SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W Reeve"/1) | (@(roleclean,performerclean) "W Reeve")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1329 matches on Performance Comments, 328 matches on Event Comments, 309 matches on Author, 49 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Harlequin Captive

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Performances

Mainpiece Title: The Honey Moon

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

Performances

Mainpiece Title: The Travellers In Switzerland

Afterpiece Title: Two Strings to Your Bow

Song: End: The Little Farthing Rushlight-Young Standen

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Apprentice

Ballet: End: Moggy and Jemmy. Jemmy-Garman; Bauldi-Grimaldi; Lady-Miss Daniels; Maude-Mrs Brooker; Moggy-Sga Bossi DelCaro; Peasants-Goodman, Whitmell, Wells, Bayzand, Johnston, Gauron, Masters J. and W. Chatterley, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake, Ms Connelly

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Brilliants

Afterpiece Title: Comus

Dance: In II 3rd piece: a Dance-Naiads

Song: In: Maria; or, The Beggar Girl-Mrs Atkins; Young William-Incledon; a new song, The Negro Boy (written by Rees, and composed by Attwood)-Miss Sims (in character)

Performances

Mainpiece Title: The Wise Man Of The East

Afterpiece Title: Comus

Dance: In II afterpiece: a Dance by Naiads-

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

Performances

Mainpiece Title: Catiline's Conspiracy

Performance Comment: Edition of 1669: Catiline?-Hart; Cethegus?-Mohun; Cicero?-Burt; Beeston; Kynaston; Reeves; Wintershall; Cartwright; Gradwell; Bell; Sempronia-Mrs Corey?; A Prologue to Catiline To be Merrily spoke-Mrs Nell Gwyn? (in an Amazonian Habit); The Epilogue-Mrs Nell Gwyn?.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Edition of 1672: Prologue-; Epilogue-. In spite of the fame of this work, the actors (with a few exceptions) associated with the principal roles are not known. Buckingham, however, taught John Lacy how to act Bayes in ridicule of John Dryden. According to A Key to the Rehearsal (1704), Anna Reeves acted Amaryllis. Several actors are named in the text: Abraham Ivory (an old actor who possibly did not play in the work); William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it. William Wintershall; Joseph Haines, William Cartwright, and George? Shirley. John Littlewood (along with Joseph Haines) is referred to in a poem on the play--see16711214--as though he performed in it.
Event Comment: Great Applause to ye Farce, some little Hiss (Cross). This month was publish'd A Letter to Mr Garrick; with some remarks upon Lethe. Printed for Reeve (Gentlemans Magazine, Register of Books). Receipts: #160 (Cross); #146 14s. (Powel)

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Little Hunchback; or, A Frolick in Bagdad

Performance Comment: The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor-Wewitzer; French Doctor-Cubitt; Barber-Macready; Englishman-Fearon; Doctor's Man-Rock; Jew's Man-Milburne; Black Aga-Painter; Cadi-Evatt; Bassa of Bagdad-Davies; Dora-Miss Rowson; Taylor's Wife-Mrs Webb; Text (J. Debrett, 1789) specifies: Crumpy-Quick; +Cross-Leg-Blanchard; +Zebede-Wewitzer (in text: $Reeve); Doctor Quinquina-Cubitt; +Absalom-Macready; +Crank-Fearon (in text: $Booth); Dominique-Rock; +Habby-Milburne; +Babouc-Painter; +Cadi-Evatt; +Bassa-Davies; Crier-Thompson; Courier-Ledger; +Dora-Miss Rowson; +Juggy-Mrs Webb.

Dance: End: The Wapping Landlady ; or, Jack in Distress- See17890616

Entertainment: Monologue Preceding: Mother Shipton's Review of the Audience-(with Alterations and Additions) Quick?

Event Comment: Benefit for Sedgwick. 3rd piece: Not acted these 20 years [never previously acted at this theatre]. Written and composed by Harry Carey, with Alterations and new Accompaniments to the original Music, and several new Airs composed by Shield, Reeve and Stevens. Receipts: #123 2s. 6d. (31.3.0; 11.13.0; 0.14.6; tickets: 76.12.0) (charge: #106 18s. 5d.)

Performances

Mainpiece Title: The Recruiting Serjeant

Afterpiece Title: Love for Love

Afterpiece Title: The Honest Yorkshireman

Song: End II 2nd piece: Wake Sons of Odin (composed by Stevens)-Sedgwick

Event Comment: [Mainpiece in place of Fontainbleau; afterpiece of Animal Magnetism, both advertised on playbill of 14 Sept.] Afterpiece: The Music composed by Gluck, the Airs and Duett by Reeve. Receipts: #159 18s. 6d. (154.4.6; 5.14.0)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In afterpiece: Byrne, Jackson, Mrs Ratchford, Mrs Goodwin

Event Comment: Benefit for Mrs Billington. Tickets delivered for Monday the 8th of February will be received. Mainpiece [1st time; CO 3, by John O'Keeffe. Text 1st published in his Dramatic Works, Vol. III (T. Woodfall, 1798). Season of 1790-91 acted as The Fugitive]: With new Scenes, Dresses, and Decorations. The Music selected and composed by Shield, and consists of several Russian Melodies, and compositions of Handel, Sacchini, Pleyel, Rauzzini, Guglielmi, Weichsel, Dalayrac, Callcott, Reeve, Prati and Shield. Receipts: #366 9s. 6d. (255.2.6; 3.5.0; tickets: 108.2.0)

Performances

Mainpiece Title: The Czar

Afterpiece Title: Three Weeks after Marriage

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

Event Comment: Mainpiece [1st time; MD 3, by Frederick Reynolds. Larpent MS 870; not published; synopsis of plot in Public Advertiser, 7 May]: With entire new Dresses, Scenes, Machinery and Decorations. The Music partly selected from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne [the printed score (Longman and Broderip [1790]) adds: Martini, Duni, Carolan, Leveridge]. The rest composed by Shield. The Chorusses selected from Handel, and sung by the Performers from the Concert of Ancient Music. Books of the Songs to be had at the Theatre. Receipts: #210 13s. 6d. (208.12.0; 2.1.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: The Miser

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: An Harmonic Festival

Performance Comment: In which the Performers of the Concert of Ancient Music have obligingly offered their Assistance. The Wooden Walls of Old England (composed by Reeve)-Darley; As I saw fair Clora-Johnstone, Bannister; September 13th; or, The Siege of Gibraltar-Bannister; Poor Thomas Day-Edwin, Blanchard, Bannister; How stands the glass around-Johnstone; Bless the true Church and save the King- (composed by Handel).

Afterpiece Title: Rosina

Cast
Role: Shepherds Actor: Darley, Reeve, Blurton, Lee, Cubitt

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

Event Comment: Mainpiece: Not acted these 4 years [acted 28 Dec. 1787. Toms is identified in Morning Herald, 22 Sept. 1795: A Mr Toms made a probationary essay last night in the character of Romeo. The bills erroneously announced it as his first appearance on this stage [cg]; for his unsuccessful attempt in Young Norval [i.e. Douglas], about five years ago, on the same boards, is perfectly within our recollection. London Chronicle, 22 Sept. 1795, also refers to Toms as Douglas. European Magazine, Oct. 1790, p. 305, gives the name as Turner, but in Oct. 1795, p. 273, states that Toms performed on one night only "a few years since."]. Afterpiece [1st time; BALL. P 2 (?), by James Byrne, based partly on his Nootka Sound, and in May 1793 agin altered as The Shipwreck; or, French Ingratitude. Not in Larpent MS; not published; synopsis of action in Diary, 5 Oct.]: A Ballet Pantomime, with new Scenes, Dresses, and Decorations. The Overture and Music compiled by Byrne, from Haydn, Rochefort, Pleyel, Gyrowetz, Reeve, Pieltain, Dibdin. The new Music by Shield. On account of some Scenes which are introduced from the Entertainment of Nootka Sound (performed last Season [on 4 June 1790]) Half Price will be taken. [This alludes to the custom of not llowing half-price during the run of entirely new pantomimes.] Paid Brodie, for Stoves for the Theatre, #19 8s. Receipts: #207 8s. 6d. (201.16.0; 5.12.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation