SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W T Fitzgerald Esq"/1) | (@(roleclean,performerclean) "W T Fitzgerald Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1326 matches on Performance Comments, 574 matches on Event Comments, 81 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Marriage Act

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece The Merry Sailors by Aldridgc, &c

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady Cured

Afterpiece Title: The Marriage Act

Dance: End of Act IV of mainpiece The Caledonian Shepherds by Aldridge and Miss Besford

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Harlequin Free-Mason

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece by Harris, Langrish, Miss Matthews, Miss Besford. [This was the same, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Norwood Gypsies

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Comus

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Jovial Crew

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: As17811110

Performances

Mainpiece Title: The First Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff

Afterpiece Title: The Son-in-Law

Dance: End of Act II of mainpiece, as17811101

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Choice of Harlequin; or, The Indian Chief

Song: As17811109

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Choice of Harlequin

Dance: End of Act I of mainpiece, as17811219; In Act V a Dance of Fortsters (performers not listed)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Deserter

Dance: As17820409

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Afterpiece: Written by the Author of The Son-in-Law [John O'Keeffe]. The Overture and New Musick composed by Dr Arnold. "The same person who, in the play, performed the school-fellow of the Nabob with a great deal of nature, and original humour, here acted the part of the school-master; his name is Edwin, and he is, without doubt, one of the best actors of all that I have seen ... [He], in all his comic characters, still preserves something so inexpressibly good tempered in his countenance, that notwithstanding all his burlesques, and even grotesque buffoonery, you cannot but be pleased with him . . . Nothing could equal the tone and countenance of self-satisfaction, with which he answered one who asked him whether he was a scholar? 'Why, I was a master of scholars.' A Mrs Webb represented a cheesmonger, and played the part of a woman of the lower class, so naturally, as I have no where else ever seen equalled. Her huge, fat, and lusty carcase, and the whole of her external appearance seemed quite to be cut out for it" (Carl Philipp Moritz, Travels in England in 1782, London, 1924, pp. 73-74)

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Genius of Nonsense

Dance: As17820606

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Monologue: 1782 08 27 End of Act I of 2nd piece Joe Haynes's Epilogue, on an Ass, by Dick Wilson, after the manner of Ned Shuter. imitations. End of 2nd piece, as 9 Aug

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes