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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W Parke"/1) | (@(roleclean,performerclean) "W Parke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1597 results for: Keyword - W. Parke
We found 1344 matches on Performance Comments, 265 matches on Event Comments, 46 matches on Performance Title, 29 matches on Author, and 24 matches on Roles/Actors.

176
11 March 1779 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Monody

Afterpiece Title: Polly Honeycomb

177
26 March 1779 @ Drury Lane Theatre

Event Comment: Paid Norris #105; Mrs Kennedy #115; Webster #80 17s.; Boy's Choir #52 10s.; David Richards #40; Parke #20; Advertisements in Public Advertiser #9 5s.; Band #354 9s. 6d.; Chorus Singers #174 19s. 6d.; Cramer, Cervetto, Crosdill #5 5s. a performance. Received from Stanley for Oratorio rent of theatre #308. Receipts: #206 3s. (204.10; 1.13)

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: As17790303

178
27 September 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; 1st Bacchanal-Vernon; Principal Bacchanals-Bannister, Du-Bellamy, &c; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; The Lady-Mrs Sharp; Principal Bacchant (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Miss Wright; Sabrina-Miss Field; Euphrosyne-Mrs Cargill .

Song: In Act III of mainpiece song [Here's to the maiden of bashful fifteen] by Vernon. [This was sung again by Vernon on 9 Oct., but in all subsequent performances by Williams (or Williames; see17811020).]

179
07 April 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Principal Bacchanals-Barrymore, Staunton, Williames; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; The Lady-Mrs Brereton; Euphrosyne and Principal Bacchant (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Miss Wright; Sabrina-Miss Field .

Dance: End of Act IV of mainpiece, as17821016; End of mainpiece, as17820917

Song: End of Act II of mainpiece A Soldier for Me (composed by Hook for The Best Bidder) by Mrs Wrighten

180
07 October 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Principal Bacchanals-Barrymore, Staunton, Williames; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; The Lady-Mrs Brereton; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Miss Wheeler; Sabrina-Miss Field; Bacchants-Miss M. Stageldoir, Miss Barnes, Miss Simson, &c; Principal Bacchant-Miss George .

Song: In Act II of mainpiece song by Miss Field

181
07 October 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Bacchanals-Bannister, Williames; Spirit-Barrymore; Brothers-Bannister Jun., R. Palmer; The Lady-Mrs Brereton; Euphrosyne (with Sweet Echo, accompanied [on the oboe] by Parke)-Mrs Wrighten; Pastoral Nymph-Miss Stageldoir; Sabrina-Miss Field; Bacchants-Miss M. Stageldoir, Miss Barnes, &c; Principal Bacchant-Miss George .

182
11 March 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Samson

Music: End of Part I concerto on the Piano Forte ["the sixth concerto of Schroeter's last set [i.e. Op. V]" (London Magazine, Mar. 1785, p. 217)] by Miss Parke

Performance Comment: e. Op. V]" (London Magazine, Mar. 1785, p. 217)] by Miss Parke .

183
15 May 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Bacchanals-Bannister, Williames; Spirit-Barrymore; Brothers-Bannister Jun., R. Palmer; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Mrs Crouch; Sabrina-Mrs Forster; Principal Bacchant-Miss George; The Lady (for this night only)-Mrs Siddons .

184
23 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Bacchanals-Kelly, Dignum, Sedgwick; Spirit-Lamash; Elder Brother-Whitfield; Younger Brother-Benson; The Lady-Mrs Ward; Pastoral Nymph-Mrs Forster; Sabrina-Miss Romanzini; Bacchant-Miss Collett; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Crouch.

185
16 March 1789 @ Covent Garden

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Death of Captain Cook

Performance Comment: Cast from text (T. Cadell, 1789), and Parke, I, 115: Terreeobo-Blurton; Pareea-Byrne; Koah-Delpini; Captain Cook-Cranfield; His Lieutenant-Evatt; Priest-Darley; Lieutenant of Marines-Ratchford; Emai-Miss Francis.

Afterpiece Title: The Poor Soldier

186
29 October 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-Banks; Brothers-Benson, Bland; Chief Bacchanals-Kelly, Dignum, Sedgwick; The Lady-Mrs Ward; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Crouch; Bacchants-Mrs Crouch [sic], Mrs Bland, Mrs Edwards; Sabrina-Mrs Bland [sic]; Pastoral Nymph-Miss Hagley.

187
27 September 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Clandestine Marriage

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-Benson; Brothers-Banks, Bland; Chief Bacchanals-Kelly, Dignum, Sedgwick; The Lady-Mrs Ward; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Bland; Bacchants-Mrs Bland [sic], Miss DeCamp; Sabrina-Mrs Bland [sic]; Pastoral Nymph-Miss Barclay.

188
14 March 1794 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

189
11 March 1795 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Bartleman, Miss Parke, Mrs Hindmarsh. For partial list of individual selections, and singers thereof, see17950327 .

190
27 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Festival of Anacreon [i

Afterpiece Title: The Spoil'd Child

Afterpiece Title: Comus

Performance Comment: Comus-Sedgwick (2nd appearance in that character); Brothers-Banks, Bland; Bacchanals-Kelly, Dignum, Bannister; The Lady-Miss Heard; Euphrosyne-Miss DeCamp; Bacchants-Mrs Bland, Miss DeCamp [i.e. doubled Euphrosyne], Miss Leak; Sabrina (with Sweet Echo, accompanied by Parke)-Mrs Bland [i.e. doubled Bacchant]; Pastoral Nymph-Miss Leak [i.e doubled Bacchant].i.e doubled Bacchant].

191
17 February 1796 @ Covent Garden

Event Comment: Oratorio: Written by Milton, and set to Music by Handel. Instrumental Performers as 12 Feb., but added: Lavenu. Morning Herald, 18 Feb.: Both Sweet Bird, accompanied on the violin by G. Ashley, and But o sad virgin, accompanied on the cello by C. Ashley, were sung by Miss Parke; Let me wander not unseen by Miss Leak; Come and trip it by Master Elliot

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso; Grand Selection 0

Afterpiece Title: L'Allegro ed Il Pensieroso 3; Alexander's Feast 3

Music: End Part II: concerto on the harp-Mme Delaval

192
24 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-Caulfield; Brothers-Holland, Trueman; Bacchanals-Kelly, Sedgwick, Bannister, Dignum; The Lady-Miss Heard; Euphrosyne-Mrs Crouch; Bacchants-Mrs Crouch [i.e. doubled Euphrosyne], Mrs Bland, Miss DeCamp; Sabrina (with Sweet Echo, accompanied by Parke)-Mrs Bland; Pastoral Nymph-Miss Leak.

193
26 January 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Temple Beau

194
07 November 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Tempest

195
17 November 1729 @ Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Dance: As17291114

196
24 November 1729 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Dance:

197
05 January 1730 @ Goodman's Fields

Performances

Mainpiece Title: A Woman's Revenge

Afterpiece Title: Hob; or, The Country Wake

Dance: As17300103

Song: As17300101

198
09 January 1730 @ Goodman's Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Jealousy Deceived

199
24 February 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Fatal Villainy

200
28 April 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton