SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Webster"/1) | (@(roleclean,performerclean) "Webster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 255 matches on Roles/Actors, 45 matches on Performance Comments, 17 matches on Author, 14 matches on Event Comments, and 0 matches on Performance Title.

Performances

Mainpiece Title: Judas Maccabaeus; Alexander's Feast

Music: End I: concerto on the organ, as17800211; End II: concerto on the hautboy-Parke

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music In Bonduca; Alexander's Feast

Music: As17800211

Performances

Mainpiece Title: Samson; Alexander's Feast

Music: As17800216

Performances

Mainpiece Title: L'allegro, Penseroso Ed Il Moderato; Alexander's Feast

Music: End of Part I: concerto on the violin, as17800211; End of Part II: concerto on the hautboy, as17800216

Performances

Mainpiece Title: Joseph; Alexander's Feast

Music: As17800216

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music In Bonduca; Alexander's Feast

Music: End of Part I: concerto on the violin, as17800211; End of Part II: concerto on the organ, as17800211

Performances

Mainpiece Title: Judas Maccabaeus; Alexander's Feast

Music: As17800216

Performances

Mainpiece Title: L'allegro, Penseroso; Alexander's Feast

Afterpiece Title: Dryden's Ode On St

Music: As17800211

Performances

Mainpiece Title: The Messiah

Music: End of Part I: concerto on the organ, as17800211

Event Comment: Benefit for Webster. Public Advertiser, 14 Mar.: Tickets to be had of Webster at his house, No. 2, Paul Baker's Court, Doctors Commons. Receipts: #207 15s. 6d. (57.2.0; 19.3.0; 0.9.6; tickets: 131.1.0) (charge: #105)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Fortunatus

Dance: As17791122

Event Comment: Sir Robert Southwell to Edward Southwell, 26 Aug. 1685 (in Morley, Bartholomew Fair, pp. 224-26): I think it not now so proper to quote you verses out of Persius, or to talk of Caesar and Euclide, as to consider the great theatre of Bartholomew Fair....You wou'd certainly see the garboil there to more advantage if Mr Webster and you wou'd read, or cou'd see acted, the play of Ben Jonson, call'd Bartholomew Fair:...The main importance of this fair is not so much for merchandize, and the supplying what people really want; but as a sort of Bacchanalia, to gratify the multitude in their wandring and irregular thoughts. Here you see the rope-dancers gett their living meerly by hazarding of their lives, and why men will pay money and take pleasure to see such dangers, is of separate and philosophical consideration. You have others who are acting fools, drunkards, and madmen, but for the same wages which they might get by honest labour, and live with credit besides. Others, if born in any monstrous shape, or have children that are such, here they celebrate their misery, and by getting of money forget how odious they are made

Performances

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-28 April 1696, suggests that it was acted not later than the period preceding Passion Week (6-11 April 1696). In addition, the large number of minor performers in the cast suggests a Lenten performance by the young actors. In Act I, Scene i, there is an Entertainment of Instrumental Musick, Compos'd by Signior Finger: Then a Song, set by Mr John Eccles, and Sung by Young La Roche. In III, iii: A Dialogue set by Seignior Baptist. The play is an adaptation of John Webster's Cure for a Cuckold. A Comparison Between the Two Stages (1702): The City Bride, by another Player, Damn'd

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold

Event Comment: Benefit Sandham Jr, Dove, and Webster. Written by the late Mr Otway

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Dance: Sandham, Mrs Hill

Song: DDear Pretty Maid-Nicholls, Mrs Mountfort

Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Event Comment: Gave King's Footmen (by Ferry) #2 2s.; Queen's Footmen (By Rumford) #2 2s.; King's Chairmen (by Jupp) #2 2s.; Queen's Chairmen (by Webster) #2 2s. (Account Book). Receipts: #217 19s. 6d. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: By Particular Desire. Gave King's footmen by Desse #2 2s.; his chairmen by Wright #2 2s.; Queen's footmen by Rumford #2 2s.; her Chairmen by Webster #2 2s. (Account Book). Receipts: #135 14s

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Harlequin Sorcerer

Event Comment: The Fathers [announced on playbill of 15 Jan.] is obliged to be deferred on account of Webster's Illness. Receipts: #178 8s. (173.7; 5.1)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Wonders of Derbyshire