SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas and John Baston"/1) | (@(roleclean,performerclean) "Thomas and John Baston")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15610 matches on Author, 2277 matches on Performance Comments, 1448 matches on Event Comments, 424 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Barrymore; Harcourt-Bland; Sir Walter-Webb; John de Vienne-Aickin; Ribbeaumont-Palmer; Eustache de St. Pierre-Bensley; Officer-Caulfield; John D'Aire-Benson; Citizens-Wewitzer, Waldron, Banks, Jones, Maddocks; O'Carrol-Johnstone (of cg); La Gloire-Bannister Jun.; Crier-Hollingsworth; Carpenters-Parsons, Alfred; Serjeant-Suett; Queen-Mrs Goodall; Julia-Mrs Powell; Madalon-Mrs Bland; Other Vocal Parts-Caulfield, Phillimore, Fawcett, Danby, Cooke, Maddocks, Lyons, Alfred, Shaw, Dorion, Miss Hagley, Mrs Edwards, Miss DeCamp, Mrs Butler, Mrs Edwin, Mrs Gawdry, Mrs Bramwell, Mrs Shaw, Miss Kirton.
Cast
Role: Harcourt Actor: Bland
Role: John de Vienne Actor: Aickin
Role: John D'Aire Actor: Benson
Role: O'Carrol Actor: Johnstone
Role: Madalon Actor: Mrs Bland

Afterpiece Title: The Minor

Performance Comment: Sir William Wealthy Wealthy-Baddeley; Mr Wealthy-Maddocks; The Minor-Whitfield; Shift, Smirk-Bannister Jun.; Loader-R. Palmer; Dick-Benson; Mrs Cole-Mr H. Angelo (1st and only appearance); Lucy-Miss Collins.

Entertainment: Monologue. Occasional Prologue-Bannister Jun

Event Comment: 2nd piece: The Characters will be dressed in the Habits of the Times. Books of the Songs to be had at the Theatre. "The Eustache de St. Pierre of Bensley was his Chef d'oeuvre: it suited the sourness of his aspect, his nasal intonation, and the general bluntness of his manner" (Monthly Mirror, 1796, p. 185)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Surrender of Calais

Performance Comment: King Edward-Williamson; Harcourt-Bland; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribeaumont-Palmer; Eustache de St. Pierre-Bensley; Officer-Palmer Jun.; John D'Aire-Evatt; Citizens-Johnson, Farley, Wewitzer, Barrett, Abbott; O'Carrol-Johnstone; La Gloire-Bannister Jun.; Crier-Cubitt; Carpenters-Parsons, Burton; Serjeant-Wilson; Queen-Mrs Goodall; Julia-Mrs Whitlock (1st appearance in that character); Madelon-Mrs Bland; Vocal Parts-Kenrick, Willoughby, Linton, Dorion Jun., Aylmer, Little, Brown, Lyons, Mrs Taylor, Miss Fontenelle, Miss DeCamp, Mrs Edwin, Mrs Powell, Miss Hale, Mrs Gaudry, Mrs Masters, Mrs Bramwell.
Cast
Role: Harcourt Actor: Bland
Role: John de Vienne Actor: Aickin
Role: John D'Aire Actor: Evatt
Role: Citizens Actor: Johnson, Farley, Wewitzer, Barrett, Abbott
Role: O'Carrol Actor: Johnstone
Role: Madelon Actor: Mrs Bland

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Rosina

Cast
Role: Belville Actor: Johnstone

Afterpiece Title: The Invasion or All Alarmd at Brighthelmstone

Performance Comment: Sir John Evergreen-Quick; Beaufort-Davies; Charles Evergreen-Macready; Drill-Farley; Tattoo-Rees; Roger-Rock; Cameleon-Fawcett; Emily (with a song)-Miss Broadhurst; Lady Catherine Rouge-Mrs Webb; In II will be exhibited Sir John Evergreen's Fortification Military Manoeuvres and Review of his Household Troops, Male and Female-; Bandy Will-Follett; Coachman-Rowson; Gardner-Hawtin; Butler-Cranfield; Men Bathers-Rowson, Wheatland, Coombs; Dairy Maids-Miss Leserve, Mrs Gray; Housmaids-Mrs Masters, Mrs Lloyd; Cook-Mrs Rock; Women Bathers-Mrs Powell, Mrs Ratchford, Mrs Lloyd.
Cast
Role: Sir John Evergreen Actor: Quick
Role: Male and Female Actor:
Role: Bandy Will Actor: Follett
Role: Men Bathers Actor: Rowson, Wheatland, Coombs
Related Works
Related Work: The History of Charles the Eighth of France; or, The Invasion of Naples by the French Author(s): John Crowne

Entertainment: Monologue. Preceding 1st piece: An Eulogium on Money-Quick

Performances

Mainpiece Title: Half An Hour After Supper

Performance Comment: Mr Sturdy-Wewitzer; Bentley-Evatt; Captain Berry-Palmer Jun.; Frank-Bland; Miss Tabitha-Mrs Webb; Mrs Sturdy-Mrs Edwin; Miss Eliza Sturdy-Miss Heard; Nanny-Mrs Whitfield; Miss Sukey-Miss DeCamp.
Cast
Role: Frank Actor: Bland

Afterpiece Title: The Surrender of Calais

Performance Comment: King Edward-Davies; Harcourt-Bland; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribbomont-Barrymore; Eustache de St. Pierre-Bensley; Officer-Palmer Jun.; John D'Aire-Evatt; Old Man-Waldron; Citizens-Benson, Wewitzer, Barrett; O'Carrol-Johnstone; Serjeant-Suett; La Gloire-Bannister Jun.; Crier-Alfred; Carpenters-Parsons, Waldron Jun.; Queen-Mrs Whitfield; Julia-Mrs Kemble; Madelon-Mrs Bland.
Cast
Role: Harcourt Actor: Bland
Role: John de Vienne Actor: Aickin
Role: John D'Aire Actor: Evatt
Role: O'Carrol Actor: Johnstone
Role: Madelon Actor: Mrs Bland.

Song: In 2nd piece: Singing-Cooke, Kenrick, Willoughby, Linton, Dorion, Aylmer, Little, Brown, Lyons, Miss DeCamp, Miss Dall, Miss Fontenelle, Mrs Powell, Mrs Masters, Mrs Bramwell, Mrs Hatton

Event Comment: [1st piece in place of A Quarter of an Hour before Dinner, advertised on playbill of 19 Sept.] 2nd piece: 19th time [i.e. in continuation of the reckoning for the 1793 hay season]. With new Scenes, Dresses, and Decorations. 3rd piece: Never acted there

Performances

Mainpiece Title: Piety In Pattens

Performance Comment: Squire-Benson; Butler-Barrett; Mrs Candy-Mrs Edwin; Polly-Miss Heard.
Cast
Role: Mrs Candy Actor: Mrs Edwin

Afterpiece Title: The London Hermit or Rambles in Dorsetshire

Performance Comment: Characters by Bannister Jun., Suett, Aickin, Caulfield, Benson, Parsons, Usher, Johnstone, Waldron, Barrett, Bland, Cooke, Lyons, Palmer Jun., Waldron Jun., Miss Heard, Mrs Booth, Mrs Edwin, Mrs Hale, Mrs Heard, Mrs Gibbs. Cast adjusted from text (J. Debrett, 1793): Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Caulfield; Skip-Benson; Toby Thatch-Parsons; Barleycorn-Usher; Tully-Johnstone; Barebones-Waldron; Poz-Barrett; Apathy-Bland; Bite-Cooke; John-Lyons; Natty Maggs-Palmer Jun.; John Grum-Waldron Jun.; Dian-Miss Heard; Mrs Maggs-Mrs Booth; Ladies-Mrs Edwin, Mrs Hale; Fishwoman-Mrs Heard; Kitty Barleycorn-Mrs Gibbs.
Cast
Role: Tully Actor: Johnstone
Role: Apathy Actor: Bland
Role: John Actor: Lyons
Role: John Grum Actor: Waldron Jun.
Related Works
Related Work: The London Hermit; or, Rambles in Doresetshire Author(s): John O'Keeffe

Afterpiece Title: The First Floor

Performance Comment: Whimsey-Baddeley; Young Whimsey-Benson; Monford-Caulfield; Tim Tartlet-Bannister Jun.; Furnish-Suett; Simon-Bland; Frank-Lyons; Snap-Cooke; Landlord-Barrett; Post@boy-Waldron Jun.; Mrs Pattypan-Mrs Hopkins; Charlotte-Miss Heard; Nancy-Miss DeCamp.
Cast
Role: Simon Actor: Bland
Role: Landlord Actor: Barrett

Performances

Mainpiece Title: The Deaf Lover

Performance Comment: Meadows-Benson; Old Wrongward-Barrett; Young Wrongward-Palmer Jun.; Stemhold-Cooke; John-Burton; Canteen-Bland; Groom-Waldron Jun.; William-Abbot; Bob-Ledger//Sophia-Miss Heard; Maid-Miss Tidswell; Betsy Blossom (with a 1ong)-Mrs Harlowe (1st appearance in that character) .
Cast
Role: John Actor: Burton
Role: Canteen Actor: Bland

Afterpiece Title: THE SURRENDER OF CALAIS

Performance Comment: King Edward-Davies; Harcourt-Bland; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribbomont-Barrymore; Eustache de St. Pierre-Bensley; Officer-Pindar; John d'Aire-Benson; Old Man-Waldron; Crier-Cross; Citizens-Baddeley, Barrett, Abbot, Waldron Jun.; O'Carrol-Johnstone; Serieant-Suett; La Gloire-Bannister Jun. (1st appearance this season); Carpenters-Parsons, Burton. [For female parts see17940822].For female parts see17940822].
Cast
Role: Harcourt Actor: Bland
Role: John de Vienne Actor: Aickin
Role: John d'Aire Actor: Benson
Role: O'Carrol Actor: Johnstone

Song: In 2nd piece, by Sedgwick, Cooke, Kenrick, Walker, Linton, Willoughby, Dorion Jun., Little, Brown, Lyons, Saunders, Dibble//Miss Leak, Mrs Harlowe, Miss De Camp, Mrs Harvey, Miss M. Wrighten, Miss C. Wrighten, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Norton, Mrs Masters, Miss Menage

Event Comment: Mainpiece: Not acted these 5 years [acted 24 Nov. 1791]. "Fawcett is unfortunate in his laugh, which is forced and affected, as if it were more the result of some specific direction acting on his memory, than of any combination of ludicrous images excited in his mind" (Monthly Mirror, Dec. 1795, p. 123). Receipts: #170 12s. (168.8.6; 2.3.6)

Performances

Mainpiece Title: King Henry The Fourth First Part

Performance Comment: Sir John Falstaff (1st time)-Fawcett; King Henry-Harley; Prince of Wales-Lewis; Sir Richard Vernon-Middleton; Worcester-Hull; Poins-Macready; Francis-Knight; Sir W. Blunt-Richardson; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Claremont; Sheriff-Haymes; Peto-Rees; Gadshill-Williamson; Prince John of Lancaster-Holland; Messenger-Abbot; Hotspur's Servant-Master Curties; Travellers-Blurton, Coombs, Wilde; Carriers-Quick, Munden; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Davies; Harcourt-Abbot; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribbemont-C. Kemble; Eustache de St. Pierre-Palmer (1st appearance in that character); Officer-Palmer Jun.; John d'Aire-Trueman; Old Man-Waldron; Crier-Ledger; Citizens-Caulfield, Waldron Jun., Lyons; O'Carrol-Johnstone; Serjeant-Wathen (1st appearance in th-that character); La Gloire-Bannister Jun.; Carpenters-Suett, Burton; Queen-Mrs Harlowe; Julia-Mrs Kemble; Madelon-Mrs Bland.
Cast
Role: John de Vienne Actor: Aickin
Role: John d'Aire Actor: Trueman
Role: O'Carrol Actor: Johnstone
Role: Madelon Actor: Mrs Bland.

Afterpiece Title: The Devil to Pay or The Wives Metamorphosed

Performance Comment: Jobson-Bannister Jun. (2nd appearance in that character); Butler-Trueman; Cook-Burton; Coachman-Ledger; Doctor-Abbot; Sir John Loverule-Davies; Lady Loverule-Miss Heard; Lettice-Miss Tidswell; Lucy-Mrs Haskey; Nell-Mrs Kemble.
Cast
Role: Sir John Loverule Actor: Davies
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Song: Mainpiece: Vocal Parts-Aylmer, Boyce, Brown, Dibble, Kenrick, Linton, Little, Walker, Willoughby, Miss Leak, Miss DeCamp, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Masters, Mrs Norton, Miss Menage, Miss Granger

Event Comment: [In 2nd piece the playbill assigns Madelon to Mrs Bland, but she, "piqued at the levy of the customary, and very proper fines on account of her non-attendance at rehearsals, stayed away from the theatre on this evening, and Mrs Edwards [sic] was obliged to undertake the part of Madelon" (Monthly Mirror, July 1798, p. 52).

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The Surrender of Calais

Performance Comment: King Edward-Davies; Harcourt-Abbot; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribbomont-Barrymore; Eustache de St. Pierre-C. Kemble (1st appearance in that character); Officer-Palmer Jun.; John d'Aire-Trueman; Old Man-Waldron; Crier-Ledger; Citizens-Caulfield, Waldron Jun., Lyons, Chippendale; O'Carrol-Johnstone; Serjeant-Wathen; La Gloire-Fawcett; Carpenters-Suett, Davenport; Queen-Mrs Harlowe; Julia-Miss DeCamp; Madelon-Mrs Edward.
Cast
Role: John de Vienne Actor: Aickin
Role: John d'Aire Actor: Trueman
Role: O'Carrol Actor: Johnstone

Afterpiece Title: Blue Devils

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Middleton; Harcourt-Wentworth; Sir Walter Manny-Sparks; John de Vienne-Aickin; Ribbomont-Barrymore; Eustache de St. Pierre-Cory; Officer-Surmont; John d'Aire-Trueman; Citizens-Wewitzer, Russell, Webb, Chippendale; O'Carrol-Caulfield; La Gloire-Bannister Jun.; Crier-Hollingsworth; Old Man-Packer; Carpenters-Suett, Maddocks; Serjeant-Wathen; Queen-Miss Heard; Julia-Miss DeCamp; Madelon-Mrs Bland.
Cast
Role: John de Vienne Actor: Aickin
Role: John d'Aire Actor: Trueman
Role: Madelon Actor: Mrs Bland.

Afterpiece Title: The Apprentice

Song: Vocal Parts-Danby, Wentworth, Brown, Tett, Denman, Atkins, [J.] Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun., Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Davies; Harcourt-Abbot; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribbemont-Clarke; Eustache de St. Pierre-C. Kemble; Officer-[J.] Palmer; John d'Aire-Waddy; Old Man-Waldron; Crier-Ledger; Citizens-Caulfield, Chippendale, Lyons; J O'Carrol-Johnstone; Serjeant-Wathen; La Gloire-Fawcett; Carpenters-Suett, Davenport; Queen-Mrs Harlowe; Julia-Miss DeCamp; Madelon-Mrs Bland.
Cast
Role: John de Vienne Actor: Aickin
Role: John d'Aire Actor: Waddy
Role: J O'Carrol Actor: Johnstone
Role: Madelon Actor: Mrs Bland.

Afterpiece Title: Fortunes Frolick

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Event Comment: In the notebooks of John Ward, between 1 and 25 Sept. 1662, appears The Alchemist [by Ben Jonson]. See A. L. D. Kennedy-Skipton, "A Footnote to John Ward and Restoration Drama," Shakespeare Quarterly, XII (1961), 353. For an early cast, see Dec. 1660

Performances

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Cast
Role: Mr John Ogilby Actor: .

Performances

Mainpiece Title: The Silent Woman

Performance Comment: . For The Silent Woman the cast may be that in Downes (Roscius Anglicanus, p.4): Morose-Cartwright; Truewit-Major Mohun; Cleremont-Burt; Dauphin-Kynaston; Sir Amorous-Wintersel; Sir John Daw-Shatterel; Captain Otter-Lacy; Epicene-Mrs Knep; Lady Haughty-Mrs Rutter; Mrs Otter-Mrs Corey.
Cast
Role: Sir John Daw Actor: Shatterel
Event Comment: The King's Company. Pepys, Diary: In haste to carry my wife to see the new play I saw yesterday, she not knowing it. But there, contrary to expectation, find The Silent Woman. However in; and there Knipp come into the pit...[and] tells me the King was so angry at the liberty taken by Lacy's part to abuse him to his face, that he commanded they should act no more, till Moone [Mohun] went and got leave for them to act again, but not this play. The King mighty angry; and it was better indeed, but very true and witty. I never was more taken with a play than I am with this "Silent Woman," as old as it is, and as often as I have seen it. There is more wit in it than goes to ten new plays. Nathaniel Wanby, Coventry, 1667: We have known in our time that the Silent Woman hath had the loud applause of a whole theatre (BM Harleian MS. 6430, p.23)

Performances

Mainpiece Title: The Silent Woman

Performance Comment: See16661210. Morose-Cartwright?; Truewit-Major Mohun?; Cleremont-Burt?; Dauphin-Kynaston?; Sir Amorous-Wintersel?; Sir John Daw-Shatterel?; Captain Otter-Lacy?; Epicene-Mrs Knep?; Lady Haughty-Mrs Rutter?; Mrs Otter-Mrs Corey?.
Cast
Role: Sir John Daw Actor: Shatterel?
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prologue Actor: the Genius of England
Role: King John Actor: Wintersell
Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Mans The Master

Performance Comment: Edition of 1669: Prologue-; Epilogue in a Ballad-Two; [Downes (Roscius Anglicanus, p. 30): Master-Harris; The Man-Underhill; Singing the Epilogue [like two Street Ballad-Singers-Mr Harris, Mr Sandford. [According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]
Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: King here. See also Nicoll, Restoration Drama, p. 344. See Noyes, Ben Jonson on the English Stage, p. 307, for a letter to Lady Sunderland on this performance, and, p. 308, for an anecdote from The Life of the Late Famous Comedian, Jo. Haynes, concerning Haynes and Hart in a scene. For another allusion to the action, see Henri Ferneron, Louise de Keroualle, Duchess of Portsmouth (London, 1807), p. 179n. Pepys, Diary: 15 Jan. 1668@9: It is about my Lady Harvy's being offended at Doll Common's [Mrs Corey's] acting of Sempronia, to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: There has not been any new lately revived and reformed, as Catiline, well set out with clothes and scenes (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14). See also 7 and 11 Dec. 1667

Performances

Mainpiece Title: Catilines Conspiracy

Event Comment: In L. C. 5@12, p. 212, is a list of plays formerly acted at Blackfriars and now allowed (ca. 12 Jan. 1668@9) to the King's Company: Everyman in his Humour. Everyman out of his Humour. Cyntheas Revells. Sejanus. The ffox. The Silent Weoman. The Alchymist. Catilin. Bartholomew ffayre. Staple of Newes. The Devills an Asse. Magnitick Lady [The Humours Reconciled]. Tale of a Tubb. New Inn [or The Light of Heart]. Beggers Bush [by John Fletcher, with Philip Massinger?]. Bonduca. Custome of ye Country. The Captaine. The Chances. The Coxcombe. The Double Marriage. The ffrench Lawyer. The ffalse One. The fayre Mayd of ye Inn. The Humorous Leivt. The Island Princes. The Knights of Malta. Nathan Field. The Loyall Subject. The Lawes of Candye. Loves Progresse [The Lover's Progress; or, The Wandering Lovers. The Winters Tale. King John. Richard the Second. Loues Cure [or The Martial Maid]. Loues Pilgrimage. The Noble Gentlemen. The Nice Valour [or, The Passionate Madman]. The Prophetesse. The Marshall Mayd [see Love's Cure]. The Pilgrim. The Queene of Corinth. The Spanish Curate. The Sea Voyage. Valentinian. The Weomans Prize [or, The Tamer Tamed]. A Wife for a Moneth. The Wyd Goose-Chase. The Elder Brother. The ffaythfull Shepherdesse. A King & noe King. The Maydes Tragedie. Phylaster. Rollo Duke of Normandy [or, The Bloody Brother]. The Scornefull Lady. Thiery & Theodorat. Rule a Wife. The Gentlemen of Verona. The Merry Wives of Windsor. The Comoedy of Errors. Loves Labour Lost. Midsomer Nights Dreame. The Merchant of Venice. As you like it. The Tameing of ye Shrew. Alls well yt ends well. Henry ye fourth. The Second part Henry IV. The Royall Slaue

Performances

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: The King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: Horace, with a farce and dances between every act, composed by Lacy and played by him and Nell, which takes (John Evelyn, Diary and Correspondence, ed. William Bray, IV, 14). See 19 Jan. 1668@9

Performances

Mainpiece Title: Horace

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: the King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: one of my Lord of Newcastle's for whch printed apoligies are scattered in the assembly by Briden's order, either for himself who had some hand in it, or for the author most; I think both had right to them (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Richmond Heiress; or, A Woman Once in the Right Author(s): Thomas D'Urfey
Related Work: The Heiress; or, the Antigallican Author(s): Thomas Mozeen
Related Work: The Heiress Author(s): John Burgoyne
Event Comment: Mrs John Evelyn to Mr Terryll: The censure of our plays comes to ee at the second hand. There has not been any new lately revived and reformed, as Catiline, well set out with clothes and scenes; Horace, with a farce and dances between every act composed by Lacy and played by him and Nell, which takes; one of my Lord of Newcastle's, for which printed apologies are scattered in the assembly by Briden's order, either for himself who had some hand in it, or for the author most; I think both had right to them (The Diary and Correspondence of John Evelyn, ed. Bray, IV, 14)

Performances

Event Comment: The Duke's Company. The date of the first performance is quite uncertain, but the fact that the Prologue was spoken at Lincoln's Inn Fields and refers to that theatre as "a damn'd House," appropriate to its status before the Company's removal to Dorset Garden (9 Nov. 1671), would place it in the early autumn. The presence of unfamiliar names in the cast and the statement in the Dedication to its "hasty Representation" suggest a summer or early autumn performance before the principals had resumed their places in the Company. See Nicoll, Restoration Drama, p. 424, for other complications in the dating of this play

Performances

Mainpiece Title: Herod And Mariamne

Performance Comment: Edition of 1673: Prologue at the Theatre in Lincolns@Inn@Fields-; Epilogue-Mariamne; Herod-Medburn; Pheroras-Crosby; Alexas-John Lee; Tyridates-Smith; Arsanes-Norris; Polites-Anthony Lee; Sosius-Gillow; Mariamne-Mrs Spencer; Salome-Mrs Mary Lee; Alexandra-Mrs Osborn.
Cast
Role: Alexas Actor: John Lee
Role: Alexandra Actor: Mrs Osborn.
Event Comment: London Gazette, No 742, 26-30 Dec. 1672: These are to give Notice, that at Mr John Banister's House, now called the Musick School, over against the George Tavern in White Fryers this present Monday, will be Musick performed by Excellent Masters, beginning precisely at four of the Clock in the afternoon, and every afternoon for the future, precisely at the same hour. Roger North on Music: But how and by what stepps Musick shot up in to such request, as to croud out from the stage even comedy itself, and to sit downe in her place and become of such mighty value and price as wee now know it to be, is worth inquiring after. The first attempt was low: a project of old Banister, who was a good violin, and a theatricall composer. He opened an obscure room in a publik house in White fryars; filled it with tables and seats, and made a side box with curtaines for the musick. 1s. a peice, call for what you please, pay the reckoning, and Welcome gentlemen. Here came most of the shack [vagabond] performers to towne, and much company to hear; and divers musicall curiositys were presented, as, for instance, Banister himself, upon a flageolett in consort, which was never heard before nor since, unless imitated by the high manner upon the violin. But this lasted not long, nor another meeting of like kind neer Paul's (headed by one Ben. Wallington) for voices to an organ, where who would, that was gifted, might performe, and no payment, but the reckoning (ed. John Wilson [London, 1959], pp. 302-3)

Performances

Mainpiece Title: Concert