Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas Lewis O\'Beirne"/1) | (@(roleclean,performerclean) "Thomas Lewis O\'Beirne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
10344 results for: Keyword - Thomas Lewis O'Beirne
We found 6692 matches on Author, 2064 matches on Performance Comments, 541 matches on Event Comments, 169 matches on Performance Title, and 0 matches on Roles/Actors.

8801
18 May 1797 @ King's Theatre

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

8802
14 June 1797 @ Covent Garden

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Cast
Role: Principal Pantomime Characters Actor: Simpson, Follett, Delpini, Hawtin, Simmons, Powers, Wilde, Abbot, Thompson, Lee, Rayner, Cranfield, Claremont, Curties, Lewiss, Davies, Mlle St.Amand, Mrs Gilbert, Mrs Norton, Mrs Lloyd, Mrs Blurton

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

8803
28 October 1797 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; F 2, by Samuel Birch, based on James Powell's unacted play, The Narcotic, 1787; incidental music by Thomas Attwood (see 28 Nov.). Larpent MS 1182; not published; synopsis of plot in Morning Chronicle, 30 Oct.]. Receipts: #309 19s. 6d. (222.7.6; 86.1.0; 1.11.0)

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: Fast Asleep

8804
13 November 1797 @ Drury Lane Theatre

Event Comment: [2nd piece in place of Thomas and Sally, advertised on playbill of 11 Nov.] Receipts: #351 14s. (283.16; 66.10; 1.8)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: A Trip to the Nore

8805
05 December 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, 1st published (without assignment of parts) in his Posthumous Dramatic Works, 1813, Vol. I, as The Passive Husband. Prologue and Epilogue by the author (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 205)]. Receipts: #253 8s. 6d. (189.12.6; 60.7.6; 3.8.6)

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

8806
29 March 1799 @ Haymarket Theatre

Event Comment: Mainpiece: A New Oratorio, in Two Parts, the only one composed in this Country nearly these 30 years. Afterpiece: An Ode, in One Part. The Band will wholly consist of Professors of the first eminence, and the Chorusses will be numerously supported by the best Performers in London, assisted by the young Gentlemen of his Majesty's Chapels, and of Westminster Abbey. The music entirely new, composed by Thomas? Busby, who will take the Piano Forte. Boxes 7s. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Grove: [Busby] worked at a setting of Pope's 'Messiah' for some years, and it was produced in 1799 with considerable success as 'The Prophecy.

Performances

Mainpiece Title: The Prophecy

Afterpiece Title: Ocean

8807
17 April 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

8808
16 July 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: Obi

Performance Comment: As18000710 but Chorus of Negro Men-Thomas.
Cast
Role: Chorus of Negro Men Actor: Thomas.

8809
09 May 1777 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Cross Purposes

Dance: End II: Minuet de la Cour and Allemande-Rudd, Miss Ross; End: Double Hornpipe-Rudd, Miss Bassan

8810
22 May 1777 @ Covent Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: As17770515

8811
05 June 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maids The Mistress

8812
08 June 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maids The Mistress

8813
21 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Maids The Mistress

Afterpiece Title: The Lovers Opera

Dance: I: Pierrots-Vallois, Delagarde; V: Scots Dance-Haughton, Mlle Roland

Song: II: The Early Horn Salutes the Morn-Miss Jones; III: Singing in Italian-Mrs Chambers

8814
05 April 1746 @ Drury Lane Theatre

Performances

Mainpiece Title: The She Gallant

Related Works
Related Work: The She Gallant; or, Once a Lover and always a Lover Author(s): Thomas Arne

Afterpiece Title: Harlequin Incendiary

Related Works
Related Work: Harlequin Incendiary; or, Colombine Cameron Author(s): Thomas Arne

8815
22 February 1764 @ Covent Garden

Performances

Mainpiece Title: Midas

Dance: I: Venus Reveng'd, as17631222; II: The Calabrian Peasants, as17631222

8816
23 February 1764 @ Covent Garden

Performances

Mainpiece Title: Midas

Dance: I: Venus Reveng'd, as17631222; II: The Calabrian Peasants, as17631222

8817
24 February 1764 @ Covent Garden

Performances

Mainpiece Title: Midas

Dance: I: Venus Reveng'd, as17631222; II: The Knife Grinders, as17631012

8818
25 February 1764 @ Covent Garden

Performances

Mainpiece Title: Midas

Dance: I: The Knife Grinders, as17631012; II: The Calabrian Peasants, as17631222

8819
27 February 1764 @ Covent Garden

Performances

Mainpiece Title: Midas

Dance: I: Venus Reveng'd, as17631222; II: The Calabrian Peasants, as17631222

8820
28 February 1764 @ Covent Garden

Performances

Mainpiece Title: Midas

Dance: I: Venus Reveng'd, as17631222; II: The Calabrian Peasants, as17631222

8821
29 February 1764 @ Covent Garden

Performances

Mainpiece Title: Midas

Dance: I: The Calabrian Peasants, as17631222; II: The Knife Grinders, as17631012

8822
01 March 1764 @ Covent Garden

Performances

Mainpiece Title: Midas

Dance: I: The Knife Grinders, as17631012; II: The Calabrian Peasants, as17631222

8823
02 March 1764 @ Covent Garden

Performances

Mainpiece Title: Midas

Dance: I: Venus Reveng'd-; II: The Calabrian Peasants, as17631222

8824
05 February 1766 @ Covent Garden

Performances

Mainpiece Title: Cleone

Afterpiece Title: Midas

8825
10 February 1766 @ Covent Garden

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: Midas