SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W T Fitzgerald Esq"/1) | (@(roleclean,performerclean) "W T Fitzgerald Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1326 matches on Performance Comments, 574 matches on Event Comments, 81 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Betterton's Company. This performance is known from a playbill apparently no longer extant: W. R. At the Desire of several Persons of Quality. At the New Theatre in Little Lincoln's-Inn Fields, this present Tuesday, being the 27th of February, will be presented, a Tragedy call'd The Mourning Bride. The Moorish? Entry perform'd by The Little? Boy. Vivant Rex. (W. J. Lawrence, The Elizabethan Playhouse and Other Studies (Stratford, 1913). See also R. W. Lowe, Thomas Betterton (London, 1891), and Fitzgerald, A New History, I, 389

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Giffard; King-W. Giffard; Polonius-Lyon; Laertes-Richardson; Ostrick-Woodward; Horatio-Havard; Guildenstern-Hamilton; Bernardo-Dove; Queen-Mrs Haughton; Ophelia-Mrs Hamilton; Ghost-Rosco; Gravediggers-Penkethman, Ray. After which will be introduced, The Ceremony of Hamlet's Lying in State, after the Manner of his Grace, the late Duke of Buckingham. With new Musick proper to the Occasion, set by Mr Carey. The Words by Henry Saville, Esq. [but see17351205] .but see17351205] .
Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Cast
Role: Ironsides Actor: Moody
Role: Sir Benjamin Dove Actor: Dodd
Role: Belfield Sen Actor: Packer
Role: Belfield Jan Actor: Brereton
Role: Skiff Actor: Baddeley
Role: Paterson Actor: J. Aickin
Role: Goodwin Actor: Jefferson
Role: Philip Actor: Davies
Role: Francis Actor: Wrighten
Role: Jonathan Actor: Ackman
Role: Sailors Actor: Palmer, Griffith, Courtney
Role: Sophia Actor: Miss Younge
Role: Lady Dove Actor: Mrs Hopkins
Role: Violetta Actor: Mrs Grenville
Role: Fanny Actor: Mrs Davies.

Afterpiece Title: The School Boy

Cast
Role: Schoolboy Actor: Dodd
Role: Major Rakish Actor: Baddeley
Role: Young Rakish Actor: Palmer
Role: Lady Manlove Actor: Mrs Bradshaw
Role: Friendly Actor: Davies
Role: Benedict Actor: Waldron
Role: Lettice Actor: Mrs Davies.

Entertainment: Bucks Have at ye All-Dodd

Performances

Mainpiece Title: Every Body Mistaken

Afterpiece Title: Presumptuous Love

Performance Comment: Edition of 1716 lists: Jupiter-Cook; Mercury-Mrs Cross; Momus-Reading; Ixion-Randal; Damon-Leveridge; Deiopeia-Mrs Fitzgerald; Mopsa-Mrs Hunt.
Cast
Role: Jupiter Actor: Cook
Role: Mercury Actor: Mrs Cross
Role: Momus Actor: Reading
Role: Ixion Actor: Randal
Role: Damon Actor: Leveridge
Role: Deiopeia Actor: Mrs Fitzgerald
Role: Mopsa Actor: Mrs Hunt.

Performances

Mainpiece Title: The Lady's Triumph

Performance Comment: Edition of 1718 lists: In Act V a Masque of Decius and Paulina. Decius Mundus-Mrs Barbier; Simon-Leveridge; Paulina-Mrs Thurmond; Ida-Pack; Priestess of Isis-Mrs Fitzgerald.
Cast
Role: Decius Mundus Actor: Mrs Barbier
Role: Simon Actor: Leveridge
Role: Paulina Actor: Mrs Thurmond
Role: Ida Actor: Pack
Role: Priestess of Isis Actor: Mrs Fitzgerald.

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17300930, but Angelica-Mrs Fitzgerald, from Drury Lane, being the first Time of her appearing on this Stage.

Dance: new %Highland Dance-Eaton, Miss Sandham

Performances

Mainpiece Title: The Blazing Comet: The Mad Lovers; Or, The Beauties Of The Poets

Performance Comment: Lord Wildfire-the Author; Lady Flame-Madame de Gomez; but edition of 1731 lists: Sublimo-Campbell; Nimposto-Cole; Wildfire-Johnson; Limpo-Jones; Plenty-Mynns; Romondo-Morris; Wandering Jew-Giles; English Taylor-Mason; Poor Poet-Mason; Poverty-Cross; Radian-Mason; Orsmadius-Giles; Lady Flame-Mrs Haywood; Cristele-Mrs Palms; Calsine-Mrs Morse; Symphony-Mrs Fitzgerald; Poor Beggarwoman-Miss Dancy; Epilogue-.
Cast
Role: Lord Wildfire Actor: the Author
Role: Lady Flame Actor: Madame de Gomez
Role: Sublimo Actor: Campbell
Role: Nimposto Actor: Cole
Role: Wildfire Actor: Johnson
Role: Limpo Actor: Jones
Role: Plenty Actor: Mynns
Role: Romondo Actor: Morris
Role: Wandering Jew Actor: Giles
Role: English Taylor Actor: Mason
Role: Poor Poet Actor: Mason
Role: Poverty Actor: Cross
Role: Radian Actor: Mason
Role: Orsmadius Actor: Giles
Role: Lady Flame Actor: Mrs Haywood
Role: Cristele Actor: Mrs Palms
Role: Calsine Actor: Mrs Morse
Role: Symphony Actor: Mrs Fitzgerald
Role: Poor Beggarwoman Actor: Miss Dancy
Role: Epilogue Actor: .

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrifi'd; With The Comical Humours Of Captain Bluster And His Man Diddimo

Cast
Role: Jeptha Actor: Hulett
Role: Elon Actor: Roberts
Role: Jethro Actor: Hewet
Role: Zekiel Actor: Morgan
Role: Diddimo Actor: Hicks
Role: Miriam Actor: Mrs Purden
Role: Nurse Actor: Mrs Morgan
Role: Bluster Actor: Harper.

Afterpiece Title: The Fall of Phaeton

Performance Comment: Jupiter-Hewet; Apollo-Hulett; Phaeton-Aston; Epaphus-Nichols; Lybia-Mrs Spiller; Phathusa-Mrs Williamson; Lanperia-Mrs Cantrell; Phebe-Mrs Spellman; Clymena-Mrs Fitzgerald.
Cast
Role: Jupiter Actor: Hewet
Role: Apollo Actor: Hulett
Role: Phaeton Actor: Aston
Role: Epaphus Actor: Nichols
Role: Lybia Actor: Mrs Spiller
Role: Phathusa Actor: Mrs Williamson
Role: Lanperia Actor: Mrs Cantrell
Role: Phebe Actor: Mrs Spellman
Role: Clymena Actor: Mrs Fitzgerald.

Performances

Mainpiece Title: Cymon

Performance Comment: As17710408 but Urganda-Mrs Baddeley; Sylvia-Mrs Fitzgerald (nee Radley); Shepherdesses-Mrs _Jeffries, Mrs Johnston.

Afterpiece Title: The Register Office

Cast
Role: Le Brush Actor: Palmer
Role: will introduce The Description of a Man of War Actor: Moody as Irishman.
Role: New Character Mrs Doggerel Actor: Miss Pope.
Role: LeBrush Actor: King
Role: Brilliant Actor: Fawcett
Role: Irishman Actor: Moody
Role: Frenchman Actor: Baddeley
Role: Scotchman Actor: Love
Role: Frankly Actor: Davies
Role: Williams Actor: Ackman
Role: Gulwell Actor: Packer
Role: Harwood Actor: J. Aickin
Role: Margery Moorpout Actor: Mrs Love.

Entertainment: End: Burlesque Cantata, as17710504

Performances

Afterpiece Title: The Padlock

Performance Comment: As17710410 but Leonora-Mrs Fitzgerald.
Cast
Role: Leonora Actor: Mrs Fitzgerald.
Role: Leander Actor: Vernon
Role: Diego Actor: Bannister
Role: Mungo Actor: Dibdin
Role: Ursula Actor: Mrs Dorman

Dance: II: The Allemande-Miss Ross, Miss Armstrong (Scholars of Daigville); End: A New Dance call'd The Shepherds Frolic, as17710406

Performances

Mainpiece Title: The Committee

Cast
Role: Obadiah Actor: Love
Role: Abel Actor: W. Palmer
Role: Ruth Actor: Mrs W. Barry
Role: Story Actor: Fawcett
Role: Blunt Actor: J. Aickin
Role: will introduce a Description of a Man of War an Actor: Moody as Teague.
Role: Teague Actor: Moody
Role: Careless Actor: Jefferson
Role: Day Actor: Baddeley
Role: Bookseller Actor: Jacobs
Role: Committeemen Actor: Hartry, Castle
Role: Coachman Actor: Keen
Role: Day's Servant Actor: J. Burton
Role: Jack Actor: Master Cape
Role: Mrs Day Actor: Mrs Bradshaw
Role: Arabella Actor: Mrs Reddish.

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17710507, but Rhodope-Mrs Fitzgerald; Miss Fuz-Mrs Millidge; Lady Fuz-Mrs Hopkins.
Cast
Role: Rhodope Actor: Mrs Fitzgerald
Role: Miss Fuz Actor: Mrs Millidge
Role: Lady Fuz Actor: Mrs Hopkins.
Role: Glib Actor: King
Role: Sir Toby Actor: Love
Role: Sir Macaroni Actor: Dodd
Role: Others Actor: Packer, Palmer, Bannister, Moody, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw
Role: Orpheus Actor: Vernon
Role: Patent Actor: Packer
Role: Careless Actor: Moody
Role: Wilson Actor: Palmer
Role: Prompter Actor: Wright
Role: Johnston Actor: Johnston
Role: Shepherds Actor: Dodd, J. Aickin, Hartry, Fawcett, Kear, Messink
Role: Sweepers Actor: Mrs Bradshaw, Mrs Love

Dance: V: The Shepherds Frolic, as17710406

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-Vernon; Linco-King; Merlin-Bannister; Dorus-Parsons; Demon of Revenge-Champness; Fatima-Mrs Abington; Shepherdesses-Mrs Davies, Miss Ambrose; Urganda-Mrs Scott; Dorcas-Mrs Bradshaw; Sylvia-Mrs Fitzgerald; In which will be introduced a Grand Procession of the different Orders of the Knights of Chivalry-with proper Dances and Decorations.

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Sir Toby Actor: Bransby.
Role: Sir Toby Fuz Actor: Love
Role: Sir Macaroni Virtue Actor: Dodd
Role: Glib Actor: King
Role: Miss Fuz Actor: Miss Rogers, 1st time
Role: Lady Fuz Actor: Mrs Hopkins
Role: Rhodope Actor: Mrs Wrighten
Role: Orpheus Actor: Vernon
Role: Others Actor: Packer, Palmer, Moody, J. Aickin, Wright, Johnston, Mrs Love, Mrs Bradshaw.

Performances

Mainpiece Title: The Double Gallant

Performance Comment: Atall-King; Old Willful-Inchbald; Sir Solomon Sadlife-Parsons; Clerimont-Packer; Careless-Jefferson; Sir Harry Atall-Hartry; Clarinda-Mrs Egerton; Sylvia-Miss Rogers; Situp-Mrs Bradshaw; Wishwell-Mrs Fitzgerald; Lady Dainty-Miss Pope, 1st time; Lady Sadlife-Mrs Abington.
Cast
Role: Atall Actor: King
Role: Old Willful Actor: Inchbald
Role: Sir Solomon Sadlife Actor: Parsons
Role: Clerimont Actor: Packer
Role: Careless Actor: Jefferson
Role: Sir Harry Atall Actor: Hartry
Role: Clarinda Actor: Mrs Egerton
Role: Sylvia Actor: Miss Rogers
Role: Situp Actor: Mrs Bradshaw
Role: Wishwell Actor: Mrs Fitzgerald
Role: Lady Dainty Actor: Miss Pope, 1st time
Role: Lady Sadlife Actor: Mrs Abington.

Afterpiece Title: Harlequin's Invasion

Cast
Role: Harrow Actor: Burton.
Role: Forge Actor: Ackman
Role: Sukey Chitterlin Actor: Mrs Davies.
Role: Snip Actor: Parsons.
Role: Harlequin Actor: Wright
Role: Mercury Actor: Dodd
Role: Abram Actor: Weston
Role: Gasconade Actor: Baddeley
Role: Corporal Bounce Actor: Bransby
Role: Simon Actor: Moody
Role: Justice Actor: Hartry
Role: Joseph Harrow Actor: Ackman
Role: Bogg Actor: Messink
Role: Welchman Actor: Waldron
Role: Crib Actor: Castle
Role: Mrs Snip Actor: Mrs Bradshaw
Role: Sukey Actor: Mrs Davies
Role: Dolly Snip Actor: Miss Pope.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Reddish, 1st time; Macduff-Aickin, 1st time; Ross-J. Aickin; Duncan-Bransby; Malcolm-Cautherly; Banquo-Packer; Donalbain-Mas. Cape; Seyton-Ackman; Lennox-Fawcet; Captain-Davies; Angus-Keen; Witches-Parsons, Moody, Baddeley; Hecate-Champnes; Lady Macduff-Mrs Reddish; Lady Macbeth-a Young Gentlewoman; 1st appearance. Vocal Parts-Champnes, Kear, Mrs Scott, Mrs Wrighten, Mrs Fitzgerald, Mrs Dorman; With a proper Dance-Daigville.
Cast
Role: Macbeth Actor: Reddish, 1st time
Role: Macduff Actor: Aickin, 1st time
Role: Ross Actor: J. Aickin
Role: Duncan Actor: Bransby
Role: Malcolm Actor: Cautherly
Role: Banquo Actor: Packer
Role: Donalbain Actor: Mas. Cape
Role: Seyton Actor: Ackman
Role: Lennox Actor: Fawcet
Role: Captain Actor: Davies
Role: Angus Actor: Keen
Role: Witches Actor: Parsons, Moody, Baddeley
Role: Hecate Actor: Champnes
Role: Lady Macduff Actor: Mrs Reddish
Role: Lady Macbeth Actor: a Young Gentlewoman
Role: Vocal Parts Actor: Champnes, Kear, Mrs Scott, Mrs Wrighten, Mrs Fitzgerald, Mrs Dorman
Role: With a proper Dance Actor: Daigville.

Afterpiece Title: The Humours of the Turf

Cast
Role: Parolles Actor: Baddeley
Role: Sir Marmaduke Jostle Actor: Parsons
Role: Tipperary Actor: Moody
Role: Rakeit Actor: Davies
Role: Bully Boy Actor: Keen
Role: Jack Riot Actor: J. Burton
Role: Sir Samuel Mortgage Actor: Hartry
Role: Clara Actor: Mrs Morland
Role: Miss Heartly Actor: Miss Platt
Role: Jenny Actor: Mrs Davies.

Dance: End: The Sailors Revels, as17711008

Performances

Mainpiece Title: Macbeth

Performance Comment: As17720425 but Lady Macbeth-Miss Sherry (2nd appearance in that role); Vocal Parts-Mrs _Wrighten, Mrs _Fitzgerald.
Cast
Role: Lady Macbeth Actor: Miss Sherry
Role: Vocal Parts Actor: Mrs _Wrighten, Mrs _Fitzgerald.
Role: Macbeth Actor: Reddish, 1st time
Role: Macduff Actor: Aickin, 1st time
Role: Ross Actor: J. Aickin
Role: Duncan Actor: Bransby
Role: Malcolm Actor: Cautherly
Role: Banquo Actor: Packer
Role: Donalbain Actor: Mas. Cape
Role: Seyton Actor: Ackman
Role: Lennox Actor: Fawcet
Role: Captain Actor: Davies
Role: Angus Actor: Keen
Role: Witches Actor: Parsons, Moody, Baddeley
Role: Hecate Actor: Champnes
Role: Lady Macduff Actor: Mrs Reddish
Role: With a proper Dance Actor: Daigville.

Afterpiece Title: The Lying Valet

Cast
Role: Sharp Actor: Dodd
Role: Gayless Actor: Davies
Role: Guttle Actor: Ackman
Role: Cook Actor: Hartry
Role: Kitty Pry Actor: Mrs Love
Role: Melissa Actor: Miss Ambrose.

Dance: End I Farce: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Artifice

Performance Comment: Sir John Freeman-Brinsley; Fainwell-Fitzgerald (from the Theatre-Royal, Dublin); Young Freeman-Venables; Tally-Atkinson; Sam-Powell; Sir Phillip Moneylovc-Kenny; Watchit-Walker; Mrs Watchit-Mrs Johnson; Olivia-Mrs Child; Louisa-Miss Hurst; Judith-Mr Pressley; Lucy-Mrs Painter; Widow Heedless-Mrs Lefevre .
Cast
Role: Sir John Freeman Actor: Brinsley
Role: Fainwell Actor: Fitzgerald
Role: from the Theatre Actor:
Role: Young Freeman Actor: Venables
Role: Tally Actor: Atkinson
Role: Sam Actor: Powell
Role: Sir Phillip Moneylovc Actor: Kenny
Role: Watchit Actor: Walker
Role: Mrs Watchit Actor: Mrs Johnson
Role: Olivia Actor: Mrs Child
Role: Louisa Actor: Miss Hurst
Role: Judith Actor: Mr Pressley
Role: Lucy Actor: Mrs Painter
Role: Widow Heedless Actor: Mrs Lefevre

Afterpiece Title: The Ghost

Cast
Role: Sir Jeffrey Constant Actor: A Young Gentleman
Role: Captain Constant Actor: Robson
Role: Trusty Actor: Jones
Role: Clinch Actor: Smith
Role: Roger Actor: Pressley
Role: Belinda Actor: Miss Ball
Role: Dorothy Actor: Mrs Lefevre

Song: End of mainpiece Auld Robin Gray by Miss Lyon

Performances

Mainpiece Title: Richard Iii

Cast
Role: King Richard Actor: Mrs Lefevre
Role: King Henry Actor: Alfred
Role: Buckingham Actor: Knapp
Role: Tressel Actor: Benson
Role: Lord Stanley Actor: Johnson
Role: Prince Edward Actor: Miss Thomas
Role: Duke of York Actor: Miss Heyborn
Role: Norfolk Actor: Buxton
Role: Lord Mayor Actor: Molbery
Role: Catesby Actor: Essex
Role: Ratcliff Actor: Daniel
Role: Richmond Actor: Holland
Role: Lady Ann Actor: Miss Shelburne
Role: Dutchess of York Actor: Mrs Fowler
Role: Queen Actor: Mrs Jackson. An Occasional Prologue spoken by Mrs Lefevre

Afterpiece Title: Don Quixote in England; or, The Humours of Sancho Pancha

Performance Comment: Don Quixote-Johnson; Guzzle-Rogers; Sir T. Loveland-Knapp; Mayor-Buxton; Squire Badger-Holland; Fairlove-Thompson; Brief-Eden; Dr Drench-Bateman; Drawer-Henry; Sancho Pancha-Fitzgerald; Mrs Guzzle-Mrs Fowler; Jezabel-Mrs Liddel; Dorothea-Miss Williams .
Cast
Role: Don Quixote Actor: Johnson
Role: Guzzle Actor: Rogers
Role: Loveland Actor: Knapp
Role: Mayor Actor: Buxton
Role: Squire Badger Actor: Holland
Role: Fairlove Actor: Thompson
Role: Brief Actor: Eden
Role: Dr Drench Actor: Bateman
Role: Drawer Actor: Henry
Role: Sancho Pancha Actor: Fitzgerald
Role: Mrs Guzzle Actor: Mrs Fowler
Role: Jezabel Actor: Mrs Liddel
Role: Dorothea Actor: Miss Williams

Monologue: 1782 03 04 End of mainpiece Bucks have at ye all by Benson. vaudeville. End of Act I of afterpiece The Manual Exercise by Mrs Lefevre

Performances

Mainpiece Title: The Author

Afterpiece Title: HOW TO BE HAPPY

Performance Comment: Characters by Palmer, Barrymore, Fawcett, Aickin, Suett, C. Kemble, Johnstone, Parsons / / Mrs Gibbs, Mrs Kemble, Mrs Harlowe, Miss De Camp, Miss Heard, Mrs Hopkins. [Cast from European Magazine, Aug. 1794, p. 139, and Larpent MS: Seagrove-Palmer; Young Manley-Barrymore; Jack Scamper-Fawcett; Sir Charles Manley-Aiclcin; Sir John Marlow-Suett; Young Marlow-C. Kemble; Fitzgerald-Johnstone; Simon-Parsons// Julia-Mrs Gibbs; Miss Harcourt-Mrs Kemble; Mrs Scamper-Mrs Harlowe; Miss Furnish-Miss De Camp; Betsey-Miss Heard; Mrs Furnish-Mrs Hopkins.] Prologue spoken by Palmer. Epilogue spoken by Mrs Gibbs. COMMENT, 2nd piece [1st time; C 5, by George Brewer; incidental music by Dr Arnold. MS: Larpent 1034; not published. Prologue by the author (Morning Herald, 19 Aug.). Author of Epilogue unknown]: With new Scenery by Rooker, Dresses, and Decorations . Prologue spoken by Palmer. Epilogue spoken by Mrs Gibbs. COMMENT, 2nd piece [1st time; C 5, by George Brewer; incidental music by Dr Arnold. MS: Larpent 1034; not published. Prologue by the author (Morning Herald, 19 Aug.). Author of Epilogue unknown]: With new Scenery by Rooker, Dresses, and Decorations .
Cast
Role: : Seagrove Actor: Palmer
Role: Young Manley Actor: Barrymore
Role: Jack Scamper Actor: Fawcett
Role: Sir Charles Manley Actor: Aiclcin
Role: Sir John Marlow Actor: Suett
Role: Young Marlow Actor: C. Kemble
Role: Fitzgerald Actor: Johnstone
Role: Simon Actor: Parsons Julia-Mrs Gibbs
Role: Parsons Julia Actor: Mrs Gibbs
Role: Miss Harcourt Actor: Mrs Kemble
Role: Mrs Scamper Actor: Mrs Harlowe
Role: Miss Furnish Actor: Miss De Camp
Role: Betsey Actor: Miss Heard
Role: Mrs Furnish Actor: Mrs Hopkins.
Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Cast
Role: Adonis Actor: Miss Menage
Role: L'Amour Actor: Master Menage
Role: Zephyre Actor: Gentili
Role: Vulcain Actor: Fialon
Role: Phaon Actor: Didelot
Role: Alcee Actor: Simpson
Role: Nemesis Actor: Simpson
Role: Le Feu Actor: Gentili
Role: L'Hypocrisie Actor: Fialon
Role: Sapho Actor: Mme Rose
Role: Damophile Actor: Mme Hilligsberg
Role: Venus Actor: Mlle Parisot.
Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Cast
Role: Moody Actor: Murray
Role: Harcourt Actor: Barrymore
Role: Belville Actor: Toms
Role: Countryman Actor: Wilde
Role: Sparkish Actor: Knight
Role: Alithea Actor: Miss Chapman
Role: Lucy Actor: Mrs Fawcett
Role: The Country Girl Actor: Mrs Jordan

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Borachio Actor: Blakes
Role: Margaret Actor: Mrs Havard.
Role: Dogberry Actor: Taswell
Role: Country Dance Actor: included at end of play.
Role: add Country Dance Actor: .
Role: add Masquerade Dance Actor: Mrs Addison.
Role: a Masquerade Dance Actor: Matthews
Role: to conclude with a Country Dance Actor: the Characters.
Role: Benedick Actor: Garrick for the first time
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Winstone
Role: Claudio Actor: Lee
Role: Friar Actor: Bridges
Role: Sexton Actor: Ray
Role: Town Clerk Actor: James
Role: Verges Actor: Neale
Role: Conrade Actor: Bransby
Role: 1st Watchman Actor: Vaughan
Role: 2nd Watchman Actor: Marr
Role: Ursula Actor: Miss Cole
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: also Goodall Actor: Winstone
Role: Mrs Highman Actor: Mrs Bennet.
Role: Drunken Colonel Actor: Woodward
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Know all men by these presents, that Colley Cibber, Esq; of the Parish of St/James's in the County of Middlesex, for and in consideration of the sum of Eighty Pounds of lawful Mony of Great Britain to him in hand paid by John Watts of London, Stationer, he the said Colley Cibber, Esq; hath bargained, sold and assigned, and set over, and by these presents doth bargain, sell, assign and set over all that the full and sole right and title, of, in and to the copy of a Tragedy, intitled, Papal Tyranny in the Reign of King John, written by the said Colley Cibber, Esq; to have and to hold the said copy of the said tragedy unto the said John Watts, his heirs and assigns for ever, notwithstanding any act or law to the contrary: In witness whereof the said Colley Cibber, Esq; hath hereunto sett his hand and seal this twentieth day of February, 1744/5. [Signed] C. Cibber. [Witnesses] James Webster, John Mark Bimson. [Original Document in Folger Shakespeare Library, validated by three Sixpence stamps, and Cibber's seal. Case No. 993 among Cibber documents.

Performances

Mainpiece Title: Papal Tyranny

Cast
Role: General Advertiser correctly states Blanch Actor: Miss Bellamy.
Role: King John Actor: Quin
Role: Arthur Actor: Miss Jenny Cibber
Role: Salisbury Actor: Ridout
Role: Pembroke Actor: Rosco
Role: Arundel Actor: Anderson
Role: Falconbridge Actor: Ryan
Role: King Philip Actor: Hale
Role: Lewis the Dauphin Actor: T. Cibber
Role: Melun Actor: Cashell
Role: Pandulph Actor: C. Cibber
Role: Abbot Actor: Gibson
Role: Governor Actor: Carr
Role: Lady Constance Actor: Mrs Pritchard
Role: Blanch Actor: Mrs Bellamy
Role: Hubert Actor: Bridgwater

Performances

Mainpiece Title: Othello, By Gentlemen

Performance Comment: Othello-Sir Francis Delaval; Iago-John Delaval Esq; Cassio-E. Delaval Esq; Brabantio, Lodovico-Sim Pine Esq; Roderigo-Capt. Stevens; Desdemona-Mrs Quarme (Hogan) , Mrs Quan (Cross), Mrs Qualm (Winston); Emelia-Mrs Stevens (Hogan).
Cast
Role: Othello Actor: Sir Francis Delaval
Role: Iago Actor: John Delaval Esq
Role: Cassio Actor: E. Delaval Esq
Role: Lodovico Actor: Sim Pine Esq
Role: Roderigo Actor: Capt. Stevens
Role: Desdemona Actor: Mrs Quarme
Role: Emelia Actor: Mrs Stevens

Performances

Mainpiece Title: Heroick Love

Performance Comment: Edition of 1698: Prologue- by Henry StJohn Esq; Epilogue- By Bevill Higgons, Esq; Agamemnon-Betterton; Achilles-Verbruggen; Nestor-Bowman; Ulysses-Sandford; Patroclus-Scudemore; Chryses-Kynaston; Chalcas-Freeman; Talthybius-Baily; Chruseis-Mrs Barry; Briseis-Mrs Bracegirdle; Artemis-Mrs Prince.
Cast
Role: Prologue Actor: by Henry StJohn Esq
Role: Epilogue Actor: By Bevill Higgons, Esq
Role: Agamemnon Actor: Betterton
Role: Achilles Actor: Verbruggen
Role: Nestor Actor: Bowman
Role: Ulysses Actor: Sandford
Role: Patroclus Actor: Scudemore
Role: Chryses Actor: Kynaston
Role: Chalcas Actor: Freeman
Role: Talthybius Actor: Baily
Role: Chruseis Actor: Mrs Barry
Role: Briseis Actor: Mrs Bracegirdle
Role: Artemis Actor: Mrs Prince.
Event Comment: Journal of the Earl of Anglesey, 25 Jan. 1671@2: At eight of the clock The King's playhouse took fire, and most of that side of Russell Street and many other houses thereabout were burnt down, and we in Drury Lane and all about in great danger; but the Lord had mercy, and by great industry and blowing up houses the fire was overcome: I had no rest, but sat up almost all night, even till six in the morning. The Lord pardon sin, which brings judgements (HMC, 13th Report, Part VI [London, 1893], p. 270. The Bulstrode Papers (I, 217): About 8 hapened a sad and violent fire, which begun in the King's Theater, and in a few howers burnt down that...severall were hurt and killed, amongst which was Mr Bell, one of the actors in that house. For a poem, On the Unhappy Conflagration of the Theatre Royal, January 25th, 1672, see Fitzgerald, A New History of the English Stage, I, 137

Performances