Event Comment: Robert Jennens to Thomas Coke, 19 Nov. 1696: There has been for four or five days together at the play house in Lincolns Inn Fields acted a new farce translated out of the French by Mr Monteux called the Shame Sham? Doctor or the Anatomist, with a great concert of music, representing the loves of Venus and Mars, well enough done and pleases the town extremely. The other house has no company at all, and unless a new play comes out on Saturday revives their reputation, they must break (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 367)

Event Comment: Betterton's Company. A playbill for this performance was once in the possession of Thomas Hailes Lacy (1809-73); Fitzgerald, A New History, I, 389, refers to it; the playbill seems no longer to be extant

Event Comment: Tom Brown, writing to George Moult, 30 Aug. 1699: As I have observ'd to you, this noble Fair is quite another thing than what it was in the last Age; it not only deals in the humble stories of Crispin and Crispianus, Whittington's Cat, Bateman's Ghost, with the merry Conceits of the Little Pickle-herring; but it produces Opera's of its own Growth, and is become a formidable Rival to both the Theatres. It beholds Gods descending from Machines, who express themselves in a language suitable to their dignity; it trafficks in Heroes; it raises Ghosts and Apparitions; it has represented the Trojan Horse, the Workmanship of the divine Epeus; it has seen St. George encounter the Dragon, and overcome him; In short, for Thunder and Lightning, for Songs and Dances, for sublime Fustian and magnificent Nonsense, it comes not short of Drury-Lane or Lincolns-Inn-Fields (in Thomas Brown, Works, 4th edition, 1715, I, 212-13). [For a colorful account of Bartholomew Fair at the turn of the century, see The London Spy Compleat, 1703, Parts X and XI, particularly pages 228-58.]

Event Comment: Betterton's Company. This performance is known from a playbill apparently no longer extant: W. R. At the Desire of several Persons of Quality. At the New Theatre in Little Lincoln's-Inn Fields, this present Tuesday, being the 27th of February, will be presented, a Tragedy call'd The Mourning Bride. The Moorish? Entry perform'd by The Little? Boy. Vivant Rex. (W. J. Lawrence, The Elizabethan Playhouse and Other Studies (Stratford, 1913). See also R. W. Lowe, Thomas Betterton (London, 1891), and Fitzgerald, A New History, I, 389

Event Comment: Benefit the Widow of Thomas Williams, who perform'd in the Theatre Royal. At 8 p.m

Event Comment: Elizabeth Coke to Thomas Coke: They say the Queen and Prince was both extremely diverted with it. There was a great deal of Company, but no finery, the Court being in mourning. [Cowper MS, III, 163.

Event Comment: Benefit the Author [Nicholas Rowe]. At the Desire of several Persons of Quality. [Announced as the last new farce, it had been originally scheduled for the week of 6-11 Nov. (Diverting Post, 4 Nov.), but postponed. It probably was acted before 25 Nov., for the Diverting Post of that date published the Prologue.] Thomas Davies: Did not the tragic Rowe write The Biter, a comedy; and was he not the only person of the audience that laughed during the acting of it [Dramatic Miscellanies, I, 94]

Event Comment: Never acted before. [By Thomas Baker.

Event Comment: Never Acted before. [By Thomas D'Urfey.] Mainpiece: a Comical Opera

Event Comment: [By Thomas Baker.] Never Acted before

Event Comment: Benefit Thomas and John Baston. At 6 p.m

Event Comment: Admission as 24 Nov., but stage boxes omitted. At 6 p.m. The Spectator, 26 Dec., has a letter from Thomas Clayton, Nicolino Haym, and Charles Dieupart, who state that they have joined together to offer entertainments of music in the future at Clayton's house in York Buildings

Event Comment: Benefit Thomas and John Baston. At 6 p.m. Tickets 2s. 6d. [The discontinuance of The Spectator on 6 Dec. caused an interruption in the advertisement of plays until 10 Dec.

Event Comment: Benefit Thomas Baston and Young. Tickets 2s. 6d. At 6 p.m

Event Comment: The first of Twelve Grand Concerts. In Daily Courant, 9 Jan., proposals had been issued for setting up by subscription a monthly concert for the first Wednesday of each month. There were never to be fewer than three of the best singers and nineteen performers in all. Each subscriber was to pay to Trustees John Shipton and Thomas Ives one guinea for a year. The concerts were to begin when there were 350 subscribers. On this date 100 subscriptions had been received

Event Comment: For The Entertainment of their Royal Highnesses the Young Princesses. [The Princesses present.] For comment on the current theatrical scene, see The Letters of the Late Thomas Rundle, pp. 18-22

Event Comment: Benefit Hawker and Thomas. By Subscription. Written by the late Mr Farquhar. At 6 p.m. N.B. Several Gentlemen and Ladies have complained of the coldness of the House, particular Care will be taken that Night to make the House much warmer

Event Comment: Benefit Hallam, Rob. William, and Miss Tynte. Written by Shakespear. Th. Cibber (Lives and Characters, pp. 49-49): I remember, some Years ago, on Mr Giffard's coming from Ireland (then a young Actor) Mr Booth performed the Character of Hotspur one Night, when Mr Giffard played the Part of the Prince of Wales ; Mr Booth knowing Mr Giffard must be naturally prejudiced in favour of Mr Thomas Elrington, to whose Performance in Hotspur he had many times attended with no small Admiration-Mr Booth, piqued on this Occasion, exerted himself in a particular Manner, and played the whole Part with such Fire, and Engergy of Spirit, as rouzed his Auditors to an Extravagance of Applause, and made Mr Giffard confess (as he has often done in my Hearing) that, notwithstanding his Prepossession in favour of Mr Elrington,-Mr Booth, in Power, Spirit, and Judgment, went far beyond him in this Part; as he afterwards, with Admiration confessed,-he did in every other

Event Comment: Receipts: #170 9s. 6d. Probable attendance: boxes, 236 paid; stage, 44 paid; balcony, 2 paid; Pit, 290 Paid and 3 orders; slips, 47 paid and 1 order; first gallery, 419 paid and 1 order; second gallery, 189 paid. For a comment on the play by Thomas Edwards, see V. M. Gilbert, Unrecorded Comments on John Gay, Henry Travers, and Others, Notes and Queries, August 1953, pp. 337-38

Event Comment: At Lee-Harper-Spiller Booth. Mainpiece: With all proper Decorations of Scenery, Machinery, &c. particularly the Sea where Leander was drown'd with Neptune, Tritons and Mermaids, floating. With the Comical Humours of Otter and Nurse. Afterpiece: [By Thomas Walker. Cast not listed in edition of 1728.

Event Comment: [By Ebenezer Forrest.] By Command of His Royal Highness. After the Manner of the Beggar's Opera. All the Habits and Scenes entirely New. Receipts: #161 18s. 6d. [For a comment on this performance, see Thomas Edwards to John Clerke, "Unrecorded Comments on John Gay, Henry Travers, and Others", N & Q (August 1953), p. 338.

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights