Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Vestris Sen"/1) | (@(roleclean,performerclean) "Vestris Sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
341 results for: Keyword - Vestris Sen
We found 164 matches on Performance Comments, 113 matches on Event Comments, 83 matches on Roles/Actors, 65 matches on Performance Title, and 0 matches on Author.

101
29 May 1784 @ King's Theatre

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Tuteur Trompe, as17840511; End of Opera Semiramis, as17840520, but added: Oroe-Henry; omitted: Vestris [Jun.], Mme Theodore

102
03 July 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511, but with the favourite Pas de Deux from Le Reveil du Bonheur by Vestris [Jun.] and Mme Theodore; End of Opera Le Deserteur, as17840626

103
12 January 1788 @ King's Theatre

Event Comment: "The orchestra, during the whole time of representations [of the opera] has by no means been conducted with that exactness that should be expected from that band...It must be supposed that neither the master of music at the harpsichord, nor Mr Cramer, the leader, have influence or power enough to prevail on the band to play, or rather, to accompany, more correctly...The arias of the tenor and base [sic] have been played, or rather accompanied, too fast, and without harmony with the voices of Morelli and Fineschi, which being good, and they seeming to wish to sing with all possible expression, the orchestra should have accompanied accordingly. Mme Storace, howefer, has baffled the efforts of the musicians to make her sing out of tune, quick or slow. As they fiddled, she modulated" (Public Advertiser, 17 Jan.). Receipts: #147 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

104
21 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Dance-; in which will be introduced a Pas de Bernois-Didelot, Mlle Coulon; Pas de Trois-Coulon, the two Miss Simonets; Pas de Deux-Henry, Miss Harvey; a Pas Seul-Chevalier; Pas Seul-Mlle Coulon; the favorite Pas de Russe (composed by Gardel)-Vestris, Mlle Hilligsberg; Hornpipe-Chevalier; Pas de Cinq-the principal Dancers; Pas de Sept-the principal Dancers; conclude with: General Dance-all the Performers

Song: II: a favorite song, Gli affetti mici , composed by Paisiello,-Sga Sestini; violin obligato accompaniment-Cramer

Ballet: End Opera: L'Amour et Psiche. As17880129

Cast
Role: or Cupid Actor: Vestris

105
19 April 1788 @ King's Theatre

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: Les Offrandes a l'Amour, as17880417; End Opera: Adela de Ponthieu-Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris

106
31 May 1788 @ King's Theatre

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: New Ballet, as17880426; End Opera: La Bonte du Seigneur-Mlle Hilligsberg, Didelot, Mlle Coulon, Henry, the two Miss Simonets, Miss Harvey, Vestris

107
10 March 1791 @ King's Theatre

Performances

Mainpiece Title: Pirro

Dance: Divertisement, Orpheus and Eurydice-Vestris Jun., Mlle Hilligsberg [and see17910326

108
08 April 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Cast
Role: Duke Sen. Actor: Ridout
Role: Duke Senior Actor: Mills

Afterpiece Title: The Virgin Unmasked

Dance: I: Les Jardiniers Suedois-the Mechels; II: A Grand Ball Dance-Mechel Sen, Mechel Jr, Mlle Mechel; IV: The Cuckow Dance-the Mechels; V: The German Hussar-the Mechels

Song: III: Song-Beard

109
26 September 1748 @ Southwark

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: New Pantomime Entertainment

Song: III: Genius of England-; End: New Mad Tom-Platt Sen

110
14 November 1772 @ King's Theatre

Performances

Mainpiece Title: Sofonisba

Dance: I: Slingsby, Mlle Grenier; II: A New Serious Ballet-Fierville, scholar of Lepy Sen; Last Act: A New Grand Ballet-all the principal dancers

111
25 November 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

112
14 December 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Zoraida

Afterpiece Title: The Camp

Song: V: Epithalamium [the music by ThomasLinley Sen. (Morning Chronicle, 15 Dec.)] Principal Vocal Parts-Gaudry, Miss Field, Miss Abrams. [This was included, as here assigned, in all subsequent performances.

113
21 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Son-in-Law

Entertainment: Imitations End II: Vocal Imitations-Bannister Sen.; End: Rhetorical Imitations-Bannister Jun

114
29 November 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Quaker

Music: In Act III of mainpiece an Epithalamium [performers not listed; music by ThomasLinley Sen. (see text). This was included in all subsequent performances]

115
09 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

116
12 December 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Opera a new grand Ballet, composed by Lepicq, Il Ratto delle Sabine; or, The Rape of the Sabines, by Lepicq, Henry, Zuchelli, Degville Sen., Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.]

117
11 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Les Epouses Persanes, as17830215, but added: Degville Sen

118
08 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Double Disguise

Dance: End of Act I of mainpiece Hornpipe by Mills; End of mainpiece The Sportsmen's Return, as17840916

Song: End of Act II of mainpiece The Lark, from The Spanish Rivals (composed by [Thomas] Linley [Sen.]) by Miss Phillips

119
24 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Daphne and Amintor

Dance: End of Singing The Sailors' Revels by Mills, &c; In afterpiece Dana incident to the piece by Hamoir, Menage, Mrs Sutton, Miss Stageldoir

Song: In Act III of mainpiece song, as17860920; End of Act II of mainpiece Still the Lark finds repose (composed by Linley [Sen.]); End of mainpiece The Soldier tir'd of War's Alarms, both by Mrs Crouch

120
05 May 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Romp

Song: End of Act II of mainpiece Nancy of the Dale (composed by Linley [Sen.]); In Act III a song; End of Act IV The Bucks of the Field (composed by Danby), all three by Dignum

121
12 November 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The New Peerage

Afterpiece Title: The Sultan

Dance: As17871101

Song: IV: song [(in character) composed by Linley Sen]-Mrs Crouch

122
14 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Vendemmia

Dance: End I: Admete, as17890402; End Opera: a new Ballet, composed in Paris by Gardel Sen. for Mlle Guimard, Ninette a la Cour , Ninette -Mlle Guimard

123
19 November 1793 @ Haymarket Theatre

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: WHO's THE DUPE

Song: Mainpiece: Vocal Parts by Dignum, Sedgwick, Caulfield, Cooke, Lyons, Dorion Sen. and Jun., Dibble, Willoughby, Walker, Brown, Saunders, Welsh, Burden//Mrs Bland, Miss De Camp, Mrs Stuart, Miss Menage, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale. In Act V the Masque of Neptune and Amphitrite. Neptune-Sedgwick//Amphitrite-Mrs Stuart

124
24 February 1794 @ Haymarket Theatre

Performances

Mainpiece Title: The Box-lobby Challenge

Afterpiece Title: THOMAS AND SALLY; or, The Sailor's Return

Song: In Afterpiece: Cborums by Caulfield, Cooke, Maddocks, Lyons, Brown, Dorion Sen. and Jun.//Mrs Bramwell, Mrs Hale, Mrs Gaudry, Miss Menage, &c

125
18 March 1784 @ King's Theatre

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

Performance Comment: End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages .
Cast
Role: Manhood Actor: Lepicq, Mme Rossi, Vestris
Role: Old Age Actor: D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages