SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Tomb of Cresphontes"/1) | (@(roleclean,performerclean) "Tomb of Cresphontes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 16 matches on Performance Title, 6 matches on Performance Comments, 6 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Palmer. Part of Pit laid into boxes. House charges #64 4s. [Profit to Mrs Palmer #167 17s.] Receipts: #232 1s. (Treasurer's Book). Fifteen minutes past 4 went into the Pit at Drury Lane...even the lowest characters in this play well performed here. Holland being suddenly taken ill, Bensley played Sir John Melville. I like his figure better than Holland's, tho he's well suited to the characters he usually plays. At the end of the play we had a minuet by Mr Georgi and Mrs Palmer, the dancing very graceful. Then Vernon presented the Cries of London (an imitation of Shuter) in which he introduced of his own a description of the Tombs in Westminster Abbey. The thought of the statues of those, who never prayed while living, praying most devoutly, is good. In the character of Friendly, Vernon introduced a sketch of Ancient and Modern Hospitality. I suppose this is Vernon's first attempt at an imitation of Shuter. He did tolerably but Shuter's figure is of great advantage to him. After dinner bought the Public Advertiser of the 18th for the Playbills and the Atheist a pretty good fable in verse by J. Oakman (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Event Comment: Mainpiece: Not acted these 11 years. III the Procession and Ceremony at the Tomb of Cresphontes. "Since Mrs Crawford's meridian another species of acting has arisen, that adds the graces of demeanour to the ebullitions of passion" (True Briton, 30 Nov.). Receipts: #175 5s. (164.19; 10.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Round Tower

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Fortunatus

Entertainment: End: The Cries of London (In which will be introduced the Tombs of Westminster Abbey)-Vernon

Performances

Mainpiece Title: King Lear

Afterpiece Title: Daphne and Amintor

Dance: End: The Irish Lilt, as17651004

Entertainment: End Farce: (For that night only) The Cries of London, Tombs of Westminster Abbey-Vernon

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Devil to Pay

Dance: IV: The Irish Lilt, as17651004; Following the Entertainment: a New Tambourine Dance, as17660123

Entertainment: End: The Cries of London, Tombs of Westminster Abbey-Vernon

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: High Life below Stairs

Entertainment: End: The Cries of London, Tombs of Westminster-Vernon

Dance: V: The Irish Lilt, as17651004

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deuce Is in Him

Dance: II: The Irish Lilt, as17651004

Entertainment: End: The Cries of London, Tombs of Westminster Abbey-Vernon

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Young Couple

Dance: II: Hearts of Oak-Giorgi, Mrs King

Entertainment: The Cries of London, The Tombs of Westminster-Vernon

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Daphne and Amintor

Entertainment: End: The Cries of London, the Tombs of Westminster-Vernon

Dance: TThe Irish Lilt, as17670430

Performances

Mainpiece Title: The Tempest

Afterpiece Title: High Life below Stairs

Entertainment: End: The Cries of London, Tombs of Westminster-Vernon

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Son-in-Law

Dance: As17820606

Song: End of mainpiece Four-and-twenty Fidlers all on a Row, by Edwin

Monologue: 1782 08 28 End of Act I of afterpiece A Description of the Tombs in Westminster-Abbey, by Edwin

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Monologue: 1782 09 03 End of 2nd piece A Description of the Tombs in Westminster Abbey by Edwin

Performances

Mainpiece Title: Twelfth Night; Or, What You Will

Afterpiece Title: Tristram Shandy

Song: End of Act III of mainpiece The Pigeon by Mrs Kennedy; End of mainpiece Four and Twenty Fiddlers all on a Row by Edwin

Monologue: 1783 05 07 End of Act I of afterpiece A Description of the Tombs in Westminster-Abbey by Edwin

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Midas

Song: End of mainpiece Four-and-Twenty Fidlers all on a Row, by Edwin

Monologue: 1783 08 26 End of Act I of afterpiece A Description of the Tombs in Westminster Abbey, by Edwin

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Musical Lady

Dance: In Act III of mainpiece Hornpipe by Miss Besford; After 2nd song, The Mountaineers, as17841201

Song: End of Act I of mainpiece The Sorrows of Charlotte at the Tomb of Werter (the music composed by Percy, and never before sung in public) sung in character by Miss Wheeler; End of mainpiece The Soldier tir'd of War's Alarms by Miss Wheeler

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Deserter

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Linco's Travels

Afterpiece Title: Tom Thumb

Song: End II 1st piece: The Soldier tir'd of War's Alarms (for this Night only)-Master Braham

Entertainment: Monologue End III 1st piece: A Description of the Tombs in Westminster Abbey-Edwin

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Funeral Procession- of Juliet to the tomb of the Capulets; Solemn Dirge-.

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Minor

Dance: End II: Negro Dance-

Song: End: some of the most favourite Catches and Glees-Bannister, Incledon, Blanchard, Davies, Williamson, Johnstone [for specific songs probably sung, see17910517]

Entertainment: Monologue. After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge

Performance Comment: After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge.
Event Comment: Benefit for Barry. Last time of performing mainpiece this season. N.B. A New Tomb will be made use of, so modell'd as to prevent any obstruction to persons sitting on the stage, from seeing the performance. Pit and boxes will be laid together. Amphitheatre on stage. Servants admitted to keep places. Tickets at Mr Barry's in Bow St., Covent Garden and at Stage Door

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Mock Doctor

Dance: As17500926

Event Comment: Mainpiece: A Tragedy never performed there. Mrs Yates first appearance this stage in 8 years. This Play is from the Orestes of Voltaire Mrs Yates who has been at Covent Garden these 8 years is now return'd & chose to make her first appearance in the part of Electra. Mr Garrick wrote an Excellent Prologue & Epilogue for the Occasion both of which were greatly receiv'd With great Applause. The Play is very dull & heavy & Mrs Yates wanted Spirit greatly in the part of Electra had but little Applause (Hopkins Diary). Paid salary list 5 days at #91 8s. 10d. #457 4s. 2d.; Mr French on acct #5 5s. (Treasurer's Book). [From Westminster Magazine, Oct. (of the mainpiece): From its want of business, it is a very heavy, tedious performance. Most of the scenes are mere declamations; and a certain air of coldness and apathy, which is the peculiar characteristic of French drama, runs thro the whole, which must ever render it unpleasing as well as uninteresting to an English Audience." Gave a severe comment on the Prologue with its theme "home is home be it ever so homely." Preferred the Epilogue. The perspective scenery of Argosv, the Palace of Aegisthusv, and the Tomb of Agamemnonv, designed by Loutherbourg, and painted by Messrs French and Roy, were warm and spirited, and the dresses elegant and characteristic."] Receipts: #243 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Electra

Afterpiece Title: The Anatomist

Event Comment: Mainpiece: Never acted there. In Act III The Procession and Ceremony at the Tomb of Cresphontesv. [Peile is identified on playbill of 16 Apr. 1777.] Receipts: #247 17s. 6d. (246.16.6; 1.1.0)

Performances

Mainpiece Title: Merope

Afterpiece Title: Comus

Performances

Mainpiece Title: The School Of Shakespeare

Performance Comment: ACT I. Filial Piety, as17810807 ACT II. Parental Tenderness, as17810807, but Gloster-Miss Francis; [ACT III. Ambition, as17810807 ACT IV. Love, in the Tomb Scenev in Romeo and Juliet [parts of V. i and iii]. Romeo-Bannister Jun.; Friar Lawrence-Gardner; Capulet-Webb; Apothecary-Barrett; Paris-R. Palmer; Montague-Massey; Juliet-Mrs Cargill (1st appearance in Tragedy).

Afterpiece Title: The Young Actor

Afterpiece Title: The Flitch of Bacon

Entertainment: Cento, as17810807

Song: End I of 1st piece: Admiral Benbow (in the character of a Sailor)-Bannister; End III: Moderation and Alteration-Edwin

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: An Harmonic Jubilee

Performance Comment: SCENE I. A Landscape. Tantivy the welkin resounds (composed by Hook) by Mrs Martyr. SCENE II. A View of Gibraltar. The trumpet's hoarse clang (the words by Johnstone; the music by Reeve) by Darley. SCENE III. A Forest. How sweet o'er the woodlands by Johnstone and Davies. SCENE IV. A Camp. Say, bonny lass, will you carry a wallet? by Mrs Kennedy and Mrs Martyr. SCENE V. A Landscape. We three archers be by Brett, Darley, Davies. scene VI. A Cathedral. A Description of the Tombs in Westminster Abbey by Edwin .

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Padlock

Afterpiece Title: Harlequin's Gambols

Song: End of 1st Monologue A Tax on Old Maids, as sung by Mrs Kennedy at Vauxhall, by Mrs Benson. monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson

Performance Comment: monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson .