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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "V de Sola Pinto"/1) | (@(roleclean,performerclean) "V de Sola Pinto")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3593 results for: Keyword - V. de Sola Pinto
We found 2482 matches on Performance Title, 902 matches on Performance Comments, 317 matches on Event Comments, 160 matches on Author, and 0 matches on Roles/Actors.

3551
14 June 1784 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Manager an Actor in Spite of Himself

Song: End of mainpiece a favourite song by Mrs Martyr. monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates

3552
03 March 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

3553
06 May 1785 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Manager an Actor in Spite of Himself

Afterpiece Title: The Contrivances

Dance: As17850416

3554
13 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece: To conclude with a Grand Ballet by Byrne and the two Miss Simonets, &c. [This was danced, as here assigned, in all subsequent performances.]

3555
14 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

3556
10 February 1786 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Three Weeks after Marriage

Dance: As17851007

3557
07 March 1786 @ King's Theatre

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860225

3558
25 May 1786 @ King's Theatre

Performances

Mainpiece Title: Armida

Dance: As17860523 throughout

3559
21 November 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Humourist

3560
18 December 1786 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Barataria

3561
25 January 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The First Floor

3562
31 March 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Sultan

3563
16 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin's Invasion

3564
28 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

3565
03 December 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Invasion

3566
01 March 1788 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tantara Rara, Rogues All

Dance: End: New Divertisement-[see17880124]

3567
25 March 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

3568
24 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Romp

Dance: As17881013

3569
21 October 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Comus

3570
15 February 1791 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Farmer

Entertainment: Monologue End: (for that night only) Collins's Ode on the Passions-Mrs Esten

3571
14 May 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: La Molinarella

Dance: End I: the new Divertissement-[i.e. Le Triomphe de la Folie, as17910503]; End Opera: La Fille Mal Gardee, as17910430

3572
23 June 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: the New Divertissement i.e. Le Triomphe de la Folie, as17910503; End Opera: Telemachus in the Island of Calypso, as17910414

3573
23 January 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Apprentice

3574
18 April 1792 @ Covent Garden

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Intrigues of a Morning; or, An Hour in Paris

Afterpiece Title: The Wives Revenged

3575
29 September 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Waterman