Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue by Edward Topham. Epilogue by the author (see text)]: With New Scenes, Dresses and Decorations. The Words of the Roundelay [composed by Thomas Linley Sen.] introduced in the Comedy will be given gratis at the Theatre. Public Advertiser, 9 Apr. 1781: This Day is published Dissipation (1s. 6d.). Receipts: #243 4s. 6d. (234.6.0; 8.4.0; 0.14.6)

Event Comment: Benefit for Mrs Yates [who is named in the Account-Book, but not on the playbill]. Mainpiece: Not acted these 4 years. Monody: Not performed these 3 years [performed 28 Mar. 1781]. With Vocal and Instrumental Music [by Thomas Linley Sen.]. Receipts: #187 10s. 6d. (136/2/0; 51/7/0; 0/1/6; tickets: none listed) (charge: #76 14s. 9d.)

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; M. INT I, compiler unknown]. 2nd piece: In 3 acts. 3rd piece [1st time; ENT I, author unknown. MS: Larpent 695, not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 29, Bow-street, Covent-garden. Receipts: #276 16s. (162/11; 12/18; 0/11; tickets: 100/16) (charge: #110 14s. iod.)

Event Comment: Benefit for Bannister Jun. 1st piece: 1st Time at this Theatre. 2nd piece: By permission of G. Colman, Esq. [as owner of the copyright]. Morning Chronicle, 26 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #681 2s. (392.3.6; 57.18.0; 7.17.6; tickets: 223.3.0) (charge: #211 14s. 5d.)

Event Comment: Mainpiece [1st time; T 3, by William Hayley, based on The Changeling, by Thomas Middleton. And see cg, 10 Nov.]: With new Dresses and Decorations. Afterpiece: 1st time in 3 acts [see cg, 14 Dec. 1784]. Receipts: #120 10s. 6d. (84.15.0; 29.17.6; 5.18.0)

Event Comment: Benefit for Ryder. 1st piece [1st time; F 1, ascribed to Thomas Ryder. Not in Larpent MS; not published]: Taken from Sir Courtly Nice [by John Crowne]. 3rd piece: Never [previously] acted here. [Miss R. Ryder's 1st appearance on the stage was at cg, 16 Apr. 1790.

Event Comment: [Mainpiece in place of THE LIAR, advertised on playbill of 10 June]. The Publick is most respectfully informed that LODOISKA [also advertised on playbill of 10 June] cannot be acted this Evening, on Account of the Indisposition of Bannister Jun. Receipts: #178 17s. 6d. (125/9/0; 46/15/0; 6/13/6)

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Event Comment: Mainpiece [1st time; C 4, by Thomas Holcroft. Larpent MS 1144; not published. Authors of Prologue and Epilogue unknown]. Receipts: #429 5s. (378.1; 44.15; 6.9)

Event Comment: Mainpiece: [By Thomas Odell.] A New Farce. Afterpiece: [By Thomas Odell.] A new Opera

Event Comment: Afterpiece: A new Ballad Opera of one Act. [By Thomas Gataker,]

Event Comment: A new Musical Entertainment of Two Acts never performed before by Thomas Brydges?. Music by Hook

Event Comment: 2nd piece [1st time; CO 3, by Thomas Holcroft. Larpent MS 1242; not published]: With new Music, Scenes, and Dresse". The Music composed by Attwood; the Overture by W. Parke. Books of the Songs to be had at the Theatre. Receipts: #234 2s. (230.19; 3.3)

Event Comment: Mainpiece [1st time; CO 3, by William Linley. Larpent MS 1150; not published]: With new Dresses and Decorations. The Overture and Musick new by W. Linley. Receipts: #245 13s. 6d. (196.9.6; 45.19.0; 3.5.0)

Event Comment: Afterpiece [1st time; M. ENT 2, by William Linley. Larpent MS 1246; not published]: With new Scenes, Dresses, and Decorations. The Overture and Musick entirely new, composed by William? Linley. Books of the Songs to be had in the Theatre. [Notice on playbill of 20 Nov.: The Author of The Pavilion, submitting with deference to the decision of the Public, has withdrawn it for the present to make such alterations as he hopes may render it an Entertainment better entitled to their approbation. (On 21 Jan. 1800, altered, it was acted as The Ring.)] "Miss DeCamp need never wish to have a better foil to her exquisite style of acting, than the puny efforts of Kelly and Mrs Crouch. They may be singers, but never should attempt to perform" (Dramatic Censor, I, 9). Receipts: #291 4s. 6d. (157.3.0; 131.8.6; 2.13.0)

Event Comment: Afterpiace [1st time; M. ENT 2, by William Linley. Larpent MS 1277; not published; synopsis of plot in Dramatic Censor, I, 124-25]: Altered [by the author] from The Pavilion. With new Scenes, Dresses, and Decorations. The Overture and Musick entirely new, composed by [William] Linley. Books of the Songs to be had in the Theatre. [And see 16 Nov. 1799.] Receipts: #270 15s. 6d. (185.2.0; 1.13.0)

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Event Comment: Mainpiece: Not acted these 4 years (notice on playbill of 8 Nov.). Afterpiece: The Musick composed by W. Linley. The Scenery by Greenwood. The Machinery and Decorations by Cabanel, Johnston, Jacobs. The Dresses by Johnston and Miss Rein. The Doors to be opened at 5:15. To begin at 6:15 [see 3 Apr. 1797]. Receipts: #318 4s. 6d. (237.14.6; 76.5.6; 4.4.6)

Event Comment: Mainpiece:In I A Grand Masqueradev. Afterpiece [1st time; M. INT 1, by Thomas John Dibdin]: To conclude with a new Scenic Representation of Britannia Triumphantv. Interspersed With a Variety of favorite old Airs, popular Songs, Parodies, &c. The Overture and new Songs composed and the Music in general arranged by Moorehead. The Machinery invented and executed by Cresswell. Books of the Songs to be had in the Theatre, price Six-pence. Morning Chronicle, 16 Oct. 1799: This day is published The Naval Pillar (price not listed). The afterpiece had reference to the contemplated erection of a "Naval Pillar" on Portsdown Hill, near Portsmouth, in commemoration of the recent victbries of the English navy. A plain pillar is at the last introduced, with the names of the most celebrated admirals on a scroll, round which the sailors and their sweethearts dance with peculiar festivity. The pillar now flies open, and displays a most magnificent and appropriate spectacle--consisting of Britannia, personated by Mrs Chapman, under a rich canopy, with the figures of a sailor and a soldier for supporters, pointing to the letters G. R. over a brilliant sun, which turns on the center; shrouded in clouds above, and surrounded by angels, is a medallion of Lord Howe, and on columns on each side of the canopy are medallions of your great living naval commanders" (Monthly Visitor, Oct. 1799, p. 180). Receipts: #284 10s. 6d. (277.18.6; 6.12.0)