SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Tower of London"/1) | (@(roleclean,performerclean) "Tower of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 877 matches on Event Comments, 766 matches on Performance Title, 432 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This Week a Patent passed the Great Seal for the Establishment of a new Theatre, to Samuel Foote, Esq. only (Public Advertiser, London notes, p. 2, col. 3). Mr Barry and Mrs Dancer from Dublin are said to be engaged for this summer at the Theatre Royal in the Haymarket (Gazetteer and New Daily Advertiser, London notes, p. 2, col. 2, which corroborates the Foote patent)

Performances

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Performance Comment: As17670406 but Mordecai-Quick; The Whole to conclude with the Cries of London-.
Event Comment: [The Young Gentleman identified as Owenson by Hopkins MS Notes. Confirmed by Sir Nicholas Nipclose, in The Theatres (2nd. ed. London, 1722, p. 51) speaking of Inchbald's introduction to the London stage with advertisement of "first appearance" though he had been many years an itinerant actor, "this is a trick to gain, from curiosity, what may pay by one night the whole season's pitiful salary of such actors; several mushrooms have vegetated thus; but none more worthless or short lived, than Mr Owenson; brought forward modestly in Tamerlane, some weeks since; without even the requistes of a grown-up school-boy."] Receipts: #180 6s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Event Comment: Mainpiece [1st time; C 3, by Sarah Gardner. Prologue by the author (London Chronicle, 11 Aug.). Larpent MS 435; not published; synopsis of plot in London Magazine, Aug. 1777, p. 433. For a description of the difficulties attending the reception of this play, from a recently discovered MS by Mrs Gardner, see Theatre Notebook, VII, 76-81]

Performances

Mainpiece Title: The Advertisement; Or, A Bold Stroke For A Husband

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The First Part Of King Henry Iv

Performance Comment: As17770724 but Hotspur-Smith (from the Theatre Royal, Dublin; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Portrait

Dance: As17770728

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Gardner; Aimwell-Jones; Sir Charles Freeman-Wortley; Sullen-Price; Gibbet-Parsloe; Boniface and Scrub-Gentlemen from London [unidentified]; Dorinda-Mrs Robinson; Lady Bountiful-Mrs Weeks; Cherry-Mrs Kingham; Mrs Sullen-Mrs Jerrold.

Afterpiece Title: The Irish Widow

Dance: A Hornpipe-Gentleman [unidentified]

Song: End IV: Tally O-Mrs Kingham

Entertainment: Monologue. End: Snip's Humorous Description of the Camp-Gardner

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete; A Medley

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; Beviamo tuttre-_; Italian laughing song-_; Dance of Anticks-_; Dance of Shepherds and Shepherdesses-_; How merrily we live-_; Hecate-_; SCENES I and II as SCENES I and II in A Fete, 25 Apr. SCENE III. A Storm and Shipwreck. Stand to your guns my hearts of oak-Bannister; SCENE THE LAST. An Irish Fair. Teague's Journey to London through Coventry-Moody; Dancing-the Miss Stageldoirs.

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: A Fete

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; A Dance of Shepherds and Shepheresses-_; Hecate-_ SCENE I, as17810425; SCENE II, as17810425; SCENE III as SCENE IV on 25 Apr.; Dance of Anticks-_; SCENE IV. Teague's Journey to London through Coventry-Moody as17810507; The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425. The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425.

Afterpiece Title: Who's the Dupe

Dance: Scene IV: The Butterfly, as17800921

Song: End III: song-Miss Barnes (1st attempt on any stage); End 1st piece: the Grand Naval Review-; Rule Britannia-Gaudry, Edwards, Williams

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Fete

Performance Comment: As17810510, but Teague's Journey to London through Coventry-_; SCENE THE LAST. The Butterfly, as17800921; Hecate-Holcroft.

Afterpiece Title: The Flitch of Bacon

Dance: Scene the Last: The Butterfly, as17800921

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Performance Comment: Principal Characters by Mrs Cargill, Du-Bellamy, Moody, Aickin, Suett, Dodd; Mrs Wells, Mrs Love, Mrs Booth, Miss Wheeler. [Cast from London Chronicle, 30 Oct.: Patie-Mrs Cargill; Roger-Du-Bellamy; Symon-Moody; Sir William Worthy-Aickin; Glaud-Suett; Bauldy-Dodd; Jenny-Mrs Wells; Mause-Mrs Love; Madge-Mrs Booth [not listed in London Chronicle, but see17821016]; Peggy-Miss Wheeler.] hathi. hathi.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Brereton; Amiens (with songs')-Du-Bellamy; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Jaques-Palmer; Caelia (1st time, with the Cuckow song)-Miss Wheeler; Audrey-Mrs Wrighten; Rosalind-A Young Lady (1st appearance on the [London] stage [Miss Glassington]) .London] stage [Miss Glassington]) .

Afterpiece Title: Robinson Crusoe

Dance: End of Act I of mainpiece, as17820223

Song: In Act V of mainpiece song by Miss Field

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Smith; Gonzalez-Packer; Garcia-Farren; Heli-R. Palmer; Selim-Fawcett; Alonzo-Wrighten; Perez-Norris; The King-Aickin; Almcria (1st time)-Miss Kemble; Leonora-Miss Tidswell; Zara-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Brereton; Glenalvon-Palmer; Lord Randolph-Farren; Officer-Wilson; Servant-Phillimore; Norval-Bensley; Anna-Miss Wheeler; Lady Randolph-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Lyar

Dance: As17831020

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Smith; Grey-Aickin; Morton-Farren; Sir Ardolph-Packer; Laroches-Chaplin; Peasant-Wright; Knights-Phillimore, Fawcett, Kenny, &c.; Lord William-Miss Heard; Raymond-Palmer; Eleanor-Miss Kemble; Countess of Salisbury-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Deserter

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Kemble; Siffredi-Bensley; Osmond-Farren (Their 1st appearance i n those characters) ; Rhodolpho-R. Palmer ; Officers-Phillimore, Wilson, Chaplin [Public Advertiser : Kenny], &c.; Laura (1st time)-Miss Kemble ; Sigismunda-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

Event Comment: Mainpiece: 14th Night [i.e. in continuation of the reckoning for the previous season]. With new Music [consisting of 6 new songs (Gazetteer, 2 Oct.)], Scenes and Dresses. The new Music and Accompaniments to the adapted Airs by Shield. The Overture by Baumgarten. The Words of the Songs to be had at the Theatre. [It was "represented in an altered state . . . The second act is almost newly written, and the language of the whole opera amended and pointed with great neatness" {London Magazine, Oct. 1784, p. 315).] "At the end of the first act [of mainpiece], Davies came forward and informed the audience that Mrs Kennedy was of a sudden taken dangerously ill, and hoped that Cubitt might be permitted to read the remainder of her part; a request that was immediately complied with" (London Chronicle, 13 Oct.). [Afterpiece in place of The Positive Man, announced on playbill of 11 Oct.]

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: St

Performances

Mainpiece Title: Braganza

Performance Comment: Valasquez-Smith; Ribiro-Palmer; Almada-Aickin; Mendoza-Barrymore; Lemos-Chaplin; Corea-Fawcctt; Antonio-Wrighten; Pizarro-R. Palmer; Ramirez-Packer; Duke of Braganza-Kemble; Duchess of Braganza-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Kemble; Bellarius-Aickin; Guiderius-Barrymore; Arviragus-R. Palmer; Cymbeline-Wrighten; Pissanio-Packer; Lucius-Phillimore; French Gentleman-Fawcett; Philario-Wright; Cornelius-Chaplin; Cloten-Dodd; Iachimo-Smith; Queen-Mrs Hopkins; Imogen-Mrs Jordan (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Romp

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Widow Belmour (with a song in character)-Miss Farren; Muslin-Miss Pope; Lady Constant-Mrs Brereton; Mignionet-Miss Hale; Mrs Lovemore-Mrs Siddons(i st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Coupee-Bannister Jun.; Blister-Suett; Quaver-Barrymore; Goodwill-Packer; Thomas-Phillimore; Miss Lucy-Mrs Jordan (1st appearance in that character [in London]) .in London]) .

Performances

Mainpiece Title: Mahomet

Performance Comment: Alcanor-Wroughton (1st appearance in that character); Mahomet-Aickin; Pharon-Hull; Mirvan-Fearon; Ali-Gardner; Zaphna-Holman (1st appearance in that character); Palmira-Miss Brunton (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Two Misers

Dance: AS 12 Nov. I785

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Performance Comment: Principal Characters by Lewis, Quick, Aickin, Johnstone, Pope, Farren, Wewitzer, Bernard, Fearon, Mrs Mattocks, Mrs Wells, Miss Brunton, Mrs Bernard, Mrs Morton, Mrs Pope. [Cast from text (T. Hookham, 1788): Captain Daffodil-Lewis; Ben Levy-Quick; Villiers-Aickin; Macpharo-Johnstone; Lord Ormond-Pope; Lord Raymond-Farren; Lord Bonton-Wewitzer; Pink-Bernard; Trusty-Fearon; Lady Bonton-Mrs Mattocks; Clara-Mrs Wells; Lady Clairville-Miss Brunton; Mrs Tender-Mrs Bernard; Mademoiselle-Mrs Morton; Lady Raymond-Mrs Pope; Prologue-Farren; Epilogue-Mrs Wells ["who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)]."who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)].

Afterpiece Title: Hob in the Well

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Palmer; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; William-Burton; Le Beu-Lamash; Silvius-Benson; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; Jaques-Wroughton; Caelia-Mrs Wilson; the Cuckoo Song-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind-Mrs Goodall (from the Theatre Royal, Bath; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Lying Valet

Dance: End I: As17880916

Song: In V: song-Mrs Forster