SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Linley Sen"/1) | (@(roleclean,performerclean) "Thomas Linley Sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5730 matches on Author, 774 matches on Performance Comments, 487 matches on Event Comments, 105 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Miser

Performance Comment: Lovegold-L. Hallam; Frederick-Wignell; Clerimont-Cushing; Ramilie-Cartwright; Cook-Shuter; Decoy-Dove; Satin-G. Hallam (Daily Advertiser), Hallam Sen. (General Advertiser); Lappet-Mrs Hallam; Mariana-Mrs Cushing; Harriet-Mrs Wignell; Mrs Wisely-Mrs Bambridge; Wheedle-Miss Moreau.
Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Afterpiece Title: The Virgin Unmasked

Dance: As17461124

Event Comment: [At Lee, Yeates Sen & Jun and Warner's Booth, Southwark

Performances

Mainpiece Title: The Fair Maid Of The West

Related Works
Related Work: The Fair Maid of the West Author(s): Thomas Heywood
Event Comment: ["Dorion Sen. absent from this Evening's Performance" (Powell).] Powell: Bon Ton rehearsed at 11 (Tittup's Scenes); My Grandmother at 11:30 (Vapour's Scenes; Barrymore not being in Town, the rehearsal was dismiss'd); Liar at 12; Children in the Wood at 1 (last Scene). Receipts: #179 4s. (111/5; 64/1; 3/18)

Performances

Mainpiece Title: The Children In The Wood

Related Works
Related Work: The Children in the Wood Author(s): Thomas Morton

Afterpiece Title: BON TON

Afterpiece Title: LODOISKA

Event Comment: The Fifth Performance of the Mainpiece. The Music by Mr Linley of Bath. Afterpiece: By Particular Desire. Paid James Abbott for Flowers etc. for the Garland Dance #5 11d. and paid Mrs Winter for flowers etc. for the same #2 13s. 4d. (Account Book). [See 14 Dec.] Receipts: #211 2s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Related Works
Related Work: The Royal Merchant Author(s): Thomas Hull

Afterpiece Title: The Oxonian in Town

Dance: End of Opera: The Dutch Milkmaid, as17671114

Event Comment: Mainpiece [altered by John Philip Kemble]: By Shakespeare, with Additions from Dryden. The Music by Purcell and Dr Arne, with new Airs and Chorusses by the late Linley Jun. [Epilogue by John Burgoyne (Kemble Mem.).] Receipts: #154 13s. 6d. (135.9.0; 19.2.6; 0.2.0)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: The First Floor

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Fawcett, Wilson, Maddocks, Alfred, Lyons, Miss Romanzini, Mrs Edwards, Mrs Fox, Miss Barnes, Miss Stageldoir, Mrs Shaw, Mrs Butler, Mrs Crouch; III: Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite-Mrs Edwards

Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Musick by Purcell and Dr Arne, with the new Airs and Chorusses by the late Linley Jun. Afterpiece: 30th [recte 29th] time [i.e. in continuation of the reckoning for the previous season]. The Overture, new Songs and Accompaniments by Shaw. Receipts: #199 18s. 6d. (157.10.0; 40.8.0; 2.0.6)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: The Island of St

Performance Comment: Marguerite. The Mask-Kelly; Commandant-Barrymore; Turnkey-Suett; Officer-Sedgwick; Thomas-Banks; Lawyer-Waldron; Mob-Hollingsworth, Chapman, Webb, Fairbrother, Lyons; Jonas-Bannister Jun.; Nannette-Miss Romanzini; Abbess-Mrs Edwards; Teresa-Miss Barnes; Nuns-Mrs Shaw, Mrs Davis, Mrs Gawdry, Miss Palmer; Carline-Miss Hagley.
Cast
Role: Thomas Actor: Banks
Related Works
Related Work: The Island of St. Marguerite Author(s): Thomas Shaw Jr.

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Edwards, Miss Hagley, Mrs Crouch; III: a Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite Mrs Edwards

Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Music by Purcell and Dr Arne. With new Airs and Chorusses by Linley Jun. Receipts: #225 8s. 6d. (188.14.6; 34.19.0; 1.15.0)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: Don Juan

Dance: See17911105 [i.e. not listed on playbill]

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Crouch, Mrs Bland, Miss Hagley, Mrs Edwards; V: the Masque of Neptune and Amphitrite-Neptune Sedgwick,; Amphitrite Mrs Edwards

Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Music by Purcell and Dr Arne, with the new Airs and Chorusses by the late Mr Linley Jun. Receipts: #120 9s. 6d. (82.18.6; 29.0.0; 8.11.0)

Performances

Mainpiece Title: At Kings The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: The Prisoner

Related Works
Related Work: The Prisoner Author(s): Thomas Attwood

Song: Vocal Parts-Kelly, Dignum, Danby [Public Advertiser: Caulfield], Cooke, Mrs Bland, Miss DeCamp, Mrs Edwards, Mrs Shaw

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Mrs Edwards

Event Comment: Mainpiece: With Additions (by John Philip Kemble] from Dryden. The Musick by Purcell and Dr Arne, with the new Airs and Chorusses by the late Mr Linley Jun

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: WHOs THE DUPE

Song: Mainpiece: Vocal Parts by Dignum, Sedgwick, Caulfield, Cooke, Lyons, Dorion Sen. and Jun., Dibble, Willoughby, Walker, Brown, Saunders, Welsh, Burden//Mrs Bland, Miss De Camp, Mrs Stuart, Miss Menage, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale. In Act V the Masque of Neptune and Amphitrite. Neptune-Sedgwick//Amphitrite-Mrs Stuart

Event Comment: Mainpiece: Not acted these 4 years. With Additions from Dryden; the Musick by Purcell and Dr Arne, and the new Airs and Chorusses by the late Mr Linley Jun. [Afterpiece in place of A Friend in Need, advertised on playbill of 21 Feb.] The Publick is respectfully informed that on Account of the sudden Indisposition of Sga Bossi DelCaro, The Scotch Ghost [advertised on playbill of 21 Feb.] cannot be performed this Evening (printed slip attached to Kemble playbill). Receipts: #212 2s. 6d. (145.1.0; 61.0.0; 6.1.6)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: My Grandmother

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Cooke, Master Welsh, Miss Leak, Miss D'Evelyn

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss D'Evelyn

Event Comment: Mainpiece: With Additions from Dryden; the Musick by Purcell and Dr Arne, and the new Airs and Chorusses by the late Mr Linley Jun. Receipts: #142 7s. 6d. (79.17.6; 60.10.0; 2.0.0)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: Whos the Dupe

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Caulfield, Danby, Brown, Fisher, Evans, Phillimore, Ms Leak, Ms Arne, Ms Wentworth, Ms Butler, Ms Jackson, Ms Benson, Ms Menage, Ms Roffey, Ms Gaudry

Monologue: V: The Masque of Neptune and Amphitrite. Neptune-Sedgwick; Amphitrite-Miss Dufour

Event Comment: Benefit for Sedgwick. Mainpiece: With additions from Dryden. The Musick by Purcell and Arne, and the new Airs and Chorusses by the late Linley Jun. Morning Chronicle, 2 May: Tickets to be had of Sedgwick, No. 18, Clement's-inn. Receipts: #390 8s. 6d. (97.13.6; 56.4.6; odd and after-money: 2.13;0; tickets: 233.17.6) (charge: #217 2s.)

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Afterpiece Title: Bon Ton

Song: Mainpiece: Vocal Parts-Dignum, Danby, Brown, Mrs Bland, Miss Menage, Master Heather, Miss Jackson; End II: Jerry Sneak in his Glory-Roberts; End IV: The Town Crier-Suett; End: As burns the charger (from Robin Hood)-Sedgwick; End I afterpiece: At the peaceful Midnight Hour (from The Castle of Andalusia)-Sedgwick

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Miss Wentworth

Performances

Mainpiece Title: Trick For Trick Or The Debauchd Hypocrite

Performance Comment: Edition of 1678: Prologue-Mr Haines in a Red Coat like a Common Souldier; Sir Wilding Frollick-Mohun; Monsieur Thomas-Hart; Valentine-Griffin; Franck-Clark; Hylas-Goodman; Sir Peregreen-Powell; Launce-Haynes; Physicians-Watson, Coysh, Perin; Cellida-Mrs Boutell; Sabina-Mrs Corbett; Lucilla-Mrs Merchant; A Whore-Mrs Farlee; Mrs Dorothy-Mrs Knepp; Epilogue-Mr Mohun.
Cast
Role: Monsieur Thomas Actor: Hart
Related Works
Related Work: Trick for Trick; or, The Debauch'd Hypocrite Author(s): Thomas D'Urfey
Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1698, suggests a premiere in June 1698. In addition, the Preface replies to Jeremy Collier, whose Short View had a second edition appear in mid-May, and the presence of some younger actors--Fairbank and Bullock, for example--in the cast suggests a summer performance. The music for the songs was composed by Daniel Purcell. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: The Campaigners Or The Pleasant Adventures At Brussels

Performance Comment: Edition of 1698: Prince Landevile-Evans; Don Leon-Sympson; The Sieur Bondevelt-Johnson; Col. Darange-Mills; Kinglove-Thomas; Min Heer Tomas-Penkethman; Marqui Bertran-Cibber; Van Scopen-Fairbank; Mascarillo-Bullock; Angellica-Mrs Knight; Madam la Marquise-Mrs Verbruggen; Anniky-Mrs Powel; Gusset-Mrs Kent; Fardell-Mrs Lynsey; Prologue-Mr Pinkethman in a Cloak, with a Poetical Wreath on; Epilogue-Mr Cibber (Acting the Fr. Marquis).
Cast
Role: Kinglove Actor: Thomas
Related Works
Related Work: The Campaigners; or, The Pleasant Adventures at Brussels Author(s): Thomas D'Urfey
Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Edward Topham ( see text)]: With new Scenery, Dresses, &c. [Oracle, 1 Feb. 1796, recounts the financial transactions relative to this play. Thomas Harris, the cg proprietor, bought the copyright from Morton for #140; he was also to give Morton #100 on each of his benefit nights, i.e. the 3rd, 6th, 9th and 21st of the run of the play. Morton's profit was therefore #540.] Receipts: #281 16s. 6d. (278.9.6; 3.7.0)

Performances

Mainpiece Title: The Way To Get Married

Related Works
Related Work: The Way to Get Married Author(s): Thomas Morton

Afterpiece Title: The Poor Soldier

Event Comment: Mainpiece: Not acted these 4 years. Afterpiece [1st time; P 2 (?). Not published; Songs: Larpent MS 1272]: Invented by T. Dibdin, & produced under the Direction of Farley. To conclude with an Allegorical Procession of the Seasons, Months and Hours, to the Temple of Domestic Happiness. With entire new Music, Scenery, Machinery, Machinery, Dresses and Decorations. The Overture and Music composed by Moorehead. The Dances by Bologna Jun. The Scenery by Phillips, Lupino, Hollogan, Wilkins, Bromley, the two Whitmores, Powell. The Machinery by Cresswell, Sloper, Goostree, C. Dibdin Jun., &c. The Dresses by Dick and Mrs Egan. Books of the Songs [J. Barker, 1799] to be had in the Theatre. "The opening scene of the new pantomime is highly interesting. The representation of the Volcanov, and the fight in the air between Floridel and Cratero, may with justice claim the epithet of grand and magnificent" (Dramatic Censor, I, 13). Account-Book, 6 Feb, 1800: Paid Moorehead for music in Volcano #25. Receipts: #366 7s. (344.17; 21.10)

Performances

Mainpiece Title: The Earl Of Essex Or The Unhappy Favorite

Afterpiece Title: The Volcano or The Rival Harlequins

Performance Comment: Harlequin Whitesword-Bologna Jun.; Harlequin Blacksword-King; Clown-Bologna; Infernal Spirit-Delpini; Colombine's Father-Whitmore Jun.; Old Beau-Hawtin; Hermit-Lewiss; Colombine-Mrs Parker; The Other Pantomime Characters-Wilde, Blurton, Platt, Abbot, T. Cranfield, Powers, Vials, Howell, L. Bologna, Klanert, Atkins, Mills, Wilkins, Webb, Letteney, Griffiths, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs D'Egville, Miss Cox, Miss Coombs; Vocal Characters Cratero (Daemon of the Mountain)-Denman; Ballad Singers-Emery, Simmons; Irish Ship@builder-Macartney; Principal Daemon-Linton; 2nd Daemon-Street; Chorus of Infernal Spirits-Gardner, Thomas, Oddwell, Smith, J. Linton, Kenrick, Sawyer, Tett; Floridel (Spirit of the Air)-Miss Wheatley; Attendants on Floridel-Ms Sims, Ms Iliff, Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Sydney, Ms Blurton, Mrs Castelle.
Related Works
Related Work: The Volcano; or, The Rival Harlequins Author(s): Thomas Dibdin
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle Or The Witty False One

Related Works
Related Work: Madam Fickle; or, The Witty False One Author(s): Thomas D'Urfey
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p.359: See also Nicoll, Restoration Drama, p. 346. There is no indication as to whether this is the premiere. The music for four songs was composed by Matthew Lock. See A New Collection of Songs and Poems...by Thomas D'Urfey, 1683

Performances

Mainpiece Title: The Fool Turnd Critick

Event Comment: The Duke's Company. The date of the first production is not known, and it may have been acted before this season; hence, it is entered also in the preliminary list in the season of 1676-77. As the play was licensed for printing on 4 Oct. 1677, September 1677 is probably the latest time at which it could have been produced. The play is an alteration of Thomas Middleton's No Wit, No Help, Like a Woman's. It has been attributed to both Mrs Aphra Behn and Thomas Betterton

Performances

Mainpiece Title: The Counterfeit Bridegroom Or The Defeated Widow

Performance Comment: Possibly by Mrs Aphra Behn or ThomasBetterton. Edition of 1677: Prologue-Mrs Currar; Sir Oliver Santloe-A. Leigh; Peter Santloe-Bowman; Sanders-Gilloe; Noble-Crosby; Hadland-Williams; Sir Gregory Lovemuch-Persivall; Gazer-Norris; Noddy-John Lee; Sam-Richards; Lady Santloe-Mrs Norris; Clarina-Mrs Gibbs; Widow Laudwell-Mrs Osborne; Eugenia-Mrs LeGrand; Mrs Hadland-Mrs Currar.
Related Works
Related Work: No Wit, No Help, Like a Woman's Author(s): Thomas Middleton
Event Comment: The Duke's Company. There is no certainty as to the date of the first production; but as this play was entered in the Term Catalogues November 1679, it was certainly first acted by October 1679, possibly in September 1679. A musical number, The Loyal Protestant, the music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: The Virtuous Wife Or Good Luck At Last

Performance Comment: Edition of 1680: Prologue-Mrs Barrer [and Tony Leigh]; Epilogue-Mr Nokes [representing my Lady Beardly; Beverly-Harris; Beauford-Smith; Sir Frolack Whimsey-Jevon; Sir Lubbery Widgeon-Lee; Brainworm-[no one listed for this role, but Cave Underhill seems a likely actor for it]; Amble-Underhill [perhaps Underhill was erroneously listed for this instead of Brainworm]; Crotchett-Bowman; Olivia-Mrs Barrer; Lady Beardly-Nokes; Jenny Wheedle-Mrs Currer; Lidia-Mrs Seymour; Tissick-Mrs Norrice.
Related Works
Related Work: The Virtuous Wife; or, Good Luck at Last Author(s): Thomas D'Urfey
Event Comment: The United Company. This play may have been revived during this month or earlier. A song, Come Jug my honey let's to bed, the music by Thomas Farmer, sung by Reading and Mrs Norris, was printed in Choice New Songs never before Printed [by Thomas D'Urfey, 1684]. Luttrell purchased a copy of this collection on 8 Jan. 1684@5 (Bindley Collection, William Andrews Clark@Jr@Library)

Performances

Mainpiece Title: The Cheats Of Scapin

Related Works
Related Work: The Cheats of Scapin Author(s): Thomas Otway
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton
Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Scholar Actor: Thomas
Related Works
Related Work: The Pilgrim Author(s): Thomas Killigrew
Event Comment: [By Thomas D'Urfey. Premiere.] Preface: The stopping of it from Acting by Superiour command, doing me no manner of Injury, (tho it might the Play-house) but only for two or three days disappointing my friends; the Cause is so trivial...for taking the Poetical Licence of making Mad man in my Scene Satyrically drink a Health, altering it into a modest phrase, (tho somewhat too familiar)

Performances

Mainpiece Title: The Bath Or The Western Lass

Related Works
Related Work: The Bath, or, The Western Lass Author(s): Thomas D'Urfey
Event Comment: [By Thomas D'Urfey.] Never Acted before

Performances

Mainpiece Title: The Modern Prophets Or New Wit For A Husband

Related Works
Related Work: The Modern Prophets: or New Wit For a Husband Author(s): Thomas D'Urfey