SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Townsend"/1) | (@(roleclean,performerclean) "Townsend")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1979 matches on Roles/Actors, 311 matches on Performance Comments, 45 matches on Performance Title, 25 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Romp

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Deaf Lover

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: Lovers' Quarrels

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Jew and the Doctor

Performances

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: Cymbeline, King Of Britain

Afterpiece Title: The Child of Nature

Cast
Role: Brigadier Townsend Actor: Lewiss

Afterpiece Title: The Soldier's Festival

Cast
Role: Brigadier Townsend Actor: Lewiss

Song: In II 1st piece: Hark! the Lark-Hill, Linton, Miss Wheatley, Mrs Atkins; Young William was a Seaman True (composed by himself), Sally in our Alley-Incledon

Performances

Mainpiece Title: Love's Frailties

Afterpiece Title: OSCAR AND MALVINA; or, The Hall of Fingal

Performance Comment: Principal Characters in the Ballet by Holland, Follett, Farley, Cranfield, Blurton//Mme Rossi. Musical Characters by Munden, Townsend, Linton//Mrs Mountain, Miss Barnett, Mrs Martyr. [Cast adjusted from Songs (T. Cadell, 1791): Oscar-Holland; Carrol-Follett; Morven-Farley; Draco-Cranfield; Fingal-Blurton//Malvina-Mme Rossi. Pedlar-Munden; Bards and Peasantry Townsend, Linton//Mrs Mountain, Miss Barnett, Mrs Martyr.] hathi. Bards and Peasantry Townsend, Linton//Mrs Mountain, Miss Barnett, Mrs Martyr.] hathi.

Music: In afterpiece the Irish Pipes by Courtney; the Harp by Weippert

Event Comment: Rec'd of Miss Townsend for a place in the Boxes last night 5s. Gave King's Footmen #2 2s.; Queen's Footmen #2 2s.; King's Chairmen #2 2s.; Queen's Chairmen #2 2s.; Duke of Glouster's Footmen #2 2s. (Account Book). [The Account Book shows on this night a profitable balance of #5365 19s. 4d., for the operation of the theatre this season. During Rich's time a regular sum was deduted nightly for the Rich account (#6 in 1760-61) and in addition he withdrew large sums (up to #800) on many occasions. No such deductions or withdrawals appear so far in this last season of Beard's management.] Receipts: #197 15s. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Dr Faustus

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performances

Mainpiece Title: The Fall Of Martinico; Or, Britannia Triumphant

Performance Comment: Principal Vocal Performers-Incledon (with Hark! the Drum beats to Arms, composed by J. Worgan), Townsend, Richardson, Linton//Britannia-Miss Poole .

Afterpiece Title: THE BELLE'S STRATAGEM

Afterpiece Title: THE HIGHLAND REEL

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Event Comment: [As afterpiece the playbill announces Olympus in an Uproar, but it "was obliged to be postponed, on account of the sudden indisposition of Mrs Martyr. The change was announced in bills published at a late hour, and the door-keepers were ordered to acquaint the audience as they entered of the change. This information ought to have been given from the stage; but instead of that decent ceremony the curtain drew up on Rosina. John Bull resented this want of respect, and made a tremendous clamour, which Incledon and Townsend in vain attempted, by repeated apologies, to allay. At last, however, the storm gradually subsided, and Rosina was suffered to warble her mellifluous tones" (True Briton, 14 Nov.).] Receipts: #199 4s. (193.6; 5.18)

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: Rosina

Event Comment: By Command of Their Majesties. [In mainpiece the playbill assigns Balthazar to Gray, but "Incledon...condescended to take the part of Balthazar, which Townsend [who acted it on 6 Oct.] was too ill to perform, and sung 'Sigh no more, ladies' with much sweetness and effect. In the entertainment Johnstone introduced the song of 'Queen Bess" (Morning Herald, 16 Mar.).] Receipts: #372 1s. 6d. (362.8.6; 9.13.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Honest Thieves

Dance: As17971006

Song: In afterpiece: Queen Bess [not listed on playbill; see below]-Johnstone