SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W Howe"/1) | (@(roleclean,performerclean) "W Howe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1278 matches on Performance Comments, 268 matches on Event Comments, 32 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for the Widows and Orphans of the Gallant Men who fell in the late Engagement [on 1 June, 1794 ] under Earl Howe. [3rd piece in place of RULE BRITANNIA !, advertised on playbill of 9 Sept.]

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: THE MOUNTAINEERS

Afterpiece Title: THE PURSE

Event Comment: Afterpiece: End of Act I an exact Representation of the Engagement between the British and French Fleets on the First of June [1794]. The whole to conclude with a Grand Fire-Work, in honour of Earl Howe. Ladies and Gentlemen are respectfully requested to give peremptory orders to their servants to set down with their Horses Heads towards Drury-Lane, and to take up with the Horses Heads towards Covent-Garden. No Carriage can be permitted to stop the way after proper Notice given to the Company. Powell: Glorious First of June rehearsed at 11. Miss DeCamp came 10 minutes beyond the Time, Dignum 15 minutes, Miss Leak 20 minutes. Receipts: #328 13s. 6d. (271.11.6; 56.2.6; 0.19.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Glorious First of June

Song: In afterpiece: Choruses-Cooke, Danby, Lyons, Maddocks, Welsh, Mrs Bramwell, Miss Granger, Miss Chatterley

Event Comment: Afterpiece [1st time; MF 1, by John O'Keeffe. Larpent MS 1188; not published]: The Overture and Music by Attwood. European Magazine, Jan. 1798, p. 42: Written with allusion to Their Majesties' attendance at St. Paul's [on this day, at a thanksgiving service held in honor of the recent naval victories of Howe, St. Vincent and Duncan]. Receipts: #289 17s. (286.11; 3.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Britain's Brave Tars

Song: As17971102

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Performance Comment: Being the intermediate part of the Night's Entertainment. End I of the Play John Appleby (1st time)-Fawcett; End II Black Ey'd Susan-; End III Poor Tom; or, Sailor's Epitaph-Incledon; Here a sheer hulk-Incledon; End IV Pull Away; or, Howe, St. Vincent, Duncan & Nelson-Fawcett; End Play Monsieur Tonson (Founded on Fact, and read at Freemason's Hall, in the Winter of 1795)-Fawcett.

Afterpiece Title: The Princess of Georgia

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Naval Pillar

Dance: In afterpiece: New Dance (composed by Bologna Jun.)-Bologna Jun., King, Mrs Watts, Mrs Parker (1st appearance these 2 years)

Song: The Songs written or selected for the afterpiece: Black Ey'd Susan-Incledon; When Britain first her Flag uprear'd-Incledon, Johnstone, Linton; An hungry Fox one day did spy (Old Welsh tune)-Munden; When Peace smiles around-Mrs Martyr; Sir Sydney Smith-Fawcett; When a Tar returns home-Fawcett, Munden, Mrs Martyr; Mr Speaker tho' 'tis late--Incledon, Johnstone, Townsend, Linton; A Bundle of Proverbs-Munden; In praise of the Pars who have leathered the World-Johnstone; +The Navy and Army of Britain forever-Townsend; The Embarkation-Incledon; Glee and Chorus [We come, ye guardians of our isle]-Mrs Martyr, Miss Sims, Miss Wheatley, Mrs Sydney; Recitative and Finale [Britons, your country's gratitude behold]-Mrs Chapman, Incledon, Johnstone, Townsend, Linton

Opera: End IV: Solemn Dirge. The Funeral Procession of Juliet-; Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Whitmore, Ms Waters, Ms Chapman, Ms Atkins, Ms Litchfield, Ms Mills, Ms Dibdin, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performances

Mainpiece Title: The Fashionable Lady; Or, Harlequin's Opera: In The Manner Of A Rehearsal

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR; or, Britannia in Full Glory at Spithead

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

Performances

Mainpiece Title: The Temple Beau

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Old Batchelor

Dance: As17291114

Performances

Mainpiece Title: Love Makes A Man

Dance:

Performances

Mainpiece Title: A Woman's Revenge

Afterpiece Title: Hob; or, The Country Wake

Dance: As17300103

Song: As17300101

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Jealousy Deceived

Performances

Mainpiece Title: The Fatal Villainy

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

Performances

Mainpiece Title: The Widow Bewitch'd

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Song:

Dance:

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Register Office

Dance: The Sailors Revels, as17730928

Monologue: End: Linco's Travels. Linco-King; Old Woman-Mrs Bradshaw

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: Julius Caesar

Performances

Mainpiece Title: The Second Part Of The History Of King Henry The Fourth; With The Humours Of Sir John Falstaffe Henry Iv, Part Ii

Performances

Mainpiece Title: The Dissembled Wanton; Or, My Son Get Money