Event Comment: Benefit for Mr and Mrs Barrington. [No Buildings on stage. Salarino-Usher, according to $Hogan, based on a Havard playbill.

Event Comment: Benefit for Bencraft and Mrs Vincent

Event Comment: Benefit for Dunstall and Mrs Dunstall. Mainpiece: Acted but once these 14 years [see 4 May 1748]

Event Comment: Benefit for Collins and Usher

Event Comment: Benefit for Shawford, Roger, Granier and the Widow Reinhold. Receipts: #140 (Cross)

Event Comment: To begin exactly at 6:00 o'clock. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage door. [Repeated throughout the season.] Ye Naturalizing Bill having made some Noise against the Jews, some people call'd out for ye Merchant of Venice, & a Letter was thrown upon ye Stage desiring that play instead of the Opera, but we took no Notice of it, some little hissing but it dy'd away (Cross). [Sometime in the calendar year 1753, Lacy and Garrick drew up a mortgage on the Drury Lane property for #10,000, to be amortized to James Clutterbuck over a period of twenty-one years at the rate of #4 per acting night, and permission to grant free seats in any part of the theatre (except the stage, scenes and orchestra) to forty persons. These latter to be named and seats assigned ten days prior to the opening of any season. This thirteen-page document, which describes accurately the bounds of the 13,134 square feet of land on which the ten buildings comprising Drury Lane Theatre stood, contains protective clauses for Clutterbuck, to the effect that Garrick and Lacy will exhibit nowhere else in London without the #4 nightly payment and for Garrick and Lacy, to the effect that arrears in payment could be collected solely from Drury Lane property, and not from the individual incomes of the mortgagees. It was not signed, so apprently was not executed. (See Havard, Collection of Documents dealing with affairs of Drury Lane, No 2, fMS, Thr 12.)] Receipts: #150 (Cross)

Event Comment: Mainpiece: Acted but once these 8 years. [See 24 April 1753, and 15 Feb. 1746.] Receipts: #60 (Cross)

Event Comment: [M$Murphy in caustic comment in the Gray's Inn Journal this date laid out a set of rules for actor decorum for both Managers, but apparently directed it mostly towards Rich]: I. That no player shall during the performance stand with a vacant face, making a tour with his eyes around the House, or ogling the ladies in the Green Boxes, but that he shall to the best of this power, be attentive to the business of the scene in which he is engag'd. II. That no player shall come on imperfect in his part, or take liberties to insert his own jokes and witticisms in the Productions of those Geniuses, for whom he should have the proper respect due to the superiority of their parts. III. That no one shall mistake bawling for Expression; strutting and swaggering for deportment; twisting the body and looking cunning for sprightliness; pinching of hats and standing on tiptoe for graceful attitude; wry faces for Humour, &c., but that each player who cannot arrive at excellence, shall at least pay some regard to decency. IV. That Murder shall always be committed on stage without being comical

Event Comment: Benefit for a Gentlewoman, who hath a large Family in great Distress, being kept out of a good Fortune (Cross). Tickets to be had at Mrs Brown's, Milliner, in Martin's-Church-Yard; Mr Leeson, Haberdasher, near the New Church in the Strand; Mrs Kelly's, the Rainbow Coffee House, Ludgate Hill; Mr Walker's, an Oilman in Catherine St., and of Varney at the Stage Door (playbill). Receipts: #30 (Cross)