning weakness of the people, who went in crowds many days and nights to an Haunted House, by what was called the Cock-Lane Ghost-a delusion set on foot, and very ingeniously carried on by a girl of 12 years of age, daughter of a clerk of St Sepulchre's Church, who resided in Cock Lane near Smithfield. [The Ghost was supposed to be that of one Fanny, a gentleman's mistress buried in the church. By knockings and scratchings she supposedly haunted the girl intimating foul practices concerning her death.] It would be incredible to relate the numbers of persons of distinction that attended this delusion! many of whom treated it as a serious and most important affair...at last the girl's father and three or four others were tried in the King's Bench, found guilty' Pillioried and imprisoned. This most effectively laid the Ghost; and is the best and properest cure for every ghost that may arise hereafter. (Victor, History of the Theatres, III, 18 ff). [The theme exploited again by Garrick in The Farmer's Return from London, dl 20 March.

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The Genii

Song: II: Hearts of Oak, as17620115; End: An Occasional Ballad by Way of Epilogue, in the Character of Abigail,-Mrs Clive

Event Comment: Mainpiece: By Desire. Play not acted: theatres closed for death of Augusta Princess Dowager of Wales. [For comment Theatrical Review, II, p. 93 attaches to the evening of 7 Feb.]: Another additional scene was introduc'd this evening, for the first time in which Mr Dunstall, in the character of a Female Ballad Singer, entertained the audience with the following new song, relative to the tricks of the Stockwell Conjuror, which it exposes with some degree fo humour, and which has a good effect, from the manner in which it is introduc'd; but from such poetry, Heaven delvier us!@The Stockwell Wonder@Ye beaux, belles and flirts, who the Pantheon stock well,@Come and see the renown'd Pandemonium at Stockwell.@Where the house and the furniture's all in bon ton@And the pewter and crockery dance cottillon. Derry Down, down, down Derry Down.@A pickling-pan first, which exceeds all belief,@Jumps and skips to the tune of old English Roast Beef;@While a barrel so lively, it cannot be said,@That the beer that is in it can ever be dead, Derry Down &c.@ @The tables, chairs, jars, frisk about too, and soon@The pestle and warming-pan move to some tune;@The clock too chimes in, and we very well know@That a clock that don't stand must undoubtedly go, Derry down, &c.@But let not amazement your fancies perplex@The enchantment arose from th'enchanting fair sex;@A sweet girl was the cause, and girls wonders are rich in@For we all know sweet girls-are extremely bewitching.@Derry down, &c.

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: Rollo

Performance Comment: Edition of 1686 (licensed 27 Nov. 1685): Rollo-Kynnaston; Otto-Williams; Aubrey-Gillo; Gisbert-Saunders; Baldwin-Cartwright; Grandpree-Baker; Verdon-Lowe; Trevice-Percival; Duprete-Harris; Latorch-Griffin; Hamond-Perin; Allan-Baker; Norbret-Powel; La Fisk-Bowman; Rufee-Lowe; De Bube-Saunders; Pipeau-Miss Cockye, the little Girl; Cook-Underhil; Yeoman of the Seller-Harris; Butler-Lowe; Pantler-Powel; Sophia-Mrs Corey; Matilda-Mrs Percival; Edith-Mrs Cooke.

Performances

Mainpiece Title: The Indian Queen

Performance Comment: BM Add. Mss. 31,449, contains a cast (possibly a proposed cast): The Ynca of Peru-Mills; Montezuma-Powell; Acacis-Harland; Garrucca-Disney; God of Dreams-Bowen; Ismeron-Leveridge; Zempoalla-Mrs Knight?; Orazia-Mrs Rogers; Prologue-Indian Boy and Girl; Epilogue-.
Cast
Role: Prologue Actor: Indian Boy and Girl
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 12-16 Dec. 1695, suggests that it was probably first acted not later than November 1695. The edition of 1696 mentions two songs and their performers: A lass there lives upon the green, the words by an unknown hand, set by Courteville, and sung by the Boy to Miss Cross; and Bright Cynthia's pow'r divinely great, words by Mr Cheek, set by Courtevill, sung by Leveridge. These two songs are also in Deliciae Musicae, The Fourth Book, 1696, as is a third, Celemene, pray tell me, set by Henry Purcell and sung by the Boy and Girl. The words were written by D'Urfey; and the Boy presumably was Bowen, and the Girl, Miss Cross. See Purcell's Works, Purcell Society, XXI (1917), v-vi. A Comparison Between the Two Stages (1702), p. 19: Sullen: Oronooko. Ramble: Oh! the Favourite of the Ladies. Sullen: It had indeed uncommon Success, and the Quality of both Sexes were very kind to the Play, and to the Poet: No doubt it has Merit, particularly the last Scene; but 'tis as certain, that the Comick Part is below that Author's usual Genius. Ramble: I have a particular regard for Mr Southern's Stile and agreeable Manner; there's a Spirit of Conversation in every thing he writes. Sullen: I think very few exceed him in the Dialogue; his Gallantry is natural, and after the real manner of the Town; his acquaintance with the best Company entered him into the secrets of their Intrigues, and no Man knew better the Way and Disposition of Mankind. But yet I must say, his Diction is commonly the best part of him, especially in Comedy; but in Tragedy he has once in this, and in one other, Drawn the Passions very well

Performances

Mainpiece Title: Oroonoko

Performances

Mainpiece Title: Cyrus The Great; Or, The Tragedy Of Love

Performance Comment: Edition of 1696: Prologue to Her Royal Highness-; Cyrus the Great-Betterton; Cyaxares-Smith; Hystaspes-Kynaston; Craesus-Bowman; Abradatas-Hudson; Artabasus-Thurmond; Thoiyris-Mrs Bowtell; Panthea-Mrs Barry; Lausaria-Mrs Bracegirdle; Epilogue-the Boy, Girl by way of Dialogue.

Performances

Mainpiece Title: The World In The Moon

Performance Comment: Edition of 1697: Prologue-Girl; Frank Wildblood-Powel; Ned Stanmore-Mills; Palmerin Worthy-Williams; Sir Dottrel Fondlove-Johnson; Old Stanmore-Disney; Tom Dawkins-Pinkethman; Jacintha-Mrs Verbruggen; Widow Dawkins-Mrs Powel; Mrs Susan-Mrs Andrews; Prologue- Set to Musick by Mr Jeremy Clark. I:; Within this happy World above- set by Mr Jeremy Clark. II:; Joe Haynes meets 'em-; II: The Entertainment Composed by Mr Daniel Purcel Come all you Nymphs of Cynthia's Train-; II: A Dialogue In all our Cynthia's shining sphere-Mr Leveridge, Mrs Cross; III: The Musick set by Mr Daniel Purcel Look round and here behold-; A Dialogue Oh dear sweet sir you look so gay-Mrs Cross, Mrs Lucas; IV: A Song set by Mr Purcel Young Strephon met me t'other Day-Miss Anon; IV: The Ceremony of a Nuptial Entertainment perform'd. Bride-Mrs Cross; Bridegroom-Mr Leveridge; The Musick set by Mr D. Purcel, The Nymphs of the Plain-; V: Set by Mr D. Purcel, Come Strephon Phyllis come let's troth-; Epilogue-Miss Denny Chalk; Dress'd with a great Wig like a Beau. In The Single Songs in the New Opera call'd The World in the Moon (1697), in addition to some of the pieces listed above, are the following ones: A Song Sett by Mr Daniel Purcell: Then come kind Damon-Mrs Lindsey; A Song Sett by Mr J. Clark: Smile then with a beam divine-Mrs Cross; A Song Sett by Mr J. Clark: Divine Astrea hither flew to Cynthia's brighter Throne-; A Song Sett by Mr Daniel Purcell: Young Strephon hee has woo'd me long-; A New Song: Let those Youths who freedom prize-.
Cast
Role: Prologue Actor: Girl

Performances

Mainpiece Title: Caligula

Performance Comment: Edition of 1698: Prologue-Mr Powell who Acted the Emperor; Epilogue-a Girl; Caligula-Powell; Valerius Asiaticus-Williams; Annius Minatianus-Simpson; Vitellius-Mills; Cassius Cheraea-Thomas; Lepidus-Evans; Philo-Disney; Cesonia-Mrs Knight; Julia-Mrs Temple; Salome-Mrs Cross.
Cast
Role: Epilogue Actor: a Girl

Performances

Mainpiece Title: The Pilgrim

Performance Comment: a new Epilogue to be spoken in a Quaker's Dress-the little Girl that play'd the Part of Queen Bess in Anna Bullen.

Performances

Mainpiece Title: The Wonders In The Sun; Or, The Kingdom Of The Birds

Performance Comment: Edition of 1706 lists no actors' names. Prologue-; Epilogue [begun-Mrs Porter [, The Parrot, a young girl, standing by]., The Parrot, a young girl, standing by].

Performances

Mainpiece Title: Thyrsis; Or, The Lost Shepherdess

Performance Comment: To be perform'd by little Children; A Prologue-a child, age four; a Comical Epilogue by way of Dialogue-a boy, girl.

Song:

Dance:

Performances

Mainpiece Title: The What D'ye Call It

Performance Comment: Timothy Peascod-Miller; Sir Roger-Griffin; Sir Humphrey-Hallam; Squire Statute-Shepard; Filbert-Johnson; Peter-Norris; Kitty-Mrs Mills; Aunt-Mrs Sherburn; Parish Girl-Miss Robinson Jr.

Afterpiece Title: Hob

Afterpiece Title: The Strollers

Afterpiece Title: Harlequin Doctor Faustus

Performance Comment: As17271006, but Punch-_; Shopkeeper and Wife-_; Doctor's Man-_; Countrymen-reduced to Miller; Diana-Miss Robinson; With an Epilogue-Miss Robinson Jr at the Head of her Lilliputian Company.
Cast
Role: Countrymen Actor: reduced to Miller

Music: C$Corelli's Eighth Concerto-

Dance: PPieraite-Roger, Mrs Brett; Harlequin-Lally, Mrs Brett

Performances

Mainpiece Title: The Mistake; Or, The Lovers Quarrel

Afterpiece Title: Orpheus and Eurydice

Performance Comment: As17401013, but Followers of Eurydice-French _Girl, Mlle Roland.
Event Comment: "Mash note" appeared in the Daily Advertiser referring to a girl and an incident that occurred at the Provok'd Wife Sat 31 March. The Girl sat in a side-box, but slipped going down the stone steps of the theatre.

Performances

Mainpiece Title: Sampson

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The What D'ye Call It

Performance Comment: Timothy-Collins; Sir Roger-Marten; Sir Humphrey-Bransby; Statue-Redman; Peter Nettle-Cushing; Filbert-Arthur; Steward-Anderson; Constable-Dunstall; Corporal-Paddick; Stave-Stoppelaer; Kitty Carrot-Mrs Vincent; Parish Girl-Miss Hallam.
Cast
Role: Parish Girl Actor: Miss Hallam.

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: The What D'ye Call It

Performance Comment: Peascod-Collins; Kitty-Mrs Vincent; Filbert-Arthur; Parish Girl-Miss Hallam.
Cast
Role: Parish Girl Actor: Miss Hallam.
Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: L'amanti Gelosi

Dance: [Unspecified.]

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: The What D'ye Call It

Performance Comment: Timothy-Collins; Sir Roger-Marten; Sir Humphrey-Wignell; Statute-Redman; Nettle-Cushing; Filbert-Arthur; Steward-Anderson; Stave-Stoppelaer; Dorcas-Mrs Dunstall; Parish Girl-Miss Hallam; Kitty-Mrs Vincent.
Cast
Role: Parish Girl Actor: Miss Hallam

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: The What D'ye Call It

Performance Comment: Timothy-Collins; Sir Roger-Marten; Sir Humphrey-Wignel; Statute-Redman; Peter Nettle-Cushing; Filbert-Arthur; Steward-Anderson; Stave-Stoppelaer; Dorcas-Mrs Dunstall; Parish Girl-Miss Hallam; Kitty Carrot-Mrs Vincent.
Cast
Role: Parish Girl Actor: Miss Hallam

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The What D'ye Call It

Performance Comment: Timothy-Collins; Sir Roger-Marten; Humphrey-Wignel; Statute-Redman; Nettle-Cushing; Filbert-Arthur; Steward-Anderson; Stave-Stoppelaer; Dorcas-Mrs Dunstall; Parish Girl-Miss Hallam; Kitty-Mrs Vincent.
Cast
Role: Parish Girl Actor: Miss Hallam

Performances

Mainpiece Title: The Doctor Last In His Chariot

Performance Comment: Parts-Foote, Arthur, Bannister, Sharpless, Weston, Sparks, Davis, Lings, Sowdon, Mrs Jeffries, Miss Ogilvie, Miss Rose, Mrs Gardner. Ailwou'd-Foote; Dr Last-Weston; Friendly-Sowdon; Hargrave-Davis; Wag-Bannister; Mrs Ailwou'd-Mrs Jefferies; Nancy-Miss Ogilvie; Polly-Miss Rose; Prudence-Mrs Gardiner; Prologue written by Garrick-Foote; Epilogue by the author-a five year old girl (Edition of 1769).

Afterpiece Title: The Captive

Dance: As17690515