SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Welch or Scotch country girl"/1) | (@(roleclean,performerclean) "Welch or Scotch country girl")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1466 matches on Performance Title, 668 matches on Performance Comments, 315 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Oroonoko

Song: Let the Dreadful Engines-Leveridge

Dance: Country Frenchman and his Wife, Dutch Skipper-duRuel, Mrs duRuel

Entertainment: Diverting ones Clinch of Barnet

Performances

Mainpiece Title: The City Politiques

Song: Mrs Hodgson, Cook

Dance: Country Farmer's Daughter, Entry, The Wood Nymph-Miss Bruce Mrs Elford's Scholar; rope dancing-Pinkethman's Two famous French Maidens; ...the eldest...Dancing without a Pole and turning her self round, which never could be done by any yet before her (as all the Quality of England are satisfy'd of), and who are desir'd by the said Quality, and most part of the Town to perform; Also vaulting on the manag'd Horse-Evans wherein he performs several surprizing Entertainments, especially his Body lying extended on one Arm, and drinking 9 Glasses of Wine from the other

Performances

Mainpiece Title: Country Innocence; Or, The Maid In The Mill

Afterpiece Title: The Stage Coach

Entertainment: Care will be taken that there be a good Consort of Musick-; and several diverting Entertainments of Singing and Dancing-

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; also one particular Piece for Hautboys-

Dance: Country Dances after the Consort is over-

Performances

Mainpiece Title: The Funeral

Dance: Country Lad and Lass-Shaw, Mrs Younger; Shepherdess, Harlequin-Miss Lindar, a Scholar of Shirley's; The Swedes-Topham, Mrs Bicknell

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Dance: Country Lads and Lasses-Shaw, Mrs Booth

Performances

Mainpiece Title: The Recruiting Officer

Dance: Country Lass-Mrs Brett; Louvre-Mrs Wall; Dutch Boor-Newhouse, Mrs Ogden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: Country Dance, as17590129; Hornpipe, as17590129; Fingalian Dance, as17581111

Performances

Afterpiece Title: The Cheats of Scapin

Dance: Country Dance, as17591017; Hornpipe, as17591017; The Dutch Skipper, as17591017; The Threshers, as17591005

Event Comment: Two Young Lady's made their first Appearance in the Characters of Polly & Lucy Pupils of Dr Arne--Miss Wellers figure is very well for Polly but she wants Spirit & is apt to Sing out of Tune. Mrs Bradley is Tall & a good figure for Lucy and acquitted herself very well in that character they both met with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly: Two young Gentlewomen appeared in the characters of Polly and Lucy,--brought out by Dr Arne,--Miss Weller and Mrs Bradley.--Miss Weller's figure was very well for Polly; but she is a piece of still life, sings out of tune and will never make an actress.--Mrs Bradley,--very tall, and appears to have blackguard requisites enough for Lucy, but will not do for anything else--Hopkins Diary No 7. Mrs Bradley is since married to Mr Prior the Builder.--J. P. Kemble."] Paid Renters #8 [this payment occurs each playing night of the season, 188 times in all, and will not be further noted]; Mr Carver, six days, #6 [a weekly payment outside the pay list throughout the season. Presumably to scene painter. No further noted]; Mr S. French, 6 days, #1 10s. Renters total for season #1592. Carver total for season #088 (Treasurer's Book). [see account of Miss Weller and Miss Bradley in Town and Country Magazine (Theatre XXXVIII): The first performed the part of Polly, and the latter that of Lucy. Their figures are both genteel, and their countenances expressive. Miss weller was much confused upon her first entrance; but from the melody of her voice, tho she did not raise it sufficiently in many parts, there is reason to believe, when she was got the better of her terrors of facing an audience, that she will be an acquisition to the stage, at least as a vocal performer. Miss Bradley's performance of Lucy with great spirit, vivacity and Propriety' and her singing being so well suited to the character, she so much eclipsed Polly, that the audience formed a more indifferent opinion of her abilities than she deserved."] Receipts: #220 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Lockit-Bransby; Filch-Parsons; Mat@O@Mint-Kear; Beggar-Waldron; Player-Wheeler; Ben Budge-Ackman; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Miss Weller; Lucy-Mrs Bradley, first appearance on any stage; In Act III, a Hornpipe-Walker; To Conclude with a Country Dance-.

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance-Daigville, Sga Vidini

Event Comment: Miss Biddy by Miss Jarratt (an apprentice to Mr Jefferson) a pretty little figure & met with Applause. Not much of an Actress (Hopkins Diary). [Macmillan note from Kemble differs slightly.] Paid Mr L. Frederick for sattin, #57 18s. 6d.; Mrs Sykes for women's cloaths #13; Mr Vernon on note #9 9s. (Treasurer's Book). [Reviewer for Town and Country Magazine (Treatre, XL) writes of Miss Jarratt, she has been under the tuition of Mr Jefferson and promises to be become an agreeable actress in parts (such as Biddy").] Receipts: #224 11s. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Leonato-Aickin; Friar-Wright; Clodio-Cautherly; Balthazar (with Song)-Vernon; Don John-J. Aickin; Antonio-Hurst; Dogberry-Parsons; Don Pedro-Packer; Town Clerk-Baddeley; Verges-Hartry; Borachio-Ackman; Margaret-Mrs Bradshaw; Hero-Miss Mansell, first time; Beatrice-Miss Pope; Ursula-Mrs Millidge; In Act II a Masquerade Dance- proper to the play; To conclude with a Country Dance-.

Afterpiece Title: Miss in Her Teens

Event Comment: Mrs Jewel from the Haymarket Theatre made her first appearance upon this stage in Lucinda and was receiv'd with great applause (Hopkins Diary). Paid 3 days salary list #134 15s. 6d.; Lampmen #2 12s.; Bill stickets #3 12s.; Handbills 8s.; Candlemen Bill #2 15s. 6d.; Taylor's Bill #13 16s. 3d.; Mantua Maker's Bill #8 12s.; Mr French #12 12s.; Painter's Bill #3 6s.; Heath andWife #2; Roye #4 1Os. (Treasurer's Book). [The following items among those listed in the Treasurer's Book were constant weekly expenditures. Their averages and totals appear in the following table and will not again be mentioned]: @Week's Average Total expense for season@Lampmen #4 5s. #171@Billstickers #2 14s. #92 12s.@Handbills 12s. #22 16s.@Tailors #8 10s. #323@Mant. Makers #2 5s. #85 2s.@Candlemen #12 #456@Mr French #10 10s. #388@Painters #7 #266@Mr Heath and Wife #2 #76 [A spectator writes to the Public Advertiser (to inform the country readers) about the changes in the interior of Drury Lane Theatre resulting from the remodeling by the Adams@brothers. They had managed to give the impression of greater magnitude to the house. They removed the old heavy square pillars at the side of the stage, raised the sounding board on the side next to the stage, greatly improving the sound of the music and the actors' voices. Much new decoration went into the boxes making them more light and gay. Much panel glass, ornamentation, and ceiling decoration, giving it the effect of a dome. The author believes the crimson drapery over the stage is too dark for the objects around it, and the gold fringe lacks the brilliant effect. The lobby behind the front boxes was remodeled and kept clear of servants, by means of an adjoining room prepared for the servants. New arches lead into the entrance from Brydges St. toward the boxes.] Receipts: #235 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorne-Vernon; Justice Woodcock-Parsons; Sir William-Aickin; Eustace-Davies; Young Meadows-Dodd; Hodge-King; Margery-Mrs Wrighten, frist time; Lucinda-Mrs Jewell, first appearance on this stage; Rosetta-Mrs Smith; Deborah-Mrs Love; in I, a Country Dance incident to the piece-.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Jemmy Twinkle-Whitfield; Sotherton-Lamash; Cupid (with song)-Mas. Blanchard; Landlady-Mrs Love; Miss Griskin-Miss Jarratt; Chamberlain-Burton; Filagree-Mrs Bradshaw; Miss Flack-Mrs Davies; Chambermaid-Miss Platt; With a Postillion Dance incidental to the piece,-Giorgi, Lauchery, Mrs Sutton; To conclude with a Country Dance-.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Bon Ton

Dance: Country Dance, as17760926; End II: The Irish Fair-Blurton, Mrs Sutton

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Performance Comment: Faithful (the Man Bewitch'd)-Smith; Sir GeofFry Constant (a very extraordinary Ghost)-Stannard; Captain Constant (son of the Ghost)-Keynlas; Clinch-Shatford; Num (a Country Squire)-Mills; Slouch (his man)-Stannard Jun.; Lovely-Cross; Roger (a Countryman)-Watts; Trusty-Swords; Manage-Brown; Sir David Watchum-Lloyd; Laura-Mrs Beaufield; Maria-Miss Vernon; Dorothy-Mrs Reynolds; Lucy-Mrs Thompson; Belinda-Mrs Johnson. New Occasional Prologue spoken by Shatford .

Afterpiece Title: The Mayor of Garratt

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]

Event Comment: Benefit for Aickin. Afterpiece [1st time; F 2. MS: Larpent 693; not published; synopsis of plot in Town and Country Magazine, supra]: Taken from a Piece written by Smollett, never published or performed. [This attribution is open to question.]

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Israelites; or, The Pamper'd Nabob

Performance Comment: Principal Characters by Wewitzer, Bonnor, T. Kennedy, Helme, Stevens, Edwin; Mrs Webb, Mrs Morton, Mrs T. Kennedy. [Cast from Town and Country Magazine, Apr. 1785, p. 183: Mr Israel-Wewitzer; Enoch Israel-Bonnor; Juggle-T. Kennedy; Heartly-Helme; Blanchee-Stevens; Sir Simon Lollop-Edwin; Widow Winkle-Mrs Webb; Flam-Mrs Morton; Miss Naivette Winkle-Mrs T. Kennedy.] hathi. hathi.

Dance: As17841116

Song: Preceding afterpiece a Trio, composed by an English composer in 1540 [unidentified], by Davies, Darley, Brett. The new Words by Holcroft, the new Accompaniments by Shield

Event Comment: Benefit for Mrs Bannister. Afterpiece [1st time; MF 2, by Leonard Macnally, based on A Mad World, My Masters, by Thomas Middleton. MS: Larpent 729; not published. Introduction by the author (Town and Country Magazine, June 1786, p. 328]. Books of the Songs to be had at the Theatre [composer unknown]. Morning Herald, 11 Mar.: Tickets to be had of Mrs Bannister, No. 29, Bow-street, Covent Garden. Receipts: #273 4s. 6d. (180/6/0; 7/9/6; tickets: 85/9/0) (charge: #105)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The April Fool; or, The Follies of a Night

Performance Comment: Characters by Johnstone, Wewitzer, Booth, Palmer, Cubitt, Quick; Mrs Martyr, Mrs Bannister. [Cast from Town and Country Magazine, Apr. 1786, p. 176: Harebrain-Johnstone; Tricksey-Wewitzer; Cook-Booth; Scapegrace-Palmer; Tantrum-Cubitt; Sir Lavish Dupely-Quick; Glib-Mrs Martyr; Fanny-Mrs Bannister.] Preceded by a Speaking, Chanting, Singing, Poetical, Prosaical, Whimsical Introduction, in the Character of a Plagiary, by Edwin . Preceded by a Speaking, Chanting, Singing, Poetical, Prosaical, Whimsical Introduction, in the Character of a Plagiary, by Edwin .

Song: In the course of the evening Sweet Echo (from Comus) by Mrs Bannister

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Mock Doctor

Dance: The Whim by Miss Wherrit and Miss Sandham. Scotch Dance by Mrs Bullock. Two Pierrots by Vallois and J. Delagarde

Performance Comment: Scotch Dance by Mrs Bullock. Two Pierrots by Vallois and J. Delagarde .

Performances

Mainpiece Title: She Wou'd If She Cou'd

Afterpiece Title: Flora

Dance: French Sailor and his Lass, and Shepherd and Shepherdess by Maker and Mlle Salle. Scotch Dance, as17331004

Performance Comment: Scotch Dance, as17331004 .

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Mock Lawyer

Dance: Tambourine, as17340504. Scotch Dance, as17331004

Performance Comment: Scotch Dance, as17331004 .

Song: A Chancon a Boire by Leveridge and Laguerre, proper to the Play. By Salway

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Country Lass-Miss Valois; What's That To You? a Scots song,-Lauder; Oration-Miss Midnight; The Taylors-Master Settree, Miss Twist; Comic Lectures-Mr Cibber; Kitty or the Female Phaeton-Miss Gaudry; Cuckow Overture-; A new Scots Dance,with the Scots Measure,-Froment, Mme Dulisse; Singing-Sadler; Auction-Cibber; Italian Air-Signora Mimicotti; Dutch Peasant-Miss Valois; Marine Boys Marching to Portsmouth-; Hornpipe-Morris, Miss Durham; Comic Epilogueriding on an Ass-Miss Midnight; Voluntary on Cymbalo-Noel; Handel's Water Musick-; with Preamble on Kettle Drums-Woodbridge; Louvre, Minuet-Froment, Mme Dulisse.
Cast
Role: Country Lass Actor: Miss Valois

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Mock Doctor

Dance: II: Welch Buffoons-two Masters Granier; IV: A Scotch Dance-three Graniers; End of Farce: a Grand Ballet-Mr Carney, Mrs Roland

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Virgin Unmasked

Dance: III: Welch Buffoons, as17430308 V: Scotch Dance, as17430308

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Chaplet

Dance: I: Comic Dance, as17501231; IV: La Minuet a Quatre-Roger, G. Yates, Mrs Toogood, Miss Shawford; V: Hornpipe-the Little Swiss

Music: II: a Scotch and Welch Air on the Harp-Mrs Gwinn

Song: III: Song (words by Dr Boyce)-Mattocks

Performances

Mainpiece Title: The Bath; Or, The Western Lass

Song: Let the dreadful Engines-Leveridge; Since the Times are so Bad-Leveridge, Mrs Lindsey; Sing Sing All Ye Muses-Laroone, Hughs; A Scotch Song-Leveridge

Dance: Between every Act: Genteel Round-a Devonshire Girl never seen on the Stage before, to the Harp alone; an Irish Humour, The Whip of Dunboyne-Devonshire Girl, her Master; another genteel dance-Devonshire Girl; a Highland Lilt-Devonshire Girl, her Master; A Country Farmer's Daughter-Devonshire Girl all in Natural Habits

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Dance: I: Peasants-French Boy and Girl; II: A new Grand Dance-Mlle Roland; III: Je ne scay quoy-Villeneuve, Richardson, Miss Oates; IV: Kilkenny-Glover, Mlle Roland; V: Scotch Dance-Glover, Mlle Roland